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Editing Pocket 6K Files in Resolve with a Low-Performing Computer

Par Lewis McGregor

We've previously covered offline editing and proxy workflows, but in this article, we'll cover methods to make your 6K RAW editing more amicable.

Glowing Results: Grading Skin Tones in DaVinci Resolve

Par Rubidium Wu

We're going to use DaVinci Resolve to get balanced, glowing skin tones in just a few easy steps — without affecting your other edits.

Working with Super Slow Motion in DaVinci Resolve

Par Rubidium Wu

In this writeup, we'll take a look at the slow motion dexterity of DaVinci Resolve 16 — as well as its proficiency and economic potential.

Top Alternatives to Premiere Pro in 2019 — Free and Paid

Par Robbie Janney

Hesitant to throw down $50 a month to pay for an Adobe membership? Here are all the NLE alternatives that you have available to you — both ...

“Sneaky Pete” Color Corrected In DaVinci Resolve Studio

Par Zazil Media

Fremont, CA, USA – Friday, September 27, 2019 – Blackmagic Design announced today that season 3 of Amazon Prime Videos’ critically acclaimed series “Sneaky Pete” was colored in DaVinci Resolve Studio by senior colorist Scott Ostrowsky of Deluxe’s Level 3. Ostrowsky, a veteran colorist with more than 25 years’ experience, has colored hit shows such ...

Review: ERA’s Simple-to-Use Audio Repair Plug-ins

Par Charles Yeager

Audio repair tools are always in demand. The ERA 4 Bundle audio repair plug-ins claim to be simple and fast. So, let's put them to the test.

Chinese Blockbuster Chasing the Dragon II Graded by RGBworks Studios with DaVinci Resolve Studio

Par Zazil Media

Fremont, CA – September 26, 2019 – Blackmagic Design today announced that the Chinese film “Chasing the Dragon II: Wild Wild Bunch,” was graded by colorist Sun Wong with Guangzhou based RGBworks Studios using DaVinci Resolve Studio and DaVinci Resolve Advanced Panel. Directed by renowned Hong Kong directors Wong Jing and Jason Kwan, starring Tony Leung, Louis ...

C&I Studios Relies on DaVinci Resolve 16 Studio’s Cut Page for Social Media Deliverables

Par Zazil Media

Fremont, CA – August 21, 2019 – Blackmagic Design today announced that C&I Studios, a global content creation agency, is using DaVinci Resolve 16 Studio’s new cut page for faster than ever editing. Relying on DaVinci Resolve 16 Studio for end to end post production, including editing, color grading, visual effects (VFX) and Fairlight audio, C&I ...

New Australian Sci Fi Film Quanta Shot on URSA Mini Pro and Graded with DaVinci Resolve

Par Zazil Media

Fremont, CA – August 15th, 2019 – Blackmagic Design today announced the new sci fi film “Quanta” was shot entirely on an URSA Mini Pro, while grading was done using DaVinci Resolve Studio. The film is one of the first globally distributed films by the new Melbourne based film production company and film collective Raygun, and ...

Blackmagic Design Announces DaVinci Resolve 16.1

Par Zazil Media

Fremont, CA, USA – Thursday, 8 August 2019 – Blackmagic Design today announced DaVinci Resolve 16.1, a new update to the company’s popular edit, color, visual effects and audio post production software that includes major updates to the new cut page to help create the world’s fastest editor. DaVinci Resolve 16.1 public beta is available ...

BMPCC4K Tips: The Difference Between Constant Bitrate and Constant Quality

Par Lewis McGregor

Today, we're going to focus on new encoding options that come with Blackmagic RAW: Constant Bitrate and Constant Quality. 

‘Quezon’s Game’ Edited and Graded in DaVinci Resolve; Shot on Blackmagic Design Cameras

Par Zazil Media

Fremont, CA – July 23, 2019 – Blackmagic Design announced today that Matthew Rosen’s film “Quezon’s Game” was shot using Blackmagic Design cameras, with editing and color correction done in DaVinci Resolve Studio. The Philippine historical drama was released worldwide in May of 2019 and has received more than 20 international film awards. The film, shot ...

NLE Showdown: DaVinci Resolve vs. Adobe Premiere Pro — Text Effects

Par Lewis McGregor

In this NLE showdown, we compare the text and title generators in Adobe Premiere Pro and DaVinci Resolve — and there's a clear victor.

Harnessing The Power of Facial Refinement in DaVinci Resolve

Par Darin Bradley

The Face Refinement Tool allows for a quicker coloring process, while putting those tools into the hands of non-colorists.

NLE Showdown: DaVinci Resolve vs. Adobe Premiere Pro — Processing Power

Par Lewis McGregor

Today, we're looking at the financial implications of how the CPU dependent Premiere competes against the GPU leaning Resolve.

NLE Showdown: DaVinci Resolve vs. Adobe Premiere Pro — The Cost

Par Lewis McGregor

In this showdown, we look at how these two powerhouse programs affect the user, specifically in regards to how much each program costs.

Duplitech Relies on Cintel Scanner 2 for HDR Film Scanning

Par Zazil Media

Fremont, CA – June 28, 2019 – Blackmagic Design today announced that Duplitech, one of L.A.’s most respected independent media service labs, is using a host of Blackmagic Design gear, including Cintel Scanner 2 for high dynamic range (HDR) film scanning. Duplitech found that Cintel Scanner 2 performs exceptionally well on 16mm film, having recently worked with ...

Elton John’s Rocketman Graded with DaVinci Resolve Studio

Par Zazil Media

Fremont, CA- June 20, 2019 – Blackmagic Design has today announced that its DaVinci Resolve Studio was used throughout the color pipeline on Paramount’s new musical biopic about Elton John’s breakthrough years produced by Marv Films & Rocket Pictures and directed by Dexter Fletcher. Lensed by DP George Richmond, BSC, Rocketman’s on set DIT workflow was ...

Download, Prep, and Import Song Stems to Your Favorite NLE

Par Robbie Janney

Track stems can be extremely versatile when layering music in your project. Find out how to use them in Premiere, Final Cut, and DaVinci Resolve.

Learn How to Fix a Variable ND Filter Vignette in DaVinci Resolve

Par Lewis McGregor

A variable ND filter is handy for run-and-gun filmmakers, but it's not perfect. Here's how you can correct some of the issues that may arise.

Working with Different Frame Rates in the Same File in Resolve

Par Lewis McGregor

So you need two clips from the same video file at different frame rates in your DaVinci Resolve timeline? No problem — here's how you do it.

From “The Wizard of Oz” to “Transformers”: 100 Years of Color Grading

Par Darin Bradley

Since the early 20th Century, color has been an integral part of cinema. Here's how to recreate some of the most iconic trends in DaVinci Resolve.

Why You Should Wait to Download Your NLE’s Beta Release

Par Lewis McGregor

It’s always exciting when the latest version of your favorite editing program comes out. But should you download it right away?

Review: DaVinci Resolve 16’s Cut Page — Is It Any Good?

Par Lewis McGregor

If you're an editor on the move, DaVinci Resolve 16's new Cut Page can really improve your workflow. But if you're not, then maybe not.

DaVinci Resolve’s New Object Removal Tool — Is It Any Good?

Par Lewis McGregor

Does the new Object Removal Tool in DaVinci Resolve 16 stand up to Adobe's Content Aware Fill? Here's what you need to know.

A Rundown Of The Edit Page Changes in DaVinci Resolve 16

Par Lewis McGregor

In this roundup, we go over all of the updates to the Edit Page in DaVinci Resolve 16 — and what they mean for your projects.

How to Upload to YouTube Directly from DaVinci Resolve 16

Par Lewis McGregor

Blackmagic is bringing DaVinci Resolve to online content creation with simplified interfaces and direct upload to YouTube and Vimeo.

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