FRISCO, TEXAS – January 11, 2021 – MediaKind, a global change leader in media technology and services, today announces Amy S. Marmolejo as Chief Financial Officer (CFO). Marmolejo joins the Company with an extensive background in advising, developing and leading world-class financial organizations for both domestic and international corporations. She reports directly to Matt McConnell, CEO. Marmolejo ...
From gear choice to editing, here's everything you need to know about creating high-quality vlog video content while on the go.
Sur le troisième trimestre 2020, c’est donc Mediatek qui prend la tête en terme de part de marché sur le segment des SoC ARM pour smartphones indique Counterpoint. La marque, moins médiatisée que Qualcomm, Apple ou Samsung, pèse désormais 31% des parts de marché.
C’est une belle évolution par rapport à la même période un an plus tôt. En 2019, Mediatek pesait 26% à côté d’un Qualcomm qui paradait à 31% sur le secteur. En 2020, Qualcomm a réduit la voilure à 29% mais c’est sans conteste Samsung qui a le plus perdu sur le terrain avec une chute de 16% à 12% au global.
En regardant les chiffres suivant les régions, les progressions de Mediatek sont encore plus flagrantes. En Amérique Latine, la marque bondit de 19% à 41% de parts de marché. Mais elle progresse également en Asie de 34 à 39% et en Inde de 35 à 46%. Hisilicon disparait totalement de ce dernier marché au troisième trimestre 2020. Qualcomm progresse en Europe mais baisse en Amérique Latine et en Inde.
Huawei, sous la marque HiSilicon, résiste bien. La marque est portée par son marché intérieur qui lui a permis de ne pas trop souffrir de l’embargo américain mais c’est clairement Mediatek qui fait les plus grosses progressions.
Attention, ces chiffres ne donnent que les parts de marché des différents fabricants. Ils ne reflètent en rien les bénéficies réalisés. Apple est ainsi très en retrait sur ces segments avec 3% du marché seulement mais ses bénéfices doivent être assez important. Pour Qualcomm même constat, si sa part de marché diminue, son bénéfice doit être sans commune mesure avec celui de Mediatek. Les solutions diffèrent largement et les résultats engrangés par chaque partie sont très variés.
Mediatek ne fait pas de publicité pour ses puces, pas plus que la marque ne propose de partenariats marketing avec des constructeurs comme peuvent le faire des concurrents, son argument phare est clairement lié au prix de ses solutions. Ce qui ne lui permet sans doute pas de faire autant de marge que ses concurrents. Un schéma qui semble fonctionner pourtant. Pour Qualcomm, la solution est d’injecter beaucoup d’argent dans la recherche et développement et le marketing. Tout comme Apple ou Samsung. Mediatek se laisse plus porter par les différentes sorties d’ARM que la marque reprend à son compte. Tout en comptant sur le bon rapport performance / prix de ses puces pour faire sa publicité.
Reposted from @opus3: “- FALTA - de Claudia Yolin.
Una obra sin performers humanxs, solo luz, que montamos para grabar durante 2 semanas en @centrogam
⠀📸 de @sebapereiraco
#lightingdesign #theatre #etcelement #millumin #theatredesign #solidlightworks #lightandsound #artlight #mediaart #immersiveart #lightinstallation”
Hamish Cameron OAM has been appointed as an Advisor to Gravity Media in Australia Gravity Media Hamish will be working with CEO John Newton and his senior leadership team on the integration of the former Chief Entertainment business with the rest of Gravity Media’s operations both in Australia and globally. He will also be assisting ...
The post HAMISH CAMERON OAM APPOINTED AS AN ADVISOR TO GRAVITY MEDIA IN AUSTRALIA appeared first on NAB Show News | 2020 NAB Show Media Partner and Producer of NAB Show LIVE. Broadcast Engineering News.
A chat with the filmmakers of Affected: The Story of Us on how they were able to put the soundtrack first to render their emotions. Dive in!
Visual Data Media Services (“Visual Data” or the “Company”), a leading entertainment services company serving studios and distributors globally with end-to-end content management and digital media supply chain solutions, announced today it will partner with Endeavour Capital, a mid-market investment firm, to support Visual Data’s next phase of growth. John Trautman, founder and CEO and ...
The post Visual Data Media Services to Partner with Endeavour Capital for Next Phase of Growth appeared first on NAB Show News | 2020 NAB Show Media Partner and Producer of NAB Show LIVE. Broadcast Engineering News.
Pro Convert products honored as best hardware input devices for live production; company’s Ultra Stream live streaming encoder also a finalist in its category November 23, 2020 — Nanjing, China: Magewell is proud to announce that the company’s 4K Pro Convert NDI® encoders have been chosen by online video professionals as winners of a 2020 ...
The post Magewell 4K NDI Encoders Win 2020 Streaming Media Readers’ Choice Award appeared first on NAB Show News | 2020 NAB Show Media Partner and Producer of NAB Show LIVE. Broadcast Engineering News.
Dejero EnGo mobile transmitters aid Quality Media’s flawless live multi-camera production of 2020 Piromusical fireworks from four secret locations Waterloo, Ontario, October 28, 2020 — Dejero EnGo mobile transmitters were at the heart of Spanish production company Quality Media’s delivery of perfectly synchronised live video feeds from this year’s Piromusical de la Mercè ...
The post Quality Media Relies on Dejero for Connectivity during Remote Production of TV3’s Spectacular Live Coverage of 2020 Piromusical in Barcelona appeared first on NAB Show News | 2020 NAB Show Media Partner and Producer of NAB Show LIVE. Broadcast Engineering News.
Smartphone-driven content creation suite recognized in Streaming category as one of this year’s most significant and innovative new offerings October 22, 2020 — Reading, PA: Streaming solutions innovator StreamGear Inc. has been honored as the winner of a 2020 NAB Show Product of the Year Award for the company’s smartphone-empowered VidiMo Go handheld, live video ...
The post StreamGear Wins 2020 NAB Show Product of the Year Award for VidiMo Go Live Streaming Production Solution appeared first on NAB Show News | 2020 NAB Show Media Partner and Producer of NAB Show LIVE. Broadcast Engineering News.
Multi-channel 4K/UHD output from Avid products with Bluefish KRONOS K8 North Melbourne, Australia, 20 October 2020 – Bluefish444, manufacturer of the professional video industry’s highest-quality uncompressed video interface cards and signal converters, announces support for its KRONOS K8 multi-channel 4K/UHD SDI card with Avid Media Composer® and Avid Pro Tools® 2020 content creation software tools ...
The post Bluefish444 adds KRONOS K8 support for Avid Media Composer and Avid Pro Tools with Windows 2020.14.1 Install Package appeared first on NAB Show News | 2020 NAB Show Media Partner and Producer of NAB Show LIVE. Broadcast Engineering News.
Designed to Address Expanding Requirements for Remote & Distributed Production Applications Media Links, manufacturer, and pioneer in Media over IP transport technology, announces that it will be showcasing its 100G Eco-system at the upcoming virtual NAB NY show, held from October 19-29, 2020. Visitors to Media Links’ NAB NY Virtual Booth will have the opportunity ...
🚀🚀🚀 @john_talabot 🚀🚀🚀
Tonight at 18:55 (UTC+2)
#sonardcccb #sonar #relatime #madewithnotch & #vdmx & #millumin & #madmapper & #smode #visuals #livevisuals #new_media_art #newmediaart
Gravity Media, the leading global provider of complex live broadcast facilities and production services to content owners, creators and distributors, is delivering a brand new women’s football offering for Atalanta Media. The partnership with Atalanta, the women’s football company devoted to elevating the sport and its players, expands the global audience for the women’s game ...
The post Gravity Media Partners with Atalanta Media to Elevate Women’s Football appeared first on NAB Show News | 2020 NAB Show Media Partner and Producer of NAB Show LIVE. Broadcast Engineering News.
It all begun in 2009. After quitting my job as an engineer I moved to Madrid to study a Master in Motion Graphics while making my first experiences in the world of video art.
In 2010 I started up several collaborations with art organizations in Madrid and they proposed to me to shoot a dance performance by the choreographer Iratche Ansa.
The performance was going to be held at the Matadero in Madrid. From that recording I put together my first video dance “Comunicación Interpretación Automática” which had a very good reception.
A few months later I made my first dance pieces with live visuals with choreographer Barbara Fritsche.
Thanks to those projects I was able to work on the musical “Hoy No Me Puedo Levantar” in 2013. In 2014 I directed my first proper theatre show: “Girasomnis”.
I try to “connect” the visuals with the dancers. Sometimes I encourage the dancers to “connect” or follow my visuals.
In this project I also composed the music. This is very useful as I have better control of the creative process. With this project I tried to evoke feelings in the audience without words: just images, dance and instrumental music.
This quarantine caused an abrupt stop in my job, but also gave me time to start imagining something new.
The idea was born during the first week of confinement. At the start, It was simple: I just wanted to publish some of our best projects and make them public. But I also felt a need for a change.
The last 3 years I was quite disconnected from my artistic side due to working mostly on commercial projects.
I was just focusing on making money to pay my bills and trying to have a stable team for audiovisual production. The outbreak of the Covid-19 has been an absolute shift in our work. We started questioning the possibility of doing our shows as we did before.
So, in April I started to visualize and write a synopsis of this new project. I then decided to publish “Dance Mapping Virtual Tour 2020” as a memorandum of all these years of physical shows.
This new production is planned to be released in VR and physical 360 projection format in late 2021.
When I have the budget I can work with some powerful audiovisual freelancers from my network of collaborators. Failing that I work alone.
I also work with very talented dancers/choreographers from Barcelona. During the years they started to understand my ideas and transform them in beautiful choreographies.
I have mostly 2 ways of work. I compose a music draft and then I work on the visuals and choreography or vice versa: I make a draft of visual content with a draft choreography and I try to match the sounds and music.
Sometimes I give leeway to the dancer, so they can create their own choreography and then I create the visual content following their movements.
In the last few years I also worked with some talented musicians for a faster audiovisual production.
This was a concept from Roman Torre. In 2015 I shared a space with him and we collaborated together on a video mapping of a rotating stone. It was a nice project called Liquid Series.
In the video mapping area I also tried to develop innovative concepts, differing from the typical big projection on a building facade. 2 Years ago I started to develop the concept of “Holomapping”. I am planning to finish it next year as well.
Nowadays, it is possible to learn a lot following digital online courses, but it is always better if somebody guides you. As with everything in life the best way to learn is practice, making mistakes and improving.
Spain is not the best country for arts, I would say. As far as I know French artists or from other European countries have more grants and support from their governments, but everything is possible if you are passionate about your work.
Un collecteur de liens, classés dans des blocs sur la thématique de l’image live sous toutes ses formes, VidéoMapping Software. Une liste de liens sur une seule page avec plus de 280 logiciels, applications et autre média serveur, des outils VJ’s, des tools NDI, Syphon ou Spout.
Méta moissonneur de liens collaboratif et curator VJ depuis 1999.
Aldermaston, UK, 29 July 2020: Having completed a number of projects in recent months despite the constraints of the global pandemic, SI Media and GB Labs reflect on the underrated value provided by global and regional partnerships. Based just north of Venice, Italy, SI Media is an international broadcast software solution provider – including its proprietary ...
It is interesting to notice the wide range of categories not necessarily related to the new media arts world. The inclusion of animation and manga highlights their wide recognition in the Japanese scene as special forms of art.
The Japan Media Arts Contest offers opportunities for young and emerging artists as well as recognized professionals making the audiovisual event a turning point every year for artistic innovation and excellency.
The Japan Media Arts Festival has been awarding prizes to outstanding artistic works since its establishment in 1997.
It is supported by The Agency of Cultural Affairs, Government of Japan to develop and promote the creation of Japanese and international media arts.
Through the annual Exhibition of Award-winning Works, the festival has offered the opportunity to the audience of directly appreciating these celebrated works.
The attendants are also invited to participate to the side events such as symposia, screenings and artists’ showcases.
The TPN establishes a single benchmark of security preparedness for media and entertainment vendors OWNZONES Entertainment Technologies, the leading cloud-based video supply chain company, has announced today its appointment as the newest member of the Trusted Partner Network (TPN). The TPN is a new, global and industry wide film and television content protection initiative. The ...
IMT’s new enterprise software product, SoDA, provides real-time, actionable insights into customers’ data management strategies LOS ANGELES, Calif. – July 22, 2020 – Integrated Media Technologies, Inc. (IMT), a leading media technology provider, today announced the expansion of its advanced software development division to bring to market innovative software tools and applications that automate and ...
The post IMT Expands Software Division; Introduces Intelligent Data Mover with Predictive Cost and Data Transfer Speed Analytics appeared first on NAB Show News | 2020 NAB Show Media Partner and Producer of NAB Show LIVE. Broadcast Engineering News.
Every year, the organizers propose a controversial and thought-provoking theme set to trigger reflection in the community and cutting-edge experimentation by the selected artists. Innovation in digital creativity is key and the festival creates a sonic space for this.
Every year, the result is an insanely powerful and immersive artistic rendez-vous that leaves a lingering impact awhile after the end of the festival.
In this Age of Pandemic, we are made acutely aware of our dependence on digital technology for work, education, and healthcare. Now more than ever, the growth of digital technology demands critical reflection.
Globalization and economic growth have brought us pandemic and environmental destruction. How can we break this cycle? Can we harness quantum technology to protect ourselves and the world we live in?
Manchester, UK – 14 July 2020 – Three Media, a specialist technology company, today announced it has joined the DPP, the media industry’s business network, with the aim of expanding its exposure and bringing its distinctive perspective to the forum. Originally founded by UK broadcasters, including the BBC, ITV and Channel 4, to standardise tapeless programme ...
KENT, UK – 13 JULY 2020: Densitron, the global leader in innovative Human Machine Interaction (HMI) and display technology, has announced a new long-term collaboration with Hertfordshire-based consultancy Hawk Media Partnership. The new partnership will see the two companies actively seek joint projects in the broadcast and media environments that can fully utilise Densitron’s innovative technologies and ...
The post Densitron to pursue joint projects with broadcast consultancy Hawk Media Partnership appeared first on NAB Show News | 2020 NAB Show Media Partner and Producer of NAB Show LIVE. Broadcast Engineering News.
Former SVP & General Manager of Comcast Technology Solutions will drive product-led growth in MediaKind’s cloud-based SaaS offering and a focus on the power of streaming media McConnell will accelerate MediaKind’s strategy execution and the delivery of the innovative solutions its customers need to successfully create competitive media businesses Angel Ruiz becomes Chairman of the ...
DejaSoft supports in-house hosted S3 server in DejaEdit 3.1 For Immediate Release, 2 July 2020, Gothenburg, Sweden – Hot on the heels of the launch of DejaEdit 3, and in direct response to client requests, DejaSoft announces the release of version 3.1 to support private cloud environments using the open source MinIO object storage ...
Latest in the series of groundbreaking projects by Mediated Matter Group (MIT Media Lab) is the new successor to the Silk Pavilion (2013) project, results currently on show (subject to COVID-19 restrictions) at the Museum of Modern Art in New York. The project utilizes an integrated kinetic mandrel designed to guide the natural spinning motion […]
The post Silk Pavilion II – Mediated Matter Group at the MoMA first appeared on CreativeApplications.Net.
Ars Electronica features a wide variety of activities every year: Symposia, exhibitions, performances, concerts and interventions spanning a broad arc from speculative futuristic scenarios to analytical considerations, from provocative actionism to philosophical debate.
Combining amazing artworks with fruitful conversations is the perfect recipe to create a meaningful experience that constantly scans the new media landscape to find the most inspiring projects. The projects are not simply chosen based on their technical realization but most importantly because the social and artistic innovation they incorporate.
The result of this consistent endeavour is the creation of a loyal community of audiovisual artists, researchers and visitors from all over the world that every year reunites in Linz to inspire and get inspired.
Since its inception, the festival has been dedicated to develop new themes for each edition and the organizers are also constantly on the lookout for interesting new venues.
Indeed, the ongoing effort to break out of the narrow confines of conventional conference rooms and artistic spaces, and to stage cultural and scientific encounters in the public sphere has become something of an Ars Electronica trademark.
Stay tuned: Ars Electronica 2020 theme will be released soon!
A freelance audio engineer (A1) for Dome Productions in Canada, John Hunterfirst discovered his passion for audio with live music. Eventually, his path led him to sports and he (in normal times) mixes every Toronto Raptors home game on TSN and Sportsnet and has travelled with the production team to work every playoff game, including ...
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