En admirant les cinématiques du studio Digic Pictures, on en oublierait presque le travail énorme qu’elles nécessitent. Outre une armée de spécialistes de l’animation, le studio fait appel à des actrices et acteurs qui maîtrisent parfaitement le processus de motion capture/performance capture.
Zsuzsanna Rácz est justement une de ces actrices, et elle vient de dévoiler une bande démo qui reprend 6 années de travail au service de Digic. On y retrouvera des extraits de ses performances et des cinématiques finalisées, mais aussi des images de ses entraînements : Zsuzsanna Rácz se doit donc de maintenir sa forme physique afin de pouvoir effectuer cascades, sauts et combats lors des séances de motion capture.
L’article Zsuzsanna Rácz, actrice de motion capture : une bande démo et 6 ans de travail est apparu en premier sur 3DVF.
Seoul South Korea; January 31, 2020: At CES 2020, NexGen TV sets that can receive ATSC 3.0 signals were introduced by many of the world’s largest consumer electronics companies, including Samsung, LG, and Sony. While this is a huge boost for NexGen TV, it will take time before most US households own one of these new TV sets. ...
The post At CES, ATSC 3.0 home gateways enabled NextGen TV capabilities on standard TV sets appeared first on NAB Show News | 2020 NAB Show Media Partner and Producer of NAB Show LIVE. Broadcast Engineering News.
The Digicaster SoloCam (source: Digital Comm Link, Inc.) Since its incorporation in 1995, Florida-based company Digital Comm Link, Inc. has been in the forefront of providing cutting edge production support and equipment for the broadcasting industry. These include colocation, ISP, mobile satellite trucks, VOIP, FTP, video streaming, and the Digicaster Transport Platform. I recently had ...
BERLIN, 28 January – 01 February 2020
Transmediale is a Berlin-based festival and year-round project that draws out new connections between art, culture, and technology. It considers technology as being more than the digital world and the cultural as being more than what emerges from within institutionalized fields of production.
The formats of the festival change from year to year as Transmediale tries to foreground the intrinsic link between trans-disciplinary thinking and cultural practice.
Inspired by the pre-Internet idea of networks, transmediale 2020 – End to End focuses on both forgotten and potential futures with and without networks. Leaving behind a decade marked by a backlash against the Internet and the network society, transmediale aims at a comprehensive re-evaluation of networks and their limits. The exhibitions runs until the 1st of March.
The exhibition and the conference program is curated by artistic director Kristoffer Gansing with supporting advice from Clemens Apprich, Daphne Dragona, Geert Lovink, and Florian Wüst, all of whom will also be responsible for different program items.
Klosterstraße 68D – 10179 Berlin