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Hier — 13 novembre 2019Vos flux RSS

Marta Verde on her live A/V show with Tensal, at LEV Matadero

Par Hayley Cantor




Earlier this month, we met with Marta Verde to find out about her performance with Tensal at LEV Matadero, and to pick her brains about all those niggling little questions we had after following her career for the last few years.

Who are the artists that you are most looking forward to seeing at LEV Matadero?

Myriam Bleau and Ryoichi Kurokawa.

How were you contacted about the project at LEV Festival?

They called me and proposed that I collaborate with Tensal for their edition at Matadero in Madrid. I had never worked with him before.

Do you ever find that some genres of music just don’t inspire your work?

Absolutely. In general I don’t work on the clubbing, or nightlife scene, so related styles of music wouldn’t be my first choice of project. I actually started doing visuals with traditional Galician music.

Analog waves in the Nave at LEV Matadero
Analog waves at ‘la Nave,’ LEV Matadero, Madrid

Do friends often come to see your performances?

Yes, it depends on the performance. These days they tend to film me in vertical, so I rarely have content that I can use other than for Instagram [she laughs]

How do you feel about being on stage as a visual artist?

I don’t really like that part at all, but of course it’s part of the job. I’m quit shy, really. My show at LEV Matadero is quite different from what I usually do – in terms of music genre, as well as the time of the performance – pretty late, since I’m on at 1am.

What is the most unusual project are you’ve worked on in your career so far?

A few years ago I worked on a project with a musician called Julián Elvira who built a flute that played different frequencies (I had no idea that this wasn’t already the case with flutes!) It was really interesting, because I learnt a lot about music and we were able to work very closely together for the collaboration. We premiered the show in Martin E. Segal Theatre, New York.

Marta verde and Tensal at LEv Matadero
Lights and visuals, Marta Verde’s live performance at LEV Matadero with Tensal

What are you working on at the moment?

Right now, I’m working on a live performance with Madrid-based composer, José Venditti. He plays saxophone, and works on deconstructing sound through classical patterns.

What set-up will you be using for your performance tonight?

A couple of months ago I bought an analogue video synthesizer from LZX Industries. It’s really fun. There’s no preview, so anything can happen, and I also can’t save any presets. I also won’t be using any code for this show, which is very unusual for me. I’ve always been fascinated with the idea of analogue video techniques, and don’t really understand why people go to great lengths to copy the aesthetic digitally, when they could just try to get a real one. 

Analog video aesthetic by Marta Verde
Analog video aesthetic by Marta Verde, for Tensal’s show at LEV Matadero

Do you use social media a lot to promote your work?

You can follow me if you like, my instagram account is mainly dominated by photos of my cat and screenshots of my work. I don’t really get work through social media channels, people tend to contact me directly. The work is really interesting and every project is completely different. Usually I’m presented with some kind of problem and I find ways to solve it.

Apart from doing visual performances, you are currently working at a Fab Lab, right?

It’s very common for freelancers to supplement their work through teaching, which I love. I find it really motivational and inspiring to work with young people and their ideas. I used to work as a coordinator in a Fab Lab, and I still give classes on programming and digital manufacturing there, but not on a regular basis anymore. I tend to work in different locations and on a more ad-hoc basis, that way I can combine teaching with my own projects.

If you want to read more about Marta’s work, you can check her artist profile page here.

The post Marta Verde on her live A/V show with Tensal, at LEV Matadero appeared first on Audiovisualcity.

Ukraine’s Nash TV Channel Chooses Two Calrec Artemis Consoles For 24/7 News Programming

Par D Pagan Communications

HEBDEN BRIDGE, UK, NOVEMBER 12, 2019 — Ukraine news TV channel Nash TV has purchased two 32-fader Artemis Light audio consoles for its Kiev-based 24/7 programming. Nash TV is a new customer and is a significant addition to Calrec’s success in the country. Alexander Filipushko, Chief Sound Engineer at Nash TV, commented, “Our sound engineers ...

The post Ukraine’s Nash TV Channel Chooses Two Calrec Artemis Consoles For 24/7 News Programming appeared first on NAB Show News by Broadcast Beat, Official Broadcaster of NAB Show - NAB Show LIVE.

Nevion sales grow by more than a third in the Americas

Par Editor

Nevion, award-winning provider of virtualized media production solutions, has experienced a growth in bookings in its Americas region of 34% so far in 2019, compared to the same period in 2018. Sales of software and services in the region have also more than quadrupled in the period, reflecting the increased demand for IP solutions, based ...

The post Nevion sales grow by more than a third in the Americas appeared first on NAB Show News by Broadcast Beat, Official Broadcaster of NAB Show - NAB Show LIVE.

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PMC Appoints Vintage Studios As Its Thai Distributor For All Pro Audio Monitors

Par whitenoise

PMC Speakers is delighted to announce that Vintage Studios has been appointed as its official distributor in Thailand, with responsibility for the company’s entire range of professional monitoring products. Located in the Bang Na district of Bangkok, Vintage Studios was established in 2002 by the Puengrusme family as a commercial music recording, mixing and mastering ...

The post PMC Appoints Vintage Studios As Its Thai Distributor For All Pro Audio Monitors appeared first on NAB Show News by Broadcast Beat, Official Broadcaster of NAB Show - NAB Show LIVE.

QYOU Media forms distribution partnership with Ethnic Channels Group in Canada

Par platformcomms

Long term distribution agreement to drive licensing for “The Q India” and “Q Polska” via world’s largest ethnic broadcaster TORONTO and LOS ANGELES, November 7, 2019 – QYOU Media Inc. (TSXV:QYOU; OTCQB: QYOUF) announced it has entered into a long term distribution agreement for its flagship networks “The Q India” and “Q Polska”, with Ethnic Channels Group, the world’s largest ethnic ...

The post QYOU Media forms distribution partnership with Ethnic Channels Group in Canada appeared first on NAB Show News by Broadcast Beat, Official Broadcaster of NAB Show - NAB Show LIVE.

Visual Data Media Services acquires MX1 UK Limited

Par Amisa Saari-Stout

Visual Data Media Services, the leading provider of digital supply chain services to global content owners and distributors, has acquired MX1 UK Limited, a London-based entity that has a track record of providing excellent content preparation services to leading broadcasters and content owners. Located in North Acton, MX1 UK Limited provides content preparation services as ...

The post Visual Data Media Services acquires MX1 UK Limited appeared first on NAB Show News by Broadcast Beat, Official Broadcaster of NAB Show - NAB Show LIVE.

Cooke Optics Brings BAFTA award-winner Peaky Blinders Season 5 into the World of Anamorphic and 4K

Par Denise Williams

For four seasons, Thomas Shelby, his family and his gang — Peaky Blinders — have been captivating audiences around the world with this crime drama set in 1920s Birmingham, England in the aftermath of World War I. But the fifth season would mean a total change in how the series was to be shot, moving ...

The post Cooke Optics Brings BAFTA award-winner Peaky Blinders Season 5 into the World of Anamorphic and 4K appeared first on NAB Show News by Broadcast Beat, Official Broadcaster of NAB Show - NAB Show LIVE.

Marta Verde

Par Hayley Cantor

Marta is a Creative Coder and Digital Artists from Galicia, based in Madrid.

Originally, she studied Fine Arts, and now she is specialised in new media arts and digital technologies applied to the performance arts. She also teaches at the Fab Academy, as an expert in digital fabrication.

Marta develops visuals, interactive and generative graphics, as well as dynamic/interactive content for lighting design, custom electronic devices and wearables, interactive installations for musicians, dance and theatre companies, artists, designers and arts institutions.

Her work is constructed through the use of custom built software and hardware specific to each visual set, allowing her to manipulate all the content in real time and to explore the limits of visual noise, repetition and the link between the organic and the electronic.

She works primarily in Spain and Portugal on a wide variety of projects, from theatre to festivals. Marta has also performed at festivals such as Primavera Sound, LEV Matadero, Sonic Arts Festival, MIRA and WOS Festival.

She also has taught about technology and interactivity at: IED Madrid, Ephemereal Architecture Masters Degree at ETSAM Madrid, Medialab-PradoLa Casa Encendida ,Fundación TelefónicaBAUUOC, and has mentored Hackatons at Makers of Barcelona with Ciclo.io.

https://martaverde.net/
www.instagram.com/martaverdebaqueiro
https://twitter.com/greenmartinha
https://www.facebook.com/martaverdebaqueiro

The post Marta Verde appeared first on Audiovisualcity.

Diablo IV annoncé : Blizzard signe une cinématique macabre et somptueuse

Par Shadows

Blizzard Entertainment a officiellement annoncé l’arrivée son prochain jeu vidéo : Diablo IV. Ce nouvel opus de la licence mythique se situera quelques décennies après le troisième volet et mettra en scène Lilith, créature dont l’invocation est au coeur de la cinématique dévoilée par le studio.
Les équipes internes de Blizzard ont fait ici un travail d’une grande qualité : le soin apporté à chaque détail est manifeste. En coulisses, RenderMan et Houdini, entre autres, ont été utilisés.

En ce qui concerne le jeu lui-même, Blizzard promet une redéfinition de l’expérience de jeu : exit les temps de chargement entre niveaux, place à un monde ouvert découpé en régions aux ambiances variées. La campagne devrait par ailleurs mettre la linéarité de côté pour s’adapter à ce nouveau fonctionnement.

Diablo IV sera disponible sur PC et consoles à une date encore non déterminée.

L’article Diablo IV annoncé : Blizzard signe une cinématique macabre et somptueuse est apparu en premier sur 3DVF.

KCRW Builds New State-of-The-Art Radio Broadcast and Media Headquarters

Par Broadcast Beat Magazine

KCRW recently relocated from the basement of a building on the Santa Monica College main campus, to a new state-of-the-art $38-million headquarters at Santa Monica College’s new Center for Media and Design. This new facility is a culmination of 11 years of fundraising, designing, installing, integrating, and training by KCRW staff and the partners involved ...

The post KCRW Builds New State-of-The-Art Radio Broadcast and Media Headquarters appeared first on NAB Show News by Broadcast Beat, Official Broadcaster of NAB Show - NAB Show LIVE.

Dalet AmberFin Release Adds Dolby Vision and Socionext Acceleration

Par Zazil Media

Paris, France – October 29, 2019 – Dalet, a leading provider of solutions and services for broadcasters and content professionals, today announced that the latest release of the Dalet AmberFin media processing platform is the first software-based transcoding asset management system to include Dolby Vision® technologies, a leading HDR technology for media professionals, studios and streaming ...

The post Dalet AmberFin Release Adds Dolby Vision and Socionext Acceleration appeared first on NAB Show News by Broadcast Beat, Official Broadcaster of NAB Show - NAB Show LIVE.

Swiss Pay TV Network Expands Live Sports Broadcasting with Blackmagic Design

Par Zazil Media

Fremont, CA – October 29, 2019 – Blackmagic Design today announced that Teleclub, Switzerland’s leading Pay TV network, has implemented an UltraHD video playout system, built around a Blackmagic Design 12G infrastructure, to support an increased volume of linear and pay per view (PPV) live sports channels. The network recently expanded its output to offer more ...

The post Swiss Pay TV Network Expands Live Sports Broadcasting with Blackmagic Design appeared first on NAB Show News by Broadcast Beat, Official Broadcaster of NAB Show - NAB Show LIVE.

Exterity Introduces Digital Signage Reporting Capabilities and Unveils New Gateway at SATIS 2019

Par platformcomms

Edinburgh/Paris, 29 October 2019 – Exterity, a leading provider of IP video, guest experience and digital signage technologies, will once again showcase the latest enhancements to its complete end-to-end product portfolio at this year’s SATIS Screen4All Expo (Stand #A4, Dock Pullman November 5-6 2019 at La Plaine-Saint-Denis, Docks de Paris). “SATIS offers Exterity a fantastic ...

The post Exterity Introduces Digital Signage Reporting Capabilities and Unveils New Gateway at SATIS 2019 appeared first on NAB Show News by Broadcast Beat, Official Broadcaster of NAB Show - NAB Show LIVE.

Appear TV Launches Zixi Video Transport Over IP on X Platform

Par D Pagan Communications

OSLO, NORWAY, OCTOBER 28, 2019 –  Appear TV, a leading provider of next-generation high-quality video processing platforms for broadcast and streaming, has launched Zixi input and output support on the X platform. The Appear TV X platform is a dedicated solution for high speed video networking, enhanced IP security, video distribution and contribution. Designed for near limitless capacity, ...

The post Appear TV Launches Zixi Video Transport Over IP on X Platform appeared first on NAB Show News by Broadcast Beat, Official Broadcaster of NAB Show - NAB Show LIVE.

Weigel Broadcasting Co. Relies on Cobalt Digital Processing for EAS Insertion, CALM Compliance

Par Pipeline Communications

CHAMPAIGN, Ill. – Oct. 28, 2019 – Cobalt Digital today announced Chicago-based Weigel Broadcasting Co., which owns and operates stations in nine markets in addition to MeTV and other digital multicast networks, is using Cobalt’s software defined 9922-FS-DSP platform for openGear® frames to provide microservices for Emergency Alert System local insertion and CALM compliance for its ...

The post Weigel Broadcasting Co. Relies on Cobalt Digital Processing for EAS Insertion, CALM Compliance appeared first on NAB Show News by Broadcast Beat, Official Broadcaster of NAB Show - NAB Show LIVE.

LiveU Expands Live Streaming for South Africa’s Horse Racing World

Par Jump

LiveU technology is being used to boost fan engagement across South Africa’s popular horse racing industry. Replacing traditional satellite, fiber and microwave technology, LiveU’s portable field units are being deployed to create exciting live coverage from the race tracks themselves, inside betting centers, and around award ceremonies and special events. Heading up this trend are ...

The post LiveU Expands Live Streaming for South Africa’s Horse Racing World appeared first on NAB Show News by Broadcast Beat, Official Broadcaster of NAB Show - NAB Show LIVE.

Blender Conference 2019 – Ubisoft, plantes et jeux : les vidéos des présentations

Par Shadows

La Blender Conference 2019 se tenait du 25 au 27 octobre à Amsterdam. Comme le veut la tradition, toutes les présentations ont été enregistrées et sont accessibles en ligne.

La liste est particulièrement longue : plus de 70 vidéos vous attendent ! Nous ne résistons pas à l’envie de vous en proposer une petite sélection (évidemment arbitraire) ci-dessous :

Blender chez Ubisoft, avec Pierre-Armand Nicq :

Une rencontre entre francophones :

Pipelines temps réel et courts-métrages :

Blender et la production TV avec Mathieu Rey de Tu Nous ZA Pas Vus :

Création de plantes :

Blender et les jeux AAA :

Blender en série TV, par Cube :

N’hésitez pas à consulter les autres conférences sur Youtube.

L’article Blender Conference 2019 – Ubisoft, plantes et jeux : les vidéos des présentations est apparu en premier sur 3DVF.

Pourquoi Adidas et AMD rejoignent le Blender Development Fund

Par Shadows

Coup sur coup, deux grands groupes viennent d’annoncer leur participation au Blender Development Fund, le fonds de soutien qui permet de poursuivre et accélérer le développement de Blender.

Adidas : 12 000€ par an

Du côté d’Adidas, l’équipe Blender explique que son logiciel a déjà été utilisé par la marque sportive en tant qu’outil de visualisation. Adidas devient ici un sponsor « corporate silver », ce qui correspond à 12 000€ versés chaque année.

AMD : au moins 120 000€ par an

L’éternel rival de NVIDIA, lui, a choisi de soutenir Blender à la même hauteur que son concurrent. En tant que soutien « corporate patron », AMD versera au minimum 120 000€ par an.

La stratégie d’AMD n’est évidemment pas celle d’un simple utilisateur, contrairement à Adidas. L’équipe Blender précise explicitement que les fonds serviront au « développement général, à la migration Vulkan et à faire en sorte que les technologies AMD restent bien supportées pour [les utilisateurs Blender] ».

On le sait, AMD avait déjà apporté son soutien à Blender par le passé. Le groupe a tout intérêt à soutenir le logiciel : les personnes utilisant Blender, qu’elles soient professionnelles ou non, vont fatalement acheter des cartes graphiques et processeurs dans les années à venir. On peut aussi voir ce soutien comme une campagne de communication plus large, qui touchera aussi les personnes n’utilisant pas Blender (par exemple au sein du lectorat 3DVF) mais liées au secteur 3D ou à l’open source.

Quel montant total pour Blender ?

Avec les annonces de ces dernières semaines, le Blender Development Fund s’élève désormais à 94 432€ par mois. Un montant qui s’analyse de deux manières.

D’une part, l’écrasante majorité de cette somme provient d’entreprises : on pourra y voir le signe de la réussite opérée par Blender ces dernières années, avec une pénétration grandissante du marché des studios et entreprises. Il ne faut cependant pas survendre cette victoire : les entreprises soutenant le fonds ne sont que 34, ce qui est finalement assez peu.
A titre de comparaison, environ 3300 personnes participent au fond.

D’autre part, le montant dégagé correspond presque au « but final » annoncé par l’équipe Blender : pouvoir disposer d’une équipe de 20 développeurs à plein temps. Une force de frappe impressionnante quand on se souvient que la « Code Quest », phase de développement visant à faire aboutir la version 2.8, s’appuyait sur 10 personnes seulement.

Avec la réussite de ce fonds de développement, Blender dispose donc des moyens de ses ambitions. La concurrence va donc devoir réagir en conséquence.

L’article Pourquoi Adidas et AMD rejoignent le Blender Development Fund est apparu en premier sur 3DVF.

Pourquoi Adidas et AMD rejoignent le Blender Development Fund

Par Shadows

Coup sur coup, deux grands groupes viennent d’annoncer leur participation au Blender Development Fund, le fonds de soutien qui permet de poursuivre et accélérer le développement de Blender.

Adidas : 12 000€ par an

Du côté d’Adidas, l’équipe Blender explique que son logiciel a déjà été utilisé par la marque sportive en tant qu’outil de visualisation. Adidas devient ici un sponsor « corporate silver », ce qui correspond à 12 000€ versés chaque année.

AMD : au moins 120 000€ par an

L’éternel rival de NVIDIA, lui, a choisi de soutenir Blender à la même hauteur que son concurrent. En tant que soutien « corporate patron », AMD versera au minimum 120 000€ par an.

La stratégie d’AMD n’est évidemment pas celle d’un simple utilisateur, contrairement à Adidas. L’équipe Blender précise explicitement que les fonds serviront au « développement général, à la migration Vulkan et à faire en sorte que les technologies AMD restent bien supportées pour [les utilisateurs Blender] ».

On le sait, AMD avait déjà apporté son soutien à Blender par le passé. Le groupe a tout intérêt à soutenir le logiciel : les personnes utilisant Blender, qu’elles soient professionnelles ou non, vont fatalement acheter des cartes graphiques et processeurs dans les années à venir. On peut aussi voir ce soutien comme une campagne de communication plus large, qui touchera aussi les personnes n’utilisant pas Blender (par exemple au sein du lectorat 3DVF) mais liées au secteur 3D ou à l’open source.

Quel montant total pour Blender ?

Avec les annonces de ces dernières semaines, le Blender Development Fund s’élève désormais à 94 32€ par mois. Un montant qui s’analyse de deux manières.

D’une part, l’écrasante majorité de cette somme provient d’entreprises : on pourra y voir le signe de la réussite opérée par Blender ces dernières années, avec une pénétration grandissante du marché des studios et entreprises. Il ne faut cependant pas survendre cette victoire : les entreprises soutenant le fonds ne sont que 34, ce qui est finalement assez peu.
A titre de comparaison, environ 3300 personnes participent au fond.

D’autre part, le montant dégagé correspond presque au « but final » annoncé par l’équipe Blender : pouvoir disposer d’une équipe de 20 développeurs à plein temps. Une force de frappe impressionnante quand on se souvient que la « Code Quest », phase de développement visant à faire aboutir la version 2.8, s’appuyait sur 10 personnes seulement.

Avec la réussite de ce fonds de développement, Blender dispose donc des moyens de ses ambitions. La concurrence va donc devoir réagir en conséquence.

L’article Pourquoi Adidas et AMD rejoignent le Blender Development Fund est apparu en premier sur 3DVF.

Matrox Now Shipping Groundbreaking QuadHead2Go Multi-Monitor Controllers For Next-Generation Video Walls

Par Matrox Media Relations

MONTREAL — October 23, 2019 — Matrox® Graphics Inc. is pleased to announce that the Matrox QuadHead2Go™ multi-monitor controllers are now shipping. Available in appliance and PCI Express® card form factors, QuadHead2Go units are capable of driving four displays from one signal offering an easy and convenient path to next-generation video walls. The new multi-monitor controllers also feature ...

The post Matrox Now Shipping Groundbreaking QuadHead2Go Multi-Monitor Controllers For Next-Generation Video Walls appeared first on NAB Show News by Broadcast Beat, Official Broadcaster of NAB Show - NAB Show LIVE.

Dalet Expands Quality Control Support with Interra Systems Technology Partnership

Par Zazil Media

Dalet integration of BATON AQC boasts advanced automated quality assurance and compliance delivery for Dalet Galaxy five and now the Ooyala Flex Media Platform Paris, France – October 23, 2019 – Dalet, a leading provider of solutions and services for broadcasters and content professionals, today announced it has expanded integration of the Interra Systems’ BATON platform ...

The post Dalet Expands Quality Control Support with Interra Systems Technology Partnership appeared first on NAB Show News by Broadcast Beat, Official Broadcaster of NAB Show - NAB Show LIVE.

D2D Technologies selected by PBS to supply equipment for Wireless Emergency Alert System

Par guest_nLlBd

D2D Technologies announced that the company was selected by the Public Broadcasting Service (PBS) as their vendor partner to supply a customized solution to all public television stations for the insertion and broadcast of emergency message data that complies with upcoming FCC mandated changes to the Wireless Emergency Alert (WEA) system. The nationwide PBS WARN ...

The post D2D Technologies selected by PBS to supply equipment for Wireless Emergency Alert System appeared first on NAB Show News by Broadcast Beat, Official Broadcaster of NAB Show - NAB Show LIVE.

DPA USA Welcomes Matt Frazier as Northwest Area Sales Manager

Par D Pagan Communications

LONGMONT, CO, OCTOBER 17, 2019 – DPA Microphones welcomes Matt Frazier as Northwest Area Sales Manager. Reporting to Christopher Spahr, Vice President of Sales and Marketing for DPA USA, Frazier, whom has nearly 15 years of experience in product sales and support, is responsible for sales throughout the northwest region of the United States. “We’re ...

The post DPA USA Welcomes Matt Frazier as Northwest Area Sales Manager appeared first on NAB Show News by Broadcast Beat, Official Broadcaster of NAB Show - NAB Show LIVE.

The ATTO Disk Benchmark For MacOS Has Arrived

Par Andres Benetar

There is no disputing that ATTO Technology has always proven itself to be a leading provider of high-performance storage and network connectivity products.  The company’s thirty-year long legacy and finding by President/CEO, Tim Klein and CTO/Vice President, David Snell has stood the test of time in its mission to fully utilize the power behind storage. ...

The post The ATTO Disk Benchmark For MacOS Has Arrived appeared first on NAB Show News by Broadcast Beat, Official Broadcaster of NAB Show - NAB Show LIVE.

CP Communications and MultiDyne Announce Live Production Partnership

Par Dimension PR

CP Communications will leverage MultiDyne’s “mobile marketing van” for smaller live productions; partnership will be on demonstration at NAB New York St. Petersburg, Florida/Hauppauge, NY, October 16, 2019 — CP Communications, a leader in innovative solutions and services for complex live event productions, announces that it will add MultiDyne’s 22-foot mobile van to its growing ...

The post CP Communications and MultiDyne Announce Live Production Partnership appeared first on NAB Show News by Broadcast Beat, Official Broadcaster of NAB Show - NAB Show LIVE.

GatesAir Wins TVN Chile Digital TV Transmission Contract

Par Dimension PR

Project will initially deploy 124 transmitters over a three-year period with more to follow, meeting South America’s 2022 DTV transition deadline for secondary cities CINCINNATI, October 16, 2019 — GatesAir, a global leader in wireless, over-the-air content delivery solutions for radio and TV broadcasters, has won a large digital TV (DTV) transmission contract with Televisión ...

The post GatesAir Wins TVN Chile Digital TV Transmission Contract appeared first on NAB Show News by Broadcast Beat, Official Broadcaster of NAB Show - NAB Show LIVE.

Evercast, LLC Appoints Steven B. Cohen as Evangelist in Los Angeles

Par Artisans PR

Leading Industry technologist to assist introduction and adoption of remote collaboration system for Production and Post. LOS ANGELES— Evercast, LLC, a Scottsdale, Arizona-based developer of a powerful live-streaming collaboration platform, has hired Steven B. Cohen as Evangelist to enhance their offerings, support their growth and technology adoption in Media & Entertainment. Cohen brings broad expertise ...

The post Evercast, LLC Appoints Steven B. Cohen as Evangelist in Los Angeles appeared first on NAB Show News by Broadcast Beat, Official Broadcaster of NAB Show - NAB Show LIVE.

SPORTELMonaco 2019: LiveU and Athletic Sports Group Team Up to Showcase Cost-Efficient Sports Content Contribution & Distribution

Par Jump

LiveU and Athletic Sport Group (ASG) are joining forces to offer broadcasters and publishers a full service for sports production and the distribution of live content over IP. The solution offered by ASG Broadcast Services, incorporates LiveU’s cloud-based Matrix video distribution platform, which enables sports rightsholders and content owners to live stream their sporting event ...

The post SPORTELMonaco 2019: LiveU and Athletic Sports Group Team Up to Showcase Cost-Efficient Sports Content Contribution & Distribution appeared first on NAB Show News by Broadcast Beat, Official Broadcaster of NAB Show - NAB Show LIVE.

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