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When you're ready to key your green screen footage, After Effects will be your go-to. Learn how to use After Effects green screen tools for a seamless ...
#repost @geraldinekwikmusic
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Ready for a new mapping light show with my new original music written for the Church in Lievin playing this night to Sunday night !!!
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Visual Artists : Susie-lou CHETCUTI, Patrick GRANDI, Jules HUVIG @juleshuvig/, Lucille JEANNIN, Loan LE HOANG, Simon LEBON, Hamza MRABET, Aurélien WOJTKO @_aurelien.w/
Music & Sound Design : Geraldine Kwik
Technique & Lights : Aurélien WOJTKO
Place : Église Saint-Amé - LIEVIN - FRANCE .
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#church #lightshow #lightart #light #lightinstallation #videomapping #loomprod #originalsountrack #musicforpaintings #mapping #composer #frenchcomposer #musicscore #ambient #composingmusic #sound #sounddesign #art #visual #millumin #madmapper #motiondesign #aftereffects #design #architecturalmapping #projectionmapping #movingimage #digitalartist #night
https://www.instagram.com/p/B7ba5jWppcU/?igshid=84b7s5bq9hzr
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#repost @modulight_
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Immersive installation for Maze of Decision.
The maze designed to give an experience of making decision in the maze of life. Each room has a situation and each door has different option to find the way out.
Because every decision will bring a new story.
#amazeofdecision #youDecide #modulight #artwork #artinspiration #visualart #millumin #lightinstallation #humanexperience #artinstallation
https://www.instagram.com/p/B7bb2SyJfdr/?igshid=1p0dl3hl50ism
LONDON — 14 January 2020: Uncut Gems is the latest movie from directing duo, the Safdie Brothers. The movie tells the story of a charismatic New York City jeweller and gambler (Adam Sandler), and is set in the diamond industry of New York. So it is appropriate that the colour palette was created at ...
The post Baselight helps to polish Uncut Gems appeared first on NAB Show News | 2020 NAB Show Media Partner and Producer of NAB Show LIVE.
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#repost @jeronimo.roe
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#work #led #light #mediaserver #millumin #madmapper #opera #lille #tour (at Opéra de Lille)
https://www.instagram.com/p/B7N6fzEpooM/?igshid=cob8d99zmgdo
Lighting talent is hard enough, but when you have to take into account different skin tones, you need a thorough understanding of how to control light.
Today, we'll talk about lighting in ratios, how it can change your cinematography, as well as the way you think about lighting a scene.
Find the right fabrics, paints, and equipment to make a DIY green screen. Learn how to light and mount your green screen without breaking the bank.
Colourist Jean-Clément Soret integrates CGI and atmospheric shooting LONDON — 18 December 2019: One of the most awaited drama series of 2019, His Dark Materials, produced by Bad Wolf for BBC and HBO, was finished at Technicolor in London. With a story set in a parallel universe that seems like the Britain of ...
The post Technicolor uses Baselight to create light and shade in His Dark Materials appeared first on NAB Show News by Broadcast Beat, Official Streamer of NAB Show - NAB Show LIVE.
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Learn how to utilize specular reflections, why it is important you're getting that particular effect, and how to enhance or reduce it.
Plan accordingly, know the usual problems, and be ready to adjust on the fly: A guide to handling two people at once for sit-down video interviews.
Après OSRAM et LIFX, voici un test d’une autre ampoule HomeKit, un modèle Yeelight. Vous trouverez plus de détails (et de produits) dans le magazine Canard PC Hardware de décembre.
Cette ampoule HomeKit est… reloue. Yeelight est une marque de Xiaomi, et la société a ajouté le support HomeKit via une mise à jour de firmware. Sur le papier, c’est pas trop mal : l’ampoule couleur vaut 25 €, elle est Wi-Fi (ce qui évite l’ajout d’un pont) et les caractéristiques mesurées sont bonnes. Le rendu des couleurs est très bon, même si l’ampoule démarre par défaut sur un blanc assez froid, la consommation et la luminosité dans la moyenne. Le problème, c’est l’installation.
L’ampoule, avec un look assez particulier
En théorie, il faut allumer l’ampoule, la remettre à zéro avec une méthode ésotérique horrible, se connecter dessus et la configurer. En pratique, je n’ai pas réussi sur mon iPhone : l’application ne détectait pas qu’elle était sur le réseau de l’ampoule. Après quelques essais dans l’application – qui a la bonne idée de mêler anglais, français et chinois -, je suis passé sur un smartphone Android et ça a fonctionné. Joie des applications, une fois ajoutée au compte, elle est visible sous iOS. Yellight propose un contrôle via Siri de deux façons, soit avec des raccourcis Siri, soit avec HomeKit. Il faut d’abord mettre à jour l’ampoule, ensuite une option permet de l’ajouter à Maison. Pas de QR Code : tout se fait via l’application. J’ai tenté l’ajout deux fois avant qu’elle accepte d’apparaître dans Maison.
Français ? Chinois ? Anglais ?
J’ai envie de mourir
L’ajout dans HomeKit
Ca marche
Les réglages classiques
Une double option intéressante
Une fois en place, rien à dire, ça fonctionne correctement. Mais vu que je n’ai pas pu l’installer avec mon iPhone, je me vois mal recommander ça. Elle a un truc sympa tout de même : l’application permet de définir le fonctionnement en cas de coupure, que ce soir via un interrupteur ou une coupure de courant.
Burbank, California – Matthews Studio Equipment, offers yet another smart solution that makes life on set a bit more convenient. New Panel Stand vimeo.com/348274238 answers the need for a quick set-up stand that aptly supports today’s panel and balloon-style lighting fixtures, LED monitors, screens, overhead frames and backdrops. What’s more, convenient wheels add on-set mobility ...
The post Matthews Panel Stand Cranks up Lights, Monitors, & More appeared first on NAB Show News by Broadcast Beat, Official Broadcaster of NAB Show - NAB Show LIVE.
J’utilise des AirPods (1re génération) depuis un moment, mais dans les transports, c’est franchement peu pratique : ça n’isole pas du tout. Du coup, quand Apple a sorti les AirPods Pro et le casque Beats Solo Pro, j’ai hésité.. et j’ai finalement craqué pour le Beats.
Je ne vais pas vous tester le casque lui-même, il y a des tests de gens spécialisés dans le son un peu partout. Disons que pour résumer, le casque serre un peu, le son est bon, avec moins de basse que d’habitude (enfin, c’est plus équilibré) et la réduction de bruit est vraiment efficace.
Le casque
Le point intéressant du casque, c’est évidemment l’intégration à iOS : on peut paramétrer facilement la réduction : avec, sans ou un mode transparence, qui amplifie les sons extérieurs pour entendre des annonces sonores (par exemple). Comme d’habitude avec la réduction de bruit, je suis un peu déçu du comportement quand il y a du vent : ça amplifie ce bruit précis. Mais bon, dans l’ensemble ça fonctionne plutôt bien.
Comme j’utilise souvent le casque pour de la vidéo, et même si iOS compense assez bien la latence, j’ai acheté l’adaptateur Lightning vers jack. Pour résumer, le casque est uniquement Bluetooth, sans prise jack, mais Apple vend un adaptateur qui a d’un côté une prise Lightning mâle et de l’autre une prise jack mâle. Question qualité (surtout pour les 40 € demandés), c’est un peu limite : le câble est super fin, sans tressage, ni rien. Comme ça, à vue de nez, il ne va pas tenir des années en usage intensif, c’est assez évident.
Le câble, très fin
Il se branche sur le casque, sur sa prise Lightning, et j’avais espéré – un peu naïvement – qu’un adaptateur Lightning vers jack (femelle) Apple fonctionnerait. Malheureusement, non : impossible de réutiliser l’adaptateur que vous avez peut-être eu avec un iPhone sans prise jack. Qui plus est, l’adaptateur ne fonctionne que si le casque est chargé : il est impossible de passer en filaire passif si la batterie du casque est vide. Bon, le problème n’est pas réellement important : le Beats Solo Pro a une bonne autonomie (et j’ai eu un peu de mal à le vider pour tester). Au passage, d’ailleurs : le câble Lightning vers jack du casque est réversible : on peut l’utiliser pour brancher un iPhone en Lightning à un appareil qui a une entrée jack.
Dans les autres choses à savoir, Beats fournit une housse et un câble Lightning noir, mais avec une prise USB-A. C’est un peu dommage en ces temps d’USB-C. Au passage, personnellement, le Lightning ne me dérange pas pour la charge, vu que j’ai un câble à demeure pour les accessoires Apple (clavier, iPhone, etc.) mais je peux comprendre que ça fasse bizarre. Et la puce H1 du casque fonctionne bien, que ce soir pour le jumelage ou pour « Dis Siri ».
le câble Lightning noir
Le seul défaut réel, assez classique avec les casques à réduction de bruit, c’est le prix. 300 € ça pique pas mal.
In this tutorial, we'll go over how to build an inexpensive — and relatively simple — quasar-style light control using foam core.
Frustrated with Premiere? Tired of the subscription model? Today, we're taking a peek at some of the alternative NLEs available to editors.
#repost @delight_lab
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Preparando @kuzefest en el @mnbachile #kuzefest2017 #kuzefest #festivaldeluzstgo #delightlab (at Museo Nacional de Bellas Artes - Santiago de Chile)
https://www.instagram.com/p/B5HwxrmJyBP/?igshid=1gvktf3skw77t
#repost @ex_lumina
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Second #ledlight #artinstallation for @festilumi #bonifacio, featuring #3deffect on both #light and #audio in St Dominique street, making the festival entrance a real #immersiveart #audiovisual #experience. Made with love on @touchdesigner, @millumin2 and @mad_mapper, driving #sound and #lightcreation using only #video files.
#lightsculpture #ledartist #immersiveexperience #lightart #lightartist #lightfestival #street #animation #festilumi #visualart #installationart #millumin #madmapper #madlight #leddisplay (at Bonifacio)
https://www.instagram.com/p/B5Hw6zHpAGg/?igshid=dnhjri1dco8n
The past week, 5th – 9th November, MIRA FESTIVAL celebrated its 9th Edition and Audiovisual City were present to enjoy the program that featured audiovisual shows, 360-degree experiences in DOME format, installations, workshops and conferences.
This edition rethought the combination of art and technology as tools of protest, to turn thinking into action, and invited us to interfere in a personal transformation to trigger a change in the future. In addition to this ingenious theme, the festival opened a new stage at Fabra i Coats, dedicated to multidimensional sound: the 3D Sound Room by Estrella Galicia.
For the live AV shows, we want to highlight some well-known artists that MIRA festival brought this year. Thursday Sam Shepert (AKA Floating Points) played accompanied by the visuals of Hammill Industries. Friday’s Av highlight was CLARK feat. Evelyn Bencicova and her show of a wide gamma of textures along with his characteristic techno. Alessandro Cortini also produced some emotional content through electronic sounds, with his warm and human visuals. On Saturday Biosphere performed a series of recordings and improvisations captured outdoors on the island of Senja, and Vessel and Pedro Maia presented the dualities of the human condition. But these are just some of the many artists who participated in this edition.
Some of the artists that surprised us at Audiovisual City were, on Friday, the Nihiloxica band, with their intercultural experiment, fusing the indigenous Bugandina percussion with dark European club music. Also, on Saturday, the duet of 700 Bliss, with who you clearly see a relationship with the theme of the festival, sounds and words are embodied in suffering and social alignment in an unfair world. And finally, Curl, on Saturday, where we could see an unexpected turn in the style of the band, showing a previous experimental work. The originality and strength of these artists left us astonished.
We show you some of the magical moments that we captured at the festival.
MIRA Festival
Barcelona, Spain
info@mirafestival.com
LINK BOX
The post MIRA FESTIVAL 2019 appeared first on Audiovisualcity.
Some of the most successful DPs are using tungsten on some of the biggest productions, and for reasons that might surprise you.
The Swiss Frame Book Light is a valuable tool for any DP or gaffer because it is a versatile diffusion setup that will make the talent look ...
Nina Verhagen a twenty-one-year-old translating student. I’m a writer and a film enthusiast.
Fascinated by music, video, photo, and film- I dive into everything regarding audiovisual that interests me or sparks my interest. Same thing.
Social media is amazing, it is a way to connect and speak to people all over the world. One image can go through so many countries. It’s fascinating!
The post Nina Verhagen appeared first on Audiovisualcity.
In this next video for fiscally clever car rigging, we'll break down the mission control setup inside the car. Plus, my experience with these techniques.
Shooting in natural light, outdoors, can often be a limiting experience. Introducing the space light — a great alternative to outdoor lighting.
Bridgeville, Penn. – Nov. 5, 2019 – Brightline, a leading manufacturer of energy efficient lighting systems, today announced Open Signal: Portland Community Media Center, a nonprofit media arts and broadcast center in Portland, Ore., has upgraded the lighting grid in its 2,000-square-foot main studio with 30 Brightline L1.2 SeriesONE LED fixtures. The new lighting was ...
The post Open Signal Upgrades Main Studio Lighting with Brightline appeared first on NAB Show News by Broadcast Beat, Official Broadcaster of NAB Show - NAB Show LIVE.
The Mini MAX is a great option to lighting a scene, giving the actors and camera the freedom to move and shoot at almost 360 degrees.
This week, we caught up with Huma about his most recent project ‘Eva,’ to find out a little more about how his musical project developed into a live AV show. Huma is Andrés Satué’s personal project, an evolution from his early musical days in a rock band to his more recent progression into the world of electronic music. He’ll be performing ‘Eva’ at Mira Festival, Fabra i Coats, Barcelona, Thursday 7th November
Tell us a bit about the visual side of your show. What can the audience expect in terms of live A/V performance?
The idea is to treat light from a 3D environment by making the light beams coincide, forming geometric figures in motion in the air.
Have your created the visual part of the show yourself or collaborated with a visual artist? (If so, who and why?) If not, tell us about how you developed the project and any challenges you faced in dealing with both elements of the performance.
I’m working with Jose Vaaliña from Eyesberg studio. It was a very natural collaboration, we met after finishing two gigs I did in Barcelona and we talked about the possibility of working together as we have very similar ideas about the relation between music and visuals, now it’s happening and I can say we are both really happy with the results.
What tools and set up are you using for the show?
We are using 5 powerful projectors, various smoke machines (fog and hazer) and also some visuals. The beams of light will react to sound to create a symbiosis between both. Also we will use some lights and strobes for punctual moments.
How do you feel about the importance of the visual experience in your projects past and present?
It is something I have always thought about as a very important element. Even when I played in rock bands lots of years ago we always carried a few lights to add impact to the final part of the show.
Since I’m working as Huma, I collaborated with Drömnu using visuals at the very beginning, then moved to colorful L.E.D.s, smoke and strobes working with Juan Pablo Larrazabal and now I wanted to try new things and Jose appeared. I like the idea of doing something immersive, not something that you have to look at the detail or that can distract the public but something that will enhance the music.
You’ve been making music for more than 10 years now. What is the project that you are most proud of, or have the most attachment to so far?
Well, I’m always more attached to the last thing I’ve ever done. Even though I really think that ‘Eva’ and this show is the project in which I have worked the most on and the project I’m the proudest of to date.
Got any questions for Andrés, Eyesberg, or just want to share anything with us? Jot down your thoughts below
https://hedonicreversal.bandcamp.com/
https://www.facebook.com/hedonicreversal/
https://hedonicreversal.bigcartel.com/
The post 3D light and audiovisual show by Huma and Eyesberg appeared first on Audiovisualcity.
Directors Cut grading suite LONDON — 31 October 2019: Independent London post house Directors Cut Films – owned and operated by its creative staff – has invested in a Baselight TWO colour grading workstation with a Blackboard 2 control panel. Directors Cut works primarily in premium long-form television, as well as drama series, documentaries ...
The post Directors Cut upgrades to Baselight for HDR and 4K appeared first on NAB Show News by Broadcast Beat, Official Broadcaster of NAB Show - NAB Show LIVE.
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Yoko Kimura joins to spearhead sales and marketing in region LONDON — 29 October 2019: FilmLight is to demonstrate the state of the art in creative colour and efficient workflows for production and post on its booth at Inter BEE 2019 (13–15 November, Makuhari Messe, stand 6111). At Inter BEE, the FilmLight presence ...
The post Power of Baselight X on display at the heart of Inter BEE appeared first on NAB Show News by Broadcast Beat, Official Broadcaster of NAB Show - NAB Show LIVE.
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