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At CIIE 2019 Panasonic Showcases Solutions to Help Bring to Life China's "Healthy China 2030" Vision

Shanghai, China - Panasonic Corporation took part in the 2nd China International Import Expo (CIIE) 2019, which was held in Shanghai from November 5 to 10. Under the theme, "Limitless Care for Healthy Living," Panasonic showcased health and welfare products and solutions that reflect its ...

Intersections – The Frank-Ratchye STUDIO for Creative Inquiry Celebrates its 30th Anniversary

Par Greg J. Smith
Intersections – The Frank-Ratchye STUDIO for Creative Inquiry Celebrates its 30th Anniversary
In October CAN headed to Pittsburgh to toast the 30th Anniversary of The Frank-Ratchye STUDIO for Creative Inquiry. The event was accompanied by "Intersections," a dynamic group exhibition showcasing many of the anti-disiciplinary works produced within the labs. Here, we review the show and share details about various included works.

SPORTS CHANGE MAKERS Competition, a Project Supported by the IOC and IPC, Seeks Winning Ideas from Students Worldwide!

The theme announced as "GOING BEYOND BARRIERS" Osaka, Japan - Panasonic Corporation will hold a contest titled SPORTS CHANGE MAKERS supported by the International Olympic Committee (IOC) and the International Paralympic Committee (IPC) in 2020, coinciding with the h...

Panasonic Is Taking Part in "TOKYO MOTOR SHOW 2019 X COUNTDOWN SHOWCASE FUTURE EXPO" Along with Many Other Companies

Tokyo, Japan - Panasonic Corporation is taking part in the technology showcase, "TOKYO MOTOR SHOW 2019 X COUNTDOWN SHOWCASE FUTURE EXPO" co-hosted by 5 companies(*1) including companies that belong to the All Japan Business Committee(*2) at the 46th Tokyo Motor Show 2019's MEGA WEB venue....

Panasonic Demonstrates Its Latest Technology and Solutions for Live IP and Remote Production at IBC 2019

Amsterdam, Netherlands - Panasonic showcased its latest range of broadcast & ProAV products and solutions at IBC (International Broadcasting Convention) 2019, which was held in Amsterdam, Netherlands, on September 13 to 17, 2019. A wide range of its latest technology and solutions for...

Panasonic Opens Its 3rd Brand Center in the World in Hangzhou to Create a New Story of Beautiful Dreams

Hangzhou, China - Over a century of continuous development has made Panasonic a world-famous electric appliance brand. And, over a century of continued efforts have enabled Panasonic to maintain an unyielding posture on its belief and faith to bring about a beautiful future for the world...

Explore the Trail with Broadcast Solutions at Broadcast Innovation Day Bingen 2019

Par broadcastsolutions

Broadcast Solutions will hold a new issue of its Broadcast Innovation Days at their headquarters in Bingen, Germany, on 28 November 2019. The one-day event is free of charge and will be packed with information on new products, future technologies, hands-on demos, lectures and exhibits and will show current projects under production based in the halls ...

The post Explore the Trail with Broadcast Solutions at Broadcast Innovation Day Bingen 2019 appeared first on NAB Show News by Broadcast Beat, Official Broadcaster of NAB Show - NAB Show LIVE.

CTM Festival

Par Marco Savo

Berlin, January 24 – February 2 2020

CTM’s 21st edition launches with an announcement of new performances, special projects, and commissioned works.

Combining unique productions, concerts, and club nights with a dense daytime programme of talks, discussions, installations, and an exhibition, CTM 2020 proposes multiple entry points into thinking about this year’s Liminal theme.

Liminal phenomena and states are transitional phases in which a familiar order sees its values and symbols destabilised; norms are suspended or turned on their heads. We find ourselves in ambiguous spaces, somewhere between a past that is no longer valid and an ever-becoming future.

TM 2020 will again play out across some of Berlin’s most standout cultural and nightlife venues. For the first time, the festival hosts special projects at Radialsystem V and an immersive listening series at Silent Green’s Betonhalle, while continuing its close relationship with HAU Hebbel am Ufer, Berghain, Kunstquartier Bethanien, Festsaal Kreuzberg, and SchwuZ. A limited number of Early-bird Festival Passes are available now.

As always, CTM takes place parallel to and in collaboration with transmediale festival. The jointly organised Vorspiel 2020 Open Call is out now. Vorspiel will again bring together a wide range of Berlin-based artists, initiatives, and venues, hosting a city-wide programme of cultural events.

CTM Festival

Berlin, Germany

contact@ctm-festival.de

 LINK BOX 

Club Transmediale

Facebook / Twitter / Youtube / Vimeo

The post CTM Festival appeared first on Audiovisualcity.

Panasonic Supported TUM Hyperloop Team Wins Fourth SpaceX Hyperloop Competition

463 km/h for the win - Students of the Technical University of Munich win the SpaceX Hyperloop Competition again - supported by Panasonic Industry Europe components Munich, Germany - On the 21nd of July the fourth SpaceX Hyperloop Pod Competition took place in Los Angeles. The Hyp...

Panasonic Wins "Best 100" for Two Products in "2019 Good Design Award"

Tokyo, Japan - Panasonic Corporation announced that two of its products were selected for the Good Design Best 100 at the Good Design Award 2019 held by the Japan Institute of Design Promotion on October 2, 2019. The products were the Technics SL-1200MK7 Direct Drive Tu...

Neo-Natur – A space for thought, about and for Nature / ART+COM

Par Filip Visnjic
Neo-Natur – A space for thought, about and <u>for</u> Nature / ART+COM
Designed and constructed by ART+COM Studios in collaboration with Futurium and Schiel Projekt, 'Neo-Natur' is a permanent installation for Berlin's Futurium exhibition that explores our potential futures from different areas of life––from self-sufficient cities, to the future of work and ideas for more sustainable consumption.

Panasonic to Exhibit Digital Technology and Products for Smart Factory at CIIF 2019

(Video and photos added on September 25, 2019.) Shanghai, China - Industrial Solutions Company of Panasonic Corporation will participate the 21st China International Industry Fair to be held at the National Exhibition and Convention Center in Shanghai, China, from September 17 to 21, 2...

August 2019 TOP 5 Engagement

Our August highlights are reflective of our innovative technologies that are creating social values in education, mobility, provision of clean water, etc.

Adroit Visuals That Track an Athlete's Movements - A New Age in Experience Value Engineered by Sports x Technology

With the Olympic and Paralympic Games Tokyo 2020 just a year away, a "1 Year to Go!" ceremony was held on July 24, 2019. It opened with a stunning performance that was creatively engineered and rendered with Panasonic's real-time tracking and projection mapping technology and the company's high lum...

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https://www.instagram.com/p/BwxHwEKBmyi/?utm_source=ig_tumblr_share&igshid=11qrbeh8wzkil

Terra Magnifica

Par yannickkohn


Terra Magnifica, Atelier des Lumières

Octobre 2018, Paris – France



Culturespaces in association with the GoodPlanet foundation, present TERRA MAGNIFICA, an original creation from Yann Arthus-Bertrand for l’Atelier des Lumières.

Credit

  • Set design & production : La Mode en Images
  • Musical creation : Armand Amar
  • Artistic production : Spectre Lab
  • Picture Partnership : Hope Production

Kinepolis équipe 6 complexes cinéma supplémentaires de la technologie 4DX

Par Cine.Tv.Industry

Kinepolis Group a annoncé lundi 12 novembre avoir signé avec le coréen CJ 4DPLEX afin d’équiper six nouveaux complexes cinématographiques de la technologie 4DX. Celle-ci associe des équipements audio et de projection de haute technologie, avec des effets mécaniques (fauteuils en mouvements) et atmosphériques (vent, pluie, fumée, etc.) Moins d’un an après l’ouverture de ses premières salles 4DX – à Anvers, Bruxelles, Lomme, Madrid et Valence – Kinepolis récidive avec cette technologie qui sera active dans les prochains mois dans trois complexes en Belgique (Kinepolis Hasselt, Gand et Rocourt), un au Luxembourg (Kirchberg), un en France (Kinepolis Nîmes) et un en Espagne (Kinepolis Diversia, Madrid).

4DX Kinepolis 4dx-auditorium

La fumée n’est pas interdite dans les salles 4DX

Créée en 2009, la technologie 4DX s’est rapidement étendue dans le monde entier. À ce jour, elle équipe 573 salles, dans 59 pays et le chiffre des 600 salles devrait être atteint d’ici la fin de l’année.

La capacité en places assises variera entre 88 et 160 sièges. Kinepolis prévoit d’ouvrir ses salles 4DX à Hasselt, Madrid et Rocourt d’ici la fin de cette année. Les trois autres salles ouvriront au cours du premier trimestre 2019.

Les prochaines sorties 4DX au programme sont : « Les animaux fantastiques : Les crimes de Grindelwald” (Nov 14, 2018), « Le Grinch » (Nov 28, 2018) et « Ralph 2.0 » (Déc 12, 2018). Les premières sorties dans les salles 4DX nouvellement annoncées seront « Aquaman » et « Le retour de Mary ».

 

Planet Triage Leverages Projection Mapping to Raise Awareness of Climate Change

Par lumenadmin

Planet Triage Planet Triage is an immersive, projection mapping installation created by Cody Healey-Conelly at the Wageningen University artist in residency program in conjunction with its 100th year anniversary celebration. Using computer-generated imagery, projection, and sculpture, Planet Triage creates a space for dialogue between artists and scientists with the hope of inspiring new ideas and ways to […]

The post Planet Triage Leverages Projection Mapping to Raise Awareness of Climate Change appeared first on LUMEN.

Chine : premier cinéma équipé en EclairColor HDR avec l’exploitant Bestar Cinemas et l’intégrateur Great Ocean

Par Cine.Tv.Industry
  • Premier film chinois mastérisé au format EclairColor High Dynamic Range par Eclair

Le Groupe Ymagis, spécialiste des technologies numériques pour l’industrie du cinéma, et l’intégrateur Chinois Great Ocean annoncent le lancement de la première salle de cinéma en EclairColor HDR (High Dynamic Range) dans la ville de RuiAn avec l’exploitant Bestar Cinemas. Au sein du tout nouveau multiplexe de Bestar Cinemas, la technologie EclairColor est au cœur du dispositif Premium Large Format (PLF) baptisé « STARX » et qui est équipé d’un écran de 22 mètres de base, de 600 fauteuils et d’un système de projection quad SRX-R515QS de chez Sony Digital Cinema.

Ymagis_EclairColor_BestarCinemas Lite(4)

« Nous sommes particulièrement heureux de pouvoir présenter pour la toute première fois en Chine cette nouvelle technologie HDR, au sein de notre nouveau multiplexe, situé dans le centre commercial Wuyue à RuiAn« , commente Jiang Yuanxin, Directeur Général Adjoint de Shanghai Bestar Cinemas Management Co. « EclairColor combiné à Sony délivre une qualité d’image supérieure qui apporte encore plus d’émotions à l’écran, améliorant ainsi de façon significative le taux de satisfaction de nos spectateurs. Dans le cadre de notre plan de développement, nous souhaitons ouvrir en Chine d’ici 2021, 50 salles STARX PLF équipées de la technologie EclairColor au sein de nos actuels et futurs cinémas. »

Ymagis_EclairColor_BestarCinemas Lite(1)

Pour Zhang Liang, Directeur Technique de l’intégrateur Chinois Great Ocean, « la collaboration avec les équipes d’EclairColor s’est parfaitement bien déroulée lors de l’installation de notre premier site à RuiAn. La palette de couleurs qu’apporte EclairColor est beaucoup plus riche et les nuances sont très fines permettant d’obtenir à l’écran de vrais couleurs noires, comme cela a été démontré lors de la projection du film Chinois Dying to Survive en EclairColor. Tous les cinémas, quelle que soit la taille des écrans, peuvent s’équiper en EclairColor HDR. Par ailleurs, le système de projection Sony Digital Cinema 4K peut être utilisé par les exploitants pour projeter aussi bien les contenus masterisés en EclairColor que les contenus au format habituel (« DCI »). »

Ymagis_EclairColor_BestarCinemas Lite(2)

« Nous espérons pouvoir annoncer dans les prochaines semaines de nouvelles installations en EclairColor grâce à notre premier site témoin à RuiAn avec notre partenaire Great Ocean« , déclare Simon Eyriès, Chef de projet EclairColor. « L’arrivée d’EclairColor en Chine est une étape clef pour les cinéastes et les exploitants chinois qui ont désormais accès à une technologie HDR disponible, efficace et économique. A cette occasion, Eclair (le pôle d’activités contenus du Groupe Ymagis) a produit le premier DCP EclairColor d’un long-métrage produit et filmé en Chine Dying to Survive, réalisé par Wen Muye« 

CGR Cinémas Paris Lilas (Jocelyn Bouyssy) : « 1 million d’euros pour une salle premium immersive ICE »

Par Cine.Tv.Industry

Jocelyn Bouyssy, le directeur général du groupe CGR – premier circuit cinématographique en France avec 73 cinémas – a inauguré le 20 juin dernier en présence de nombreux invités le nouveau complexe cinéma du groupe CGR à la Porte des Lilas à Paris. Un cinéma de 7 salles rebaptisé CGR Paris Lilas, suite au rachat du groupe Cap’Ciné en novembre 2017.

CGR Jocelyn Bouyssy IMG_3419

Jocelyn Bouyssy, directeur général du groupe CGR à l’inauguration du cinéma Paris Lilas, le 20 juin 2018. © Lionel Ollier

L’ensemble du lieu, entièrement rénové et repensé, dispose d’une salle Premium particulière (la n°4) baptisée ICE (Immersive Cinema Experience) qui se distingue des autres par son côté immersif. C’est la 19ème salle CGR en France à disposer de ce procédé (une exclusivité CGR Cinémas) qui associe qualité visuelle, sonore et confort du spectateur (taille et espacement des sièges inclinables, gradinnage rehaussé…) En plus d’une excellence sonore qui « enveloppe » le spectateur (Dolby Atmos qui met à contribution 53 haut-parleurs dont certains au plafond) et d’une qualité visuelle lumineuse et cristalline (projecteur laser 4K Christie 9P à 60K lumens, 14 pieds-Lambert pour la 2D et 7fL en 3D), la salle dispose de 12 panneaux Led latéraux Philips (technologie LightVibes, propriété de CGR suite à son rachat à Philips) qui prolongent sur les côtés l’environnement sensoriel de l’écran principal et plonge le spectateur dans l’action.

CGR Porte des Lilas Paris_IMG_3403

Le cinéma CGR Paris Lilas. ©Lionel Ollier

« Il faut compter 1 million d’euros d’investissement pour une salle ICE LightVibes, explique Jocelyn Bouyssy, Dg du groupe CGR. Luc Besson a été le premier à nous faire confiance sur son film Valérian ; notre laboratoire de post-production à La Rochelle se charge d’incorporer la technologie LightVibes aux copies numériques. Pour des raisons de sécurité, c’est un véritable bunker ; je n’ai moi-même pas le droit d’y pénétrer ! » Depuis la sortie du film de Besson, plusieurs studios américains ont fait confiance à Jocelyn Bouyssy et à son concept ICE LightVibes dont Warner, Sony, Universal, Disney Nature… et prochainement Paramount (en discussion). Un succès qui fait qu’aujourd’hui CGR propose sa technologie à d’autres exploitants sans demander de royalties. A charge pour eux d’adapter leurs salles à ce label et son haut standard de qualité. Certains films diffusés dans la salle ICE ne bénéficient pas du format LightVibes – les spectateurs en sont avertis avant d’acheter leur billet – Ils peuvent malgré tout apprécier les bandes-annonces formatées ainsi. CGR espère pouvoir sortir chaque année une vingtaine de films en immersion sensorielle LightVibes.

Salle premium ICE by CGR 02LD

Salle ICE LightVibes avec ses panneaux latéraux Led. ©DR

Le spectateur bénéficie d’un accueil ICE privilégié dès le hall du cinéma. Grâce aux fauteuils numérotés, il peut réserver la place de son choix, en ligne ou directement au cinéma. Le prix des billets reste raisonnable pour cette salle premium : 15€ en plein tarif ; 11€ tarif réduit pour les moins de 26 ans ; et 8€ en matinée et pour les enfants toute la journée. Un véritable succès pour CGR qui proposera 7 nouvelles salles ICE d’ici la fin de l’année.

Ateliers Des Lumières

Par yannickkohn


Ateliers Des Lumières

2018, Paris


Opened on April 13, Atelier des Lumières, created by Culturespaces, is the very first Digital Art Centre in Paris. The 2,000 sqm venue, a 19th century disused foundry, received a complete make-over to allow the hosting of immersive digital art shows on a monumental scale. Its first exhibition is a fantastic immersive digital experience around Gustav Klimt’s work. It’s a stunning show bringing together monumental projection and music for a new artistic experience. Visitors are completely immersed into the work of the Austrian painter thanks to a massive AV set-up: more than 130 Barco PGWU-62 video-projectors were installed together with 35 Modulo Kinetic media servers by Modulo Pi.

A fine-tuned show with spectacular results : animated images of Klimt’s work are projected on the floor, on the walls (who can reach up to 12m) as well as on the ceiling and other typical elements of the venue, such as the foundry’s former chimney. Images flow in rhythm to the music, and appear perfectly moulded to the Atelier’s architecture.

Faced with the technical challenge of equipping such a venue to achieve a 300 million pixels projection, Culturespaces and Cadmos, the integrator for the project, opted for Modulo Pi’s systems from the project study phase.

Relying on his experience with the Carrières de Lumières based in Les Baux-de-Provence, South of France, Augustin de Cointet de Fillain, Multimedia Project Director at Culturespeaces, explains: “We initiated this type of exhibition in 2012 in Les Baux-de-Provence. This was achieved with a lighter AV system since the remarkable venue was already doing the show. However, we quickly realized that we would need a system with much higher potential and stability.”

Roman Hatala, Cadmos’ Director, further adds: “When Culturespaces told us about Atelier des Lumières, opting for Modulo Pi’s systems was evident as they are the most effective and adaptive systems on the market. We wouldn’t have done this project without it.”

After choosing video-projectors with higher resolution for better image quality, the teams of Culturespaces decided to rely upon Modulo Pi’s solutions to better answer their requirements for Atelier des Lumières, but also for their upcoming installations in France and abroad: “We are dealing with installations based on 90 to 130 video-projectors, which is huge. Therefore, we needed a reliable, comprehensive and powerful system that would allow us to work from site to site.”

For its first exhibition, Atelier des Lumières offers a three-part work around paintings of Gustav Klimt, the vision of the artistic director, and the former foundry now hosting the Atelier. “The exhibition is tailor made to the venue”, explains Augustin de Cointet de Fillain.
It’s as much creation as it is staging, with a certain complexity due to the perspectives and different depth levels in the venue. In this context, you need a really flexible operating system.”

The 35 units of Modulo Kinetic showed their efficiency at every stage of the project. Augustin de Cointet de Fillain provides more details about the crucial role played by Modulo Pi’s media servers prior to setting up : “We load a 3D plan of the venue, fill in the type of video-projector we’ll be using and what we want for each wall in terms of image pixel size and luminosity. Then, the Modulo Kinetic tells us where the VPs should be positioned, what the image distortion will be, the luminosity rendering on each area… Once this simulation phase is done on Modulo Kinetic, we move on to the venue.”

When at the venue, the installation and fine-tuning stages – central to the immersive effect – are done so as to give the impression of projecting one single image over the whole surface. Among other things, Modulo Kinetic helped handle the overlaps and soft edges, and made warping easy with the Xmap mode. The result was a seamless projection over the entire show surface.

Installation and fine-tuning had to be done within a limited time frame as Roman Hatala explains: “The audiovisual work comes at the very end. That was a real challenge to have everything set up and adjusted while the renovation work of the venue was still going on.” In this context, the features offered by Modulo Kinetic, allowing several users to work on settings at the same time, was key: “Modulo Kinetic allows shared and mutualized work on geometry. It helped us save a great deal of time by having someone working on a wall on one side, a second person on another side, and a third person working on the floor. To achieve all the fine-tuning in a shortened time, that was a real advantage.”

Once the set-up was over, Modulo Kinetic was then used as a show controller to handle and sequence all media that are part of the show: videos, music, images,… “That is the true force of Modulo Kinetic. It’s a comprehensive system in which anything can be centralized and controlled: videos, lights, sound, and interactive lasers”, comments Augustin de Cointet de Fillain. “Without Modulo Kinetic, we would have had no choice but to manage a string of not very reliable different systems, multiplying the overall system’s fragilities. We needed a super stable system with full and permanent control. We cannot afford to have a huge black wall.”

To make everyday management and maintenance easier, Modulo Kinetic comes with an app that handles the shows through pre-programmed loops, while also giving regular feedbacks ensuring the overall AV system is operating accurately at all times.
The show control and remote maintenance system was programmed by Cadmos’ teams, who have been working with Modulo Pi’s media servers for several years: “Modulo Pi was the best choice for this project. Their systems bring reliability, scalability and an image quality that cannot be reach with any other system”, explains Roman Hatala. “In our museum and contemporary art projects, Modulo Pi’s media servers allow us to work with Apple ProRes or uncompressed contents for better image quality. We also enjoy the capability of integrating custom show control and management options so that our clients can benefit from fully controllable and autonomous systems.”

To pursue its mission of bringing to the public a new way to discover Art, Culturespaces is currently working on the launch of new immersive art exhibitions in the United States and Korea.
These new large-scale projects will also rely upon Modulo Kinetic for the simulation, set-up, show control and maintenance operations. “We were looking for a reliable partner for our upcoming projects, and it will be Modulo Pi”, states Augustin de Cointet de Fillain. “We confirmed that choice due to our requirements in terms of reliability, but also because these systems allow us to anticipate and transpose the creation of our upcoming exhibitions.”
An anticipation made possible thanks to a vignette system that enables to export and work with low definition versions of the media involved in each show. “It helps us anticipate future creations which is very important. This way, we don’t have to close our venues for too long. That gives us a very enjoyable anticipation base.”

www.atelier-lumieres.com

www.cadmos.fr

Credit

  • Technical Production : Cadmos
  • Production : Gianfranco Iannuzzi – Renato Gatto – Massimiliano Siccardi
  • Music : Luca Longobardi
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