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2019 NAB Show New York Profile: Kelley Slagle

Par Doug Krentzlin

Kelley Slagle (source: Roy Cox Photography) 2019 NAB Show New York Profiles are a series of interviews with prominent professionals in the broadcasting industry who will be participating in this year’s NAB Show New York (Oct. 16-17). _____________________________________________________________________________________________________ Kelley Slagle is a video producer and editor of training, industrial, and documentary content for corporate and ...

Three Quick Tips for Filming in the Midday Sun Without Diffusion Tools

Par Lewis McGregor

Here's some advice on how to use natural light when shooting various exterior (and interior) scenes either low- or no-budget.

The Many Different Ways to Use the Crop Effect in Premiere Pro

Par Logan Baker

Here are six ways the crop effect in Adobe Premiere Pro will improve your filmmaking workflow — and yield more satisfying results.

7 Ways to Stay Safe and Avoid Injuries on Video Projects

Par Jourdan Aldredge

Here are seven tips to keep in mind while on set to avoid injury — or developing unsafe and unsustainable filmmaking habits.

2019 NAB Show New York Profile: Amy DeLouise

Par Doug Krentzlin

Amy DeLouise (source: Joseph DiBlasi) 2019 NAB Show New York Profiles are a series of interviews with prominent professionals in the broadcasting industry who will be participating in this year’s NAB Show New York (Oct. 16-17). ____________________________________________________________________________________________________ Amy DeLouise is a highly respected and in-demand speaker, author, story teller, and creative director. I recently had ...

Post-Production Tips: How to Create a Split-Field Diopter Effect

Par Rubidium Wu

Using a split-field diopter used to be much more common, but it's still an effective tool. What is it, and how can you create the effect yourself?

Merlot : un petit chaperon rouge animé et alcoolisé

Par Shadows

Giulia Martinelli et Marta Gennari dévoilent Merlot, un court-métrage réalisé en 2016 dans le cadre de leurs études à la CSC National Film School située à Turin, en Italie.

Dans une forêt de conte de fées, une grand-mère perd une bouteille de vin. Un détail anodin qui déclenchera une série d’évènements…

Le court vaut notamment pour son usage atypique des cadrages, avec lesquels jouent les personnages.

L’article Merlot : un petit chaperon rouge animé et alcoolisé est apparu en premier sur 3DVF.

Top Equipment Investments for Working Filmmakers

Par Zach Ramelan

When it comes to working as a filmmaker for a living, what are the best gear investments to make money rather than lose it? Here are a ...

5 Steps to Finding (and Closing) Video Production Jobs

Par Jourdan Aldredge

Let’s take a look at the five steps to help you find — and more importantly close — jobs and clients for consistent work you can count ...

How to Develop and Shoot Memorable Character Introductions

Par Rubidium Wu

Filmmakers use various ways to introduce their heroes (and their villains) by shaping the audience's subconscious judgment.

Learn Francis Ford Coppola’s Signature Dolly Move

Par Rubidium Wu

Let's take a look at the dolly Francis Ford Coppola developed for some of his most revered films — and how it affected the overall aesthetic.

The Video Camera Trends Currently Re-Shaping the Industry

Par Jourdan Aldredge

A look into how digital cameras are continuing to change the landscape of the film and video industry, both nowt and into the near future.

How to Shoot a Training Montage for a Sports Film

Par Rubidium Wu

Training montages are central to every sports film. In this video tutorial, we find out what goes into shooting a great one.

Director Nora Mandray on Using History to Understand the Present

Par Lyndsay Knecht

We spoke with director Nora Mandray about contextualizing history and keeping a complex political timeline vibrant and legible in short form.

L’éditeur Boris FX annonce deux nouveaux rachats

Par Shadows

L’éditeur Boris FX (Mocha Pro, Sapphire, Continuum…) poursuit sa politique d’expansion. Après Imagineer Systems en 2014 puis GenArts en 2016, l’entreprise annonce désormais le rachat de SilhouetteFX et Digital Film Tools.

Silhouette est une solution de rotoscopie/paint largement employée. L’outil a notamment été utilisé sur Avatar, Le Hobbit, Wonder Woman, Avengers: Endgame.

Les produits Digital Film Tools, de leur côté, sont constitués à la fois de produits standalone et de plugins. Ils ciblent la création photo, vidéo, le montage et la colorimétrie avec par exemple des effets optiques, ou la simulation d’objectifs ou de films argentiques.
Les plugins supportent Photoshop, Lightroom, After Effects, Premiere Pro ; Apple Final Cut Pro X et Motion ; Avid Media Composer ; et enfin les produits compatibles OFX comme Nuke et DaVinci Resolve.

Boris Yamnitsky, président et fondateur de Boris FX, explique dans l’annonce que Silhouette complémente Mocha et ses fonctions de tracking/suppression d’objets. Les produits Digital Film Tools, ajoute-t-il, on une clientèle fidèle derrière eux.

Marco Paolini, Paul Miller et Peter Moyer, les fondateurs de Silhouette, conservent leurs postes et continueront donc à travailler sur Silhouette et d’autres produits. Les produits Silhouette et Digital Film Tools seront désormais vendus sous la marque Boris FX avec mises à jour annuelles, support annuel et possibilités de souscription.

Notez enfin, si vous comptez vous rendre à l’IBC (du 13 au 17 septembre à Amsterdam), que Boris FX y présentera un aperçu de Silhouette 2020, prévu pour le mois d’octobre prochain.

L’article L’éditeur Boris FX annonce deux nouveaux rachats est apparu en premier sur 3DVF.

Essential Advice on Producing Your Own Short Film

Par John Francis McCullagh

The producer plays an important role in the filmmaking process. In this article, we'll take a look at the benefits of a dedicated producer.

American Society of Cinematographers Selects 2019 Student Heritage Award Nominees

Par Ignite Strategic Communications

The American Society of Cinematographers (ASC) has chosen 12 nominees in three categories of the 2019 Student Heritage Awards. Recognizing exceptional work by cinematography students, the organization designed the ASC Student Heritage Awards to encourage and support a new generation of visual artists. Winners will be announced on October 12. The ASC Student Heritage Awards ...

Is Autofocus Finally Ready to Take The Filmmaking Field?

Par Rubidium Wu

Autofocus has long been a part of documentary filmmaking, at every budget level, since they often lack the budget for a dedicated focus puller.

Miller Launches CiNX, New Line of Cinema Fluid Heads, at IBC

Par D Pagan Communications

AMSTERDAM, SEPTEMBER 4, 2019 — At IBC 2019, Miller Tripods Ltd., a leader in the production of innovative camera support solutions, will introduce its new line of CiNX Fluid Heads. Available in three variations (CiNX 3, CiNX 5 and CiNX 7), the lightweight and durable fluid heads are packed with features designed to meet all ...

From “True Lies” to “Die Hard”: Simple-Yet-Brilliant Costume Designs

Par John Francis McCullagh

Here are two simple-yet-brilliant examples of how costume design can convey — and even dramatically transform — a character’s arc.

FIZ Systems (Focus, Iris, Zoom) and How to Use Them

Par Rubidium Wu

In this article, we take a look at the evolution and application of the FIZ system — including their unparalleled ability to control the camera remotely.

Master Premiere Pro’s Timeline with Source Patching

Par Jason Boone

Take your video editing skills to the next level by working with source patching in the timeline panel in Adobe Premiere Pro.

Filmmaking Insights: The Hidden Power of Director’s Commentary

Par Jourdan Aldredge

From camera selection to personal relationships behind the scenes, discover what you can learn from a director's commentary.

Quick Tip: Fixing a Crooked Horizon in Premiere Pro

Par Jourdan Aldredge

Set your horizons straight with these quick, savvy tips for effectively correcting crooked footage in Adobe Premiere Pro.

Making Cinema Lights and Practicals Work Together

Par Rubidium Wu

Practical lighting vs. cinematic lighting — this article examines how to use practical lighting to create a cinematic look.

Panasonic Lumix S1H : le plein format dédié à la vidéo

Par Thomas

Panasonic S1H

La gamme plein format de Panasonic s’agrandit ! Après les versions S1 et S1R voici le Panasonic S1H ! Clairement orienté pour la prise de vidéos, ce boitier plein format offre notamment l’enregistrement en 6K 24p ou C4K à 30p en 4:2:2 interne. Annoncé comme redoutable en basse lumière, la présence d’un système double ISO […]

How to Maximize Your Time and Productivity as a Filmmaker

Par Rubidium Wu

These tools can help you dramatically increase your filmmaking productivity and achieve more than you ever thought possible.

Do Studios Release Teasers and Trailers Too Early?

Par Lewis McGregor

Is it possible to hype an upcoming blockbuster too much? Here's what studios face when they release teasers into the market early.

Nature’s Lighting: A Guide on Shooting With or Against the Sun

Par Jourdan Aldredge

If you’re shooting outside on your next project, here are some tips on how to shoot both with or against the ultimate light source — the sun.

The New and Non-Actor’s Crash Course: Part Two

Par John Francis McCullagh

In the second installment of our two-part Acting Crash Course, we'll discuss professionalism and what you should expect on set.

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