Collanews

🔒
❌ À propos de FreshRSS
Il y a de nouveaux articles disponibles, cliquez pour rafraîchir la page.
Aujourd’hui — 7 avril 2020Vos flux RSS

Chuwi Aerobook Pro : un 15.6″ compact et bien équipé

Par Pierre Lecourt

Le Chuwi Aerobook Pro 15.6 a beaucoup d’atout. Un écran UltraHD, un processeur très correct, pas mal de mémoire et un bon stockage. Proposé à 491€ en financement participatif, cela en fait une solution assez originale et intéressante.

Chuwi AeroBook pro 15.6
Bon, je vous le répète sans cesse. N’achetez pas sur Indiegogo, c’est dangereux et cela ne sert à rien. Dans 90% des cas, vous ne faites qu’avancer de l’argent à la marque sans en tirer le moindre bénéfice. Les produits finissent par atterrir, souvent avant que les gens ayant financé la campagne ne soient livrés, chez les revendeurs. Au même tarif…

Et c’est ce qui est intéressant ici, le Chuwi Aerobook Pro 15.6 est bien placé au regard de son équipement. Quand il sortira à 499€ en magasin, il sera temps de loucher dessus. D’abord, il ne pèse que 1.7 Kilo pour 36.2 cm de large, 24.2 cm de profondeur et 15.9 mm d’épaisseur. Ensuite, il propose un équipement interne tout à fait correct en plus d’être très homogène et un poil évolutif.

Deux processeurs seront disponibles, tous deux de la génération Intel Skylake. Un Core i5-6287U ou un Core i7-6567U. Deux puces double coeurs et quadruple threads avec un circuit graphique Intel 550. Pas les processeurs les plus récents du marché avec des TDP de 28 watts mais des solutions encore très efficaces et ici bien épaulés suivant les versions. L e refroidissement des puces est confié à un traditionnel système de caloducs qui vont transmettre la chaleur vers des ailettes ventilées.

Chuwi Aerobook Pro 15.6
Le modèle Core i5 est livré avec 8 Go de mémoire vive DDR4 et 256 Go de stockage. La version Core i7 avec 16 Go de ram DDR4 et 512 Go de SSD. Dans les deux cas la mémoire vive est en double canal mais à chaque fois elle sera soudée à la carte mère. Pas de possibilité de passer la version 8 en 16 Go par exemple. Pour le stockage c’est beaucoup mieux puisque les machines disposent de deux emplacements M.2. Le premier semble être uniquement en SATA 3.0, c’est celmu qui sera peuplé d’un stockage de base de 256 ou 512 Go. Le second est en PCIe NVMe pour une extension SSD plus rapide.

Chuwi Aerobook Pro 15.6

La connectique est plutôt correcte avec un double port USB type-A en USB 2.0 et USB 3.0, une sortie MiniHDMI, un USB Type-C, un port jack audio combo et un lecteur de cartes MicroSDXC. A noter que le port USB Type-C est complet, il pourra donc faire transiter un signal vidéo DisplayPort, des données et un signal Ethernet par exemple. Il prend en charge le Power Delivery 2.0 pour alimenter la machine sans passer par le jack dédié. Une fois le PC connecté à un dock de base USB Type-C, vous pourrez donc retrouver une connectique complète sur l’engin. L’autonomie annoncée est de 8 heures avec une recharge rapide permettant de retrouver 60% de sa batterie accroché une heure au secteur. La partie réseau est complétée avec un Wifi5 et un Bluetooth 4.2 et une webcam 2 mégapixels en façade complète le dispositif.

La partie clavier est asses complète avec un dispositif QWERTY qui s’étale en proposant un pavé numérique et 6 rangées de touches. Il surplombe un large et profond pavé tactile. Il est rétro éclairé avec deux niveaux de luminosité. Chaque touche est séparée de 2.4 mm pour une frappe confortable. Le reste du châssis bas embarque une paire d’enceintes stéréo.

L’affichage enfin, l’écran du Chuwi Aerobook Pro 15.6 affiche en 3840 x 2160 pixels via une dalle présentant un sRGB à 100% pour assurer une bonne gestion colorimétrique de l’espace de travail. La luminosité maximale atteindra 340 nits.

Bref, un engin très complet, bien positionné, relativement compact et léger pour un 15.6″ et à 510€ en version Core i5 8/256 Go. C’est à suivre. La version i7 est peut être moins pertinente en vers ion 16/512 Go à 787€. A noter que Chuwi proposera des version “upgradées” de son Core i5 à 16/256 Go pour 83€ de plus.
Encore une fois, je ne vous encourage pas a pré-commander sur Indiegogo mais peut être qu’en Juin, date à laquelle ces engins sont censés être expédiés par la marque, ce portable sera disponible en magasin à un prix très très proche de celui de ces précommandes.

 

Chuwi Aerobook Pro : un 15.6″ compact et bien équipé © MiniMachines.net. 2020.

How DJs can stay happy and productive during a pandemic: Lessons from China

Par Ian Louisell
Quarantined DJ sign

In Shanghai, clubs closed abruptly in late January. Some have just started to reopen, with temperature and ID checks, masks, and capacity limits. Here's how DJs in China have coped with an extended shutdown.

The post How DJs can stay happy and productive during a pandemic: Lessons from China appeared first on DJ TechTools.

Hier — 6 avril 2020Vos flux RSS

L’AP-HP se dote de 60 imprimantes 3D pour concevoir des dispositifs médicaux en urgence

Par Mélanie R.

L’Assistance Publique – Hôpitaux de Paris – AP-HP a annoncé qu’elle s’était dotée d’un parc d’imprimantes 3D afin de pouvoir produire son matériel médical en urgence pour le personnel de santé en Ile-de-France. L’établissement aurait investi 2 millions d’euros dans […]

Le PEEK en impression 3D : un matériau résistant et exigeant

Par Mélanie R.

Le polyétherétercétone, plus communément appelé PEEK, est un thermoplastique semi-cristallin très réputé dans l’industrie de la fabrication de par ses propriétés mécaniques. Depuis quelques années maintenant, c’est un matériau prisé par le secteur de la fabrication additive, aujourd’hui disponible sous […]

Pebble Beach Systems Supports International Broadcasters Through Coronavirus Crisis

Par Denise Williams

April 2020 – Pebble Beach Systems, the leading automation, content management and integrated channel specialist, has an unrivaled track record in delivering specialist solutions to meet the automated ingest, content management and playout requirements of the international broadcast community. During the current crisis remote access and operation are under the spotlight like never before. Broadcasters ...

The post Pebble Beach Systems Supports International Broadcasters Through Coronavirus Crisis appeared first on NAB Show News | 2020 NAB Show Media Partner and Producer of NAB Show LIVE. Broadcast Engineering News.

Zixi releases poll on Media Industry readiness in the face of the current Coronavirus Pandemic

Par Denise Williams

Waltham, MA – April 5, 2020 – Zixi, the industry leader for enabling dependable, live broadcast-quality video over any IP, today announced the results of a poll of media company executives attending a Remote Monitoring and Management Webinar held March 31st, 2020. The Media Industry has been hard hit with the ongoing pandemic, especially with ...

The post Zixi releases poll on Media Industry readiness in the face of the current Coronavirus Pandemic appeared first on NAB Show News | 2020 NAB Show Media Partner and Producer of NAB Show LIVE. Broadcast Engineering News.

TOP 5 des vidéos de la semaine : Les Visières de L’Espoir sur BFMTV..

Par Mélanie R.

Cette semaine, 3Dnatives a pu passer sur BFMTV afin de présenter le projet Les Visières de L’Espoir, cette initiative nationale qui s’est rapidement montée pour apporter à notre personnel de santé des dispositifs de protection intégrale imprimés en 3D. On […]

Pixel Shapes

Par Marco Savo

Their very diverse backgrounds (video editing, web design, vjing, 2D-3D graphics, video post-production, sound design) and a powerful synergy among themselves, lead to the development of Pixel Shapes collective that aims to produce impressive video mapping, visuals and installations.

VIDEO MAPPING

From traditional video projection techniques to the most complex forms of architectural video mapping.

INSTALLATIONS

Looking for new forms of communication through the use of multimedia technologies and nonconventional supports.

STAGE DESIGN

Design of multimedia scenography.

SOUND DESIGN

Sound department is handled by Giovanni Raniolo, established sound designer and music producer.

Infopixelshapes@gmail.com

LINK BOX

Facebook / YouTube / Instagram

The post Pixel Shapes appeared first on Audiovisualcity.

MAL-FWTVPCM1 : Un netbook 8″ sous Pentium N5000 au design très inspiré

Par Pierre Lecourt

Destiné au marché Japonais, ce MAL-FWTVPCM1 semble être une machine littéralement copié-collée des Chuwi Minibooks proposés l’année dernière. On retrouve un écran 8″ tactile 1920 x 1200 pixels d’un côté et un minuscule clavier de l’autre. Le tout attaché par une charnière pliante sur 360° pour utiliser l’objet comme une (épaisse) tablette. 

MAL-FWTVPCM1

Je soupçonne fortement ce nouveau venu d’être une commande faite auprès de Chuwi pour coller à une demande locale. Les Japonais auront ainsi la possibilité d’acheter dès ce mois d’Avril un de ces engins pour 44 800 yens pendant une première période “promotionnelle”. Soit 380 de nos euros. Le prix public passé cette période sera de 59 800 yens soit environ 507€. Pour rappel, le Chuwi MiniBook N4100 sous Celeron N4100 8/128 Go a été vendu à 388€ en précommande et se négocie désormais à 399€.

MAL-FWTVPCM1

Le châssis du  MAL-FWTVPCM1 est réalisé en aluminium pour un format classique. 700 grammes pour 20.1 cm de large et 12.86 cm de profondeur. Son épaisseur reste contenue pour un mini portable avec 1.93 cm. La batterie est la même que le Chuwi Minibook. Une 3500 mAh qui offrait aux versions sous Celeron avec un TDP identique environ 4 heures d’utilisation.

MAL-FWTVPCM1

Cette machine particulière est toutefois pilotée par un processeur Pentium Silver N5000, une puce quadruple coeur également de la gamme Gemini Lake d’Intel qui fonctionne également sur 6 watts de TDP. Il est accompagné de 4 Go de mémoire vive soudée à la carte mère et d’un eMMC de 128 Go de base. Le MiniPC offrira, en plus, un slot M.2 2242 SATA 3.0 pour ajouter un stockage supplémentaire facilement.

MAL-FWTVPCM1

L’écran est un IPS avec une webcam 2 mégapixels et un microphone qui le surplombe. Le reste de l’ensemble connectique est des plus complets. On retrouve un port USB 3.0 Type-C, un USB 3.0 Type-A, un USB 2.0 Type-A, un lecteur de cartes MicroSDXC ainsi qu’un MiniHDMI comme sortie vidéo. Un port jack audio 3.5 mm est disponible en plus des enceintes stéréo. Un module Wifi5 palliera au manque de port Ethernet, il est associé à un module Bluetooth 4.2. 

MAL-FWTVPCM1

Peut-on espérer ce MAL-FWTVPCM1 chez nous ? Je ne pense pas. La seule chose que nous enseigne cette sortie, c’est que Chuwi prend encore les commandes et propose de piocher dans le catalogue de puces Gemini Lake d’Intel pour concevoir des machines pour d’autres marques. Un revendeur français pourrait donc, sans doute, commander ce genre de machine si il le désirait.

Source : PCWatch via Liliputing

MAL-FWTVPCM1 : Un netbook 8″ sous Pentium N5000 au design très inspiré © MiniMachines.net. 2020.

À partir d’avant-hierVos flux RSS

Blackmagic Design Announces HyperDeck Studio Mini v7.1

Par Zazil Media

New and free software update adds new H.264 codec, new AAC audio codec, longer single file record durations and faster file transfers using Ethernet. Fremont, CA, USA – Friday, April 3, 2020 – Blackmagic Design today announced HyperDeck v7.1 a major new software update that adds multiple new features to HyperDeck Studio Mini broadcast recorders. The ...

The post Blackmagic Design Announces HyperDeck Studio Mini v7.1 appeared first on NAB Show News | 2020 NAB Show Media Partner and Producer of NAB Show LIVE. Broadcast Engineering News.

Blackmagic Announces New ATEM Mini Pro and Other Updates

Par Chuck Crosswhite

Blackmagic Design announces the new Blackmagic ATEM Mini Pro switcher, updates to the Blackmagic Pocket Cinema Cameras and the HyperDeck minis. Today, the team at Blackmagic Design ...

Blackmagic Design Announces New ATEM Mini Pro

Par Zazil Media

Powerful new model adds a new hardware streaming engine via Ethernet, recording to USB flash disks and new multiview for monitoring all cameras! Fremont, CA, USA – Friday, April 3, 2020 – Blackmagic Design today announced ATEM Mini Pro, a new low cost live production switcher with all the features of ATEM Mini but now with ...

The post Blackmagic Design Announces New ATEM Mini Pro appeared first on NAB Show News | 2020 NAB Show Media Partner and Producer of NAB Show LIVE. Broadcast Engineering News.

Red Giant Debuts Tutorial on How to Create a Forcefield

Par Zazil Media

Aharon Rabinowitz utilizes Red Giant tools to demonstrate how easy it is to create a forcefield during this time of social distancing Portland, OR – April 2, 2020 – Red Giant has just released a quick and easy tutorial on creating a forcefield/watery surface effect. Now out on YouTube, Aharon Rabinowitz showcases his process of ...

The post Red Giant Debuts Tutorial on How to Create a Forcefield appeared first on NAB Show News | 2020 NAB Show Media Partner and Producer of NAB Show LIVE. Broadcast Engineering News.

We pick the brains of Cinema.AV on his beautiful video synth work

Par Hayley Cantor




These days AV artists are hiding out all over the place, this time curiosity didn’t kill the cat, as I stumbled upon the work of Cinema.AV on Instagram. it’s amazing where a hashtag can take you… #videosynth. I was keen to find out how someone so visually analog ends up that way, and how they manage in an ever expanding digital world (at the time of writing more so than ever).

1.Tell us about your first ever live gig? When was it and how did it go?

For years, I used to play a kind of ambient, soundscape style of music, and for live performance, I would put whatever found vhs tape behind me for visuals. Often without a screen. It often just turned into lighting for my performance, instead of clearcut visuals. 

Fast-forward to a couple years later, in summer 2015, where I started buying jvc video mixers, archer and vidicraft boxes. It was here where I took it upon myself to do visuals for a show I had booked. Sadly, I didn’t realize, the projector couldn’t handle the distorted signals I was throwing at it. Luckily though, someone at the last moment, let me borrow theirs. It was total godsend. The result was this hyper-distorted cross between national geographic videotapes. It worked for the more abstract, psychedelia I had booked for the evening,

Later down the line, I found the need for time base correctors in live performance, and mixers equipped with such. To evenly blend, rather an abruptly with one of those RCA Y splitter cables turned on end. Which is actually the same as the classic Klomp dirty mixer. It was all stuff I got for free, or nearly no money. Never top of the line. Always the most difficult, least practical solutions. But the result was always unique to the moment, to the performance; endlessly fleeting. 

2.We discovered your work on Instagram. How do you usually connect with the AV community online? Does social media play a big role for you?

Strangely, yeah. I hardly ever go out locally, unless of course I’m playing a show. So beyond that setting, you’ll never find me in the wild. Even before this quarantine action, I was a total homebody. Staying in whenever possible to work on art and infinitely explore the machines. So having access to social media platforms is actually key to the whole system. I can actively gauge what pieces people actually like, what ideas stick and in turn, get shared with a larger audience. 

Its those posts that snowball into bigger and better gigs. As the recognition on a global scale is significantly more gratifying than just the local efforts I receive so often. In fact, for the better part of 2019, I was very busy with live video work. Having nearly no time off, I accepted this as a lifestyle, rather than just hobby. And in the social media zone, I’ve been able to publicly beta-test things like the Erogenous Tones Structure module, Phil Baljeu’s custom vector graphics system and as of late Andrei Jay’s latest raspberry pi video synth and feedback algorithms as hardware devices. The curiosity the results generated have in turn, sold modules and made the manufactures money to sustain their efforts.   

…having access to social media platforms is actually key to the whole system. I can actively gauge what pieces people actually like, what ideas stick and in turn, get shared with a larger audience. 

To be fair though, I’m not sure how much of this actually real. If it’s all made up, or the reactions are fabricated. It’s a fine silver-lining we’re all walking along. One day, a post could generate hundreds of interactions, while the next day, nothing. I think alot of that could actually be the option for folks to drift between realities, between the physical and the cyberspace. It’s in this cyberspace, that I do often connect with other artists, say for example my bud Konopka and has online video painting series. To watch him create something entirely from scratch, in real time, thousands of miles away is a true head-spin if you think about it. But not even 5 years ago would have been possible. 

All photos courtesy of Evan Henry.

3. It’s fascinating to how analog and digital worlds inspire AV artists. What’s your take on the two and how do you find working with analog systems for live visuals?

Truly. When I first got started, it was all analog, all found devices. Though in time, I’ve found the whole LZX modular zone, which started analog and now has drifted into this wild digital hardware dimension that has opened up all kinds doors. The obvious attraction to the large analog modular is the physicality and pure intuitive nature of the whole thing. As in a live setting, there is nothing more fun and unpredictable than a hand-wired mess of cables and devices to create this ever-fleeting dialogue, never again to be replicated. For ambient, for house, for techno and literally everything in between, there’s this infinite body that just works, and often never crashes or fails. 

If anything, it’s always the digital component that freezes or fails first. I’ve done shows with computer artists that for some reason or another, who just can’t make it work that particular night.

If anything, it’s always the digital component that freezes or fails first. I’ve done shows with computer artists that for some reason or another, who just can’t make it work that particular night. So just step in and end up taking over the evening with my system. However, I’ve had my fair share of venues tell me their systems are HDMI only. So learned to convert the analog composite outputs of the modular to the HDMI with aid of things like Ambery converters and scalers, Extron scalers, and even the silly Blackmagic shuttle, that has it’s own share of issues. It wasn’t until last summer that I realized the Roland V4-EX had a very effective means of conversion and scaling to HDMI, VGA, and back down again. The result was a total game-changer. So I sold my other mixers, and devices to scale up to HDMI and hadn’t looked back. This meant I could seamlessly work with digital projection systems and streaming processes. And from the get-go, it’s been used in every performance effort since. It’s even let me collaborate with both digital and analog artists alike. To fade and key between all manner of artists and ideas. 

So little things like that make the whole system go, which leads me into the question…

4.What’s your basic setup when do performance live AV shows? (If you have one)

I am constantly pushing myself as an artist. So every year or so, I’ll experience this major creative shift around winter time, when my job at the photo lab temporarily shutters for winter break on campus. It is is then where I have about a month to chill and regroup my mind. This generally means some new gear enters the studio, and in turn the dirty warehouses they get thrown into for live work. 

All photos courtesy of Evan Henry.

In 2019, I saw my modular system grow from a single 6U, two row case that could fly on any airline, to a larger 12U, four row system, that for the majority, made it’s way into every gig. In tandem with the V4-EX, the two were all I needed to do 8-10 hours of a rave whatever else I was getting booked for. However, the few time I flew out for one-offs, I brought it back down to 6U. Which was a lot of fun and lent itself to collaboration with other artists. It was in this time though, away from gigs and rather chill moments at the lab, where I began to experiment with the virtual dimension of VSynth, the Max/Msp visual extension. The result was very reminiscent of my larger modular system. Though at the time, my computer could only handle small patches. Anything big would see my computer begin to overheat and grind to a halt. 

This got me looking at computers, seriously.  As a video generation and manipulation tool, much in the same way the dedicated hardware was, but a larger, more sophisticated, and recallable level. It was months of research and a very generous donation within the family that lead me onto a gaming-oriented laptop, complete with a dedicated graphics card, that in it’s day was considered high-spec, and miles beyond my aging macbook. From the moment I lifted open the box and got it booted, I went straight into complex Max patches and dense 3D structures with the aid of Resolume Arena. When I realized I could save, and recall every motion, I started plotting how to gig with it. To layer to pieces together and to treat Resolume as a video sampler of my analog devices. What began to happen was a meshing of dimensions. No longer was one any better than the other. They were one of the same. It was with this entry that live performance physically became less stressful and far more manageable. No longer did have to carry this unwieldy modular system on a train or a bus. I could now discreetly carry the common laptop computer, just as everyone else. 

All photos courtesy of Evan Henry

Setting up and breaking down, with the projector, is a two cable, two power supply motion. So quick and so light. With the aid of a midi controller, all the tactility remains, and nothing changes. The digital results do look incredible though. I cannot deny that. No matter what I have though, I make the best of all of it. For touring, in 2020, my setup is just that. I did some dates with Steve Hauschildt and Telefon Tel Aviv across Texas and the process was so smooth. Same for the brief efforts with LLORA and BATHHOUSE, just weeks ago. So much less to think about, all with the same manipulations and motions.  

5. What would be your dream AV gig?

Currently speaking, the dream is still to tour, to travel and do large scale art installations with my video work. I had things lined up, but those have all fallen in favor of the current pandemic. But that’s honestly not going to hold anyone for long. These things will all still happen, just not soon as I had anticipated. I was truthfully hoping to break into the festival dimension; Mutek, Movement, Sonar, Aurora, as from a live scale, that feels like the next big move, amidst touring through the theaters and dedicated art spaces. I’ve had tastes of all those, but like anyone serious about their craft, I want to further and really make a name for myself, as truly, I don’t know what else to do. 

Find out more about Cinema.AV on his artist page

The post We pick the brains of Cinema.AV on his beautiful video synth work appeared first on Audiovisualcity.

[Produire et Post-produire dans le Cloud l'état de l'art]

Par jcperney@ctmsolutions.com (Jean-Christophe Perney)
Capture_decran_2020-04-03_a_15.53.25[Produire et Post-produire dans le Cloud l'état de l'art - 10 Webinars avec CTM Solutions pour comprendre et échanger] Le contexte actuel nous oblige à produire différemment, et à repenser nos habitudes de travail; CTM Solutions vous invite à voir et participer à une nouvelle série de webinar sous la forme de 10 épisodes proposés sur le mois d'Avril en Français :

OWNZONES Presents Latest Content Workflow Technologies to Online Audience

Par Amisa Saari-Stout

Webinar includes demonstration of Connect™ SaaS platform that re-imagines the video supply chain in the cloud  OWNZONES Entertainment Technologies will present its latest products and technologies in a global webinar, taking place on April 7th, 2020 at 9:15am PST. The cloud pioneer will highlight the latest developments within OWNZONES Connect™, the next-gen content servicing and ...

The post OWNZONES Presents Latest Content Workflow Technologies to Online Audience appeared first on NAB Show News | 2020 NAB Show Media Partner and Producer of NAB Show LIVE. Broadcast Engineering News.

Rencontre avec COBOD : vers l’automatisation de l’impression 3D dans la construction

Par Mélanie R.

Le secteur de la construction a connu une véritable révolution suite à l’émergence d’imprimantes 3D robotisées, capables de concevoir des bâtiments en béton en quelques heures. Beaucoup pensent que les imprimantes 3D béton peuvent créer un bâtiment entier, mais elles […]

Ruptly Partners with TVU Networks for Video Delivery

Par Pipeline Communications

Berlin, March 31, 2020: Ruptly, the award-winning video news agency, has today announced a strategic partnership with TVU Networks, the global online broadcast distributor. The long-term collaboration will allow media partners to receive Ruptly’s live transmissions over the internet at full broadcast quality using the TVU Grid platform – a faster, more intuitive and more ...

The post Ruptly Partners with TVU Networks for Video Delivery appeared first on NAB Show News | 2020 NAB Show Media Partner and Producer of NAB Show LIVE. Broadcast Engineering News.

TAG Video Systems Introduces Next Generation Approach for Media & Entertainment Industry to Deploy, Operate and Acquire Broadcast Technology – Zer0 Friction

Par Desert Moon Communications

TAG Video Systems Introduces Next Generation Approach for Media & Entertainment Industry to Deploy, Operate and Acquire Broadcast Technology – Zer0 Friction Industry’s first multi-functional broadcast application which can be deployed remotely across all four major broadcast applications within minutes, providing broadcasters the greatest return on investment for maximum asset utilization Tel Aviv – April ...

The post TAG Video Systems Introduces Next Generation Approach for Media & Entertainment Industry to Deploy, Operate and Acquire Broadcast Technology – Zer0 Friction appeared first on NAB Show News | 2020 NAB Show Media Partner and Producer of NAB Show LIVE. Broadcast Engineering News.

VDX.tv Launches a Global Digital Video PSA Initiative to Inform the Public About COVID-19

Par Curtis Chan

Initiative is in collaboration with corporations, brands, agencies, publishers, and spokespeople VDX.tv, a global advertising technology company transforming the way brands connect with relevant audiences, today launched a digital video Public Service Announcement (PSA) initiative to help drive awareness around COVID-19 and to better help communities around the world cope with the spread of the ...

The post VDX.tv Launches a Global Digital Video PSA Initiative to Inform the Public About COVID-19 appeared first on NAB Show News | 2020 NAB Show Media Partner and Producer of NAB Show LIVE. Broadcast Engineering News.

Media Links Appoints Tsukasa Sugawara as new CEO

Par DM

Media Links, manufacturer and pioneer in Media over IP transport technology, has appointed Tsukasa Sugawara as its new CEO, effective April 1, 2020. Tsukasa was previously Chief Technology Officer for the Company and succeeds John Dale III, who will remain actively involved in the role of Chief Marketing Officer. John also remains a board member ...

The post Media Links Appoints Tsukasa Sugawara as new CEO appeared first on NAB Show News | 2020 NAB Show Media Partner and Producer of NAB Show LIVE. Broadcast Engineering News.

Cloud-based Media Systems – From good idea to necessity?

Par Shawn Maynard

Chris Lennon Open Services Alliance / MediAnswers We have been dipping our collective toes into the cloud-based world for media for some time now. To continue the analogy, some media companies have dived right in, and fully embraced a shift to the cloud in many facets of their operation. However, others have taken more of ...

The post Cloud-based Media Systems – From good idea to necessity? appeared first on NAB Show News | 2020 NAB Show Media Partner and Producer of NAB Show LIVE. Broadcast Engineering News.

Des chercheurs du MIT impriment en 3D des implants cérébraux souples

Par Mélanie R.

Au sein du MIT, une équipe de chercheurs travaillent actuellement sur l’impression 3D de sondes neurales, aussi souples et flexibles que le caoutchouc. Traditionnellement conçues en métal, cela permettrait d’avoir un implant cérébral qui s’adapte mieux aux contours de notre […]

NativeWaves Appoints Eva Wimmers As Its New CEO

Par whitenoise

Broadcast technology solutions provider NativeWaves GmBH is pleased to announce that telecommunications executive Eva Wimmers has joined the company as CEO. Ms. Wimmers has over 24 years of experience as an executive in the technology and telecommunications industries, most recently as President of Huawei/HONOR Europe and Vice President of HONOR Global. Prior to joining Huawei ...

The post NativeWaves Appoints Eva Wimmers As Its New CEO appeared first on NAB Show News | 2020 NAB Show Media Partner and Producer of NAB Show LIVE. Broadcast Engineering News.

Rascular Expands its Tools for NDI® with RouteMaster Lite Virtual NDI Routing Applications Suite

Par Jump

Rascular, designers of software-based powerful, customisable control and monitoring applications for third-party, professional video technologies, has today announced the launch of three new versions of its RouteMaster Lite virtual routing for Newtek NDI® application: RouteMaster Lite Solo; RouteMaster Lite One; and RouteMaster Lite Four. RouteMaster Lite – a Windows PC application – brings familiar video ...

The post Rascular Expands its Tools for NDI® with RouteMaster Lite Virtual NDI Routing Applications Suite appeared first on NAB Show News | 2020 NAB Show Media Partner and Producer of NAB Show LIVE. Broadcast Engineering News.

MEDIA ALERT: Introducing Red Giant Complete Monthly

Par Zazil Media

Last week, Red Giant announced it is now making it possible to get a monthly subscription to Red Giant Complete, a subscription service that gives editors, motion designers and VFX artists all Red Giant tools at one low price. Now for just $79/ month, subscribers will have access to Trapcode Suite, Magic Bullet Suite, Universe, ...

The post MEDIA ALERT: Introducing Red Giant Complete Monthly appeared first on NAB Show News | 2020 NAB Show Media Partner and Producer of NAB Show LIVE. Broadcast Engineering News.

Quelles sont les caractéristiques du logiciel AutoCAD ?

Par Mélanie R.

Le logiciel de conception AutoCAD permet la création et l’édition professionnelles de géométrie 2D et de modèles 3D avec des solides, des surfaces et des objets. C’est l’un des logiciels de CAO les plus reconnus au niveau international en raison […]

❌