Connexion
#repost @asker
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WOA presenta HIDENTITY, un progetto personale che fonde arte e tecnologia, un lavoro che più che mai ci rappresenta. ⠀
Dopo quattro anni, passati a 200 km/h tra lavori e sperimentazioni, abbiamo deciso di fermarci e guardarci indietro. ⠀
Unendo i puntini abbiamo trovato la nostra identità nascosta e abbiamo tracciato la direzione da prendere.⠀
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@woa_creativecompany
@jessica_sala_jasminerouge
#woacreativecompany #interaction #performancemapping #motionmate #aftereffects #projection #madmapper #touchdesigner #millumin #generative #motiongraphics #designinspiration #design #art #graphicdesign #beauty #model #picoftheday #girl #creativity #coolproject #performing #performingarts #performing #creativecompany @pajols @vonolders @incrementnsave @ric_ape @touchdesigner @millumin2 @factorynolo @superdopeaudio
https://www.instagram.com/p/B2i9niopEta/?igshid=nof36s8bh9kf
#repost @ex_lumina
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The “Synesthésie” #lightshow version with #audio #synchronization and #color #synesthesia during an #organ #concert at the Saint Jean #cathedral for the #nuitdescathédrales night in #besançon. More infos on our website 😇
#audioreactive #organconcert #videoprojection #realtime #millumin #smoke #interactive #interaction #hackintosh #millumin2 #lights #videoart #motiondesign #osc #classicalmusic #videlioevents #interactiveart #lightdesign #visualart
https://www.instagram.com/p/B2i93DjJ6ja/?igshid=152yhveufibj7
#repost @asker
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Abbiamo fondato WOA con l’idea di spingere i miei lavori un po’ più in là, creando una squadra di matti professionisti, curiosi di sperimentare e fare ricerche che unissero creatività e tecnologia.
Due anni fa creammo un sistema che permetteva a un qualsiasi oggetto (o corpo rigido) di reagire al tocco e all’urto e, tramite il nostro know out sulle proiezioni, creammo un VIDEOMAPPING INTERATTIVO!
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We founded WOA to push my work behond the boundaries.
With our crazy team, we are curious to research and experiment new way to fuse creativity and technology.
Two years ago we create a system that switch any object in a touch reactive tool.
We integrate that technology with our projection’s know how to create an INTERACTIVE VIDEOMPAIING!
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#videomapping #woacreativecompany #tabletouch #interactive #interaction #touchdesigner #resolume #projectionmapping #experiment #laboratory #woa #davideasker #generative #creativecode #motiongraphics #newmedia #newmediaart (at WÖA)
https://www.instagram.com/p/B1l0nepnL8p/?igshid=ompww2ifpw4l
MID is an interaction design and technology studio, specializing in engineering, interactive design, and new media. They work with museums, marketing and communication agencies, architects, public institutions, companies, entrepreneurs, musicians, and artists.
Their studio was founded in Barcelona in 2009. MID’s origins are found in the arts production centre Hangar, a meeting point for creative professionals, artists, programmers, and designers. This background, along with the experience acquired by the management team, allowed MID to become an established studio.
LINK BOX
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‘We live in an Ocean of Air’ is a virtual reality experience where the invisible connection between plant and human is revealed through breath. It was created by Marshmallow Laser Feast.
What happens is that the cutting-edge technology illuminates the invisible connections between the human and nature world. What you’ll see when the installation starts, is the giant Sequoia tree. You’re being transported into a world that’ll leave your jaw on the ground and eyes wide open- wanting to capture every detail you’re seeing. And as time passes, the scenery changes as well.
Breathe in and out and you’ll see you’re right in the installation. The color changes and you can even move it around as you breathe out. It’s done with breath and heart sensors that are tracking your real-time breathing and essentially put it in the virtual reality. Making it even more immersive than it already was.
It’s a magical world you’re stepping into and time will feel as none-existant.
The installation will embolden you to reflect on the reality that we, as human beings, aren’t the only thing on this planet. We share our planet with other organisms and it’ll make you cerebrate about the responsibility that we carry. And reflect on our dependence.
It is a great experience and it stays in your mind even when it’s over. Overwhelming and impressive! We need more installations like this.
The post Audiovisual City at WE LIVE IN AN OCEAN OF AIR appeared first on Audiovisualcity.
Nick Verstand (1984) is a contemporary artist exploring human behavior and perception through spatial audiovisual compositions. His autonomous installations and live performances investigate the materialization of internal emotional experiences and are created through collaborative design processes aimed at breaking down social boundaries.
The resulting intuitive experiences, co-creations of artist and audience, generate a hypnotizing environment for the subconscious mind.
Nick has exhibited and performed at Stedelijk Museum Amsterdam, Dutch Design Week, Art Central Hong Kong, SXSW and collaborated with artists such as Fatima Yamaha, Joep Beving and Suzanne Ciani. Dezeen selected his project AURA as one of the top 10 art installations of 2017, alongside Olafur Eliasson, Ai Weiwei, and Anish Kapoor.
studio@nickverstand.com
LINK BOX
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Ouchhh is a creative new media studio with expertise in AI, data paintings, data sculpture, and public art. The studio integrates art, science, and technology in every work they create. A multidisciplinary creative hub focused on new media platforms, offering direction and art direction and also producing video mapping projections.
Skilled in animation, design, illustration, 3D, 2D, interactivity, interaction, and live-action -and seamlessly combining some or all of these- OUCHHH considers each project as a challenge and takes a fresh and unique approach to each other. They have an office in Istanbul, and partnerships in L.A., Vienna, Barcelona, Paris, and Berlin.
The studio has created the “POETIC AI” Solo Exhibition at Atelier des Lumières, it’s a world’s largest AI exhibition which will last for 6 months. It uses 50K pixels and in total 136 projectors, 1 million people visited the exhibition in 7 months.
The studio worked with many brands such as Google, Cern, Nike, Wired, their collaborators transcend all industries and all continents. Their works have received multiple accolades and awards in the international arena. Ouchhh has been featured at Ars Electronica 4 times and will be attending for the 5th time this year.
They became Istanbul’s first new media agency to win Reddot design awards, German Design Award, 10th Annual IDA Awards (The International Design Awards) and ADC Awards ( The Art Directors Club), in addition to an Honorable Mention from the City University of Hong Kong.
LINK BOX
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SIGNAL festival invited us to come to the festival in Prague which was on the 11th until the 14th of October, 2018. We are very grateful to have been invited and that they have taken such good care of us.
SIGNAL is a relatively young festival but made a huge impact on the audiovisual culture since the very beginning. It has a great offer of video mapping, interactive installations, and generative art. The last edition attracted around 600.000 people.
Every year, SIGNAL puts together an audiovisual journey across the beautiful backdrop that is the city of Prague. It gives the chance to locals and international visitors to really discover the city under a new light.
This is what we saw during our visit.
Event feature here.
Rococo is a totem made of 124 projectors shooting light beams. As soon as viewers step in, they are bombarded by powerful audiovisual inputs transforming the beautiful ‘Colloredo-Mansfeld Palace’ in an ever-changing space. The surrounding soundtrack makes you progressively forget where you are, bringing you in a captivating trance as you stare at the beams.
An impressive use of video mapping projection to document amongst the darkest moments in the last one hundred years of European history. Avoiding the spectacularization, ‘Memory of the Nation‘ enthralled the viewers, thanks to clever use of real video and audio footage
3dsense offered an impressive projection with two synchronized screens. It showed a creatively put and well-thought-out black hole’s gravitational field in the universe. That mixed with an intense soundtrack displayed a complex unity that immerses you into the piece.
A wonderful piece of interaction design, where the users had the chance to create their own lighting performance by the simple motion of their hands. Highly involving and easy to approach. It created an instant connection with the audience and the art.
_STROY is a multi-creative studio based in the Czech Republic. In their pioneering project, they combine graffiti with video mapping and sound art. Aesthetically astounding and captivating, they’re taking video mapping to a whole new level.
Quite new to the scene, the AV collective Hotaru Visual Guerrilla managed to capture the viewers’ senses from the first instant. An amazing 3D video mapping, dragging us in a future world where microorganism, bioforms, breathes and expands from the façade of the surrounding space. A must-see in the audiovisual culture.
Hyperbinary proposed a very mature and cutting-edge video mapping made of pure lights. The building Kooperative has been animated from the inside instead of being projected on it using LED strips. A thoughtful investigation about how particles are set in motion and spread across the space creating energy. The result is a calm and monumental wave.
On the Church of St. Ludmila Ruestungsschmie.de delivered a video mapping masterpiece, empowered by a stunning sound design. Every single element of the façade comes alive under the audiovisual thunderstorm. Our senses are constantly tickled and moved restlessly following the projective narrative across the service.
‘Watch 2,1/18’ is an ambitious and innovative art piece picturing a dystopian future under constant surveillance. The immersive installation used moving lights across the Vinohrady square to track the viewers. Microphones recorded their sounds to eventually combine them with an eerie soundtrack. No matter where you moved, you were always watched.
Simona Chládková & Matyáš Skalický
Simona and Matyáš are two students of ‘the Czech Technical University’. They created an LED interactive gateway connecting the train station to their university. Enjoyable and effective. We hope to see more from these young and upcoming artists.
Struny Signalu
Organik triggers an intense dialogue between new media, art, music, and architecture, in the beautiful Salvator church. The gothic constructive elements are gradually revealed and enhanced by the moving lights, while the compelling music from the organ surrounds the viewers. Our senses are fully absorbed in this powerful audiovisual symphony.
Future Ruins, a beautifully crafted video mapping dialoguing with the LED installations which decomposes the architectural elements of the Neo-Romanesque church of St. Cyril and Methodius.
Ruins of a dystopian future lie upon us and come back to life through the use of lights and video mapping.
An interactive installation with mirrors following the viewers, bouncing their reflection across the space together with the beautiful decorations of the ‘Mirror Chapel’.
A buoyant interactive piece immediately connects with the audience of all ages and backgrounds.
An interactive simulation that shows the sea life under a microscope. It’s a never-ending generative art project.
Richard Loskot and UAII studio
An interesting representation of the natural elements using new media. A piece with stormy clouds made of foam, lights, and sounds.
An overall high quality and several innovative art pieces, setting new trends and standards in audiovisual culture. Congratulations to the organizers and see you next year!
The post SIGNAL 2018 reportage appeared first on Audiovisualcity.
BERLIN, 31 January – 03 February 2019
Transmediale is a Berlin-based festival and year-round project that draws out new connections between art, culture, and technology. It considers technology as being more than the digital world and the cultural as being more than what emerges from within institutionalized fields of production.
The formats of the festival change from year to year as Transmediale tries to foreground the intrinsic link between transdisciplinary thinking and cultural practice.
The 31st edition of the festival, directed by Kristoffer Gansing for the seventh time, aims to take stock of current affairs in order to understand if and how things could be different. Its participants will seek possible new ways of resisting and deconstructing the alarming development of digital populism, the radicalization of net culture, and the new culture wars.
(Post)digital culture today seems to support hate-mongering, racist and neo-colonial powers rather than provide an emancipatory alternative. Transmediale is therefore actively seeking out self-critical discussions of topics otherwise rarely addressed at digital culture events—such as contemporary imbalances of class, gender, and race—within a variety of curatorial formats and modes of knowledge exchange.
Transmediale
Klosterstraße 68
D – 10179 Berlin
info@transmediale.de
LINK BOX
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BERLIN, 11 – 20 October 2019
Each year in October, Berlin turns into a city full of light art. The artful displays on the famous landmarks, monuments, buildings, and places are turning the FESTIVAL OF LIGHTS into one of the best known light art festivals in the world.
Once again, Berlin will turn into the largest open-air gallery in the world: and again, the most important landmarks, building, and squares will be enlighted with sensational projections, magical 3D-Video show and breathtaking light installations related to this year’s theme “Lights of Freedom”.
On the occasion of the anniversary “30 Jahre Mauerfall” they will transform the city of freedom into a colossal stage and tell touching stories: expressive, emotional, amusing, surprising and unexpected. The Berlin Festival Of Lights connects diverse cultures and people throughout the world and easily transcends borders and continents – because lights speak all languages.
In the past years, the FESTIVAL OF LIGHTS has developed itself into a major touristic magnet and economic factor. With over two million festival visitors, more than 800,000 additional overnight stays and 1.3 billion media contacts, it is now – among the festivals in Lyon, Sydney, Moscow, and Eindhoven – one of the best known light art festivals in the world.
Festival of Lights
Savignyplatz. 6 10623
Berlin, Germany
LINK BOX
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Founded in 2010, Visuaal is an artistic agency which supports and promotes visuals, digital, stage designers and artists.
Our agency is the link between artists, curators, artistic directors and locations.
They diffuse and spread different and multiple creations artistic process and forms such as stage design, lights installation, audiovisual live, video mapping, interactive installations and visual performances…
In a digital world without borders, Visuaal agency selects aesthetic and affirmed aim projects in order to make them perceptible on French and European territory. Their action is growing by the variety of artistic meetings to infuse energy and necessary resources for projects developments.
Festivals, concert halls, musical and cultural events organizers, regional and local authorities and companies already benefit from our know-how, skills and advices in digital art. A permanently watch upon evolution of new trends in digital art, Visuaal agency guarantees one of the most relevant selection of works and installations to start together new artistic adventures.
Since early 2017, Visuaal has expanded its artistic booking field, related to digital arts, with the opening of a hub dedicated to visual artists and musicians who are creating audiovisual lives and performances.
Visuaal – Creative Booking Agency
France, Lyon
info@visuaal.fr
LINK BOX
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Marpi is a Polish-born San Francisco based Digital Artist. His artworks are interactive, scalable, and multiplatform, giving anyone the ability to shape them and create their own. By building windows into the same universe Marpi provides an empty canvas where the art does not exist until people create it.
Marpi’s creative work revolves around building 3D worlds, creating immersive AR, Virtual Reality experiences, Interactive Art events, and storytelling in style and difference. Currently, he is working with Obscura as Director of Web and Experiential Design, previously working on projects for clients including Disney, Google, Magic Leap, and Adobe.
His artwork has exhibited internationally including ArtFutura Roma, Contemporary Istanbul, Burning Man, and Oregon Eclipse has been publicly and professionally recognized, receiving nominations and winning several awards including Golden Lions, SXSW Interactive and .NET Magazine site of the year.
LINK BOX
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The German creative label Ruestungsschmie.de specializes in 3D immersive projects and motion and media design. In 2010, Kristian Andresen, Michał Banisch and Philip Modest Schambelan were originally established as artistic groups, but over time their roles moved closer to digital design and research. Because of the architectural background of its members, Label is often dedicated to architecture.
With the name ruestungsschmie.de, they want to point out the discrepancy in the financial resources of the defense industry and the cultural sector.
LINK BOX
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SOFTlab is a design studio based in New York City. The studio was created by Michael Szivos shortly after receiving a graduate degree in architecture from the Graduate School of Architecture, Planning, and Preservation at Columbia University.
The studio has since been involved in the design and production of projects across almost every medium, from digitally fabricated large-scale sculpture, to interactive design, to immersive digital video installations. As the studio adjusted to a wide range of projects, they began to focus less on the medium and style and more on ideas.
As a studio, SOFTlab, embraces projects through a mix of research and ideas. On one hand, the studio is invested in projects that require significant research and experimentation. These projects provide a testing ground for us to help germinate a studio environment that is ripe with creativity.
Through the studio’s unique blend of backgrounds as designers, artists, architects, and educators we are able to approach every project from a fresh perspective to create rich spatial, graphic, interactive and visual experiences. By mixing research, creativity, and technology with a strong desire to make working fun, SOFTlab attempts to create new and unique experiences.
LINK BOX
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Collanews 