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Hands-on Review: the Blackmagic Pocket Cinema Camera 6K

Par Lewis McGregor

In this hands-on review, we'll evaluate the Blackmagic Pocket Cinema Camera 6K for how it holds up next to its predecessor, the Pocket 4K.

Blackmagic Design Will Unveil Newest Switcher At NAB SHOW New York

Par Andres Benetar

  With October right around the corner, NAB Show New York is gearing up to be an exciting event for tech and media professionals attending. Blackmagic Design is known for creating the highest quality video editing products, color correctors, digital film cameras, video converters, video monitoring, live production switchers, disk recorders, routers, waveform monitors, and real-time ...

Pocket 4K and Pocket 6K Owners — BRAW Comes to Premiere Pro

Par Lewis McGregor

Here's some highly anticipated news for the Pocket 4K and Pocket 6K — you can now use BRAW in Adobe Premiere Pro and Avid.

“Sneaky Pete” Color Corrected In DaVinci Resolve Studio

Par Zazil Media

Fremont, CA, USA – Friday, September 27, 2019 – Blackmagic Design announced today that season 3 of Amazon Prime Videos’ critically acclaimed series “Sneaky Pete” was colored in DaVinci Resolve Studio by senior colorist Scott Ostrowsky of Deluxe’s Level 3. Ostrowsky, a veteran colorist with more than 25 years’ experience, has colored hit shows such ...

Chinese Blockbuster Chasing the Dragon II Graded by RGBworks Studios with DaVinci Resolve Studio

Par Zazil Media

Fremont, CA – September 26, 2019 – Blackmagic Design today announced that the Chinese film “Chasing the Dragon II: Wild Wild Bunch,” was graded by colorist Sun Wong with Guangzhou based RGBworks Studios using DaVinci Resolve Studio and DaVinci Resolve Advanced Panel. Directed by renowned Hong Kong directors Wong Jing and Jason Kwan, starring Tony Leung, Louis ...

Rob Legato Uses Blackmagic Design To Create Virtual Production for “The Lion King”

Par Zazil Media

Fremont, California – Tuesday, September 24, 2019 – Blackmagic Design announced today that visual effects supervisor Rob Legato used a wide variety of Blackmagic Design products to create the virtual production environment for Disney’s “The Lion King.” The film, which was directed by Jon Favreau and features the voices of Donald Glover and Beyoncé Knowles-Carter, has earned ...

Blackmagic Design Announces New ATEM Mini

Par Zazil Media

Fremont, California – Friday, 13 September 2019 – Blackmagic Design today announced ATEM Mini a new low cost live production switcher specifically designed to allow live streaming to YouTube and business presentations via Skype. ATEM Mini will be available in November 2019 from Blackmagic Design resellers worldwide for US$295. The ATEM Mini will be demonstrated on the ...

Blackmagic Design Announces New Blackmagic Video Assist 12G

Par Zazil Media

Fremont, California – Friday, 13 September 2019 – Blackmagic Design today announced Blackmagic Video Assist 12G which are new models of the company’s popular combined monitoring and recording solutions. These new models feature brighter HDR screens, built in scopes, upgraded batteries, 12G-SDI and much more. Blackmagic Video Assist 12G will be available in September 2019 ...

Blackmagic Design Announces Blackmagic RAW 1.5

Par Zazil Media

Fremont, California – September 13, 2019 – Blackmagic Design today announced Blackmagic RAW 1.5 a new software update with support for Adobe Premiere Pro and Avid Media Composer, plus Blackmagic RAW Speed test for Mac, PC and Linux, so customers can work on a wider range of platforms and editing software with their Blackmagic RAW files. Blackmagic ...

Blackmagic Design Announces Blackmagic URSA Broadcast Update

Par Zazil Media

Fremont, California – Friday, 13 September 2019 – Blackmagic Design today announced a major new software update for Blackmagic URSA Broadcast cameras that adds Blackmagic RAW support as well as a whole new image processing design for improved quality. Also added is better lens control, updated on screen user controls and much more. Blackmagic URSA Broadcast Update ...

Blackmagic Design Announces Videohub Master Control Pro

Par Zazil Media

Fremont, California – September 13, 2019 – Blackmagic Design today announced Videohub Master Control Pro, a newly designed router control panel that allows spin knob scrolling of all router sources and destinations as well as direct button entry of any router crosspoint. The new Videohub Master Control Pro provides a built in LCD with easy to read anti ...

Core Post Delivers Sky One’s Brassic in HDR with DaVinci Resolve

Par Zazil Media

Fremont, CA – September 10, 2019 – Blackmagic Design today announced that UK post facility, Core Post, has expanded its post production capabilities to offer HDR delivery for broadcast and production clients through its existing DaVinci Resolve Studio workflow. The full service post house, based in Salford’s Media City, upgraded its master color correction suite with ...

Le directeur technique d’Oculus tacle l’AR, Magic Leap… et Facebook

Par Jason Filankembo
Oculus John Carmack

John Carmack, directeur de la technologie chez Oculus, trouve que le potentiel de la réalité augmentée est surestimé par certains groupes. 

Le moins que l’on puisse dire, c’est que John Carmack n’a pas mâché ses mots. Le directeur technique d’Oculus, invité du podcast américain Joe Rogan Experience, n’a pas été tendre sur le potentiel de l’AR. L’homme a tempéré les dires de Magic Leap et même de son propre groupe, Facebook, sur le sujet. Pour l’ingénieur en informatique, porter des lunettes de réalité augmentée comme un objet du quotidien n’arrivera que dans un futur assez lointain. 

John Carmack contredit Facebook, propriétaire d’Oculus 

“L’avenir de cette technologie réside dans des lunettes AR portables toute la journée et sensibles à l’espace”. Telle est l’ambition de Facebook pour ses technologies de tracking Oculus Insight et Guardian. Mais pour John Carmack, une telle chose n’est pas envisageable dans un avenir proche. L’homme explique que c’est notamment la taille des produits qui pose problème. Les lunettes ne peuvent pas encore être réduites à un format qui les rendraient utilisables dans la vie de tous les jours. 

Les produits créés par Oculus font “la taille d’une boîte à chaussures”, indique John Carmack. Même en réduisant la taille des lunettes AR de trois quarts, cela ne rendrait pas la technologie utilisable au quotidien. “Nous ne l’avons pas construit”, ajoute-t-il de toute manière. 

L’homme qui a participé à la création de jeux cultes (Wolfenstein 3D, Doom, Quake) ne s’est pas arrêté en si bon chemin dans ses propos. Il s’en est aussi pris à Magic Leap, qui, pour lui, a surestimé ” les capacités réelles ” de l’AR. Il ajoute que les gens n’ont pas les moyens de dépenser des milliers de dollars pour des casques AR aux champs de vision limités et aux expériences de jeu moyennes.

John Carmack indique que quelques entreprises ont pu créer des lunettes AR aux formats semblables à des lunettes de soleil. Cependant, les appareils “se déchargent rapidement”, selon le directeur technique d’Oculus. Les propos de John Carmack permettent d’y voir un peu plus clair sur la façon dont progresse la réalité augmentée. Sortir de chez soi avec ses lunettes AR sur le nez ne devrait donc pas arriver de si tôt.

Cet article Le directeur technique d’Oculus tacle l’AR, Magic Leap… et Facebook a été publié sur Réalité-Virtuelle.com.

USA Softball GOLD National Championships Live Streamed with Blackmagic Design

Par Zazil Media

Fremont, CA – August 22, 2019 – Blackmagic Design today announced that GlobeStream Media live streamed USA Softball’s GOLD National Championships using a variety of Blackmagic Design products, including URSA Broadcast cameras and an ATEM Television Studio Pro 4K live production switcher, to capture more than 500 hours of fiber channel broadcasts across nine softball fields. ...

C&I Studios Relies on DaVinci Resolve 16 Studio’s Cut Page for Social Media Deliverables

Par Zazil Media

Fremont, CA – August 21, 2019 – Blackmagic Design today announced that C&I Studios, a global content creation agency, is using DaVinci Resolve 16 Studio’s new cut page for faster than ever editing. Relying on DaVinci Resolve 16 Studio for end to end post production, including editing, color grading, visual effects (VFX) and Fairlight audio, C&I ...

What to Consider When Upgrading to the Pocket Cinema 6K

Par Lewis McGregor

Pocket 4K vs. Pocket 6K? This article discusses the relevancy of both — as well as the price points and specs related to each.

Blackmagic Design Live Production Workflow Captures Festival Beauregard

Par Zazil Media

Fremont, CA – August 19, 2019 – Blackmagic Design today announced that a multicamera SMPTE fiber solution, featuring the Blackmagic URSA Broadcast with ATEM Camera Control Panel, was deployed across the main stage at this year’s Festival Beauregard, and delivered live coverage of performances by Fatboy Slim, Interpol, Disclosure and more. Set in the grounds of ...

Summer 2019’s Biggest Film Releases Used Blackmagic Design

Par Zazil Media

Fremont, CA – August 16th, 2019 – Blackmagic Design announced today that a number of the 2019 summer season’s worldwide film releases used numerous Blackmagic Design products during production and post, including its digital film cameras, DaVinci Resolve Studio editing, color correction, visual effects (VFX) and audio post production application, and more. This included some of ...

New Australian Sci Fi Film Quanta Shot on URSA Mini Pro and Graded with DaVinci Resolve

Par Zazil Media

Fremont, CA – August 15th, 2019 – Blackmagic Design today announced the new sci fi film “Quanta” was shot entirely on an URSA Mini Pro, while grading was done using DaVinci Resolve Studio. The film is one of the first globally distributed films by the new Melbourne based film production company and film collective Raygun, and ...

wTVision Relies on Ultimatte for Augmented Reality Work During Panama Elections

Par Zazil Media

Fremont, CA – August 13, 2019 – Blackmagic Design today announced that Ultimatte, its real time compositing processor, was used by wTVision for augmented reality (AR) production and complete graphics conception during the broadcasts for Panama’s 2019 primaries, parliament and presidential elections on TVN. Blackmagic Design’s ATEM Television Studio HD live production switcher and more were ...

Blackmagic Design Announces DaVinci Resolve 16.1

Par Zazil Media

Fremont, CA, USA – Thursday, 8 August 2019 – Blackmagic Design today announced DaVinci Resolve 16.1, a new update to the company’s popular edit, color, visual effects and audio post production software that includes major updates to the new cut page to help create the world’s fastest editor. DaVinci Resolve 16.1 public beta is available ...

URSA Mini Pro 4.6K G2 Delivers Ultra HD Coverage for Defqon.1 Dance Festival

Par Zazil Media

Fremont, CA- August 6th, 2019 –Blackmagic Design today announced that Dutch hardstyle dance festival Defqon.1 relied on a live production workflow featuring the URSA Mini Pro 4.6K G2 and ATEM 4 M/E Broadcast Studio 4K for Ultra HD live production. All video requirements at the festival was handled by outsourced production partner NEP, with hardware ...

PuzzlAR, un marqueur important pour Magic Leap

Par Pierrick LABBE
PuzzlAR

Il y a un an, Magic Leap annonçait son programme pour les créateurs indépendants. L’idée était d’ouvrir la porte de la réalité augmentée à un nombre croissant de développeurs. Ce projet semble commence à porter ses fruits avec PuzzlAR.

Ce prgogramme lancé par Magic Leap proposait des bourses et surtout un soutien technique et humain, qui peut se révéler indispensable face à l’ampleur du challenge d’un lancement sur Magic Leap One. Cependant, cette application en réalité augmentée a réussi à vaincre toutes les étapes.

PuzzlAR inaugure le système

PuzzlAR : World Tour est donc une création de l’équipe portugaise de Ontop Studios. L’idée est de réaliser un portage d’un jeu qui était jusque là disponible sur smartphone et qui va désormais être disponible sur les lunettes de réalité augmentée Magic Leap One. Qu’est-ce qui est au programme ? Vous pourrez visiter des lieux connus un peu partout sur la planète et assembler les monuments à la main comme vous le feriez pour un puzzle 3D.

Ok, on se sent un peu forcés de le dire, ce n’est pas vraiment le concept le plus original du monde, mais cela porte clairement ses fruits d’un point de vue visuel et technique si on en croit la vidéo ci-dessus. Selon Magic Leap, PuzzlAR est le premier jeu / expérience qui est lancé après avoir profité du système qui offre des bourses allant de 20.000 à 50.000 dollars. 6.500 projets avaient été présentés par des développeurs dans la première phase du projet. On peut désormais imaginer que d’autres devraient suivre dans les prochains mois.

Cet article PuzzlAR, un marqueur important pour Magic Leap a été publié sur Réalité-Virtuelle.com.

Westlife’s The Twenty Tour Uses Blackmagic Design Live Solution

Par Zazil Media

Fremont, CA – July 29, 2019 – Blackmagic Design today announced that its URSA Mini Pro 4.6K digital film cameras and ATEM 4 M/E Broadcast Studio 4K were used as part of a live production workflow by The LED Shed on the UK and Ireland legs of Westlife’s The Twenty Tour.Opening at Belfast’s SSE Arena, the ...

BMPCC4K Tips: The Difference Between Constant Bitrate and Constant Quality

Par Lewis McGregor

Today, we're going to focus on new encoding options that come with Blackmagic RAW: Constant Bitrate and Constant Quality. 

‘Quezon’s Game’ Edited and Graded in DaVinci Resolve; Shot on Blackmagic Design Cameras

Par Zazil Media

Fremont, CA – July 23, 2019 – Blackmagic Design announced today that Matthew Rosen’s film “Quezon’s Game” was shot using Blackmagic Design cameras, with editing and color correction done in DaVinci Resolve Studio. The Philippine historical drama was released worldwide in May of 2019 and has received more than 20 international film awards. The film, shot ...

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