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Millumin 4

Millumin 4

Millumin passe en version 4, une mise à jour majeur de la solution pour créer des spectacles audiovisuels orienté théâtre, danse, VidéoMapping et installation interactive.

Millumin 4 est une solution créative pour illustrer vos idées sur scène avec du vivant, vous racontez et jouer vos histoires pour le spectacle en direct. Cette version 4 reste toujours aussi intuitive et puissante, avec une souplesse de connexion de matériels et logiciels dans un flux de travail actualisé constamment.

Les news :
Matrice soft-edge
Warping et masques au niveau du canevas
Sorties incurvées
Routage vidéo (diviser un canevas en plusieurs sorties, Syphon, NDI, Blackmagic …)
Commandes Data-track
Prise en charge ATEM (Mélangeur vidéo Blackmagic)
Prise en charge de NDI V5
Prise en charge PTZ via NDI
Envoyer de l’audio via NDI
Entrée du navigateur Internet
Effet LUT
Effet Chroma-key
MilluNode (remote pour PC)
Effet Skeleton-tracker (Apple M1 uniquement)
Effet détecteur de personnes (Apple M1 uniquement)
Optimisé pour Apple M1 et Metal

Les améliorations :
Améliorations de l’espace de travail pour le trackpad mac
Retour visuel lors du snapping
Indicateur de niveau lors de l’envoi audio via NDI
Effet de couleur séparée
Conversion et installation codec HAP
Génération de la Timeline plus rapide
Optimisations générales des performances

Millumin 4
Millumin 4
Millumin V4
Millumin 4
Millumin 4

Toutes les news sur le site Millumin

Millumin 4 est un billet de LeCollagiste VJ.
LeCollagiste VJ - Mag du LeCollagiste, actu sur la culture VJING, Vidéo Mapping, info video et high tech.

@_aurelien.w VMF 2021 VideoMapping Festival #4 - Recall of the...



@_aurelien.w VMF 2021
VideoMapping Festival #4
- Recall of the technical installation -

📽📽🎛🖥📽📽

#videomappingfestival #projectionmapping #projection #lille #villelille #christiedigital #millumin #image-pro #imagepro #garelilleflandre #iaelille #christieprojector #allenandheath #hkaudio #lightware #rencontresaudiovisuelles #VMF #videomappingeuropeancenter
https://www.instagram.com/p/CWrQ2IPK1sD/?utm_medium=tumblr

@diane_et_julien 🌈Préparation des surfaces pour le #videomapping...



@diane_et_julien 🌈Préparation des surfaces pour le #videomapping 📦 Création décor et vidéo de #matinbrun de Franck Pavloff, Cie @demainexiste, mise en scène @paulinemareysemper 📦 2021
#mapping #millumin #multicolor #scenographie #constructiondecor #decortheatre #creationdecor #décors #spectacle #boîte #carton #boxesonboxes #📦📦📦 #🌈🌈🌈
https://www.instagram.com/p/CWjTGw_KX1Y/?utm_medium=tumblr

@adlibcreations Cathédrale de l'assomption. Montauban (France) ....



@adlibcreations Cathédrale de l'assomption. Montauban (France) . Fresque historique retraçant le 400 eme anniversaire du siège de Montauban par Louis XIII en 1621, à l'origine de la célèbre expression “Faire les 400 coups”. #mapping #videomapping #cathedrale #cathédraledelassomption #montauban #villedemontauban
#fresquehistorique #sonetlumiere #tarnetgaronne #occitanie #adlibcréations #christiangimat #barco #barco4k #millumin #lacoustics
https://www.instagram.com/p/CVnilIaKeCb/?utm_medium=tumblr

@_aurelien.w Projection beam 📽✨✨ #christiedigital...



@_aurelien.w Projection beam 📽✨✨

#christiedigital #christieprojector #projectionmapping #videomapping #millumin #projector #beam #beamer #shootoniphone #iphone11pro #cherbourg
https://www.instagram.com/p/CVniDGaKzsm/?utm_medium=tumblr

La V4 de Millumin en approche

Millumin V4 Beta

Le chef d’orchestre créatif du son, de la vidéo et de la lumière va bientôt nous amener la version 4 du logiciel Millumin en fin 2021 si tout va bien. Millumin est une solution créative pour illustrer vos idées, jouer et raconter vos histoire pour le spectacle en direct. Les news :

Au revoir OpenGL, bonjour Metal, plus à même de rester dans le nouvel environnement d’Apple, Metal et une API pour l’accélération graphique 3D. La version bêta actuelle est optimisée Apple Silicon avec les nouveaux processeurs M1 et toujours compatible Intel. Petit problème de compatibilité sur le Leap Motion et la Kinect sauf avec Rosetta. L’alternative à la Kinect et le Skeleton Tracker pour le Silicon seulement, cette option permet de détecter un squelette dans n’importe quelle image, caméra ou film. Le contrôle PTZ pour les caméras NDI et la prise en charge du NDI 5, l’envoie de l’audio via NDI avec vumètre. Un convertisseur du codec HAP en 1 clic. Des courbes de béziers directement sur la sortie pour des écrans incurvés. Une nouvelle matrice pour le Soft-Edge pour du 2X2 ou du 4X4 et plus, le soft-edge classique horizontale et verticale ne bouge pas. Un compagnon pour Windows le MilluNode permet le contrôle et le partage de la charge de travail et le multi sortie, idéale pour la muséographie par exemple. Le Data Track et mise à niveau pour les commandes de suivi des données de signaux spécifiques comme le MIDI, DMX, OSC… Et pour finir il est désormais possible d’appliquer des déformations et des masques sur la sortie global du canevas.

La suite Bientôt.

Millumin V4 Beta
Matrice Soft-Edge
Millumin V4 Beta
Mapping Global
Millumin V4 Beta
Mask Global
Millumin V4 Beta
Data Track
Millumin V4 Beta
Data Track
Millumin V4 Beta
Millumin V4 Beta
Optimize Codec HAP

La V4 de Millumin en approche est un billet de LeCollagiste VJ.
LeCollagiste VJ - Mag du LeCollagiste, actu sur la culture VJING, Vidéo Mapping, info video et high tech.

Acquisition de Previz et Mapping Matter par Disguise

Disguise

Les emplettes du mois, Disguise acquiert Previz et Mapping Matter, deux outils collaboratifs basé sur le cloud. Previz propose un flux de travail en ligne pour prévisualiser, publier et partager en 3d temps réel vos projets d’événements virtuels, vos présentations, ou spectacles en directs. Mapping Matter quant à lui est un simulateur de VidéoMapping et d’analyse photométrique d’installation audiovisuelle et VidéoMapping. Les deux solutions renforcent le processus de création et la conception technique de projection vidéo.

Dans un environnement simulé, cette solution complète permet de tester des configurations techniques, de construire des modèles 3D temps réel orienté VidéoMapping pour du stage design, des façades architecturales, des murs de LED sur des projets plus fluides.

Communiqué de presse Disguise.

Mapping Matter
Previz

Acquisition de Previz et Mapping Matter par Disguise est un billet de LeCollagiste VJ.
LeCollagiste VJ - Mag du LeCollagiste, actu sur la culture VJING, Vidéo Mapping, info video et high tech.

@_aurelien.w Projection Mapping sur l’Eglise Notre Dame Des...



@_aurelien.w Projection Mapping sur l’Eglise Notre Dame Des Mineurs - Waziers

📽📽💡💡🔥🔥🔊🔊

#projectionmapping #videomapping #videomappingfestival #christiedigital #christiedigitalprojection #millumin #grandma #rencontresaudiovisuelles #douai #waziers #loomprod
https://www.instagram.com/p/CTXk2fOqqX8/?utm_medium=tumblr

Open Call: The International Projection Mapping Competition in Tokyo!

Par : PMAJ
Open Call: The International Projection Mapping Competition in Tokyo!
An international competition that competes for the best in the world with projection mapping video from 1 min to 1 min 59 sec, “1minute Projection Mapping Competition” will be held in December 2021. This time, it will be held at “Meiji Memorial Picture Gallery” in Tokyo! The theme for the competition is “希望 / HOPE”,…

@geraldinekwikmusic Watch the new mapping from the Etam brand on...



@geraldinekwikmusic Watch the new mapping from the Etam brand on their office with my original music + visual by @_aurelien.w and eloifevrier // LoomProd.
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#etam #videomapping #mapping  #motiondesign #animation #animation2d #millumin #aftereffects #photoshop #noel #streetart #originalmusic #frenchcomposer #abletonlive #musicforpaintings #movingimage #digitalartist #night
https://www.instagram.com/p/CRW1FADqbUf/?utm_medium=tumblr

@martinastellatelier Reminiscenze delle linee di luce che...



@martinastellatelier Reminiscenze delle linee di luce che disegnano lo spazio. Scenografia digitale realizzata usando @millumin2
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#projectionmapping #videomapping #womenartist #contemporaryart #lines #graphic #audiovisual #av #installation #digitalart #art #architecture #music #france #drawing #artist #illustration #paris #planespotting #graphicdesign #aircraft #projection #lightart #artwork #exhibition #design #electronic #digitalscenography #show #videoart
https://www.instagram.com/p/CRW0r9jpGy6/?utm_medium=tumblr

Appel à participer Live Performers Meeting 2021

LPM 2021

Le LPM lance son appel à projet au plus grand événement au monde dédié à la vidéo live performée. Le LPM (Live Performers Meeting) recherche des performances AV, du VidéoMapping, des team de VJ’s, des ateliers, des conférences ou encore des installations audiovisuelles interactives.

La 22è édition du LPM se déroulera du 26 au 29 août 2021 à Apulia au Fattizze en pleine aire dans un lieu culturel polyvalent en Italie.

Les inscription sont ouvertes jusqu’au 15 juillet 2021.

Le LPM Apulia offre une occasion de participer à 4 jours de performances audiovisuelles, d’expériences Vjing, d’ateliers, de table rondes, de showrooms, d’explorer les pratiques de performances vidéo en live.

LPM 2021

Appel à participer Live Performers Meeting 2021 est un billet de LeCollagiste VJ.
LeCollagiste VJ - Mag du LeCollagiste, actu sur la culture VJING, Vidéo Mapping, info video et high tech.

HeavyM 2 Live logiciel de VidéoMapping pour tous

HeavyM 2 Live

Une mise à jour majeure du logiciel de VidéoMapping HeavyM en version 2 arrive dans nos contrées. Une nouvelle interface, un nouveau séquenceur équiper d’un nouveau moteur graphique, d’outils de dessin et de courbes de Bézier, et bien sur de nouveaux effets avec les ISF Shaders. Résolument pensé pour les créatifs cette nouvelle version d’HeavyM 2 intègre des effets visuelles génératifs pour du dessin prêts à l’emploi sans passer par du After Effects ou autres, de synchroniser la musique en audioréactif ou d’importer vos contenus pour créer une expérience visuelle très rapidement. Compatible Win ou Mac, Spout ou Syphon, clavier ou contrôle Midi. Intègre un gestionnaire de médias avec playlist.

HeavyM 2 live est à 249 €, pour le lancement il est proposé avec 20 % de réduction pour passer à 199 € jusqu’au 16 mai 2021.

La version HeavyM 2 Pro proposera des résolutions illimitées, du DMX et du NDI avec des conseils d’experts, des accès aux services pro et plus, sortie à venir dans quelques mois.

HeavyM 2 Live

HeavyM 2 Live logiciel de VidéoMapping pour tous est un billet de LeCollagiste VJ.
LeCollagiste VJ - Mag du LeCollagiste, actu sur la culture VJING, Vidéo Mapping, info video et high tech.

@ikus_arte Dos imágenes, dos lugares diferentes, (Aoiz y...



@ikus_arte Dos imágenes, dos lugares diferentes, (Aoiz y Villafranca) un mismo momento “Omnis Terra” de la obra Jubilate Deo de Dan Forrest.
@intemporeabesbatza
📷@mlega
#Jubilate Deo #ikusarte #videomapping #millumin
https://www.instagram.com/p/CNs8qTfJ2v1/?igshid=1b3rf7tj4kw4s

@pluxstudio Videomapping homenajeando a todos los involucrados...



@pluxstudio Videomapping homenajeando a todos los involucrados en esta lucha Vs COVID 19. #Videomapping #millumin #Covid19 #video #motiongraphics #motiondesign #lights #EPSON @millumin2 @epsonlatinoamerica @google @comir_mexico @sectur_mx @visitmexico @gobnau @cdmx_oficial @cdmxtraveloficial @reforma @televisa
https://www.instagram.com/p/CLb55C1Kqin/?igshid=h25wh41i1dwc

@eloifevrier Extrait d’un vidéo mapping pour les fêtes de fin...



@eloifevrier Extrait d’un vidéo mapping pour les fêtes de fin d’années, pour le groupe « Etam ».

Avec @_aurelien.w
Musique : Géraldine Kwik

#videomapping #motiondesign #animation #animation2d #millumin #aftereffects #photoshop #etam #noel
https://www.instagram.com/p/CKGrDg3qryN/?igshid=112a8kwd1nv10

@_aurelien.w Création Originale : VideoMapping sur l’ancien...



@_aurelien.w Création Originale : VideoMapping sur l’ancien site tertiaire Etam.
Fresque poétique évoquant l’art de la filature et la saison hivernale.

Création & Animation :
@_aurelien.w
&
@eloifevrier

#videomapping #projectionvideo #millumin #christiedigital #illustrator #Etam #etamlingerie #Mouvaux #Lille #lilledesign #rencontresaudiovisuelles #LoomProd #motiondesign #creationoriginale #mapping #fresquemapping
https://www.instagram.com/p/CJRBSx9qNV0/?igshid=gmikmpgi5cet

⁣ ⁣⁣ ⁣#repost @luis_satch⁣ ⁣__________________⁣ ⁣⁣ ⁣Otro...




⁣⁣
⁣#repost @luis_satch⁣
⁣__________________⁣
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⁣Otro homenaje a todos los involucrados en esta #pandemia estamos muy agradecidos. Gracias al @gobnau que nos dio la oportunidad de llevar este agradecimiento a más personas, fuimos los primeros en hacer #videomapping en las torres de Satelite y ahora en una basílica que tiene más de 500 años. @pluxstudio @omagicamx @eventosinlimites. Gracias a todos los que hacen posible esto. #video #homenaje #covid #doctores #bomberos #basilicadelosremedios #naucalpan #luces #colores #epson #reflects #lights #3D #millumin #watchout #resolume #aftereffects #motiongraphics #eventos #meetingplanners #meetings
https://www.instagram.com/p/CEaH9tbJAww/?igshid=iwtv4srol26x

⁣ ⁣⁣ ⁣#repost @photographyagf⁣ ⁣__________________⁣ ⁣⁣ ⁣ᴍᴀᴘᴘɪɴɢ...




⁣⁣
⁣#repost @photographyagf⁣
⁣__________________⁣
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⁣ᴍᴀᴘᴘɪɴɢ ᴍᴇ ! 20 🐺⁣
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⁣▶#MedinadelCampo #mappingme #MAPPINGME20 #videomapping #millumin @rodrigotamariz_musicmapping (at Medina del Campo)
https://www.instagram.com/p/CEaIIUXp-HI/?igshid=1qu39o0h5wk70

⁣ ⁣⁣ ⁣#repost @geraldinekwikmusic⁣ ⁣__________________⁣ ⁣⁣ ⁣I’m...




⁣⁣
⁣#repost @geraldinekwikmusic⁣
⁣__________________⁣
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⁣I’m so proud of being part of this new mapping with my original music written for the casino Viage in Bruxelles played by night during full december. ( Boulevard Anspach 1000 Bruxelles )⁣
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⁣Visual Artist : Simon Lebon ⁣
⁣Music and sound design : Geraldine Kwik ⁣
⁣Place : Grand Casino Brussels Viage⁣
⁣https://www.viage.be/fr/ ⁣
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⁣#bruxelles ##brussels #casino #viage #casinonight #videomapping #loomprod  #originalsountrack #musicforpaintings  #mapping #composer #frenchcomposer #musicscore #ambient #composingmusic #sound #sounddesign #art #visual #millumin #madmapper #motiondesign #aftereffects #design #architecturalmapping #projectionmapping #movingimage #digitalartist #night (at Brussels, Belgium)
https://www.instagram.com/p/CDhG-Wipj7z/?igshid=uqppjxxumkcx

Webographie du jour : le Zeef du LeCollagiste

Zeef LeCollagiste

Un collecteur de liens, classés dans des blocs sur la thématique de l’image live sous toutes ses formes, VidéoMapping Software. Une liste de liens sur une seule page avec plus de 280 logiciels, applications et autre média serveur, des outils VJ’s, des tools NDI, Syphon ou Spout.

Méta moissonneur de liens collaboratif et curator VJ depuis 1999.

Zeef LeCollagiste

Webographie du jour : le Zeef du LeCollagiste est un billet de LeCollagiste VJ.
LeCollagiste VJ - Mag du LeCollagiste, actu sur la culture VJING, Vidéo Mapping, info video et high tech.

⁣ ⁣⁣ ⁣#repost...




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⁣#repost @delight_lab_oficial⁣
⁣__________________⁣
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⁣Intervención lumínica de anoche sobre la Torre Telefónica en apoyo al pueblo de Palestina y rechazo a la anexión que se le quiere imponer. Chile es el país con mayor población de palestinos fuera de su territorio, mandamos desde acá un gesto de apoyo y resistencia al pueblo de Palestina y a su gente que vive acá y en el resto del mundo. Compartimos un poema palestino de Casey Cadao del 2016. ⁣
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⁣Sueño de Libertad⁣
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⁣Acuéstate conmigo⁣
⁣y escucha mi canción⁣
⁣De amor y pérdida⁣
⁣De mal terrible⁣
⁣Una tierra de aceitunas⁣
⁣Una tierra de cidra⁣
⁣Una tierra de naranjas y limones⁣
⁣Acuéstate en mis brazos⁣
⁣Hij@ de bendiciones⁣
⁣Sueño de nuestra tierra⁣
⁣con un profundo deseo⁣
⁣Suelo rico, agua clara⁣
⁣antiguo como los olivares⁣
⁣Mientras tenemos hambre y sed⁣
⁣recuperar nuestros recuerdos⁣
⁣Todo para ti hija⁣
⁣Nuestro hogar robado.⁣
⁣⁣
⁣….⁣
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⁣A Light intervention last night on the Telefónica Tower in support of the people of Palestine and rejection of the annexation. Chile, the country with the largest population of Palestinians outside their territory, we send a gesture of support and resistance to the people of Palestine. We share a palestinian poem by Casey Cadao from 2016.⁣
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⁣Freedom Dream⁣
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⁣Lie here with me⁣
⁣and hear my song⁣
⁣Of love and loss⁣
⁣Of dreadful wrong⁣
⁣A land of olives⁣
⁣A land of citron⁣
⁣A land of oranges and lemons⁣
⁣Lie in my arms⁣
⁣child of blessings⁣
⁣Dream of our land⁣
⁣with a depth of wishing⁣
⁣Rich soil, clear water⁣
⁣ancient as the olive groves⁣
⁣As we hunger and thirst⁣
⁣call up our memories⁣
⁣All for you daughter⁣
⁣Our stolen home.⁣
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⁣#savepalestine #noalaanexion #freepalestine #palestinalibre #caseycadao #palestinalibre #palestina #chiledesperto #annexation #palestino #chile #politicart #artepolitico #videoprojection #videomapping #lightart #lightintervention #chileayudapalestina #savepalestine #kufiyya #hattah #trap #millumin #confinamiento #pandemia #covid19 #chile #poesia #poetry (at Chile)
https://www.instagram.com/p/CDDvVavJc99/?igshid=1x40vyj2rp76o

Jonas Denzel Interview – Genius Loci Winners

Par : Marco Savo



Meet the audiovisual artist behind THE SHAPE OF SOUND, projection mapping on the facade of the new Bauhaus Museum in Weimar.

We said it many times: audiovisual is vast and complex, and within audiovisual the different techniques branch out to a myriad of different styles and expressions.

Jonas Denzel here really embraced the think-outside-the-box approach delivering something unique, engaging and playfully attractive.

The projection might not strike at first impact. Nevertheless as soon as you pick up the complex audiovisual interaction and sound design, you realize that you haven’t quite seen anything like that before.

The protagonist is the hand, the starting point of the artistic expression. From a simple gesture the whole audiovisual narrative takes over the building, truly engaging with the audience by inviting them to play along.

As part of our series about the Genius Loci Weimar 2019 winners, our young journalist Marta Minguell asked the creator about his creative process and how he approached the audiovisual event open call.

1. Can you tell us about the interaction design process that is so prominent in this projection mapping artwork?

For me as an artist it is important to let the audience become part of the projection. They should not only look, they should have the chance to actively participate. The interactive part of the projection is based on a musical pattern: it’s called Call and Response.

Basically, one person claps a rhythm and the crowd responds by clapping the same rhythm. In “The Shape of Sound” hands on the façade animate the audience through gestures to participate and rhythmically respond.

It’s a game of call and response. The viewers communicate with their hands. It’s a dialogue between them and the new Bauhaus Museum. By responding to the façade, the audience completes the projection. The rhythms are arranged in a way that they become increasingly difficult.

The simple beginning encourages as many spectators as possible to participate. The increase of rhythmical difficulty is not only challenging but also fun for the audience. It creates a feeling of community.

Genius Loci Winners 2019 - Audiovisual artists
Photo Credits: Henry Sowinski
2. The piece celebrates the power of the gesture as an essential tool to create images and sounds. Which have been your sources of inspiration both in music and visual art for this piece and how did you link them together?

Hands are the oldest tools of mankind. They assist us in our everyday life: to work, to communicate, to make music, etc. The work “The Shape of Sound” is mainly inspired by playing drums.

“Body percussion” is a form of drums, where only hands are used to create rhythms and sounds on the body. I translated this to the new Bauhaus Museum and the projection. One can say it’s now no longer “Body Percussion” but actually “Bauhaus Percussion”.

Sören Schaudel and Jonas Denzel - Audiovisual artists
Photo Credit: Jonas Denzel

The building transforms into an oversized instrument which is played by hands. For me it’s important that not only the visuals but also the sounds refer to the building. This is why the sounds were directly recorded at the new Bauhaus Museum facade.

Together with sound designer Sören Schaudel, sounds and rhythms were recorded on the actual building by knocking on windows, stroking on rough walls, drumming on railings, anything that makes sounds.

These sounds are then arranged in a composition which is an interplay of image and sound. Recording the sounds on the façade is an essential and inspiring part of the design process of the projection.

Genius Loci Winners 2019 - Audiovisual artists
3. Can you share with us your creative approach when submitting an artwork to an open call?

First of all, I study the building, the architecture and its history. I then take a close look at the facade and its architectural structure to imagine what kind of musical instrument the building could be transformed into and how it could sound like.

In the specific case of the new Bauhaus Museum, the fine horizontal architectural lines on the facade were used to create a keyboard which then transforms the building into a huge piano played by over-dimensional hands.

Genius Loci Weimar

Interview to Genius Loci Weimar

The post Jonas Denzel Interview – Genius Loci Winners appeared first on Audiovisualcity.

ruestungsschmie.de and Soundselektor Interview – Genius Loci Winners

Par : Marco Savo



Meet the audiovisual artists behind REMAKE³, projection mapping on the facade of the German National Theatre (DNT) in Weimar.

ruestungsschmie.de are absolute masters of the video mapping technique while Soundselektor crafts unique soundtracks intertwined with the visual narrative.

The audiovisual duo has a very analytical and technical approach to the audiovisual art. Their aim is to get as close as possible to the architecture and its role within the urban environment.

The result is a mind-blowing explosion of structural elements hitting hard on the viewer’s senses. Every single element is visually enhanced and undergoes numerous levels of abstractions, constantly oscillating between the architectural and the geometrical.

We had the chance to see their artwork NUCLEUS³ live at Signal Festival 2018. An audiovisual thunderstorm infusing every element of the facade with vibrant life: another of their masterpiece!

As part of our series about the Genius Loci Weimar 2019 winners, our young journalist Marta Minguell asked the creators about their creative process and how they approached the audiovisual event open call.

1. Can you tell us about how you constructed the abstract story-line for the visual narrative and the relationship with the sound experimentation?

The graphics are buildings on top of each other, they slowly evolve from simple to complex. The journey is the destination. We visualize our work-process as a part of our creation.

Our work is multi-layered. Each layer describes a fragment of a topic. By adding the layers on top of each other we create a multi-topic collage. 

In the first layer, the absolute beginning, we chose the main “topics” to work on graphically. In this case the architecture, the facade composition and the historical and urban context of the Deutsches Nationaltheater Weimar.

Being architects, we believe that the building plays the part of the protagonist. Our main instruments for the visual narrative creation are building plans, sections, 3D-models, satellite images, 2D and 3D geodata, plans and models of the surroundings and finally the landscape of the city itself.

Genius Loci Winners 2019 - Audiovisual artists
Photo Credits: Oliver Blum

In the second layer we reflect upon the historical, political and social impact of the Nationaltheater in the past, present and future. With this in mind as well as the current political and social development in Germany and Europe we decided we have to make some kind of statement, in using clear font. Finally, the categorical imperative (Kant) and its analogies found in the different world religions seemed to be the right answer.

The third layer is the sound design. Obviously it is important for composing the atmosphere in the visuals. We try to envision what will happen visually. We start working in 2D and 3D.

As soon as we have a rough cut, we send it to Jarii van Gohl / Soundselektor (our sound magician). Then he works on the sound composition and sends it back to us. Then the ping-pong-game starts, by sending back and forth. This goes on until we achieve the desired result. 

2. The projection mapping features a great variety of textures and patterns. How did you create them and what tools did you use?

We use very different techniques to create our visuals. We create 3D models from architectural drawings and Geo-data. We also use 2D video footage to create 3D objects importing them in 3D programs. A technique we have been constantly working on and refined over the years.

We also use different techniques offered by video editing software like DaVinci Resolve and others. For 3D we mostly use Cinema 4D and some known and unknown Plugins.

Genius Loci Winners 2019 - Audiovisual artists
3. Can you share with us your creative approach when submitting an artwork to an open call?

It really depends on the task. First of all we analyze the object and its context. Typically, it is a building. We look at the facade, its specific details, patterns and composition and try to find plans and sections of the building.

We then look at the building’s history, the location within the city and the surroundings. Google Earth is our good friend there. When we can, we try to visit the city and see everything live.

Often there are given topics. Thereafter we start the conversation. Talking and sketching are the main instruments here. We shout out ideas and discuss them. This process leads to new ideas, which are also discussed and the wheel begins to turn. Eventually we find a concept which we can all agree on. 

Then the typing starts. We try to formulate our ideas the way an “outside” person would interpret it. Meanwhile the visualization starts. We try to squeeze in as much concept as possible within little pictures.

Finally we work on matching the text and the visuals, which is always a good test for the concept itself. If we cannot connect the written words with the images we created, we know there is a bug and we know what to do. Finally we add some artistic flavors and statements.

Then we win the call, the game begins and a new discussion starts. We love it!

Genius Loci Weimar

Interview to Genius Loci Weimar

ruestungsschmie.de

The post ruestungsschmie.de and Soundselektor Interview – Genius Loci Winners appeared first on Audiovisualcity.

Laura Seitz and Daniel Pitts Interview – Genius Loci Winners

Par : Marco Savo



Meet the audiovisual artists behind REVERSE IMAGINATION, projection mapping on the facade of the MON AMI cultural centre in Weimar.

Laura Seitz and Daniel Pitts’ audiovisual work stands out for its detailed storytelling and figurative approach.

Rather than opting for simply highlighting the architecture, they have decided to tell us the story behind the construction of the building, through a captivating audiovisual narrative.

As part of our series about the Genius Loci Weimar 2019 winners, our young journalist Marta Minguell asked the creators about their creative process and how they approached the audiovisual event open call.

1. What are the main references that inspired you to create the “Reverse Imagination” audiovisual narrative?

In order to start the foundations of the building, the people of Weimar had to drain parts of a swamp located in this area. Without that effort the construction of the MON AMI would not have been possible.

We found this tedious task to be a good symbolic starting point for a broader approach to the theme: individuals working together to open up space for their community.

The ground, that otherwise would have been inaccessible or even hostile to life, became fertile. Ideas that couldn’t be previously heard can now be shared and developed.

The whole building can be perceived as a foundation stone for decades of dialogue, cultural and artistic expression, political engagement and countless untold personal stories that otherwise would have not been possible.

We reenacted that progress, but not in a historically accurate way. Instead we opted for a fantastic reinterpretation of the construction of the building. Abstract beings finding themselves back in the former swamp surrounded by ruins and rubble.

They are there to rebuild an alternative MON AMI, revealing more of the
inner nature of the place than the facade might be able to show on its
own.

Laura Seits and Daniel Pitts - Audiovisual artists
Photo Credits: Henry Sowinski
2. Can you tell us about the techniques you used and the creative process you followed to create this animation mapping piece?

We wanted to put emphasis on the audiovisual story telling in this work right from the beginning. So we did a fair amount of writing work and concept art, to develop a solid narrative structure, that is engaging and suitable for the site.

Furthermore we had to consider the different spectators experiences, due to the wide range of viewing angles and visual obstacles, like trees in front of the building.

Since our story evolved around the fictitious rebuild of MON AMI, we tried not only to superimpose imagery onto the real world structure.

Instead we referenced it and played with its spatial perception to immerse a viewer even further by forcing perspectives and vanishing points.

While the composition of the different elements, their movements and lighting was done in a digital 3d environment, almost all visible surfaces were hand drawn, scanned and then integrated into the scene.

This mixture of analog and digital technology enabled intriguing animated movement, dynamic lighting and complex scene setup. But it was also providing the necessary detail, texture and imperfection that created a natural and tangible look, even at the scale of such a mapping piece.

Genius Loci Winners 2019 - Audiovisual artists
3. Can you share with us your creative approach when submitting an artwork to an open call?

Genius Loci Weimar 2019 was the first video mapping project that we did of that kind. Visiting the audiovisual event in recent years, gave us an impression of the unique mood in the streets of Weimar during those nights.

Entire areas of the city seemed to be immersed in a dream-like state. Yet all the locations featured different atmospheres achieved in many different ways.Inspired by that we were eager to create our own approach reflecting our interests and skill sets.

For the submission we wanted to create an artwork that well portrays
our stylistic decisions as well as giving a glimpse of the narrative
structure we planned for the full animation piece.

At the same time, we were trying to figure out whether our ideas could work on a medium that we only knew from a spectator’s point of view back then.

Genius Loci Weimar

Interview to Genius Loci Weimar

The post Laura Seitz and Daniel Pitts Interview – Genius Loci Winners appeared first on Audiovisualcity.

Formation Vidéo Mapping

Formation LeCollagiste

Le VidéoMapping est une expérience visuelle projetée sur des volumes, c’est une transformation d’un objet réel par le virtuel, poussé un trompe l’œil animé anamorphosé en esthétique d’illusion d’optique narrative et sensitive.

Le concept de spectacle homme-machine oriente le spectacle vivant vers une transformation temporelle augmentée en temps réel grâce à la vidéo. Le VidéoMapping permet de créer des multivers graphiques audiovisuels ou le spectateur est au cœur de l’œuvre projetée.

Formation LeCollagiste

LeCollagiste propose des formations professionnelles sur le VidéoMapping avec les logiciels Millumin (formateur officiel) ou Resolume Arena. Elles sont organisées toute l’année en présentiel ou à distance (scénario de formation à distance avec un flux de travail audiovisuel immersif en vidéo par IP). Gestion de projet VidéoMapping, les codecs vidéo, les formats vidéo, les connectiques, la vidéo par IP mise en place des NDI Tools, le contenue génératif audioréactif seront abordés durant les sessions.

Formation LeCollagiste

Les formations sont accessibles aux salariés d’entreprise culturelle, aux artistes auteurs (MDA, AGESSA) aux intermittents du spectacle : infographistes, techniciens et régisseurs vidéo, lumière et son, metteurs en scène, réalisateurs, monteurs, scénographes, chorégraphes, designers, architectes …

Les formations VidéoMapping sont éligibles au CPF ou AFDAS en groupe de 6 personnes max sur une période de 5 jours en continu, toute l’année.

Contactez moi.

Formation LeCollagiste
Studio vidéo LeCollagiste

Formation Vidéo Mapping est un billet de LeCollagiste VJ.
LeCollagiste VJ - Mag du LeCollagiste, actu sur la culture VJING, Vidéo Mapping, info video et high tech.

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