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Directors Cut upgrades to Baselight for HDR and 4K

Par Caroline Shawley

Directors Cut grading suite   LONDON — 31 October 2019: Independent London post house Directors Cut Films – owned and operated by its creative staff – has invested in a Baselight TWO colour grading workstation with a Blackboard 2 control panel. Directors Cut works primarily in premium long-form television, as well as drama series, documentaries ...

The post Directors Cut upgrades to Baselight for HDR and 4K appeared first on NAB Show News by Broadcast Beat, Official Broadcaster of NAB Show - NAB Show LIVE.

Power of Baselight X on display at the heart of Inter BEE

Par Caroline Shawley

  Yoko Kimura joins to spearhead sales and marketing in region   LONDON — 29 October 2019: FilmLight is to demonstrate the state of the art in creative colour and efficient workflows for production and post on its booth at Inter BEE 2019 (13–15 November, Makuhari Messe, stand 6111). At Inter BEE, the FilmLight presence ...

The post Power of Baselight X on display at the heart of Inter BEE appeared first on NAB Show News by Broadcast Beat, Official Broadcaster of NAB Show - NAB Show LIVE.

Fifty Fifty adds second Baselight grading suite

Par Caroline Shawley

  Experienced long-form colourist, Joe Stabb, to push boundaries of 4K and HDR deliveries   LONDON — 21 October 2019: Leading London boutique post house Fifty Fifty has added a second Baselight grading suite as part of its expansion programme. With the growing interest in top end content for broadcast and streaming, both suites are ...

The post Fifty Fifty adds second Baselight grading suite appeared first on NAB Show News by Broadcast Beat, Official Broadcaster of NAB Show - NAB Show LIVE.

FilmLight presents Colour On Stage at IBC2019

Par Caroline Shawley

  Free programme expanded to two days to provide greater opportunities to see industry leaders in finishing demonstrate their craft   LONDON — 13 August 2019: At this year’s IBC, FilmLight (stand #7.A45) is hosting the free two-day seminar series, Colour On Stage, on 14-15 September 2019. The event provides an opportunity for visitors to ...

Legendary colourist Yvan Lucas reunites with Quentin Tarantino for ‘Once Upon a Time… in Hollywood’

Par Caroline Shawley

  LONDON — 5 August 2019: The latest movie written and directed by Quentin Tarantino, Once Upon a Time… in Hollywood, took the 2019 Cannes Film Festival by storm. The film visits late 60’s Los Angeles with colour and vitality realised by cinematographer Robert Richardson. To create the distinctive vintage look of the period, Yvan ...

Saudi Arabia’s first production facility incorporates Baselight

Par Caroline Shawley

  LONDON — 31 July 2019: Following the lifting of a 35-year ban on cinema in the Kingdom of Saudi Arabia, Nebras Films has established the first full facility production and post service, based in Riyadh. As part of a complete offering, the post house includes a Baselight TWO grading suite with the latest v5 ...

Youngster builds powerful workflows with BLG

Par Caroline Shawley

    LONDON — 18 July 2019: One of London’s newest high-end finishing houses, Youngster, is delivering uncompromised quality thanks to FilmLight’s unique BLG workflow. Youngster is using the innovative setup to provide seamless, renderless content exchange between Flame VFX, Avid editing and the Baselight grading and finishing suite. The BLG workflow is already being ...

FilmLight brings in Matthieu Straub to strengthen its international colour workflow team

Par Caroline Shawley

  LONDON — 15 July 2019: Well-known French DIT and film workflow specialist, Matthieu Straub, has joined FilmLight. Based in Paris, he will provide technical advice and practical assistance to FilmLight clients in France and Benelux, as well as acting as the company’s voice in local key trade groups and with training partners in the ...

FilmLight finishing gives distinction to Cannes winners

Par Caroline Shawley

  LONDON — 3 July, 2019: Two of the top prizes at this year’s Cannes Film Festival have gone to ground-breaking movies which rely on FilmLight colour science for their distinctive looks. Parasite, from Korean director Bong Joon Ho, took the Palme d’Or, while director Mati Diop won the Grand Prix for Atlantique (Atlantics), the ...

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