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The New and Non-Actor’s Crash Course: Part Two

Par John Francis McCullagh

In the second installment of our two-part Acting Crash Course, we'll discuss professionalism and what you should expect on set.

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From Favreau to Scott – Filmmakers Who Changed Direction in Post

Par Rory McGregor

Much of a movie’s tone, narrative, and look are decided long before scheduling shooting, and often before writing the script — but not always.

The New and Non-Actor’s Crash Course: Part One

Par John Francis McCullagh

In the first of our two-part series, we'll cover some things you’ll need to know as an actor (or filmmaker) if you're going to be in front ...

The Dolly Shot: How It Works and Why It’s Powerful

Par Charles Yeager

There's nothing more cinematic than a great dolly shot, but they're not always easy to pull off. Learn how dolly shots work technically and for storytelling, and ...

The Lost Joys of Using DIY Filmmaking Equipment

Par Lewis McGregor

We've all been there — solving production problems with creative builds on the cheap. But what else do we gain by building our own DIY equipment?

IFTA And Other Movie Industry Groups Seek Government Intervention In Stopping Online Piracy

Par Andres Benetar

  IFTA And Other Movie Industry Groups Seek Government Intervention In Stopping Online Piracy  In this day and digitally integrated age, piracy is a major, if not a much larger concern more than ever before. In fact, any individual or group who illegally distributes copyrighted material should face the consequences of their actions. The many ...

Cartoni announces winners to the ‘Win an SDS Tripod’ contest

Par Tanya Lyon

The contest drew entries from around the world Rome, Italy (August 16, 2019) – Cartoni, the Italian leader in premium camera supports for the broadcast, film and pro-video industries, is proud to celebrate winners of the ‘Win an SDS Tripod’ contest.  The contest drew entries from the United States, Europe, Africa, and the Middle East. ...

The Dana Dolly: A Quintessential Cinematic Tool for Filmmakers

Par Tanner Shinnick

Let's take a look at what makes the Dana Dolly such a great piece of equipment — and why you might find it on the set of ...

How to Hire a Film Crew for Your Next Passion Project

Par Tanner Shinnick

Hiring a film crew for your passion project? Here are four tenets to keep in mind to make sure you assemble a successful team.

FilmLight presents Colour On Stage at IBC2019

Par Caroline Shawley

  Free programme expanded to two days to provide greater opportunities to see industry leaders in finishing demonstrate their craft   LONDON — 13 August 2019: At this year’s IBC, FilmLight (stand #7.A45) is hosting the free two-day seminar series, Colour On Stage, on 14-15 September 2019. The event provides an opportunity for visitors to ...

5 Documentary-Style Lenses for 5 Different Budgets

Par Tanner Shinnick

To find the perfect documentary-style lenses for your next project, we’re going to look at five of the top lenses across multiple budget ranges.

Should You Move Quickly or Take Your Time with a No-Budget Short?

Par Lewis McGregor

Hurry up and film like a crazy person, or take your time? In this article, we examine both approaches to no-budget short film production.

6 Affordable Ways to Capture Great Dolly Shots

Par Logan Baker

Don't blow your entire budget on pro equipment for a dolly shot. From cheaper options to the DIY approach, here's how to get the most bang for ...

How to Mount the Blackmagic Pocket Cinema Camera 4K on the Ronin-M

Par Lewis McGregor

Here's how you can effectively mount a Blackmagic Pocket Cinema Camera 4K to the Ronin-M with the CineMilled Dovetail Plate.

PG vs. R Ratings: What’s the Difference for Summer Action Films?

Par Lewis McGregor

A film's rating ensures a certain kind of audience. Here, we discuss the logic and thought process behind making a summer action film.

HitFilm Pro passe en version 13

Par Shadows

L’éditeur FxHome a mis à jour HitFilm Pro, qui passe en version 13.0.
L’outil de montage vidéo et effets visuels, disponible sous Mac et PC, se dote des avancées suivantes :

  • le système de tracking 3D de Foundry est désormais intégrée au logiciel ;
  • le système de tracking planaire Mocha HitFilm, lui, est mis à jour en 6.0.3 avec à la clé des améliorations mineures mais aussi des corrections de bugs ;
  • il devient possible de verrouiller calques et pistes : de quoi éviter tout changement accidentel ;
  • le masquage peut désormais se faire depuis la timeline de montage, pour éviter de sauter d’un mode à l’autre ;
  • Highpass Sharpen : un nouveau mode pour améliorer la netteté de vos images ;
  • Tone Coloring : cet outil dispose d’une interface améliorée qui devrait faciliter le grading final ;
  • Remove Stock Background : si vous utilisez des effets ou contenus issus de banques vidéo, HitFilm Pro peut désormais extraire le contenu de l’image en quelques clics ;
  • un slider fait son apparition pour l’application des LUTs, afin d’en moduler l’effet ;
  • enfin, une meilleure gestion des fichiers est annoncée, qu’il s’agisse de formats vidéo ou audio.

L’article HitFilm Pro passe en version 13 est apparu en premier sur 3DVF.

4 Quick, Helpful Fixes for Stimulating a Compelling Interview

Par Lyndsay Knecht

When staging an interview, there are obstacles for both the interviewer and interviewee. Here are a few tricks that can make your interview shine.

Industry Interview with John Downer of Discovery’s SERENGETI

Par Tanner Shinnick

PremiumBeat spoke with John Downer about his new nature documentary SERENGETI, following different species of animals throughout Africa. 

Ridley Scott’s Secret Weapon: The Graduated Neutral-Density Filter

Par Rubidium Wu

Capture powerful images with a signature look. In this write-up, we'll look at how a graduated ND filter can make your shots look amazing.

Creators of “This Isn’t Me” Team with ONE TWENTY NINE FILMS to Bring Show to TV

Par Artisans PR

Comedy pilot about a gay man who tutors a trans youth has won a string of awards on the festival circuit. SAN FRANCISCO—Writer Ben Kawaller and director Adrian Rojas Elliot have partnered with One Twenty Nine Films to develop their award-winning short film This Isn’t Me into a television series. The comedy about an aimless ...

Legendary colourist Yvan Lucas reunites with Quentin Tarantino for ‘Once Upon a Time… in Hollywood’

Par Caroline Shawley

  LONDON — 5 August 2019: The latest movie written and directed by Quentin Tarantino, Once Upon a Time… in Hollywood, took the 2019 Cannes Film Festival by storm. The film visits late 60’s Los Angeles with colour and vitality realised by cinematographer Robert Richardson. To create the distinctive vintage look of the period, Yvan ...

Pre-Production Tips: How and Why to Break Down a Script

Par Jason Boone

In this video tutorial, I go over one of the most important parts of pre-production: how to breakdown a script — as well as why it's so ...

Practical Tips for Avoiding Stress and Saving Time as a Solo Filmmaker

Par Lewis McGregor

Here are some common sense tips and methods to help you relieve stress and save time on your next adventure as a solo filmmaker.

5 Essentials Tools for Your Documentary Camera Package

Par Tanner Shinnick

In this write-up, we’ll take a look at five of the best, highest-quality tools and accessories to make your documentary camera package top notch. 

From Jason Bourne to Indiana Jones, This Is the Secret to Better Action Scenes

Par John Francis McCullagh

Learn how to create a more cohesive action sequence when dealing with hand-to-hand combat, as well as long-range action scenes.

Saudi Arabia’s first production facility incorporates Baselight

Par Caroline Shawley

  LONDON — 31 July 2019: Following the lifting of a 35-year ban on cinema in the Kingdom of Saudi Arabia, Nebras Films has established the first full facility production and post service, based in Riyadh. As part of a complete offering, the post house includes a Baselight TWO grading suite with the latest v5 ...

The Right In-Air Diffusion for Your Project: Haze vs. Fog vs. Smoke

Par Rubidium Wu

Today, we'll take a look at which in-air diffusion best emphasizes dramatic light in your scene — as well as adding production value to your set.

RED BEE MEDIA POWERS AND SUPPORTS REMOTE PRODUCTION FOR CANAL+ DURING CANNES FILM FESTIVAL 2019

Par Ericsson

CANAL+ were keen to use remote production in their operations during the Cannes Film Festival 2019; broadcasting shows from “TV Festival”, managing all post-production for the CANAL+ Group in Cannes and providing all opening and closing ceremonies at the festival to international broadcasters Red Bee Media facilitated and supported higher-quality workflows for 32 feed remote ...

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