Moog is back with the launch of their newest synthesizer: the Subharmonicon. It’s a semi-modular polyrhythmic analog synth with a 6-tone sound engine and a multi-layered clock generator. The Subharmonicon was built, according to Moog, to “explore the world of subharmonics, polyrhythms, and the unique relationships they create.” The Moog team continued on to describe […]
Evan Henry, from Dallas, Texas, is a truly multidisciplinary AV artist, who primarily works visually under the artistic name Cinema AV, but who is also known to write ambient music scores with both analog and digital synthesizers. His work embraces both analog and digital set ups, with his main interest visually representing sound.
What began as a love of photography, cinema and found footage grew into something much greater when in 2015, Evan was introduced to video circuit-bending and once-obsolete video electronics. Using these pieces in a live performance setting was always his goal, and from the get-go, tachyons boxes, vcrs, and video mixers turned into buying used Gieskes 3trinsrgb+1c standalone video synthesizer, building its expanders and just over a year later, the LZX cadet and castle line of DIY eurorack modules.
From there, video art went from beyond a hobby, to a complete way of life. Reliant on live performance, he plays at gigs relentlessly for both local, and touring artists alike. In 2018, he joined Ghostly Intl.’s Steve Hauschildt on a tour through the East Coast and Canada. He became the resident visual artist for Proton Limited in Dallas, Texas in 2019. These motions set the stage for a constantly evolving motion in the live visual dimension.
Cinema AV’s work extends itself to instant and 35mm film renderings and has appeared in galleries and pop-up’s throughout North Texas. But when not playing live, or coordinating visuals for Dallas Ambient Music Nights, Evan is occasionally writing or building a set of modules for fellow artists.
The result is an infinitely growing body of work, that in the last few years has expanded itself into largely digital dimensions in Resolume Arena and Max/Msp.
The third act of the triology of Lapsus Festival 2019 welcomed Cuzanne Ciani, a pioneer of sound design and electronic music, pianist and powerful creative mind who opened the way to many other female artists.
Lapsus is the sixth edition and is divided into three special events. After ACT 1 in which the sounds of the Eastern Europe were explored through the collaboration with Unsound Festival in Poland; ACT 2, with multidimensional sounds of Moritz Von Oswald and Pina; and ACT 3, by the title of A Sonic Womb, a journey through the powerful beginnings of female electronic music.
In ACT 3, A Sonic Womb took place in CCCB with the performances of Suzanne Ciani and Eva Geist. Also Philip Sherburne talked with Suzanne Ciani about her life experience in the field and there was a projection “Circle of Light” by Anthony Roland with the soundtrack of Delia Derbyshire and Elsa Stansfield. This edition explored the beginnings of women in electronic music thanks to the immersive sound environment designed by Intorno Labs. In the night, more artists performed at LAUT.
EVA GEIST (Live)
Geist is a Vocalist, Songwriter, Composer, Synthesist and Sound Designer. She invited us through a cinematographic musical journey with peculiar melodies, warm rhythms and atmospheres with space disco – since 2016, Andrea Noce has been buliding recognised and respected work in the electronic music scene, publishing her work on record labels such as Macadam Mambo, Hivern Discs and Elestial Sound.
SUZANNE CIANI (Live)
After 40 years of professional trajectory, she has been nominated five times in Grammy awards, and her work has been important to understand the beginnings of the synth music. In her show at Lapsus she brought an exclusive performance with the modular synthesizer Buchla 200e.
Circle of Light (Projection)
This project is a film in colour of 32 minutes directed by Anthony Roland and developed through the photographic material of Pamela Bone. The soundtrack was signed by Delia Derbyshire and Elsa Stansfield. The composers had ideas that were innovative in their times.
Infinite Waves (Conversation between Suzanne Ciani and Philip Sherburne)
The well-known Philip Sherburne (Pitchfork, The Guardian) interviewed the American producer Suzanne Ciani at CCCB. Both talked about the professional career of Ciani, and of the female on the electronic scene in the 70s until the present day.
After attending ACT 3 of Lapsus Festival, with Audiovisual City, we felt kind of inspired and proud of Suzzane Ciani, a strong and brave woman who fought to work for what she loves doing despite the cultural circumstances of the moment. We also felt proud of Eva Geist, who made us dance and enjoy her incredibly special rhythms. In general, the work of the artists in this edition was impressive.