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March 30, 2021 DP Frida Wendel FSF, chose Cooke S7/i Full Frame Plus lenses to shoot Fate: The Winx Saga, the live-action TV adaptation of Nickelodeon’s animated series Winx Club. Following its Netflix launch in January, the show quickly shot to number one in the U.S. and number three in the U.K. The series follows ...
The post Cooke Optics S7/i, Full Frame Plus lenses help to create the magic kingdom of Netflix’s Fate: The Winx Saga appeared first on NAB Show News | 2020 NAB Show Media Partner and Producer of NAB Show LIVE. Broadcast Engineering News.
For stunt coordinators like Hiro Koda and Jahnel Curfman, previsualization is essential to the reality and safety of dynamic fight sequences.
February 26, 2021 Cinematographer Felix Wiedemann, BSC chose Cooke Optics’ S7/i Full Frame Plus prime lenses to shoot Behind Her Eyes, a six-part mystery-drama for Netflix. Based on the eponymous novel by Sarah Pinborough, the story follows Louise, a single mum with a son and a part-time job in a psychiatrist’s office. Louise begins an ...
The post Cooke S7/i Full Frame Plus Lenses Add Visual Clarity to Narrative Ambiguity in Behind Her Eyes appeared first on NAB Show News | 2020 NAB Show Media Partner and Producer of NAB Show LIVE. Broadcast Engineering News.
December 22, 2020 The pressure is on: film director Carlos Montero writes the novel, The Mess You Leave Behind, imagining every scene and character as he writes, and not too far in time after that, he calls cinematographer Isaac Vila to let him know that the project will be taken to the screen and shaped ...
The post Cinematographer Isaac Vila chose Cooke S7/i Full Frame Plus lenses to capture naturalism and light for Netflix’s New Spanish Original appeared first on NAB Show News | 2020 NAB Show Media Partner and Producer of NAB Show LIVE. Broadcast Engineering News.
(June 2020) — DP Sam McCurdy, BSC chose Cooke 5/i lenses to shoot the second season of Lost In Space, the popular Netflix sci-fi TV show which follows the adventures of a family of space-colonists whose spaceship veers off-course. More than sci-fi wizardry, the focus of the show has always been firmly on the Robinson ...
The post Lost in Space finds contrast in the darkness with Cooke 5/i Lenses appeared first on NAB Show News | 2020 NAB Show Media Partner and Producer of NAB Show LIVE. Broadcast Engineering News.
Hellenic American College in Athens relies on SubtitleNEXT for remote online study May 2020, Athens, Greece – When it was announced that colleges and universities would have to close due to the Covid-19 pandemic, Hellenic American College in Athens was in an immediate position to be able to transfer onsite courses to synchronous online ...
The post SubtitleNEXT allows remote online study at Hellenic American College in Athens – appeared first on NAB Show News | 2020 NAB Show Media Partner and Producer of NAB Show LIVE. Broadcast Engineering News.
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May 8, 2020 — The Netflix original series Dead to Me has moved production to Cooke Optics S7/i Full Frame Plus prime lenses for season two to take advantage of the ‘Cooke Look®’ to bring a flattering look for stars Christina Applegate (nominated for a Golden Globe for Best Performance by an Actress in a ...
The post Netflix’s Dead to Me Ups Its Game for Season Two with Cooke Optics S7/i Full Frame Plus Prime Lenses appeared first on NAB Show News | 2020 NAB Show Media Partner and Producer of NAB Show LIVE. Broadcast Engineering News.
LONDON — 14 January 2020: Uncut Gems is the latest movie from directing duo, the Safdie Brothers. The movie tells the story of a charismatic New York City jeweller and gambler (Adam Sandler), and is set in the diamond industry of New York. So it is appropriate that the colour palette was created at ...
The post Baselight helps to polish Uncut Gems appeared first on NAB Show News | 2020 NAB Show Media Partner and Producer of NAB Show LIVE.
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