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Aujourd’hui — 15 juillet 2020Vos flux RSS

Le leader de la prévisualisation met un pied en Chine

Par : Shadows

The Third Floor, studio spécialisé dans la visualisation au sens large (previs, postvis, techvis…) a annoncé l’ouverture de son premier site chinois, à Beijing/Pékin.

La nouvelle ne surprendra pas les personnes qui nous lisent régulièrement, puisque le dirigeant du studio, Chris Edwards, nous avait brièvement confirmé ce projet lors d’une interview réalisée en début d’année au PIDS (il était aussi revenu sur la série The Mandalorian et les nouveaux pipelines de l’entité). Edwards nous avait précisé qu’il travaillait sur le développement de ce marché depuis plusieurs années déjà.

Maggie Lu

En pratique, le nouveau bureau sera dirigé par Maggie Lu, habituée aux collaborations entre la Chine et l’Occident dans le secteur du divertissement.
L’entité ciblera essentiellement le marché local. L’équipe sera pour le moment constituée d’une vingtaine de personnes, en grande partie formées à la fois en Chine et à Los Angeles durant l’année écoulée. Une petite équipe, donc, notamment à cause de la pandémie qui a influé sur les plans de croissance du studio.
A ce propos, Variety souligne que la prévisualisation pourrait être encore plus attractive pour les studios dans les mois à venir, puisqu’elle permet d’optimiser la planification et donc la taille des équipes et les déplacements.

The Third Floor précise que l’équipe de Maggie Lu compte notamment le directeur créatif Joker Huang (anciennement chez Pixomondo Pékin) et le superviseur de visualisation Martin Ma.

Les locaux de la nouvelle entité de The Third Floor

L’article Le leader de la prévisualisation met un pied en Chine est apparu en premier sur 3DVF.

Chris Polczinski Serves Up the Sounds of Thrills and Chills with Lectrosonics

Par : msmediainc

              Los Angeles, CA (July 14, 2020) — Production sound mixer Chris Polczinski has a broad palette of horror and thriller credits to his name, including the Eli Roth-produced Haunt, Better Start Running, The Art of Self-Defense, The Strangers: Prey at Night, and most recently The Big Ugly, starring ...

The post Chris Polczinski Serves Up the Sounds of Thrills and Chills with Lectrosonics appeared first on NAB Show News | 2020 NAB Show Media Partner and Producer of NAB Show LIVE. Broadcast Engineering News.

Stephen Arnold Music Shines at Broadcast Production Awards with Four Wins

DALLAS— Stephen Arnold Music came up big at NewscastStudio’s annual Broadcast Production Awards, picking up four awards – including Best Overall Use of Music for CNN America’s Choice Debate “Super Open”, a fully orchestrated, three-act music score.  Other honors came for the studio’s work for China Global Television Network (CGTN), Scripps Television Stations and WDAF/FOX ...

The post Stephen Arnold Music Shines at Broadcast Production Awards with Four Wins appeared first on NAB Show News | 2020 NAB Show Media Partner and Producer of NAB Show LIVE. Broadcast Engineering News.

disguise xR Pushes The Boundaries Of Album Promotion For Black Eyed Peas

disguise xR Pushes The Boundaries Of Album Promotion For Black Eyed Peas xR technology helps rethink methodologies of music promotion with limitless remote virtual production Despite current lockdown restrictions still in place in many countries, disguise xR technology has enabled partner XR Studios to create a limitless performance environment for Grammy award winning hip-hop band ...

The post disguise xR Pushes The Boundaries Of Album Promotion For Black Eyed Peas appeared first on NAB Show News | 2020 NAB Show Media Partner and Producer of NAB Show LIVE. Broadcast Engineering News.

Jornal do Centro invests in a Profuz LAPIS system

Par : RadianceC

    Jornal do Centro invests in Profuz LAPIS allowing remote accessibility and enhancing outreach capabilities For immediate release – 14 July 2020, Lisbon, Portugal  – IABM-member PBT EU is delighted to confirm the adoption of a Profuz LAPIS system at Portugal’s Jornal do Centro in collaboration with reseller partner Pantalha.  Jornal do Centro selected ...

The post Jornal do Centro invests in a Profuz LAPIS system appeared first on NAB Show News | 2020 NAB Show Media Partner and Producer of NAB Show LIVE. Broadcast Engineering News.

How to Stay Safe Filming an Event During COVID-19

Par : Tori Lumen

Filming any event during the coronavirus pandemic is a challenge. Here are the measures to take while filming an event during COVID-19.

Virgin Media selects Globecast for playout of ‘pop-up’ HD exercise channel ‘Get Movi

Par : Jump

London, 14th July 2020 — Globecast, the global solutions provider for media, has announced that Virgin Media, an existing customer, has turned to the company to provide a robust and flexible playout solution for its ‘pop-up’ HD exercise channel Get Moving. During these ongoing difficult Covid times, online and TV-based exercise classes and workout recommendation ...

The post Virgin Media selects Globecast for playout of ‘pop-up’ HD exercise channel ‘Get Movi appeared first on NAB Show News | 2020 NAB Show Media Partner and Producer of NAB Show LIVE. Broadcast Engineering News.

The Making of Mac Miller’s Posthumous “Good News” Video

Tim Clapham, Luxx’s founder/creative director, and digital artist Jon Lutjens talk about their process and experience with Mac Miller’s "Good News" video.

GB Labs further strengthens CORE.4 and CORE.4 Lite security

Aldermaston, UK, 14 July 2020: The leader in intelligent storage solutions, GB Labs has announced that its proprietary CORE.4 and CORE.4 Lite operating systems have been upgraded with additional security benefits designed to augment existing performance, analytic, and real-time data monitoring and display features. GB Labs’ Chief Product Officer, Howard Twine said, “We have been ...

The post GB Labs further strengthens CORE.4 and CORE.4 Lite security appeared first on NAB Show News | 2020 NAB Show Media Partner and Producer of NAB Show LIVE. Broadcast Engineering News.

Laura Seitz and Daniel Pitts Interview – Genius Loci Winners

Par : Marco Savo



Meet the audiovisual artists behind “Reverse Imagination”, projection mapping on the facade of the MON AMI cultural centre in Weimar.

Laura Seitz and Daniel Pitts’ audiovisual work stands out for its detailed storytelling and figurative approach.

Rather than opting for simply highlighting the architecture, they have decided to tell us the story behind the construction of the building, through a captivating audiovisual narrative.

As part of our series about the Genius Loci Weimar 2019 winners, our young journalist Marta Minguell asked the creators about their creative process and how they approached the audiovisual event open call.

1. What are the main references that inspired you to create the “Reverse Imagination” audiovisual narrative?

In order to start the foundations of the building, the people of Weimar had to drain parts of a swamp located in this area. Without that effort the construction of the MON AMI would not have been possible.

We found this tedious task to be a good symbolic starting point for a broader approach to the theme: individuals working together to open up space for their community.

The ground, that otherwise would have been inaccessible or even hostile to life, became fertile. Ideas that couldn’t be previously heard can now be shared and developed.

The whole building can be perceived as a foundation stone for decades of dialogue, cultural and artistic expression, political engagement and countless untold personal stories that otherwise would have not been possible.

We reenacted that progress, but not in a historically accurate way. Instead we opted for a fantastic reinterpretation of the construction of the building. Abstract beings finding themselves back in the former swamp surrounded by ruins and rubble.

They are there to rebuild an alternative MON AMI, revealing more of the
inner nature of the place than the facade might be able to show on its
own.

Laura Seits and Daniel Pitts - Audiovisual artists
Photo Credits: Henry Sowinski
2. Can you tell us about the techniques you used and the creative process you followed to create this animation mapping piece?

We wanted to put emphasis on the audiovisual story telling in this work right from the beginning. So we did a fair amount of writing work and concept art, to develop a solid narrative structure, that is engaging and suitable for the site.

The result is a story that is engaging and suitable for the site. Furthermore we had to consider the different spectators experiences, due to the wide range of viewing angles and visual obstacles, like trees in front of the building.

Since our story evolved around the fictitious rebuild of MON AMI, we tried not only to superimpose imagery onto the real world structure.

Instead we referenced it and played with its spatial perception to immerse a viewer even further by forcing perspectives and vanishing points.

While the composition of the different elements, their movements and lighting was done in a digital 3d environment, almost all visible surfaces were hand drawn, scanned and then integrated into the scene.

This mixture of analog and digital technology enabled intriguing animated movement, dynamic lighting and complex scene setup. But it was also providing the necessary detail, texture and imperfection that created a natural and tangible look, even at the scale of such a mapping piece.

Genius Loci Winners 2019 - Audiovisual artists
3. Can you share with us your creative approach when submitting an artwork to an open call?

Genius Loci Weimar 2019 was the first video mapping project that we did of that kind. Visiting the audiovisual event in recent years, gave us an impression of the unique mood in the streets of Weimar during those nights.

Entire areas of the city seemed to be immersed in a dream-like state. Yet all the locations featured different atmospheres achieved in many different ways.Inspired by that we were eager to create our own approach reflecting our interests and skill sets.

For the submission we wanted to create an artwork that well portrays
our stylistic decisions as well as giving a glimpse of the narrative
structure we planned for the full animation piece.

At the same time, we were trying to figure out whether our ideas could work on a medium that we only knew from a spectator’s point of view back then.

Genius Loci Weimar

Interview to Genius Loci Weimar

The post Laura Seitz and Daniel Pitts Interview – Genius Loci Winners appeared first on Audiovisualcity.

Three Media signs up to DPP

Manchester, UK – 14 July 2020 – Three Media, a specialist technology company, today announced it has joined the DPP, the media industry’s business network, with the aim of expanding its exposure and bringing its distinctive perspective to the forum. Originally founded by UK broadcasters, including the BBC, ITV and Channel 4, to standardise tapeless programme ...

The post Three Media signs up to DPP appeared first on NAB Show News | 2020 NAB Show Media Partner and Producer of NAB Show LIVE. Broadcast Engineering News.

TSL Products Improves Production Quality and Simplifies Operator Workflow for Freaks 4U Gaming

The International Gaming and eSports Agency Turns to TSL’s TallyMan Advanced Broadcast Control and Flashboard Display Systems Berlin, Germany, July 13, 2020 – Freaks 4U Gaming GmbH, a full-service marketing agency specialized in targeting PC and console gamers worldwide, has produced some of the most vital and vibrant gaming and eSports events in the industry. ...

The post TSL Products Improves Production Quality and Simplifies Operator Workflow for Freaks 4U Gaming appeared first on NAB Show News | 2020 NAB Show Media Partner and Producer of NAB Show LIVE. Broadcast Engineering News.

Marshall Unveils Two New Zoom Block Cameras

CV420-18X (4K60) and CV355-10X (HD60) Deliver Crystal Clear 4K and HD Images Respectively With Ultra-Low-Light Ability and Flexible SDI and HDMI Simultaneous Outputs TORRANCE, CA, JULY 13, 2020  ̶  Marshall Electronics announces the release of its CV420-18X and CV355-10X zoom block cameras, one with an impressive 12.4 million pixels designed into a 1/1.7” 4K sensor ...

The post Marshall Unveils Two New Zoom Block Cameras appeared first on NAB Show News | 2020 NAB Show Media Partner and Producer of NAB Show LIVE. Broadcast Engineering News.

Test du Cinewhoop Flywoo Chasers 138

Par : Hugo

Test du Flywoo Chasers 138

Le fabricant Flywoo commence à se faire un nom dans le monde du FPV et Drone racing avec une gamme de racer BNF de haute qualité. Le Chasers 138 est un CineWhoop de 3 pouces doté (si souhaité) du nouveau système DJI FPV pour des rendus encore plus cinématographiques ! Capable d’évoluer à l’extérieur comme à l’intérieur, […]

Hier — 14 juillet 2020Vos flux RSS

One Netbook prépare un UMPC 7″ à charnière rotative

Les UMPC sont des ancêtres des netbooks. Des ancêtres haut de gamme puisque la principale différence entre ces deux types d’engins vient de leur positionnement tarifaire. Là où les UMPC ne faisaient que peu de concessions techniques en embarquant des technologies haut de gamme, les netbooks visaient une clientèle beaucoup plus large avec des prix accessibles.

Kohjinsha

Les UMPC ont vécu et ont, pour la plupart, très rapidement disparu, très fortement concurrencés par les tablettes et les smartphones d’un côté et les ultraportables de l’autre. Il n’empêche que certains regrettent cette disparition, en particulier parce que ces outils étaient souvent parfaits pour répondre à certains besoins techniques. Les UMPC étaient souvent hyper spécialisés. Des marques ont plus ou moins survécu comme Viliv, OQO, Ocosmos ou encore Kohjinsha au Japon, qui a pendant longtemps proposé des modèles hyper spécialisés à destination des ingénieurs IT. D’autres ont simplement abandonné ce marché comme Sony, Asus, Gigabyte ou Samsung…

One Netbook UMPC
Aujourd’hui, One Netbook semble vouloir reprendre le flambeau avec un projet qui ressemble beaucoup aux productions de la marque Japonaise. Son ordinateur s’articule en effet comme un netbook avec un écran rotatif permettant de l’utiliser comme une tablette. La grosse différence entre cette technologie et celle d’un écran sur une charnière à 360° plus classique vient de la partie arrière de l’engin qui reste fixe. Dans son épaisseur plus importante, les constructeurs peuvent glisser une connectique différente.

One Netbook UMPC

Ici, One Netbook propose des ports inhabituels sur un engin de 7″ de diagonale : un port Ethernet Gigabit, un port série et deux USB 3.0 type-A sont ainsi disponibles à l’arrière de l’engin. On comprend mieux la cible de la marque au vu de cet équipement, c’est exactement celle de Kohjinsha à l’époque : Les techniciens informatiques, les ingénieurs réseau et autres spécialistes du genre. Trouver un port série sur un engin portable est une quête quasi impossible aujourd’hui, mais trouver un port série sur un engin de 7″ réellement ultraportable est quasiment impossible. Pourtant, beaucoup de matériels industriels utilisent encore ce protocole. Un port Ethernet est un pré-requis de base pour quelqu’un qui va gérer des serveurs, mais là aussi cela devient compliqué d’associer cet élément à des solutions ultraportables…

One Netbook UMPC

Le projet de One Netbook se pose donc comme une solution alternative intéressante. Un engin léger et portable que l’on pourra transporter en permanence avec soi sur le terrain. D’autant que son format 7 pouces cache pas mal d’autres fonctions associées. D’abord un clavier complet avec 6 rangées de touches, ensuite une connectique complète avec un port USB Type-C, une sortie MicroHDMI et un lecteur de cartes MicroSDXC.

One Netbook UMPC

L’engin ne propose pas de pavé tactile, faute de place, mais un petit trackpoint optique accompagné de deux boutons. L’écran qui bascule permettra de l’utiliser en format tablette avec une dalle tactile et une prise en charge d’un stylet actif sur 2048 niveaux de pression. L’engin sera donc aussi utile pour pianoter des emails, piloter un serveur, contrôler une machine outil, prendre des notes ou dessiner des schémas techniques que pour tous les usages classiques d’un netbook.

One Netbook UMPC
Pour le moment, on n’a pas d’infos plus détaillées sur l’engin : Il ne s’agit que d’un montage 3D présenté par One Netbook pour tâter le terrain. On ne sait pas quel puce serait embarquée, combien de mémoire ou de stockage il pourrait proposer et encore moins à quel prix il pourrait être vendu. Comme d’habitude, je trouve l’approche de la marque courageuse et originale. Elle continue de s’adresser à des marchés de niche qui correspondent bien à ses petites séries plutôt que d’essayer de vendre des engins identiques aux autres acteurs du marché.

Source : Liliputing.

One Netbook prépare un UMPC 7″ à charnière rotative © MiniMachines.net. 2020.

À partir d’avant-hierVos flux RSS

Pinkman.tv dévoile une bande-annonce dans la lignée de Love, Death and Robots pour Watch Dogs : Legion

Par : Shadows

Si la conférence Ubisoft Forward n’a pas été l’occasion pour le groupe d’évoquer ses troubles internes, le studio a fait plusieurs annonces durant la soirée. Une cinématique pour le jeu Watch Dog : Legion a été dévoilée.

Si le style vous évoque l’épisode Le Témoin de la série Love, Death and Robots, ce n’est pas un hasard : le même studio Pinkman.tv en est à l’origine, avec Alberto Mielgo à la réalisation dans les deux cas. Notez également qu’Alberto Mielgo et son équipe de Pinkman.tv avaient déjà travaillé sur la préproduction de Spider-Man : New Generation, avec là encore une filiation graphique assez nette.

Pour cette cinématique, l’équipe était composée entre autres Pablo Vasquez (lighting artist connu des adeptes de Blender pour avoir créé la série Caminandes), de Lara Cores au compositing, ou encore de la concept/visdev artist Yun Ling.
Au niveau technique, Pablo Vasquez précise que « les logiciels utilisés étaient secondaires », chaque artiste ayant utilisé ses outils favoris (Blender, Maya, Cycles, Arnold…) afin d’obtenir le meilleur résultat possible.

L’article Pinkman.tv dévoile une bande-annonce dans la lignée de Love, Death and Robots pour Watch Dogs : Legion est apparu en premier sur 3DVF.

Densitron to pursue joint projects with broadcast consultancy Hawk Media Partnership

KENT, UK – 13 JULY 2020: Densitron, the global leader in innovative Human Machine Interaction (HMI) and display technology, has announced a new long-term collaboration with Hertfordshire-based consultancy Hawk Media Partnership. The new partnership will see the two companies actively seek joint projects in the broadcast and media environments that can fully utilise Densitron’s innovative technologies and ...

The post Densitron to pursue joint projects with broadcast consultancy Hawk Media Partnership appeared first on NAB Show News | 2020 NAB Show Media Partner and Producer of NAB Show LIVE. Broadcast Engineering News.

NDI Virtual Input for Mac works with Zoom but not with Skype

Par : mikaelb
Thanks so much for the free tools for the Mac and iPhone!

I am using NDIHXCamera on my iPhone and NDI Virtual Input 1.0 on my Mac (OS v10.15.5). Zoom can see and use my iPhone as a camera and microphone, but Skype (v8.62.0.85) cannot see the camera. It can only see the microphone. FaceTime can also only see the microphone and not the camera.

I've also installed NewTekNDIHXDriverForMac.pkg.

Any help would be appreciated!

Mikael Behrens
Austin, TX

NDI multicast or unicast

Par : abo
Hi,
Having trouble with NDI unstability issues I am suspecting the network switch.
Sometimes some NDI sources disappear, sometimes the NDI video disappear from NDI Studio Monitor.
Most probably it is a multicast handling problem but I am not sure.
I know that NDI source auto discovery uses multicast UDP. This may explain that sometimes some source disappear.
But for video data flow ???
I am not a network expert nor a NDI expert.
Is there a way to know the type of NDI traffic used for a given source (multicast/unicast/..., UDP/TCP) ?
NDI analysis tool does not provide such information.
Is there a way to enforce the type of NDI traffic ? I am using NDI HX Camera and OBS NDI plugin.
All sources and consumers are connected to the same subnet. Is it becessary to configure something wit NDI Acess Manager ?

Many thanks for your help.

Fork : un voyage imaginaire et surréaliste

Par : Shadows

Fabrice Le Nezet nous présente sa dernière réalisation : Fork, un court-métrage qui nous invite à plonger dans l’imagination d’une femme lors de sa visite d’un musée. Face à une fourchette exposée comme oeuvre d’art, elle va laisser dériver ses pensées…

In a museum, a woman looking at a Fork exhibited as a piece of Art lets her imagination run wild.
The film is a surreal journey interrogating our perception of objects.

What happens when you take an object from daily life and move it outside of its original context?
What is left of an object when it loses its function? An abstract shape, a sculpture?
Can we deconstruct this object into simple elements and create variation of this object?
Can those objects be combined to form a larger structure?
Can those objects become alive to break free from human ownership?

Derrière ce concept destiné à interroger notre perception des objets, on retrouve le studio londonien Optical Arts. Nous vous invitons à découvrir leur site, puisqu’il propose des images des coulisses de ce court-métrage. L’équipe précise avoir utilisé Maya et Houdini, avec Redshift pour le rendu. Nuke, Flame et Resolve ont ensuite permis de gérer compositing et grading.

L’aspect procédural a évidemment été un atout pour mettre en oeuvre des idées et faire des essais. Du côté de l’animation, un mélange de physique et de procédural soigneusement contrôlé ont été employés.

Creative Direction & Production: Optical Arts
Direction & Design: Fabrice Le Nezet
Music & Sound Design: Niccolò Chotkowski at Smider
VFX Supervisor: Fabrice Le Nezet
2D Supervisor: Miguel Wratten
3D Artist: Max Johnson
Colourist: Martin Pryor
Live Action Producer: Caroline Kinch
Live Action DP: Joe Jackson
1st Assistant Camera: Elliott Lowe
Set Assistant: Jamie-Lee Harding
Model: Emma Norodom at W Models
Clothing: Studio Nicholson

L’article Fork : un voyage imaginaire et surréaliste est apparu en premier sur 3DVF.

JP Delport promoted Managing Director at Broadcast Solutions UK

Broadcast Solutions UK are pleased to announce the appointment of JP Delport as Managing Director. Broadcast Solutions UK is a subsidiary of Broadcast Solutions, one of Europe’s biggest System Integrators, headquartered in Germany. Having joined the UK company at the beginning of 2020 as Sales Director, JP Delport will now take the helm as Managing ...

The post JP Delport promoted Managing Director at Broadcast Solutions UK appeared first on NAB Show News | 2020 NAB Show Media Partner and Producer of NAB Show LIVE. Broadcast Engineering News.

Confine NDI to a designated NIC

Par : MajoMedia
At this moment, i'm a bit disappointed.

Already in 2017 people pointed out that the way NDI taking every NIC in the system causes problems in certain setups.
Newtek answered this was understood and were working on this, even though it wouldn't be as easy as it seems.
I did speak with Kane at IBC about it and he told me it was on the todo list.

Now we are 3 years ahead from that point, and I still cannot use NDI in my setup, because this issue is still actual.

Problems using NDI on same network as dante:
Using_Dante_with_NDI

A 2017 thread on this, the solution there is not working for me, as blocking bonjour would also block Dante:
Routing-NDI-traffic-to-a-specific-NIC

So please, make me happy again by giving this some more priority.

Sony investit 250 millions de dollars au sein d’Epic Games

Par : Shadows

Sony et Epic Games annoncent un partenariat de taille. En échange de 250 millions de dollars, Sony devient actionnaire minoritaire du créateur de l’Unreal Engine.

Si la somme est importante, la part de Sony reste minime : Epic Games pèse actuellement environ 18 milliards de dollars. Sony ne possède au final qu’environ 1,4% d’Epic Games.

En pratique, cette annonce est l’aboutissement d’un partenariat de longue date, qui s’était encore illustré récemment via une démo technique s’appuyant sur les futures versions 5 de l’Unreal Engine et de la PlayStation.
Le communiqué évoque une collaboration renforcée au sein d’une industrie à l’évolution rapide, et une vision d’expériences sociales 3D temps réel avec convergence du jeu, du cinéma et de la musique. Il faudra évidemment attendre de futures annonces pour en savoir plus.

L’article Sony investit 250 millions de dollars au sein d’Epic Games est apparu en premier sur 3DVF.

Crystal Vision reduces the cost of creating video graphics with M-WEBKEY

Crystal Vision has introduced a unique new way to do broadcast graphics. Rather than using video sources for the key and fill signals like traditional linear keyers, the M-WEBKEY web page keyer can key a web page on to an IP or SDI video stream – using the power of HTML5, CSS3, JavaScript, AJAX, XML ...

The post Crystal Vision reduces the cost of creating video graphics with M-WEBKEY appeared first on NAB Show News | 2020 NAB Show Media Partner and Producer of NAB Show LIVE. Broadcast Engineering News.

Atomos records 4K 10-bit 422 ProRes or DNx from the Canon EOS R5 and EOS R6

The Atomos Ninja V, Shogun 7 and Sumo19 HDR monitor recorders will record 4kp59.94 10-bit 422 Apple ProRes or Avid DNx video from the new Canon EOS R5 and EOS R6 full-frame mirrorless cameras.  Both cameras offer exciting features for video creators and Atomos are delighted to support 4K and HD video recording from the ...

The post Atomos records 4K 10-bit 422 ProRes or DNx from the Canon EOS R5 and EOS R6 appeared first on NAB Show News | 2020 NAB Show Media Partner and Producer of NAB Show LIVE. Broadcast Engineering News.

Zixi and Harmonic Partner for Cloud-Based Video Delivery

Zixi, the industry leader for enabling dependable, live broadcast-quality video over any-IP, and architect of the award-winning Software-Defined Video Platform (SDVP), today announced the integration of Zixi into Harmonic’s cloud-based VOS®360 Live Streaming Platform, the company’s fully managed offering for delivering and monetizing live streaming services with exceptional quality from source to screen. A worldwide ...

The post Zixi and Harmonic Partner for Cloud-Based Video Delivery appeared first on NAB Show News | 2020 NAB Show Media Partner and Producer of NAB Show LIVE. Broadcast Engineering News.

6 ways DJs can get organized during lockdown (you’ll thank yourself later)

We all feel it – the COVID-19 burnout is real. Many of us are itching to get outside, to play clubs again, to be back on a dancefloor, and to play on a big soundsystem again. Yep, we miss it too. But we’re not quite there yet – particularly in the United States. That’s why so […]

The post 6 ways DJs can get organized during lockdown (you’ll thank yourself later) appeared first on DJ TechTools.

Maxon and Red Giant Debut New Tutorial on How to Create an Alien Invasion

Friedrichsdorf, Germany – July 9, 2020 – Today, Maxon and Red Giant released a tutorial on how to create an alien invasion during the 4th of July. Inspired by the 1996 hit movie Independence Day, Seth Worley took on the challenge of replicating the invasion, sans the octopus-like aliens from the film, opting instead for ...

The post Maxon and Red Giant Debut New Tutorial on How to Create an Alien Invasion appeared first on NAB Show News | 2020 NAB Show Media Partner and Producer of NAB Show LIVE. Broadcast Engineering News.

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