Reposted from @paolo.morvan: “Detail de la scénographie réalisée pour le musicien @romain__muller
Construction et création lumière avec @julesbouit
@zikamine @bliiida @laregiongrandest
#scenographie #scenography #show #concert #singer #wood #structure #light #lightray #designproject #design #eventdesign #stagedesign #stage #musicperformance #music #audiovisual #liveav #filter #3m #millumin #led #ledlights #lightart #digitalart #installation”
Need to power up your home DJ and/or production studio? A good set of studio monitors is critical for hearing your mixes accurately, and you can attain a high-quality, booming system for around $200-300 per monitor. Whether you’re still hunkered down trying to make a go of live-streaming your DJ sets or you’re doubling down […]
The post Best Affordable Studio Monitors For Your Home Setup: Our Picks appeared first on DJ TechTools.
“In 2019, NEP purchased a large quantity of MDUs and MPA1 audio monitoring units, along with TallyMan Control for use in our fly packs. We always want to combine cutting-edge technology with practical applications. TSL’s power units are well known and used across South East Asia, India and the Middle East. The MDU12-PMi and MDU14-B ...
Hebden Bridge, 12th November 2020 — South African community radio station Bosveld Stereo, which broadcasts in Afrikaans across the North West Province, is the first station in South Africa to deploy Calrec’s IP-based Type R for Radio. The installation was overseen by Calrec’s recently appointed South African partner, Wild and Marr. Wild and Marr used ...
The post South Africa’s Bosveld Stereo moves to IP with Calrec Type R for Radio appeared first on NAB Show News | 2020 NAB Show Media Partner and Producer of NAB Show LIVE. Broadcast Engineering News.
Let's explore the value of an auditory smash cut, how to create this effect, and the clever ways to include it in your next video production.
Let's look at some of the most efficient, fundamental tutorials on recording, editing, and correcting audio files. All for video editors and filmmakers!
True Convolution Reverb With the Flexibility and Control of a Classic Algorithmic Reverb LEEDS, UK, OCTOBER 21, 2020 – NUGEN Audio announces the latest addition to its software lineup – Paragon. The world’s first 3D-compatible convolution reverb, Paragon offers full control of the decay, room size and brightness via state-of-the-art re-synthesis modelled on 3D recordings ...
Prism Sound’s long history of developing high quality products has reached new heights with the launch of the ADA-128 – a modular audio conversion system offering up to 128 channels of 32-bit A/D and D/A conversion at sample rates of up to 768kHz. Without doubt the company’s best performing product to date, the ADA-128 ...
The post Prism Sound Launches The ADA-128 – A New Audio Conversion System For The 21st Century appeared first on NAB Show News | 2020 NAB Show Media Partner and Producer of NAB Show LIVE. Broadcast Engineering News.
Nartan Records Utilizes NUGEN’s SEQ-S, MasterCheck, AB, ISL and LM-Correct Solutions to Create Pristine Audio to Meet All Streaming Standards MILAN, SEPTEMBER 23, 2020 – Located in the small town of Merano, South Tyrol, Italy, Nartan Records is an independent record label and recording studio owned and operated by musician and composer Nartan Savona. Nartan ...
This video tutorial explores some crucial techniques used to heighten production value — replacing your audio with more dynamic, cinematic sounds.
Reading, UK, 19 August 2020: Starfish Technologies, a pioneer in transport stream processing and advertising insertion, has been granted European and US patents that cover a range of techniques employed within its TS splicer product. The TS Splicer is a software-based solution for clean switching of encoded transport streams and is used for media switching and ...
As Middle East businesses reopen offices, global audio solutions leader, Sennheiser, aims to enable organizations to deliver seamless virtual collaboration experiences in a reliable, safe and hygienic manner. The company’s offering centres around its TeamConnect Ceiling 2 solution which elevates web and video collaboration – making virtual meetings more effective by ensuring optimum audio quality ...
The post Sennheiser Enables Businesses Adapt to ‘New Normal’ with Touch-less Digital Audio Collaboration Solution appeared first on NAB Show News | 2020 NAB Show Media Partner and Producer of NAB Show LIVE. Broadcast Engineering News.
So, you’re ready to start a brand new podcast. You’ve got the idea, the team, you already recorded an episode. Now to the one key ingredient – ...
It all begun in 2009. After quitting my job as an engineer I moved to Madrid to study a Master in Motion Graphics while making my first experiences in the world of video art.
In 2010 I started up several collaborations with art organizations in Madrid and they proposed to me to shoot a dance performance by the choreographer Iratche Ansa.
The performance was going to be held at the Matadero in Madrid. From that recording I put together my first video dance “Comunicación Interpretación Automática” which had a very good reception.
A few months later I made my first dance pieces with live visuals with choreographer Barbara Fritsche.
Thanks to those projects I was able to work on the musical “Hoy No Me Puedo Levantar” in 2013. In 2014 I directed my first proper theatre show: “Girasomnis”.
I try to “connect” the visuals with the dancers. Sometimes I encourage the dancers to “connect” or follow my visuals.
In this project I also composed the music. This is very useful as I have better control of the creative process. With this project I tried to evoke feelings in the audience without words: just images, dance and instrumental music.
This quarantine caused an abrupt stop in my job, but also gave me time to start imagining something new.
The idea was born during the first week of confinement. At the start, It was simple: I just wanted to publish some of our best projects and make them public. But I also felt a need for a change.
The last 3 years I was quite disconnected from my artistic side due to working mostly on commercial projects.
I was just focusing on making money to pay my bills and trying to have a stable team for audiovisual production. The outbreak of the Covid-19 has been an absolute shift in our work. We started questioning the possibility of doing our shows as we did before.
So, in April I started to visualize and write a synopsis of this new project. I then decided to publish “Dance Mapping Virtual Tour 2020” as a memorandum of all these years of physical shows.
This new production is planned to be released in VR and physical 360 projection format in late 2021.
When I have the budget I can work with some powerful audiovisual freelancers from my network of collaborators. Failing that I work alone.
I also work with very talented dancers/choreographers from Barcelona. During the years they started to understand my ideas and transform them in beautiful choreographies.
I have mostly 2 ways of work. I compose a music draft and then I work on the visuals and choreography or vice versa: I make a draft of visual content with a draft choreography and I try to match the sounds and music.
Sometimes I give leeway to the dancer, so they can create their own choreography and then I create the visual content following their movements.
In the last few years I also worked with some talented musicians for a faster audiovisual production.
This was a concept from Roman Torre. In 2015 I shared a space with him and we collaborated together on a video mapping of a rotating stone. It was a nice project called Liquid Series.
In the video mapping area I also tried to develop innovative concepts, differing from the typical big projection on a building facade. 2 Years ago I started to develop the concept of “Holomapping”. I am planning to finish it next year as well.
Nowadays, it is possible to learn a lot following digital online courses, but it is always better if somebody guides you. As with everything in life the best way to learn is practice, making mistakes and improving.
Spain is not the best country for arts, I would say. As far as I know French artists or from other European countries have more grants and support from their governments, but everything is possible if you are passionate about your work.
TSL’s Support Engineers Launch Interactive Online Training for the TallyMan Control System Marlow, UK, August 4, 2020 – Following the success of its 2019 world tour, TSL Products is now offering a virtual training program for its TallyMan Advanced Broadcast Control System to customers around the globe. TSL’s TallyMan brings complex systems under a single ...
With the explosion of the DSLR camera revolution, the workflow of separately recording professional audio has become very common—due to the relatively poor sound recording capabilities of ...
Explore how the new Zoom H8 audio recorder can work for your filmmaking and video production needs, with an intro to the product, its specs, and use ...
Bassett & Walker’s new cloud platform for trading agricultural commodities has a sonic signature that says “confidence, reliability and security.” DALLAS— As part of the launch of its new cloud-based trading platform, TradeCafe™, international agricultural commodities trader Bassett & Walker Inc. asked Stephen Arnold Music to create sonic branding that was memorable, conveyed security, confidence ...
The post Stephen Arnold Music and TradeCafe™ Leverage the Power of Sonic Branding appeared first on NAB Show News | 2020 NAB Show Media Partner and Producer of NAB Show LIVE. Broadcast Engineering News.
If you're lucky enough to have audio pros on your team, you'll want to keep them happy. Here's how to prep your files and communicate clearly.
Michael Phillips Keeley Utilized NUGEN Plug-Ins to Perfect the Sound for SpaceX Documentary and Other Video Elements That Aired Prior to Launch LOS ANGELES, JULY 27, 2020 – Discovery Network’s Journey to the Future, produced by Storied Media, is a documentary focused on the behind-the-scenes lead-up to America’s historic SpaceX Falcon 9 launch. Several packages ...
Amazing Experience at @fotonicafestival
Thanks to all⚡️
@videosolid @nick_n__ck @fotonicafestival .
#techno #experimentalmusic #experimental #video #visualart #visual #vj #liveset #eurorack #conceptstore #concept #videooftheday #postoftheday #fotonica #festival #cinema #audio #electronicmusic #electronic #modularsynth #drum #nvs #performance #performanceart #color #cinema #vdmx #millumin #
Deformation #Umachine #digitalart #dance #mapping #videoprojection #art #picoftheday #instadance #audiovisual #installation #umachine #artist #audiovisualperformance #show #interactiveart #generativeart #madewithsmode #millumin #realtimevideo
Of course every open call or artist residency is welcome, no matter where it comes from. But more coordination among venues and events will bring more opportunities and visibility for young and recognized artists.
Europe has the advantage (still, let’s see for how long) of a long-lasting infrastructure that connects different cultural scenarios across a myriad of different languages and beliefs.
SHAPE: Sound, Heterogeneous Art and Performance in Europe is the result of this network in action. By fostering audiovisual artists in showcasing their work internationally and audiences in experiencing a very diverse cultural offer.
London, UK, 16 July 2020: Mo-Sys, a world leader in precision camera tracking solutions for virtual studios and augmented reality, has brought virtual studio production within reach of everyone with StarTracker Studio, the world’s first pre-assembled production package. The system is scalable to any size production, and can support 4K Ultra HD. Critical for virtual studio ...
As an accomplished A1 for almost 20 years now, Canada-based Patrick Castonguay loves the challenge of being creative with every live mix he produces. He’s worked on high-profile sports events including the Olympics (every year since 2002) and NHL and CFL games in Canada, as well as the JUNO Awards. The first Calrec console he ...
J’aime bien les disques avec du multimédia, et Cyberpunk de Billy Idol, qui date de 1993, est un des premiers qui propose une expérience de ce type. Contrairement à d’autres trucs testés ici, il ne s’agit pas d’un CD-ROM : le CD était livré avec une disquette pour Mac.
Sur la jaquette du CD, il est uniquement indiqué de trouver un Mac avec un écran couleur. La disquette elle-même indique qu’il faut un Mac avec un écran 12 pouces couleur (c’est du 512 x 384), 3 Mo de RAM et un Mac sous System 6.0.7 (et plus). Il s’agit d’une disquette de 1,44 Mo bien remplie (il reste 19 ko) avec un programme qui utilise Macromedia Director (une sorte d’ancêtre de Flash). La page Wikipedia indique qu’un CD-ROM avait été imaginé au départ, mais que le format – rare à l’époque – impliquait des coûts trop élevés. Et comme l’album a été mal reçu, il n’a jamais été réédité en CD-ROM, comme prévu initialement.
Un Mac couleur
Un peu plus de détails
Le premier problème a été de faire fonctionner le logiciel. J’ai d’abord testé sur un Power Mac G3 (sous Mac OS 9), sans succès. Le programme indiquait un problème de mémoire. Ensuite sur un Macintosh LC III, et là j’ai eu des erreurs de l’OS (
error 3). La machine a le maximum de RAM aussi, peut-être le problème. Enfin, ça a fonctionné sur un Macintosh IIsi. Pour la capture en vidéo, je l’ai fait depuis une image disque de la disquette. En dehors du fait que je n’avais pas envie de l’abîmer vu son âge, c’est surtout extrêmement lent à charger. La capture du son a aussi été compliquée : la sortie du Mac est vraiment mauvaise. Et pour l’image, j’ai dû chercher un adaptateur capable de forcer le 512 x 384 demandé (ils ne proposent pas tous l’option), pour une capture en 1 024 x 768 (ma carte d’acquisition double).
Avec 128 Mo de RAM.
C’est une expérience assez particulière, et c’est plutôt impressionnant pour un truc stocké sur une disquette. C’est un peu psychédélique, le son est finalement assez correct même si on sent bien les boucles, etc. Le programme propose les paroles des chansons, quelques informations sur l’auteur et sur la disquette, ainsi que quelques animations assez bizarres. C’est un peu compliqué à expliquer, donc j’ai enregistré le tout.
Voici quelques captures (elles sont doublées par ma carte d’acquisition).
The International Gaming and eSports Agency Turns to TSL’s TallyMan Advanced Broadcast Control and Flashboard Display Systems Berlin, Germany, July 13, 2020 – Freaks 4U Gaming GmbH, a full-service marketing agency specialized in targeting PC and console gamers worldwide, has produced some of the most vital and vibrant gaming and eSports events in the industry. ...
The post TSL Products Improves Production Quality and Simplifies Operator Workflow for Freaks 4U Gaming appeared first on NAB Show News | 2020 NAB Show Media Partner and Producer of NAB Show LIVE. Broadcast Engineering News.
Farmingdale, NJ, July 8th 2020— Group One Ltd., professional audio and lighting distributor, has today announced that it has incorporated SCI’s – Studio Consultants Inc. – operations of Calrec business to create a nationwide distribution network for Calrec’s complete range of market-leading professional audio solutions. The deal was completed on July 1st. SCI, which is based ...
The post Pro audio and lighting specialist Group One creates nationwide US Calrec distribution network appeared first on NAB Show News | 2020 NAB Show Media Partner and Producer of NAB Show LIVE. Broadcast Engineering News.