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Blackmagic Design Announces HyperDeck Studio Mini v7.1

Par Zazil Media

New and free software update adds new H.264 codec, new AAC audio codec, longer single file record durations and faster file transfers using Ethernet. Fremont, CA, USA – Friday, April 3, 2020 – Blackmagic Design today announced HyperDeck v7.1 a major new software update that adds multiple new features to HyperDeck Studio Mini broadcast recorders. The ...

The post Blackmagic Design Announces HyperDeck Studio Mini v7.1 appeared first on NAB Show News | 2020 NAB Show Media Partner and Producer of NAB Show LIVE. Broadcast Engineering News.

Blackmagic Design Announces New ATEM Mini Pro

Par Zazil Media

Powerful new model adds a new hardware streaming engine via Ethernet, recording to USB flash disks and new multiview for monitoring all cameras! Fremont, CA, USA – Friday, April 3, 2020 – Blackmagic Design today announced ATEM Mini Pro, a new low cost live production switcher with all the features of ATEM Mini but now with ...

The post Blackmagic Design Announces New ATEM Mini Pro appeared first on NAB Show News | 2020 NAB Show Media Partner and Producer of NAB Show LIVE. Broadcast Engineering News.

Red Giant Debuts Tutorial on How to Create a Forcefield

Par Zazil Media

Aharon Rabinowitz utilizes Red Giant tools to demonstrate how easy it is to create a forcefield during this time of social distancing Portland, OR – April 2, 2020 – Red Giant has just released a quick and easy tutorial on creating a forcefield/watery surface effect. Now out on YouTube, Aharon Rabinowitz showcases his process of ...

The post Red Giant Debuts Tutorial on How to Create a Forcefield appeared first on NAB Show News | 2020 NAB Show Media Partner and Producer of NAB Show LIVE. Broadcast Engineering News.

We pick the brains of Cinema.AV on his beautiful video synth work

Par Hayley Cantor




These days AV artists are hiding out all over the place, this time curiosity didn’t kill the cat, as I stumbled upon the work of Cinema.AV on Instagram. it’s amazing where a hashtag can take you… #videosynth. I was keen to find out how someone so visually analog ends up that way, and how they manage in an ever expanding digital world (at the time of writing more so than ever).

1.Tell us about your first ever live gig? When was it and how did it go?

For years, I used to play a kind of ambient, soundscape style of music, and for live performance, I would put whatever found vhs tape behind me for visuals. Often without a screen. It often just turned into lighting for my performance, instead of clearcut visuals. 

Fast-forward to a couple years later, in summer 2015, where I started buying jvc video mixers, archer and vidicraft boxes. It was here where I took it upon myself to do visuals for a show I had booked. Sadly, I didn’t realize, the projector couldn’t handle the distorted signals I was throwing at it. Luckily though, someone at the last moment, let me borrow theirs. It was total godsend. The result was this hyper-distorted cross between national geographic videotapes. It worked for the more abstract, psychedelia I had booked for the evening,

Later down the line, I found the need for time base correctors in live performance, and mixers equipped with such. To evenly blend, rather an abruptly with one of those RCA Y splitter cables turned on end. Which is actually the same as the classic Klomp dirty mixer. It was all stuff I got for free, or nearly no money. Never top of the line. Always the most difficult, least practical solutions. But the result was always unique to the moment, to the performance; endlessly fleeting. 

2.We discovered your work on Instagram. How do you usually connect with the AV community online? Does social media play a big role for you?

Strangely, yeah. I hardly ever go out locally, unless of course I’m playing a show. So beyond that setting, you’ll never find me in the wild. Even before this quarantine action, I was a total homebody. Staying in whenever possible to work on art and infinitely explore the machines. So having access to social media platforms is actually key to the whole system. I can actively gauge what pieces people actually like, what ideas stick and in turn, get shared with a larger audience. 

Its those posts that snowball into bigger and better gigs. As the recognition on a global scale is significantly more gratifying than just the local efforts I receive so often. In fact, for the better part of 2019, I was very busy with live video work. Having nearly no time off, I accepted this as a lifestyle, rather than just hobby. And in the social media zone, I’ve been able to publicly beta-test things like the Erogenous Tones Structure module, Phil Baljeu’s custom vector graphics system and as of late Andrei Jay’s latest raspberry pi video synth and feedback algorithms as hardware devices. The curiosity the results generated have in turn, sold modules and made the manufactures money to sustain their efforts.   

…having access to social media platforms is actually key to the whole system. I can actively gauge what pieces people actually like, what ideas stick and in turn, get shared with a larger audience. 

To be fair though, I’m not sure how much of this actually real. If it’s all made up, or the reactions are fabricated. It’s a fine silver-lining we’re all walking along. One day, a post could generate hundreds of interactions, while the next day, nothing. I think alot of that could actually be the option for folks to drift between realities, between the physical and the cyberspace. It’s in this cyberspace, that I do often connect with other artists, say for example my bud Konopka and has online video painting series. To watch him create something entirely from scratch, in real time, thousands of miles away is a true head-spin if you think about it. But not even 5 years ago would have been possible. 

All photos courtesy of Evan Henry.

3. It’s fascinating to how analog and digital worlds inspire AV artists. What’s your take on the two and how do you find working with analog systems for live visuals?

Truly. When I first got started, it was all analog, all found devices. Though in time, I’ve found the whole LZX modular zone, which started analog and now has drifted into this wild digital hardware dimension that has opened up all kinds doors. The obvious attraction to the large analog modular is the physicality and pure intuitive nature of the whole thing. As in a live setting, there is nothing more fun and unpredictable than a hand-wired mess of cables and devices to create this ever-fleeting dialogue, never again to be replicated. For ambient, for house, for techno and literally everything in between, there’s this infinite body that just works, and often never crashes or fails. 

If anything, it’s always the digital component that freezes or fails first. I’ve done shows with computer artists that for some reason or another, who just can’t make it work that particular night.

If anything, it’s always the digital component that freezes or fails first. I’ve done shows with computer artists that for some reason or another, who just can’t make it work that particular night. So just step in and end up taking over the evening with my system. However, I’ve had my fair share of venues tell me their systems are HDMI only. So learned to convert the analog composite outputs of the modular to the HDMI with aid of things like Ambery converters and scalers, Extron scalers, and even the silly Blackmagic shuttle, that has it’s own share of issues. It wasn’t until last summer that I realized the Roland V4-EX had a very effective means of conversion and scaling to HDMI, VGA, and back down again. The result was a total game-changer. So I sold my other mixers, and devices to scale up to HDMI and hadn’t looked back. This meant I could seamlessly work with digital projection systems and streaming processes. And from the get-go, it’s been used in every performance effort since. It’s even let me collaborate with both digital and analog artists alike. To fade and key between all manner of artists and ideas. 

So little things like that make the whole system go, which leads me into the question…

4.What’s your basic setup when do performance live AV shows? (If you have one)

I am constantly pushing myself as an artist. So every year or so, I’ll experience this major creative shift around winter time, when my job at the photo lab temporarily shutters for winter break on campus. It is is then where I have about a month to chill and regroup my mind. This generally means some new gear enters the studio, and in turn the dirty warehouses they get thrown into for live work. 

All photos courtesy of Evan Henry.

In 2019, I saw my modular system grow from a single 6U, two row case that could fly on any airline, to a larger 12U, four row system, that for the majority, made it’s way into every gig. In tandem with the V4-EX, the two were all I needed to do 8-10 hours of a rave whatever else I was getting booked for. However, the few time I flew out for one-offs, I brought it back down to 6U. Which was a lot of fun and lent itself to collaboration with other artists. It was in this time though, away from gigs and rather chill moments at the lab, where I began to experiment with the virtual dimension of VSynth, the Max/Msp visual extension. The result was very reminiscent of my larger modular system. Though at the time, my computer could only handle small patches. Anything big would see my computer begin to overheat and grind to a halt. 

This got me looking at computers, seriously.  As a video generation and manipulation tool, much in the same way the dedicated hardware was, but a larger, more sophisticated, and recallable level. It was months of research and a very generous donation within the family that lead me onto a gaming-oriented laptop, complete with a dedicated graphics card, that in it’s day was considered high-spec, and miles beyond my aging macbook. From the moment I lifted open the box and got it booted, I went straight into complex Max patches and dense 3D structures with the aid of Resolume Arena. When I realized I could save, and recall every motion, I started plotting how to gig with it. To layer to pieces together and to treat Resolume as a video sampler of my analog devices. What began to happen was a meshing of dimensions. No longer was one any better than the other. They were one of the same. It was with this entry that live performance physically became less stressful and far more manageable. No longer did have to carry this unwieldy modular system on a train or a bus. I could now discreetly carry the common laptop computer, just as everyone else. 

All photos courtesy of Evan Henry

Setting up and breaking down, with the projector, is a two cable, two power supply motion. So quick and so light. With the aid of a midi controller, all the tactility remains, and nothing changes. The digital results do look incredible though. I cannot deny that. No matter what I have though, I make the best of all of it. For touring, in 2020, my setup is just that. I did some dates with Steve Hauschildt and Telefon Tel Aviv across Texas and the process was so smooth. Same for the brief efforts with LLORA and BATHHOUSE, just weeks ago. So much less to think about, all with the same manipulations and motions.  

5. What would be your dream AV gig?

Currently speaking, the dream is still to tour, to travel and do large scale art installations with my video work. I had things lined up, but those have all fallen in favor of the current pandemic. But that’s honestly not going to hold anyone for long. These things will all still happen, just not soon as I had anticipated. I was truthfully hoping to break into the festival dimension; Mutek, Movement, Sonar, Aurora, as from a live scale, that feels like the next big move, amidst touring through the theaters and dedicated art spaces. I’ve had tastes of all those, but like anyone serious about their craft, I want to further and really make a name for myself, as truly, I don’t know what else to do. 

Find out more about Cinema.AV on his artist page

The post We pick the brains of Cinema.AV on his beautiful video synth work appeared first on Audiovisualcity.

OWNZONES Presents Latest Content Workflow Technologies to Online Audience

Par Amisa Saari-Stout

Webinar includes demonstration of Connect™ SaaS platform that re-imagines the video supply chain in the cloud  OWNZONES Entertainment Technologies will present its latest products and technologies in a global webinar, taking place on April 7th, 2020 at 9:15am PST. The cloud pioneer will highlight the latest developments within OWNZONES Connect™, the next-gen content servicing and ...

The post OWNZONES Presents Latest Content Workflow Technologies to Online Audience appeared first on NAB Show News | 2020 NAB Show Media Partner and Producer of NAB Show LIVE. Broadcast Engineering News.

Ruptly Partners with TVU Networks for Video Delivery

Par Pipeline Communications

Berlin, March 31, 2020: Ruptly, the award-winning video news agency, has today announced a strategic partnership with TVU Networks, the global online broadcast distributor. The long-term collaboration will allow media partners to receive Ruptly’s live transmissions over the internet at full broadcast quality using the TVU Grid platform – a faster, more intuitive and more ...

The post Ruptly Partners with TVU Networks for Video Delivery appeared first on NAB Show News | 2020 NAB Show Media Partner and Producer of NAB Show LIVE. Broadcast Engineering News.

VDX.tv Launches a Global Digital Video PSA Initiative to Inform the Public About COVID-19

Par Curtis Chan

Initiative is in collaboration with corporations, brands, agencies, publishers, and spokespeople VDX.tv, a global advertising technology company transforming the way brands connect with relevant audiences, today launched a digital video Public Service Announcement (PSA) initiative to help drive awareness around COVID-19 and to better help communities around the world cope with the spread of the ...

The post VDX.tv Launches a Global Digital Video PSA Initiative to Inform the Public About COVID-19 appeared first on NAB Show News | 2020 NAB Show Media Partner and Producer of NAB Show LIVE. Broadcast Engineering News.

MEDIA ALERT: Introducing Red Giant Complete Monthly

Par Zazil Media

Last week, Red Giant announced it is now making it possible to get a monthly subscription to Red Giant Complete, a subscription service that gives editors, motion designers and VFX artists all Red Giant tools at one low price. Now for just $79/ month, subscribers will have access to Trapcode Suite, Magic Bullet Suite, Universe, ...

The post MEDIA ALERT: Introducing Red Giant Complete Monthly appeared first on NAB Show News | 2020 NAB Show Media Partner and Producer of NAB Show LIVE. Broadcast Engineering News.

Business as Usual Support, When Business isn’t Usual

Par platformcomms

MONTREAL – March, 31 2020 – Grass Valley is deploying a robust Business Continuity Initiative to help protect broadcasters, content owners and production companies, and give them enhanced operational support options and free access to selected services during this trying time. In the current climate, where media is crucial to inform and connect people, Grass Valley is ...

The post Business as Usual Support, When Business isn’t Usual appeared first on NAB Show News | 2020 NAB Show Media Partner and Producer of NAB Show LIVE. Broadcast Engineering News.

Une nouvelle librairie de motion capture pour vos projets

Par Shadows

Centroid, studio de motion et performance capture et production virtuelle, annonce le lancement d’une librairie en ligne de données de motion capture. Situé dans les célèbres studios de cinéma de Pinewood, Centroid a en pratique mis en place un site dédié qui compte déjà près de 400 éléments.

Au menu, pour le moment : humains en déplacement, actions pour vos foules (personnages assis ou debout qui observent, parlent, mangent, bougent légèrement, lisent, boivent, téléphonent…), cheval, mais aussi des collections thématiques telles que “zombies” et “pirates” (avec des personnages qui escaladent, chargent des canons, tirent, se battent au sabre, etc).

La collection a pour elle deux avantages principaux : d’une part, l’utilisation du service Sketchfab pour l’affichage 3D temps réel de chaque élément, ce qui permet contrairement à une vidéo d’observer le mouvement sous tous les angles, zoomer, faire pause afin d’être certain que ce que l’on achète convient.
D’autre part, les tarifs relativement abordables : les scènes avec humains sont toutes disponibles pour une quinzaine d’euros. Les scènes avec cheval sont plus chère, le record étant atteint avec l’extrait “lie down” (1500€ environ). On imagine évidemment que la raison est la nécessité de recourir à un cheval spécialement dressé.

Enfin, sur le plan technique, les données sont fournies au format FBX avec mouvement en 120fps appliqué à un squelette (les personnages des visualisations sont présents de façon purement esthétique et ne sont pas inclus).

L’article Une nouvelle librairie de motion capture pour vos projets est apparu en premier sur 3DVF.

SSL Presents Audio Technology Seminar to CRAS Students at Gilbert, Ariz. Campus

Par Charlie Leib

  Gilbert, Ariz., March 30, 2020 – Solid State Logic and the Conservatory of Recording Arts & Sciences’ (CRAS; www.cras.edu), the premier institution for audio engineering education, have a long professional working history together. Recently, this partnership took another step forward in educating the next crop of audio engineers when Solid State Logic’s George Horton, ...

The post SSL Presents Audio Technology Seminar to CRAS Students at Gilbert, Ariz. Campus appeared first on NAB Show News | 2020 NAB Show Media Partner and Producer of NAB Show LIVE. Broadcast Engineering News.

Crystal Vision releases four video delays that work with both IP and SDI

Par Sarah Sales

Crystal Vision continues its commitment to being the leading video delay provider with the release of four variable video delays that can work with IP, with SDI or with both IP and SDI at the same time and provide up to 32 seconds of delay. Designed to match any equipment with a processing delay, Crystal ...

The post Crystal Vision releases four video delays that work with both IP and SDI appeared first on NAB Show News | 2020 NAB Show Media Partner and Producer of NAB Show LIVE. Broadcast Engineering News.

Never.no inks licensing agreement with Applied Electronics in Canada

Par rlyl

~ Partnership with leading provider of integrated media solutions will bring enhanced remote production enabled cloud-based social graphics and audience engagement services to the region ~ Manchester, 26 March 2020 – Never.no, the award-winning audience engagement specialist, has announced a partnership agreement with Applied Electronics. Headquartered in Toronto, Canada, the media solutions company will license ...

The post Never.no inks licensing agreement with Applied Electronics in Canada appeared first on NAB Show News | 2020 NAB Show Media Partner and Producer of NAB Show LIVE. Broadcast Engineering News.

Media Links Drives 100 Billion Bits per Second to the Network Edge for Remote Production Applications

Par DM

New Generation MD8000-100G Edition for the world’s most proven & trusted IP Transport Platform As demand surges for higher bandwidth at the network edge in order to transport more and more media channels, Media Links, manufacturer and pioneer in Media over IP transport technology, is introducing its new MD8000-100G Edition. Under the hood of the ...

The post Media Links Drives 100 Billion Bits per Second to the Network Edge for Remote Production Applications appeared first on NAB Show News | 2020 NAB Show Media Partner and Producer of NAB Show LIVE. Broadcast Engineering News.

Rascular Announces Ross MC1 Channel Branding and Master Control Switcher Helm Control Integration

Par Jump

Rascular, designers of software-based powerful, customisable control and monitoring applications for third-party, professional video technologies, has today announced the availability of comprehensive software control of Ross’ MC1 family of Channel Branding and Master Control Switchers via its flagship control and monitoring system Helm. Responding to considerable customer interest, Rascular, using Ross’ powerful and flexible openGear® ...

The post Rascular Announces Ross MC1 Channel Branding and Master Control Switcher Helm Control Integration appeared first on NAB Show News | 2020 NAB Show Media Partner and Producer of NAB Show LIVE. Broadcast Engineering News.

NUGENS’s Surround Mix is Essential to Audio Post-Production for Today’s Evolving Media

Par D Pagan Communications

LEEDS, UK, MARCH 25, 2020 – NUGEN Audio’s Surround Suite offers a complete set of tools for  upmixing, downmixing and multi-channel sound reshaping for the production market. Featuring the company’s Halo Downmix, Halo Upmix, ISL True Peak limiter and SEQ-S match and morph EQ software, NUGEN’s Surround Suite is perfect for both movie and television ...

The post NUGENS’s Surround Mix is Essential to Audio Post-Production for Today’s Evolving Media appeared first on NAB Show News | 2020 NAB Show Media Partner and Producer of NAB Show LIVE. Broadcast Engineering News.

Ce prof de maths donne ses cours en VR dans Half-Life : Alyx

Par Sitraka R
Gameplay Half-Life: Alyx

Alors que les extraterrestres envahissent la Terre dans Half-Life : Alyx, ce prof a trouvé le moyen d’apprendre les maths à ses étudiants avec le jeu.

Entre les fusillades, les zones souterraines à faire frémir et énigmes à résoudre, Half-Life : Alyx ne manque pas de surprises. Toutefois, un lot de marqueurs, une vitre sale et une éponge magique disposés dans un coin du jeu semblent particulièrement fasciner les premiers joueurs. Si la plupart d’entre eux vont les utiliser pour réaliser des « œuvres d’art » sur la vitre, un professeur astucieux a trouvé une occasion pour capter l’attention de ses élèves.

Les cours de maths via Half-Life : Alyx pendant le confinement

Dans une vidéo postée sur YouTube, Charles Coomber passe donc environ 15 minutes à expliquer le vocabulaire relatif aux angles. Dans la séquence (visible ci-dessous), on le voit utiliser les marqueurs et l’éponge pour illustrer ses propos.

D’après la description disponible, la vidéo fait partie d’une série baptisée « Homeschooling Week » (semaine d’école à la maison). Le site VR Room spécule qu’il s’agit d’une réponse au confinement imposé par l’épidémie de Covid-19.

Bien évidemment, des solutions plus adaptées existent pour enseigner grâce à la VR. Vous pouvez découvrir ici comment la réalité virtuelle révolutionne l’éducation. Toutefois, la solution proposée par ce professeur de math a un grand avantage qui n’est autre que Half-Life : Alyx.

En effet, un nom aussi connu que Half-Life incitera très certainement plus les jeunes à s’intéresser à ce qu’il fait. Ce ne sera pas forcément le cas pour des plateformes mieux pensées, mais aux noms inconnus pour bon nombre d’élèves. En tout cas, malgré le côté improvisé de l’affaire, le cours du professeur Coomber est plus qu’intéressant.

Half-Life Alyx est d’ores et déjà disponible en vente sur Steam au prix de 44,99 euros. Et comme de plus en plus de joueurs découvriront le jeu dans les prochains jours, attendez-vous à retrouver d’autres utilisations insolites de ces marqueurs.

Cet article Ce prof de maths donne ses cours en VR dans Half-Life : Alyx a été publié sur Réalité-Virtuelle.com.

Edgeware adds automated QoE optimization to its multi-CDN control platform StreamPilot

Par rlyl

Broadcasters and content providers will benefit from unified view and automated problem mitigation to optimize QoE when delivering content in multi-CDN environments Stockholm, Sweden – March 24, 2020 – Edgeware has today announced the addition of its automated optimization capability to its multi-CDN control platform StreamPilot. Referred to as AutoPilot, the feature gives broadcasters and ...

The post Edgeware adds automated QoE optimization to its multi-CDN control platform StreamPilot appeared first on NAB Show News | 2020 NAB Show Media Partner and Producer of NAB Show LIVE. Broadcast Engineering News.

Bryan ‘Sol’ Aponte Takes DPA Microphones Back to the ’80s on the Set of Mixed-ish

Par D Pagan Communications

Emmy-Nominated Sound Mixer Calls on 4061 Miniature Omnidirectional Mics To Provide Natural Sound and Superior Audio Quality for TV Sitcom LOS ANGELES, MARCH 25, 2020 – Veteran Sound Mixer Bryan “Sol” Aponte relies on DPA Microphones’ 4061 Miniature Omnidirectional Mic to capture the hilarious and witty dialogue of one of the network’s top sitcoms, mixed-ish. ...

The post Bryan ‘Sol’ Aponte Takes DPA Microphones Back to the ’80s on the Set of Mixed-ish appeared first on NAB Show News | 2020 NAB Show Media Partner and Producer of NAB Show LIVE. Broadcast Engineering News.

Outdoor Sport Channel® chooses Globecast for worldwide distribution of content

Par Jump

Los Angeles, CA, March 25th, 2020 — Globecast, the global solutions provider for media, has announced a multi-year partnership with United Kingdom/Netherlands-based Outdoor Sport Channel for the worldwide distribution of its HD and 4K content to MVPDs (multichannel video programming distributors) and as the exclusive distributor in the US. The deal includes the distribution of ...

The post Outdoor Sport Channel® chooses Globecast for worldwide distribution of content appeared first on NAB Show News | 2020 NAB Show Media Partner and Producer of NAB Show LIVE. Broadcast Engineering News.

FOR-A Delivers Video Switcher Integration with Technology Partners for Live Production Solutions

Par Pipeline Communications

Cypress, CA, March 24, 2020 – FOR-A Corporation of America has built integrated live production solutions that combine its HANABI series of video switchers with Variant Systems Group replay systems, ClassX graphics and playout software, ODYSSEY Insight video servers, and Brainstorm Multimedia virtual studios.   “Together with our technology partners, FOR-A is creating live production ...

The post FOR-A Delivers Video Switcher Integration with Technology Partners for Live Production Solutions appeared first on NAB Show News | 2020 NAB Show Media Partner and Producer of NAB Show LIVE. Broadcast Engineering News.

Vionlabs launches Emotional Fingerprint API to provide media companies with powerful AI driven decision making

Par platformcomms

Stockholm, Sweden, 24 March 2020 – Vionlabs announces the launch of Emotional Fingerprint API, a cloud-based solution that enables media companies to make better decisions based on deep AI generated video data and insights. The cloud-based solution is easily integrated with existing workflows throughout the entire video acquisition, production and distribution chain. Emotional Fingerprint API provides ...

The post Vionlabs launches Emotional Fingerprint API to provide media companies with powerful AI driven decision making appeared first on NAB Show News | 2020 NAB Show Media Partner and Producer of NAB Show LIVE. Broadcast Engineering News.

ENCO Automation and Instant Playout Solutions Power OTT Television Channel for FISM TV

Par Dimension PR

Media Operations Manager (MOM) and ClipFire streamline workflows and bolster reliability for “post-cable” television channel Southfield, MI, March 23, 2020 – OTT and online television network FISM TV offers edgy and informative Christian television programming for cable-cutting audiences. Running into limitations of its initial scheduling and playout solutions, the growing channel turned to the Media ...

The post ENCO Automation and Instant Playout Solutions Power OTT Television Channel for FISM TV appeared first on NAB Show News | 2020 NAB Show Media Partner and Producer of NAB Show LIVE. Broadcast Engineering News.

Anatomie pour les artistes : deux nouvelles formations chez Gnomon

Par Shadows

Gnomon Workshop lance deux nouvelles formations d’anatomie artistique. Après un premier volet sur les muscles du dos et des épaules, l’illustrateur Rey Bustos propose désormais une seconde partie sur la jambe et le pied, puis une troisième sur l’avant du torse et les bras.

Ces formations sont proposées en haute définition et sont payantes : un abonnement à Gnomon est indispensable pour y accéder.

L’article Anatomie pour les artistes : deux nouvelles formations chez Gnomon est apparu en premier sur 3DVF.

Worship Summit Live 2.0 Announced

Par Paul Richards

The team at PTZOptics and StreamGeeks have announced am upcoming event designed for houses of worship who want to learn how to live stream. Worship Summit Live 2.0 is a full day of online worship leader education scheduled for April 2nd. The list of live musical performances and educational speakers has been announced and is ...

The post Worship Summit Live 2.0 Announced appeared first on NAB Show News | 2020 NAB Show Media Partner and Producer of NAB Show LIVE. Broadcast Engineering News.

FOR-A Switchers, Routers Support 12G-SDI Infrastructures for 4K/8K Live Production Workflows

Par Pipeline Communications

Cypress, CA, March 19, 2020 – FOR-A Corporation of America continues to develop products that support 12G-SDI infrastructures for live production workflows. Among its offerings are the new MFR-4100 and MFR-6100 12G/6G/3G/HD/ASI routing switchers, as well as the HVS-6000 Series of HANABI video switchers, which support HD and 4K production.   “For live event production ...

The post FOR-A Switchers, Routers Support 12G-SDI Infrastructures for 4K/8K Live Production Workflows appeared first on NAB Show News | 2020 NAB Show Media Partner and Producer of NAB Show LIVE. Broadcast Engineering News.

Hiding In Plain Sight Is How To Succeed With DPA Lavalier Microphones

Par whitenoise

For more than 10 years, Production Sound Mixer and Location Sound Recordist David Thirion has been using DPA microphones to capture audio for film and television projects. Their audio quality and natural sound was a key reason for his choice, but equally important was the tiny size of some models, which makes them ideal for ...

The post Hiding In Plain Sight Is How To Succeed With DPA Lavalier Microphones appeared first on NAB Show News | 2020 NAB Show Media Partner and Producer of NAB Show LIVE. Broadcast Engineering News.

ZIXI TO STREAM VIRTUAL EVENTS AND NEW CAPABILITIES AS ALTERNATIVE TO NAB

Par Denise Williams

Zixi, the industry leader for enabling dependable, live broadcast-quality video over any IP network, today announced that in the wake of the cancellation of the NAB Show 2020, the company will be conducting a two week virtual showcase.  This series of video meetings and webinars will present Zixi’ s latest innovations and announcements including industry ...

The post ZIXI TO STREAM VIRTUAL EVENTS AND NEW CAPABILITIES AS ALTERNATIVE TO NAB appeared first on NAB Show News | 2020 NAB Show Media Partner and Producer of NAB Show LIVE. Broadcast Engineering News.

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