The free festival for creative technology, science, media, art, music and more celebrates its 15th anniversary this year.
GOGBOT 2019 appears with the theme “BIO THE NEW DIGITAL” in the much-discussed world of bio-art and digital technology. Subjects such as genetic modification, stem cell transplantation, nanotechnology, and farmed meat are covered within this theme. International famous artists such as Agi Haines (UK) and Dmitry Morozov (RU) investigate the ethical boundaries of these worlds with their controversial works.
GOGBOT festival is the annual showcase for creative technology, electronic music, and contemporary art. The festival has been running since 2004 and it lasts for four days and nights. GOGBOT’s mission is to provide an inspiring platform for the most original, the most visionary and the most avant-garde artists active today. Innovation in digital creativity is key and the festival creates a sonic space for this. The festival offers a stimulating rendez-vous for artists, professionals, and visitors.
GOGBOT offers a playground of convergence. Drawing participants from all over the world are presented, in order to profit from a context of active discovery. We are proud to present the outstanding talents from the Netherlands, supporting this by having the Awards for the best of art and creative technology graduates.
AV Link Jam / BYOB was organized by Crux, the hub for learning, experimenting, collaborating and entertaining, on Thursday, November 15th, 2018. It was their second edition and free for everyone who wanted to join.
When you entered the space, it all seemed very open and chill. People were drinking beer, talking to each other, walking around and admiring the people’s work. Almost every wall had a beamer projection on it. It was very diverse which made it refreshing. You weren’t looking at the same thing at every wall. Every minute it’d change so even if you’d be watching the same projection, you wouldn’t look at a video that was on a loop.
Because it was a free event, the genuinely passionate artists show up. It looked like a community, people know each other and talk about the same topic. When you would talk to the artists about their projection, you could see the fierce enthusiasm they had for it.
The soundtrack worked really well with the atmosphere. Many different things were going on at the same time but the music helped to keep you focused.
All and all, it was quite mesmerizing and hypnotic. It kept your eyes stuck on the all the projects you were seeing. It all moved fast, had bright colors, and had recurring movements. It’s a very fun night where you can chat and check out new and different artists. A good concept!
Transmediale is a Berlin-based festival and year-round project that draws out new connections between art, culture, and technology. It considers technology as being more than the digital world and the cultural as being more than what emerges from within institutionalized fields of production.
The formats of the festival change from year to year as Transmediale tries to foreground the intrinsic link between transdisciplinary thinking and cultural practice.
The 31st edition of the festival, directed by Kristoffer Gansing for the seventh time, aims to take stock of current affairs in order to understand if and how things could be different. Its participants will seek possible new ways of resisting and deconstructing the alarming development of digital populism, the radicalization of net culture, and the new culture wars.
(Post)digital culture today seems to support hate-mongering, racist and neo-colonial powers rather than provide an emancipatory alternative. Transmediale is therefore actively seeking out self-critical discussions of topics otherwise rarely addressed at digital culture events—such as contemporary imbalances of class, gender, and race—within a variety of curatorial formats and modes of knowledge exchange.
D – 10179 Berlin
Sonic Acts was founded in 1994. Over the years, it has established itself as a thematic festival with a strong focus on contemporary and historical developments at the intersections of art, technology, music, and science.
Each festival edition explores the chosen theme by means of an international conference, a wide range of concerts and performances, exhibitions and screenings, and embraces a broad spectrum of fields, practices, and disciplines.
Sonic Acts has developed into an organization for the research, development, and production of works at the intersection of art, science, and theory. It also commissions and co-produces new works, often in collaboration with international festivals, arts organizations, funders, and other partners.
Recent projects include the three-year art, research & commissioning project Dark Ecology, predominantly taking place in the Arctic region, and its globally touring programme Vertical Cinema.
Amsterdam, the Netherlands
The International Digital Art Festival ELEKTRA has been working since 1999 to discover the diversity of performance practices, including audiovisual and robotics.
ELEKTRA is an organism diffuser of works artists that combine art and new technologies while registering in aesthetics current research and experimentation.
The International Digital Art Biennial (BIAN) takes place every two years. This major exhibition on issues combining visual arts and digital mobilizes, in a joint action, actors in the field of arts and new technologies.
As a cultural institution focused on digital technologies and digital arts, and raising questions about the effects of digital technologies and the digital arts, they thought it’s important to act as a leader in eco-responsibility and in all our organization.
Patchlab Digital Art Festival is an annual event for art based on the latest technologies and new media. They are interested in the creative potential in machines, algorithms, programming, and databases.
Patchlab shows works by recognized artists, but also by those from beyond the mainstream. They explore key phenomena in contemporary culture and art, including VR, augmented reality, artificial intelligence, hacking and digital identities.
Patchlab is exhibitions, performances, and audiovisual concerts, films, workshops with artists and technology specialists, meetings and discussions.
The festival has been held in Krakow since 2012.
Piksel is an international festival for electronic art and technological freedom. Part workshop, part festival, it is organized in Bergen, Norway, and involves participants from more than a dozen countries exchanging ideas, coding, presenting art and software projects, doing workshops, performances, and discussions on the aesthetics and politics of free technologies.
The development, and therefore use, of digital technology today, is mainly controlled by multinational corporations. Despite the prospects of technology expanding the means of artistic expression, the commercial demands of the software industries severely limit them instead.
Piksel is focusing on the Free/Libre and Open Source movement as a strategy for regaining artistic control of the technology, but also a means to bring attention to the close connections between art, politics, technology, and economy.
Piksel is an annual festival for artists and developers working with free and open source software, hardware and art. The festival is a member of the Pixelache network of electronic art festivals – pixelache.ac – and one of the nodes in the Production Network for Electronic Art in Norway – PNEK