Let's take a look at how different a layer animates when the anchor point is in various locations, and how this will affect your end product.
In this tutorial, you’ll learn how to harness the power of grayscale noise in Adobe After Effects. Let’s get started! No matter the type of project you’re …
Two companies with similar visions collaborate to meet real user needs Broadcast specialist nxtedition has formed a partnership with Singular.live, the cloud-native graphics platform. Together, users will be able to add dynamic, responsive graphics and overlays into playout timelines in an HD-SDI/IP environment, greatly adding to the operational convenience as well as connecting information and engagement into the live ...
These 3D artists inspire, teach, and help elevate your own creative endeavors. Here are ten C4D artists you need to follow.
Friedrichsdorf, Germany – May 13, 2021 – Maxon just announced its lineup of speakers for its May 3D & Motion Design Show, the free-to-attend virtual series of artist-focused presentations for 3D and motion graphics artists. Coming off the heels of the three-day April 3D & Motion Design Show, which launched Cinema 4D S24, attendees will ...
Polygon Labs, an innovative studio pushing the boundaries of interactive data applications and visual branding, has announced the expansion of Polygon Porta Gateway, the company’s workflow enabler that bridges the gap between TV content production workflows and the Unreal Engine 3D visualization tool for broadcast production. Porta, which is used by a number of broadcasters ...
The post Polygon Labs Announces Expansion of Porta Gateway Workflow Enabler to Broaden Capabilities of Unreal Engine appeared first on NAB Show News | 2021 NAB Show Media Partner and Producer of NAB Show LIVE. Broadcast Engineering News.
Public broadcaster joins the many commercial media companies worldwide relying on Versio and ADC TORONTO, April 26, 2021 – Knowledge Network, the public educational broadcaster in British Columbia, Canada, has upgraded its playout facility near Vancouver with a future-proof, software-based channel creation solution based on Imagine Communications’ widely deployed Versio™ integrated playout platform and ...
The post Canada’s Knowledge Network on Air with Imagine Playout Automation System appeared first on NAB Show News | 2021 NAB Show Media Partner and Producer of NAB Show LIVE. Broadcast Engineering News.
Implementing the fundamentals of animation is no easy task. Here's a quick guide to understanding and applying the basics in animation.
Pixel Power, the global leader in graphics production and master control playout automation, has delivered a configurable StreamMaster PRIME system to WFMJ, the NBC and CW affiliate in Youngstown, Ohio. The new StreamMaster PRIME is a direct replacement for an existing Pixel Power LogoVision graphics generator. StreamMaster PRIME is a turnkey appliance, implemented in software running ...
Maxon rebrands while adding new animation tools and more to Cinema 4D and finally releasing Redshift for the latest Mac computers.
Enhances Creative Solutions’ premium live streaming technology for the global content creator community The acquisition marks the first gaming venture for Creative Solutions Transaction to include Lightstream Studio, Lightstream Cloud, and Rainmaker.gg It complements Creative Solutions’ overarching strategy to develop innovative video technology for content creators alongside Teradek, SmallHD, Wooden Camera and Amimon Watch ...
The post Creative Solutions Acquires Lightstream to Expand into Gaming and Strengthen Cloud Offering appeared first on NAB Show News | 2021 NAB Show Media Partner and Producer of NAB Show LIVE. Broadcast Engineering News.
Polygon Labs, an innovative studio pushing the boundaries of interactive data applications and visual branding, has announced its new Visual Data Plugins and Asset Hub software to expand the use of the Unreal Engine 3D creation tool for broadcast applications. The two new products join Polygon Labs’ Porta workflow enabler (used by multiple Vizrt customers) ...
The post Polygon Labs Announces Visual Data Plugins and Asset Hub software to broaden the use of Unreal Engine appeared first on NAB Show News | 2021 NAB Show Media Partner and Producer of NAB Show LIVE. Broadcast Engineering News.
Motion capture animation is now something you can do in the comfort of your own home. Give it a try right now, for FREE.
Award-winning artist Jonathan Winbush discusses his experiences selling NFTs and his advice for new artists entering the crypto art world.
If Cinema 4D was a person, they definitely wouldn’t be approachable, but they'd be the coolest person you've ever met.
In this video tutorial, learn how to get started making voxel art with MagicaVoxel. FREE project files included.
@pluxstudio Videomapping homenajeando a todos los involucrados en esta lucha Vs COVID 19. #Videomapping #millumin #Covid19 #video #motiongraphics #motiondesign #lights #EPSON @millumin2 @epsonlatinoamerica @google @comir_mexico @sectur_mx @visitmexico @gobnau @cdmx_oficial @cdmxtraveloficial @reforma @televisa
Interfaces, hologrammes, projets futuristes… DNeg met à jour sa bande démo motion graphics. On y retrouvera des films et séries allant d’Altered Carbon à Deadpool 2, en passant par Fast and Furious presents: Hobbs & Shaw.
Take a look at what I learned by completing the iconic donut tutorial series in Blender, and whether or not it's right for you.
The Pick Whip is a motion graphics game-changing tool in Adobe After Effects. Let’s explore what it does and how to use it.
Learn how to design animated corporate titles in After Effects for your video production projects.
Little Mix put into virtual stadium setting thanks to precision camera tracking Mo-Sys Engineering, a world leader in precision camera tracking solutions for virtual studios and augmented reality, took a central role in the Covid-safe production of a live online entertainment awards show. Normally held in a stadium venue, this year production company and media ...
ClassX CG applications updated for multi-channel 4K/UHD I/O support with KRONOS K8 North Melbourne, Australia, 24 November 2020 – Bluefish444, manufacturer of the professional video industry’s highest-quality uncompressed video interface cards and signal converters, announces official support for ClassX LiveBoard software version 6.6 with KRONOS K8. The ClassX LiveBoard family encompasses a broad range of ...
The post ClassX LiveBoard V6.6 supporting Bluefish444 KRONOS K8 SDI I/O with 4K/UHD 60p appeared first on NAB Show News | 2020 NAB Show Media Partner and Producer of NAB Show LIVE. Broadcast Engineering News.
From vintage sound effects to custom animated transitions, here’s everything we released during this year’s Free Week. I think we can all agree that one of the ...
Add some captivating frame-by-frame animated texture to your videos and designs with this collection of 18 FREE animated textures. Download here.
These free hand-painted animated fonts were painstakingly painted frame-by-frame to give your titles and design a fun, energetic, and authentic feel.
With these FREE animated motion graphics templates for Premiere Pro, you can add some eye-catching animated titles to your edits — quickly and easily.
Otro homenaje a todos los involucrados en esta #pandemia estamos muy agradecidos. Gracias al @gobnau que nos dio la oportunidad de llevar este agradecimiento a más personas, fuimos los primeros en hacer #videomapping en las torres de Satelite y ahora en una basílica que tiene más de 500 años. @pluxstudio @omagicamx @eventosinlimites. Gracias a todos los que hacen posible esto. #video #homenaje #covid #doctores #bomberos #basilicadelosremedios #naucalpan #luces #colores #epson #reflects #lights #3D #millumin #watchout #resolume #aftereffects #motiongraphics #eventos #meetingplanners #meetings
It all begun in 2009. After quitting my job as an engineer I moved to Madrid to study a Master in Motion Graphics while making my first experiences in the world of video art.
In 2010 I started up several collaborations with art organizations in Madrid and they proposed to me to shoot a dance performance by the choreographer Iratche Ansa.
The performance was going to be held at the Matadero in Madrid. From that recording I put together my first video dance “Comunicación Interpretación Automática” which had a very good reception.
A few months later I made my first dance pieces with live visuals with choreographer Barbara Fritsche.
Thanks to those projects I was able to work on the musical “Hoy No Me Puedo Levantar” in 2013. In 2014 I directed my first proper theatre show: “Girasomnis”.
I try to “connect” the visuals with the dancers. Sometimes I encourage the dancers to “connect” or follow my visuals.
In this project I also composed the music. This is very useful as I have better control of the creative process. With this project I tried to evoke feelings in the audience without words: just images, dance and instrumental music.
This quarantine caused an abrupt stop in my job, but also gave me time to start imagining something new.
The idea was born during the first week of confinement. At the start, It was simple: I just wanted to publish some of our best projects and make them public. But I also felt a need for a change.
The last 3 years I was quite disconnected from my artistic side due to working mostly on commercial projects.
I was just focusing on making money to pay my bills and trying to have a stable team for audiovisual production. The outbreak of the Covid-19 has been an absolute shift in our work. We started questioning the possibility of doing our shows as we did before.
So, in April I started to visualize and write a synopsis of this new project. I then decided to publish “Dance Mapping Virtual Tour 2020” as a memorandum of all these years of physical shows.
This new production is planned to be released in VR and physical 360 projection format in late 2021.
When I have the budget I can work with some powerful audiovisual freelancers from my network of collaborators. Failing that I work alone.
I also work with very talented dancers/choreographers from Barcelona. During the years they started to understand my ideas and transform them in beautiful choreographies.
I have mostly 2 ways of work. I compose a music draft and then I work on the visuals and choreography or vice versa: I make a draft of visual content with a draft choreography and I try to match the sounds and music.
Sometimes I give leeway to the dancer, so they can create their own choreography and then I create the visual content following their movements.
In the last few years I also worked with some talented musicians for a faster audiovisual production.
This was a concept from Roman Torre. In 2015 I shared a space with him and we collaborated together on a video mapping of a rotating stone. It was a nice project called Liquid Series.
In the video mapping area I also tried to develop innovative concepts, differing from the typical big projection on a building facade. 2 Years ago I started to develop the concept of “Holomapping”. I am planning to finish it next year as well.
Nowadays, it is possible to learn a lot following digital online courses, but it is always better if somebody guides you. As with everything in life the best way to learn is practice, making mistakes and improving.
Spain is not the best country for arts, I would say. As far as I know French artists or from other European countries have more grants and support from their governments, but everything is possible if you are passionate about your work.