Connexion
For almost three decades, AJA Video Systems has been a marvel in the professional video industry by supplying a variety of leading manufacturers and developing partners through the integration of their product lineups. Several examples of high-profile media companies, which include: Broadcasters Networks Post-production houses Mobile truck operators Cinematographers Film editors from all over the ...
The post AJA’s HDR Image Analyzer 12G Provides High Quality 4K/UltraHD HDR appeared first on NAB Show News by Broadcast Beat, Official Broadcaster of NAB Show - NAB Show LIVE.
Tags associés
Twentieth Century Fox’s “Ford v Ferrari” details the true story of how car designer Carroll Shelby (Matt Damon) and driver Ken Miles (Christian Bale) built a revolutionary race car for Ford Motor Company and challenged the dominance of Ferrari vehicles at the 1966 24 Hours of Le Mans car race in France. Director James Mangold ...
The post EFILM’s Skip Kimball Infuses Vivid “Ford v Ferrari” Look in Subtle Nostalgia appeared first on NAB Show News by Broadcast Beat, Official Broadcaster of NAB Show - NAB Show LIVE.
New York — Veteran colorist, Anthony Raffaele, whose work includes Café Society, Mapplethorpe and Fahrenheit 11/9, has joined the finishing staff at Sim, New York. With credits spread across features, episodic television and high-end documentaries, Raffaele brings versatility and experience to Sim, along with established relationships with top filmmakers and cinematographers. “Anthony is an ideal ...
The post “Café Society” Colorist Anthony Raffaele Joins Sim, New York appeared first on NAB Show News by Broadcast Beat, Official Broadcaster of NAB Show - NAB Show LIVE.
Television credits include “American Horror Story”, “American Crime Story”, “9-1-1”, “24: Live Another Day”, “Killing Reagan” and “Glee”. HOLLYWOOD— Veteran Colorist Kevin Michael Kirwan (American Crime Story, American Horror Story) has joined Periscope Post & Audio. Kirwan brings more than 20 years of experience as a senior colorist and credits on more than 40 television ...
The post Periscope Post & Audio Adds Senior Colorist Kevin Michael Kirwan appeared first on NAB Show News by Broadcast Beat, Official Broadcaster of NAB Show - NAB Show LIVE.
Former Company 3 artist hits the ground running with documentary and feature work. New York — Continuing to build the pool of talent at its post-production facility in New York, Sim has hired Lucie Barbier-Dearnley as senior colorist. Barbier arrives from Company 3, London, and brings expansive credits across features, episodic television and documentaries. Her ...
The post Colorist Lucie Barbier-Dearnley Joins Sim, New York appeared first on NAB Show News by Broadcast Beat, Official Broadcaster of NAB Show - NAB Show LIVE.
The HPA Awards Committee has announced the nominees for the creative categories for the 2019 HPA Awards. A standard bearer for creative excellence and technical innovation, the HPA Awards honor outstanding achievement and artistic excellence by the individuals and teams who help bring stories to life. Launched in 2006, the HPA Awards recognize outstanding achievement ...
FotoKem has expanded its creative post production services in Santa Monica, furthering the company’s ongoing commitment to filmmakers in the Los Angeles area. By providing access to its talented roster of artists and technical expertise, the expansion provides a convenient location on the west side connected to the company’s Burbank and Hollywood sites. Designed to support an entire pipeline of services, ...
#repost @ex_lumina
__________________
The “Synesthésie” #lightshow version with #audio #synchronization and #color #synesthesia during an #organ #concert at the Saint Jean #cathedral for the #nuitdescathédrales night in #besançon. More infos on our website 😇
#audioreactive #organconcert #videoprojection #realtime #millumin #smoke #interactive #interaction #hackintosh #millumin2 #lights #videoart #motiondesign #osc #classicalmusic #videlioevents #interactiveart #lightdesign #visualart
https://www.instagram.com/p/B2i93DjJ6ja/?igshid=152yhveufibj7
Le groupe Technicolor lance un podcast audio centré sur la post-production, qui prend donc le nom de « Postcast ».
Au menu de ce premier épisode ? Un retour sur le film d’horreur Scary Stories d’André Øvredal, en compagnie d’une part de Mark Kueper (Senior Colorist) et d’autre part Matt Glover, VFX Supervisor chez Mr. X. Rappelons en effet que le studio d’effets visuels Mr. X fait partie du groupe Technicolor.
Voici par ailleurs la bande-annonce du film :
L’article Technicolor lance son « Postcast » est apparu en premier sur 3DVF.
AMSTERDAM— The Colorist Society International (CSI) has a prominent presence at this week’s IBC gathering in Amsterdam. Among other things, the organization will take part in the convention’s first ACES User Group Day as CSI president Kevin Shaw leads a session on the impact of the new color management standard on color grading. The discussion ...
Datacolor va passer cet automne au 64 bits pour les logiciels associés à ses sondes colorimétriques. Dans le même temps, l’entreprise met fin aux mises à jour sur une bonne partie de ses anciens produits.
Ainsi, les Spyder 2 à 4, sorties entre 2004 et 2012, ne recevront désormais plus de mise à jour, et donc en particulier pas du support du 64 bits. La Spyder 5 de 2015, elle, aura au 64 bits.
Autrement dit, ce sont des produits vieux de 7 à 15 ans qui cessent de recevoir des mises à jour : une durée de vie honorable d’autant que même s’ils n’évoluent plus, ils restent fonctionnels.
Bien entendu, Datacolor profite de cette annonce pour inciter ses clients à mettre à jour leurs produits vers la SpyderX, lancée au début de cette année. Cette dernière bénéficie d’un nouveau système de mesure optique, permet un étalonnage en moins de deux minutes (4 fois plus rapide que les versions précédentes), gère mieux les détails dans les zones d’ombres.
La SpyderX se décline en deux versions : Pro et Elite, cette seconde version fournissant un contrôle plus poussé de l’affichage, une console d’étalonnage expert, l’harmonisation des affichages au sein d’un studio complet ou encore la gestion des projecteurs numériques.
L’article Fin des mises à jour pour certaines sondes Datacolor est apparu en premier sur 3DVF.
LOS ANGELES — The Hollywood Section of SMPTE®, the organization defining the future of storytelling, will explore the advent of wide color gamut and its impact on motion picture and television production at its monthly meeting, Wednesday, September 25, at the Academy of Motion Picture Arts and Sciences, Los Angeles. The wide color gamut provided ...
Fremont, CA – August 21, 2019 – Blackmagic Design today announced that C&I Studios, a global content creation agency, is using DaVinci Resolve 16 Studio’s new cut page for faster than ever editing. Relying on DaVinci Resolve 16 Studio for end to end post production, including editing, color grading, visual effects (VFX) and Fairlight audio, C&I ...
Tags associés
Fremont, CA – August 15th, 2019 – Blackmagic Design today announced the new sci fi film “Quanta” was shot entirely on an URSA Mini Pro, while grading was done using DaVinci Resolve Studio. The film is one of the first globally distributed films by the new Melbourne based film production company and film collective Raygun, and ...
Tags associés
Free programme expanded to two days to provide greater opportunities to see industry leaders in finishing demonstrate their craft LONDON — 13 August 2019: At this year’s IBC, FilmLight (stand #7.A45) is hosting the free two-day seminar series, Colour On Stage, on 14-15 September 2019. The event provides an opportunity for visitors to ...
Tags associés
On Booth 2.B59 at IBC 2019 Crystal Vision will be rolling out the latest software apps for its flexible MARBLE-V1 media processor hardware, with MARBLE’s mixed SDI and IP I/O making it easy to transition between SDI, ST 2022 and ST 2110. These software apps – which can be replaced as needs change – offer ...
Tags associés
Fremont, CA – July 16, 2019 – Blackmagic Design announced today that Picture Block used DaVinci Resolve Studio and DaVinci Resolve Mini Panel to provide HDR color correction and editing as part of the new COLORSPACE 4K HDR screening room vehicle. COLORSPACE also includes a 12G and 4K workflow using a number of other Blackmagic Design ...
Tags associés
Tags associés
Industry vet Ben Benedetti tapped to lead new facility offering full-service sound and picture post. HOLLYWOOD—Chicago-based Periscope Post & Audio has expanded to the West Coast, opening a 22,000 square foot sound and picture finishing facility in Hollywood. The new site, located at 6860 Lexington Avenue near Highland, will offer a full range of post ...
Tags associés
Light Iron, a Panavision company specializing in post production services, is again playing an important collaborative role with notable episodic series this season. Customized workflow offerings from Light Iron for BETTER THINGS, THE GOOD FIGHT, THE OA, RAMY, SHRILL, THE MARVELOUS MRS. MAISEL, and WHAT WE DO IN THE SHADOWS, included dailies, digital intermediate, archive, ...
#Repost @pierolora
・・・
Palacio de gobierno #mapping #millumin #projection #color #light #lima #vj #peru #palacio #show #event #evento #proyección #unicef
https://www.instagram.com/p/BsXkuLzHSP3/?utm_source=ig_tumblr_share&igshid=jp0ytlixmvre
« It’s a Man’s, Man’s world »
Didier Huck, nouveau président de la FICAM
Didier HUCK, Directeur des relations institutionnelles et RSE de la société Technicolor – Mikros, a été élu président de la FICAM, la Fédération des Industries du Cinéma, de l’Audiovisuel et du Multimédia, le 19 juin 2018. Un nouveau Comité Directeur de personnalités issues de l’univers des Industries de la Création a été désigné par les entreprises adhérentes.
Didier Diaz n’aurait pas souhaité se représenter pour un second mandat selon nos informations. La FICAM a tenu à le remercier chaleureusement pour son engagement durant ces deux ans.
Pour son premier mandat, Didier HUCK sera entouré par 10 personnalités issues de l’univers des Industries de la Création, toutes élues par les entreprises adhérentes de la FICAM.
Le nouveau Comité Directeur de la FICAM se décompose ainsi :
Présidence de la Fédération : Didier HUCK, Directeur des Relations institutionnelles et RSE TECHNICOLOR MIKROS,
Vice-Présidence Fiction Télévision : Pascal MOGAVERO, DG ECLAIR,
Vice-Présidence Flux Télévision : Olivier GERRY, Secrétaire Général AMP VISUAL TV (Titulaire) et Alain RAPPOPORT, Président PLANIMONTEUR (Suppléant)
Vice – Présidence Long Métrage : Didier DIAZ, Président TRANSPALUX,
Vice-Présidence Animation Effets Visuels : Jacques BLED, Président ILLUMINATION MAC GUFF,
Présidence Déléguée Commission Sociale : Sidonie HUART, DG WAYMEL POSTPRODUCTION (Titulaire) et Olivier BINET, DG Tapages & Nocturnes (Suppléant),
Présidence Déléguée Commission Innovation, Recherche & Développement et Technique : Pascal BURON, Directeur Général Adjoint TSF,
Présidence Déléguée Commission Observatoire Métiers et Marchés : Christophe MASSIE, PDG ORFEO,
Présidence Déléguée Administration et Juridique : Alexandre TAIEB, DG DUBBING BROTHERS.
Collanews