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Aujourd’hui — 12 décembre 2019Vos flux RSS
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Creativity Can be Augmented … Not Artificial

Par Andy Marken

“For every decision we make there are consequences.” — Dr. Lui Cheng, “Morgan,” 20th Century Fox, 2016     Okay we’re stoked!   We learned that a new Matrix is in the works.   We had to revisit the first one when film aficionado friends told us that it was a landmark piece of transgender ...

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Positive Signs the M&E Industry Can Handle, Deliver Equality

Par Andy Marken

“Don’t take this the wrong way but your earnestness can be very hard to be around.” – Katherine Newbury, “Late Night,” 3 Arts Entertainment, 2019     Have you ever wondered how the M&E industry, a business that had such a basic premise (entertain folks, give them a few minutes/hours of escape) has evolved into ...

The post Positive Signs the M&E Industry Can Handle, Deliver Equality appeared first on NAB Show News by Broadcast Beat, Official Broadcaster of NAB Show - NAB Show LIVE.

Breathtaking Opportunities in the Content Industry Frontier

Par Andy Marken

“All the heritage of a people free to dream, free to act, free to mold their own destiny.” – Narrator, “How the West Was Won,” MGM, 1962     For a guy who not long ago was recommending that employees work from 9 a.m. – 9 p.m., six days a week to now advocating that ...

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The Content Industry is in the Midst of Dynamic, Dramatic Change

Par Andy Marken

“Funny, some men you see every day for ten years and you never notice; some men you see once and they’re with you for the rest of your life.” – Emmy, “3:10 to Yuma,” Columbia Pictures, 1957   People who think of M&E as more than a job, but a career care … a lot. ...

The post The Content Industry is in the Midst of Dynamic, Dramatic Change appeared first on NAB Show News by Broadcast Beat, Official Broadcaster of NAB Show - NAB Show LIVE.

À partir d’avant-hierVos flux RSS

Esports Shapeshifting with NewTek and NDI®

Par Broadcast Beat Magazine

By Victor Borachuk, Executive Producer/Director of JupiterReturn Broadcasting esports requires perhaps one of the most fluid and dynamic production environments in live video production. Esports takes the idea of creative reflex to another level in terms of core competencies. Consider the above in the setting of the largest gaming expo in Latin America, and we ...

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CDSA BOARD OF DIRECTORS NAMES BBC STUDIOS’ CONTENT SECURITY CHIEF, ALEX PICKERING AS NEW CHAIR

Par bobgold

The global entertainment industry’s advocate for content security, content protection and information security, the Content Delivery & Security Association (CDSA), has named Alex Pickering, Content Security Director for BBC Studios, as its new Chairman. Pickering will direct the strategy for the Association’s mission of providing global community engagement around content protection solutions and information services ...

The post CDSA BOARD OF DIRECTORS NAMES BBC STUDIOS’ CONTENT SECURITY CHIEF, ALEX PICKERING AS NEW CHAIR appeared first on NAB Show News by Broadcast Beat, Official Broadcaster of NAB Show - NAB Show LIVE.

Globecast strengthens Asian management team with appointment of Tan See Chai as Head Sales – Distribution

Par Jump

Globecast, the global solutions provider for media, has further strengthened its management team in Asia with the appointment of Tan See Chai as Head of Sales – Distribution. Beginning at the start of January 2020 and based in Singapore, See Chai will report to Shakunt Malhotra, Globecast Asia MD. See Chai is responsible for sales ...

The post Globecast strengthens Asian management team with appointment of Tan See Chai as Head Sales – Distribution appeared first on NAB Show News by Broadcast Beat, Official Broadcaster of NAB Show - NAB Show LIVE.

TAG Video Systems Continues International Expansion by Appointing Graphic Image Technologies as its Distributor in South Africa

Par Desert Moon Communications

TAG Video Systems Continues International Expansion by Appointing Graphic Image Technologies as its Distributor in South Africa Provider of software-based, IP Multiviewers, Probing and Monitoring solutions grows presence in key region Tel Aviv – December 3, 2019 — TAG Video Systems, the world leader in integrated software-based IP Probing Monitoring and Multiviewer solutions has appointed ...

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Insight TV partners with Astro’s 4K UHD Service in Malaysia

Par Way To Blue

Viewers across the country will have access to Insight TV’s exciting line-up of unique content in the highest quality Insight TV, the world’s leading 4K UHD HDR broadcaster and producer of native UHD content, is launching its 4K UHD content in Malaysia on the Astro platform. Astro Malaysia is the leading content and consumer company ...

The post Insight TV partners with Astro’s 4K UHD Service in Malaysia appeared first on NAB Show News by Broadcast Beat, Official Broadcaster of NAB Show - NAB Show LIVE.

Statmux Is Now Available On AWS Elemental MediaLive

Par Andres Benetar

  As an Amazon Web Services company, AWS Elemental MediaLive combines deep video expertise with the power and scale of the cloud to provide users with nimble/flexible software-based video processing and delivery solutions. AWS Elemental MediaLive allows for customers to adequately harness the elasticity of the cloud when necessary with on-demand and with pay as ...

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AWS Elemental MediaLive Offers Statistical Multiplexing for Better Broadcast Quality, Performance, and Bandwidth Management

Par News Feed

Statistical Multiplexing (Statmux) is now available with AWS Elemental MediaLive, Statmux is a technology used in live broadcast workflows that allocates bits in real time among multiple live video channels. It instantaneously adjusts the bitrate of each channel in the statmux pool to make the best use of total available bandwidth and combines the encoded ...

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Sound Lounge Introduces Podcast Service

Par Artisans PR

NEW YORK—Sound Lounge, New York’s largest independent sound facility, has introduced a new package of sound production and post-production services for podcasts. The company is offering studio recording, remote recording, sound editing, sound design and mixing. The studio can also assist with music licensing, voice-over casting and other production requirements. Their aim is to bring ...

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Riot Games uses Nevion Virtuoso with JPEG XS in remote production of League of Legends World Championship Final

Par Editor

Nevion, award-winning provider of virtualized media production solutions, announced today that Riot Games, the publisher of the most-played PC game in the world and the organization behind League of Legends Esports, used Nevion’s software-defined media node Virtuoso as part of its remote production of the recent League of Legends World Championship Final. In doing so, ...

The post Riot Games uses Nevion Virtuoso with JPEG XS in remote production of League of Legends World Championship Final appeared first on NAB Show News by Broadcast Beat, Official Broadcaster of NAB Show - NAB Show LIVE.

Videosys Broadcast Provides Cloudbass with 4K Digital Transmitter Systems

Par Jump

Videosys Broadcast, a leading supplier of quality camera control systems, RF links and camera backs to outside broadcast providers has announced that it has supplied two DTC 4K AEON-CC digital video transmitter systems to Cloudbass, a leading provider of broadcast solutions. Specifically designed for high-quality wireless camera applications the AEON-CC uses DTC’s next-generation HEVC encoder ...

The post Videosys Broadcast Provides Cloudbass with 4K Digital Transmitter Systems appeared first on NAB Show News by Broadcast Beat, Official Broadcaster of NAB Show - NAB Show LIVE.

Blurring the boundaries between technology and the individual – Exclusive interview with Shoeg.

Par Hayley Cantor







After seeing Shoeg’s project Infiltrate at LEV Matadero, we decided to catch up with him in Barcelona to find out more about his work, and to try and decipher the fascinating performance we saw that intrigued us to discover what technologies he uses to create his live AV shows.

Primarily I understand, you would consider yourself to be a musician, am I right? Or how would you label yourself? When did you decide to experiment with the A/V side of your show?

In the last years I’ve changed that way of seeing myself, so I would say I’m an artist. It’s not only sound anymore, I feel really that I am trying to express myself also through my code, my visual stuff, even my movements. I’m also collaborating with dance companies, where it is quite important to know how you move on stage, and this made me aware of that. So, for example I try to play without the table and computer blocking the visual line to the audience. I have also changed my relationship with sound, focusing more on textured layers instead of pitch.  

I started as a “musician”, but my visual side has been always there. I’ve been working for 15 years as a video editor, and I always had this fascination about image and sound synchronicity and feedback. 

Shoeg - Oudeis
Image from Shoeg’s project – Oudeis

Have you created the visual part of the show yourself or collaborated with a visual artist? (If so, who and why?) If not, tell us about how you developed the project and any challenges you faced in dealing with both elements of the performance.

I almost always create my own stuff. I’m not closed to collaborating with other people, but I tried to involve other artists in the past and for a reason it almost never happened, except for when I worked at the very beginning on the project with Ana Drucker, but after that I spent 2-3 years without a visual show, and I was really missing it. At some point, I wanted it back and I decided I had to refresh my coding knowledge to achieve what I wanted. I studied Computer Science for a couple of years, so at least I had a starting point – more or less.

I wanted to build a real time reactive visual system, that could be completely autonomous in a live set. The idea was to set up a bunch of rules, and do something sound reactive that could last 45 minutes in a live set without getting boring. So first challenge in this process was choosing which tools suited my needs the better. I tried, for example, Open Frameworks, which was a bit too complicated for my coding skills. Later, I knew about game engines like Unreal or Unity, which are free and you can do a lot of things scripting, easier to code. It’s also great to have this good amount of documentation and works done by other people online. I’m curious now about what Touch Designer can do, but for the moment Unity allows me to have a precise control of what I need. 

Shoeg - skin
Image from Shoeg’s project – Container

On the other hand, I wanted to work with objects from the real world in 3D aesthetics. I could model them with Blender, but I have no idea. So I learned some 3D techniques, like photogrammetry or 3D scanning. I remember wanting something more “perfect”, but discovered almost by accident the beautiful imperfections this techniques introduce in the models.

We recently saw your performance of your latest project ‘Infiltrate’ at LEV Matadero. What tools and set up are you using for the show? 

All the sound was generated using a couple of Etee sensors that the guys at Tangi0 lent me for a couple of months. These devices capture my hand and finger motion, as well as pressure data, and that is converted into MIDI signal through a Max MSP patch. Finally, MIDI is sent to the Virus and Digitakt. I had to bring hardware synths to the live sets, because I need a lot of polyphony to build these big layers of sound, and I couldn’t achieve it in virtual synths. Then, the visual stuff is a Unity app reacts to the sound mix. 

Infiltrate - LEV Matadero
Infiltrate at LEV Matadero, photo by Hayley Cantor

How does the use of this technology improve, or add to the quality and experience of your show for you, as an artist?

It allows to express myself in ways I could’ve never imagined. I’ve never performed as comfortable and with wide palette of possibilities with an instrument until I discovered motion sensors combined with the computer. The ability to map any behaviour to any response allows you to optimize your abilities in order to get what you want. This can’t ever happen with “traditional” instruments, you have to adapt to the instrument rigidness and background. I also see the coding process as a prosthesis, an extension able to repeat mechanical operations while you pierce through them.

What does the future hold for Shoeg in the world of live performance?

In the near future, I have to improve a lot of things: I want to make my hands more prominent on stage and be less computer dependent. People keep asking what is happening with the sensors, and I want to make it a bit more understandable. I also have this long list of ideas to code which don’t have time to make, and I would also like to collaborate with other people. But before that, I want to record a new album. I hope I’ll be able to work on it in the next months. 

You can find out more about Shoeg’s work through his artist page.

The post Blurring the boundaries between technology and the individual – Exclusive interview with Shoeg. appeared first on Audiovisualcity.

Tedial Certifies Ebantic as Advanced Developer of Evolution MAM Platform

Par Desert Moon Communications

Tedial Certifies Ebantic as Advanced Developer of Evolution MAM Platform Malaga, Spain – 21st November 2019 – Tedial, the leading independent MAM technology solutions specialist, has announced that it has certified Ebantic, a provider of solutions for the integrated management of audiovisual content, as Advanced Developer of its flexible and configurable Evolution MAM platform. Using ...

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Q India Launches on MX Player

Par platformcomms

TORONTO and LOS ANGELES, 21, November 2019 – QYOU Media (TSXV: QYOU; OTCQB: QYOUF) today announced the launch of Q India on MX Player, one of the fastest growing OTT platforms in India and the world.  MX Player currently has over 175M monthly average users in India alone and features a vast array of content targeting the millennial India demographic. ...

The post Q India Launches on MX Player appeared first on NAB Show News by Broadcast Beat, Official Broadcaster of NAB Show - NAB Show LIVE.

Japan’s TBS TV Builds News Streaming Workflow with ATEM Switchers

Par Zazil Media

Fremont, CA, November 21, 2019 – Blackmagic Design today announced that Japan’s TBS television broadcast station has built a news streaming workflow with Blackmagic’s ATEM 2 M/E Production Studio 4K, ATEM 1 M/E Production Studio 4Ks and ATEM 1 M/E Advanced Panels. This new facility is used for streaming daily news as well to provide extensive ...

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New Dalet Cube NG Powers Broadcast Graphics Workflows for Teleticino and IB3

Par Zazil Media

Premium digital graphics solution up-levels visual impact for fast-paced news production and delivery workflows; easy upgrade path for Dalet Galaxy five customers Paris, France – November 19, 2019 – Dalet, a leading provider of solutions and services for broadcasters and content professionals, announced today that Teleticino and IB3 are revamping their broadcast graphics capabilities with ...

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Telestream Simplifies Analysis for OTT Streaming Media

Par High Rez PR

Nevada City, California, November 19th –Telestream, a global leader in file-based media workflow orchestration, media streaming and delivery technologies, has announced new post-origin content monitoring capabilities for ABR streaming media within its iQ ABR monitoring solutions. Two paramount challenges for OTT streaming providers revolve around managing the customer experience and capitalizing on advertisement revenue. These ...

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Viacom International Media Networks deploys Hitomi MatchBox for 2019 MTV Europe Music Awards

Par Manor Marketing

Slough, UK, 19 November 2019 — Hitomi Broadcast, manufacturer of MatchBox, the industry’s leading audio video alignment technologies, today announced that Viacom International Media Networks Media and Technology Services (MTS) used MatchBox for the 2019 MTV Europe Music Awards in Seville, Spain, on 3 November. Viacom International MTS deployed MatchBox’s sync toolbox for the red carpet, ...

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ATEME Enables FPT Play’s Digital Revolution Through OTT Services

Par Editor

PARIS, DENVER, SINGAPORE, SAO PAULO, SYDNEY, November 19 2019 – ATEME, the emerging leader in video delivery solutions for broadcast, cable, DTH, IPTV and OTT, announced today that FPT Play, the leading Vietnamese OTT service provider, has implemented ATEME’s TITAN solution to replace its OTT headend and to offer the latest OTT services to its ...

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Network 10 Selects AWS Media Services for Richer Content

Par News Feed

AWS Media Services provides Network 10 with faster and more reliable streaming video capabilities SYDNEY – Tuesday 19 November, 2019 – Amazon Web Services, Inc. (AWS), an Amazon.com company, today announced that Network 10, one of Australia’s largest television networks, has selected AWS Media Services to support its video transport structure for remote production in South Africa for ...

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Telestream Appoints Diana Horowitz as VP of Sales in Eastern USA

Par High Rez PR

Westwood, Massachusetts, November 14th 2019 –– Telestream, a leading provider of workflow automation, processing and quality monitoring and management solutions for the production and distribution of video, has announced the appointment of Diana Horowitz as VP Sales, serving the eastern US region. Commencing her role with immediate effect, Horowitz will be based in New York ...

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Marta Verde on her live A/V show with Tensal, at LEV Matadero

Par Hayley Cantor




Earlier this month, we met with Marta Verde to find out about her performance with Tensal at LEV Matadero, and to pick her brains about all those niggling little questions we had after following her career for the last few years.

Who are the artists that you are most looking forward to seeing at LEV Matadero?

Myriam Bleau and Ryoichi Kurokawa.

How were you contacted about the project at LEV Festival?

They called me and proposed that I collaborate with Tensal for their edition at Matadero in Madrid. I had never worked with him before.

Do you ever find that some genres of music just don’t inspire your work?

Absolutely. In general I don’t work on the clubbing, or nightlife scene, so related styles of music wouldn’t be my first choice of project. I actually started doing visuals with traditional Galician music.

Analog waves in the Nave at LEV Matadero
Analog waves at ‘la Nave,’ LEV Matadero, Madrid

Do friends often come to see your performances?

Yes, it depends on the performance. These days they tend to film me in vertical, so I rarely have content that I can use other than for Instagram [she laughs]

How do you feel about being on stage as a visual artist?

I don’t really like that part at all, but of course it’s part of the job. I’m quit shy, really. My show at LEV Matadero is quite different from what I usually do – in terms of music genre, as well as the time of the performance – pretty late, since I’m on at 1am.

What is the most unusual project are you’ve worked on in your career so far?

A few years ago I worked on a project with a musician called Julián Elvira who built a flute that played different frequencies (I had no idea that this wasn’t already the case with flutes!) It was really interesting, because I learnt a lot about music and we were able to work very closely together for the collaboration. We premiered the show in Martin E. Segal Theatre, New York.

Marta verde and Tensal at LEv Matadero
Lights and visuals, Marta Verde’s live performance at LEV Matadero with Tensal

What are you working on at the moment?

Right now, I’m working on a live performance with Madrid-based composer, José Venditti. He plays saxophone, and works on deconstructing sound through classical patterns.

What set-up will you be using for your performance tonight?

A couple of months ago I bought an analogue video synthesizer from LZX Industries. It’s really fun. There’s no preview, so anything can happen, and I also can’t save any presets. I also won’t be using any code for this show, which is very unusual for me. I’ve always been fascinated with the idea of analogue video techniques, and don’t really understand why people go to great lengths to copy the aesthetic digitally, when they could just try to get a real one. 

Analog video aesthetic by Marta Verde
Analog video aesthetic by Marta Verde, for Tensal’s show at LEV Matadero

Do you use social media a lot to promote your work?

You can follow me if you like, my instagram account is mainly dominated by photos of my cat and screenshots of my work. I don’t really get work through social media channels, people tend to contact me directly. The work is really interesting and every project is completely different. Usually I’m presented with some kind of problem and I find ways to solve it.

Apart from doing visual performances, you are currently working at a Fab Lab, right?

It’s very common for freelancers to supplement their work through teaching, which I love. I find it really motivational and inspiring to work with young people and their ideas. I used to work as a coordinator in a Fab Lab, and I still give classes on programming and digital manufacturing there, but not on a regular basis anymore. I tend to work in different locations and on a more ad-hoc basis, that way I can combine teaching with my own projects.

If you want to read more about Marta’s work, you can check her artist profile page here.

The post Marta Verde on her live A/V show with Tensal, at LEV Matadero appeared first on Audiovisualcity.

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