Understand the role of lights on a movie set to build your foundation for more advanced lighting rigs on 3D creations.
There's a new Snapbag® on the scene just in time for Astera’s latest LED wonder— Hydra. Custom-designed to perfectly fit the Hydra, the patented Snapbag softbox offers the added softening control discerning cinematographers request.
With tips on setting, lighting, and more, learn how to create your own green screen background—without breaking the bank.
Brightline, a leading manufacturer of video lighting systems, has announced the promotion of Erin Nath to Manager of AV Solutions for U.S. This marks the latest promotion for Nath who was most recently the company’s Sales Operation Manager. In her new role, Nath is responsible for AV sales for the company across the U.S. She’ll ...
Sliding Leg C-Stand with Grip heads and Arm Matthews C-stands have been a mainstay on sets for over 50 years. Now there’s one that literally fits in your pocket. Matthews 5” Pocket C-Stand™ offers familiar features in a super-compact form, including a rugged steel build with a double riser, sliding leg and 2 fully ...
Simply and Safely Holds delicate Glass LED Bulbs Matthews Studio Equipment introduces an easy, grip-compatible solution to hold the industry’s professional medium-sized dimmable LED bulbs by Aputure and Astera. The BM1 Bulb Mount™ offers a quick, versatile and inexpensive answer for mounting these battery-powered bulbs to various types of grip equipment and ¼-20 hardware. ...
If you’re a DJ interested in controlling the lighting for your performances too, this may peak your interest. SoundSwitch has released a new controller, the Control One, that gives artists the ability to manage light fixture color, movement, intensity, automated light shows, FX, and more. It’s compatible with a number of popular software platforms, DAWs, […]
The post SoundSwitch’s Control One: a lighting controller + DMX interface built for DJs appeared first on DJ TechTools.
@paolo.morvan Reprise des concerts avec la scénographie réalisée pour @romain__muller en version augmentée sur la scène de la Bam !
Conception et construction réalisé avec @julesbouit
Lumière : @thibault.grh
Son : @annevandebrouck
Coproduction @zikamine x @bliiida avec le soutient de la région Grand Est et de la @citemusicale
#scénographie #scenography #light #show #eventdesign #stagedesign #lightinstallation #lightshow #newmediaart #stagelighting #creativedirector #zikamine #romainmuller #bliiida
Reposted from @opus3: “- FALTA - de Claudia Yolin.
Una obra sin performers humanxs, solo luz, que montamos para grabar durante 2 semanas en @centrogam
⠀📸 de @sebapereiraco
#lightingdesign #theatre #etcelement #millumin #theatredesign #solidlightworks #lightandsound #artlight #mediaart #immersiveart #lightinstallation”
When artists are free to work on the concept as they are on the technical implementation, they deliver a much more powerful and meaningful experience to the viewer.
Steve Gerges began to take an interest in Digital Art in 2000 when he created Visual-Delight, the first collective of VJ’s (visual-jockeys) in Luxembourg. This project allowed him to take his first steps in this innovative art form for that time.
Following a trip to Montreal to the Elektra Festival in 2012, he created his first interactive digital artwork entitled LAN 1.0 at the Carré Rotondes in 2014. Here a few projects we felt best showcased his main features as an audiovisual artist.
ONE is a generative art sculpture that develops in real time. The audiovisual totem grows and evolves while progressively revealing its organic essence to the viewer.
One tells us the story of the creation of the universe, from the big bang, to energy flows, creation of planets and humankind.Steve Gerges
We love this amazing kinetic sculpture that exploits the use of machine programming. Light is the main course of this audiovisual feast. An ethereal force that contours the surrounding space in a beautiful ephemeral moment.
This is an immersive and impressive projection mapping representing the creation of the universe, a recurring them in Steve Gerges work. The audiovisual storytelling features abstract patterns slowly turning into figurative elements.
The viewers is invited to reflect upon the strive of mankind to understand and explore the unattainable complexity of the universe.
Delight Lab is an audiovisual design and experimentation studio pivoting around the concepts of video, light and space.
Established in 2009, covering a variety of projects such as large-scale videomapping projections on architecture, museology audiovisual installations, audiovisual stage design for performing arts, audiovisual content for commercial events, and audio-reactive visuals for live shows among other things.
The origin of Delight Lab goes back when two brothers decided to make projects together at the university: Germán (Design) and Andrea (Art and Aesthetics).
Both audiovisual artists had developed investigations and experimentation with light, the phantasmagoria, the video-projection and the intervention of spaces. All different experiments culminated in a projection mapping on the facade of The Contemporary Art museum of Santiago.
This projection realized in January, 2009 was one of the first mapping projections in Chile. This milestone opened the way to further investigation, artistic and technological experimentation, interdisciplinary exchange and cultural management. These values are still present in every project carried out by the duo.