Connexion
Selection of Intuitive High-Quality Plug-ins Provide Seamless Integration and Smooth Workflow for Owner and Industry Veteran Thierry De Vries BRUSSELS, FEBRUARY 10, 2021 – As owner of A Sound, one of Belgium’s leading post-production sound companies, Thierry De Vries leads a highly experienced team of sound designers, composers and re-recording mixers. Together, the team has ...
The post NUGEN Audio Offers Unrivaled Fidelity and Creativity for Brussels Post-House, A Sound appeared first on NAB Show News | 2020 NAB Show Media Partner and Producer of NAB Show LIVE. Broadcast Engineering News.
Today we break down the best lavalier microphones currently on the market for your film and video productions.
Here's a quick dive into the audio recording world to help save your future audio engineers some headaches.
Depuis quelques années, il y a un logiciel (XLD) que j’installe essentiellement pour un usage (rare) : convertir des FLAC en ALAC. Et je me suis rendu compte que macOS intégrait le nécessaire.
Apple et le FLAC, c’est compliqué. macOS supporte le codec de compression sans pertes depuis High Sierra (iOS 11 pour les appareils mobiles) mais Musique (ex-iTunes) n’accepte pas les fichiers FLAC, ce qui est… énervant. En fait, Apple met en avant l’ALAC pour cet usage et si le codec d’Apple offre la même qualité (sans pertes, donc), le FLAC compresse mieux et possède des mécanismes de corrections d’erreurs. Dans l’exemple qui va suivre, mon album en FLAC pèse 777 Mo, le même en ALAC monte à 1,23 Go. Pour la correction d’erreurs, le FLAC peut détecter les problèmes, même si c’est normalement assez rare. Si par exemple vous avez un périphérique de stockage qui génère des erreurs, vos fichiers ALAC seront corrompus sans bruit, alors qu’il est possible de le détecter en FLAC.
Malgré tout, comme j’utilise Musique, je dois de temps en temps convertir du FLAC en ALAC, et je passais par XLD. Mais en fait, une ligne de commande sous macOS permet de le faire : afconvert.
La commande de base, c’est ça : afconvert votre_fichier_flac -o votre_fichier_ALAC -f m4af -d alac
Le -f indique le conteneur (WAV, MPEG-4, AIFF, etc.), ici le MPEG-4 Audio, le -d le codec, ici ALAC. Il existe des tas d’autres possibilités (AC3, AAC, MP3, etc.). Attention, la commande d’Apple a un défut (rédhibitoire pour certains), elle ne garde pas les métadonnées.
Vous allez me dire, pourquoi passer du FLAC à l’ALAC et ne pas encoder directement en ALAC ? En réalité, c’est ce que je fais : quand j’encode des CD, c’est en ALAC. Mais parfois, j’achète de la musique en ligne (ou je télécharge, il faut être honnête) et c’est souvent en FLAC. L’exemple que je vais utiliser est un peu fallacieux : c’est la version Hi-Res Audio d’un album, achetée sur Qobuz, et le site propose le FLAC… et l’ALAC.
Pour tester, j’ai donc téléchargé l’album en FLAC, et convertit le tout avec la commande suivante. Elle permet de convertir tous les fichiers d’un dossier du FLAC vers l’ALAC.
export IFS=$'\n'
for x in `ls *.flac`; do afconvert -v -f m4af -d alac $x ${x%flac}m4a; done
Le résultat est donc sans les métadonnées, et bizarrement un peu gros. C’est un album en 24 bits et 96 kHz qui pèse 777 Mo en FLAC, 1,23 Go une fois converti en ALAC par l’outil d’Apple et 782 Mo une fois téléchargé en ALAC à la source. L’encodeur doit être optimisé pour la vitesse avec afconvert, ce qui produit des fichiers plus gros. Dans tous les cas, je peux me passer de XLD pour mon usage, et c’est un logiciel de moins sur mon Mac. La solution d’Apple n’est pas parfaite (loin de là) mais a le mérite d’exister et suffit pour mon usage (très) occasionnel.
Co-Owner Chris Fogel Utilizes Brand’s Halo Upmix, Monofilterand Stereoizer Software for Several High-Profile Streaming Productions GLENDALE, CA, JANUARY 28, 2021 – Like many people with a musical background, multi-award-winning Recording and Mixing Engineer Chris Fogel, CAS, made the jump from playing instruments to working behind-the-scenes. A trumpet player by training, Fogel has spent more than ...
The post ELBO Studios Implements NUGEN Audio for Wide Array of Music and Film Scoring Projects appeared first on NAB Show News | 2020 NAB Show Media Partner and Producer of NAB Show LIVE. Broadcast Engineering News.
Intuitive Design and Ease of Use Helps Installer Mahajak Trio Deliver Turnkey, Cost Effective Solution Kuala Lumpur, Malaysia, January 28, 2021 – When system integrator Mahajak Trio was given the job of upgrading the audio monitoring, advanced broadcast control and technical display applications for Radio Television Malaysia, the company found the answer it was looking ...
The post TSL Products’ Audio and Signal Monitoring Software Gets Two Thumbs up from Radio Television Malaysia appeared first on NAB Show News | 2020 NAB Show Media Partner and Producer of NAB Show LIVE. Broadcast Engineering News.
You should probably purchase a different microphone. However, these steps can help you fix your RØDE VideoMic Go audio.
From stereo to lavalier, let's explore the different types of microphones to discover which one works best for your creative needs.
These five FREE audio editing programs will help you create the next great podcast, interviews, and narration.
@_aurelien.w Création Originale : VideoMapping sur l’ancien site tertiaire Etam.
Fresque poétique évoquant l’art de la filature et la saison hivernale.
Création & Animation :
@_aurelien.w
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@eloifevrier
#videomapping #projectionvideo #millumin #christiedigital #illustrator #Etam #etamlingerie #Mouvaux #Lille #lilledesign #rencontresaudiovisuelles #LoomProd #motiondesign #creationoriginale #mapping #fresquemapping
https://www.instagram.com/p/CJRBSx9qNV0/?igshid=gmikmpgi5cet
Bespoke Audio Visual Provide Customizable Virtual Events Using Clear-Com
The post Bespoke Audio Visual Provide Customizable Virtual Events Using Clear-Com appeared first on NAB Show News | 2020 NAB Show Media Partner and Producer of NAB Show LIVE. Broadcast Engineering News.
Reposted from @paolo.morvan: “Detail de la scénographie réalisée pour le musicien @romain__muller
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Construction et création lumière avec @julesbouit
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@zikamine @bliiida @laregiongrandest
@axel_tcy
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#scenographie #scenography #show #concert #singer #wood #structure #light #lightray #designproject #design #eventdesign #stagedesign #stage #musicperformance #music #audiovisual #liveav #filter #3m #millumin #led #ledlights #lightart #digitalart #installation”
https://www.instagram.com/p/CIBNSu7JGxU/?igshid=199baluxni8kg
Need to power up your home DJ and/or production studio? A good set of studio monitors is critical for hearing your mixes accurately, and you can attain a high-quality, booming system for around $200-300 per monitor. Whether you’re still hunkered down trying to make a go of live-streaming your DJ sets or you’re doubling down […]
The post Best Affordable Studio Monitors For Your Home Setup: Our Picks appeared first on DJ TechTools.
“In 2019, NEP purchased a large quantity of MDUs and MPA1 audio monitoring units, along with TallyMan Control for use in our fly packs. We always want to combine cutting-edge technology with practical applications. TSL’s power units are well known and used across South East Asia, India and the Middle East. The MDU12-PMi and MDU14-B ...
The post NEP Broadcast Solutions Singapore Turns to TSL Products appeared first on NAB Show News | 2020 NAB Show Media Partner and Producer of NAB Show LIVE. Broadcast Engineering News.
[Avid offre à Pro Tools une mise à jour en version PRO TOOLS | 2020.11] Quelles sont toutes les nouveautés de la version ? Conversion de l'audio en MIDI; possibilité de créer jusqu'à 512 pistes globales; Melodyne 5 Essential de Celemony est désormais fourni avec Pro Tools gratuitement dans l'abonnement et plan support; possibilité d'importer et d'exporter directement les fichiers Dolby Atmos ADM depuis et vers Pro Tools en mode hors ligne;[Audio Studio - Avid propose une nouvelle série d'interface Audio Pro Tools | Carbon®] Dédiée aux artistes, groupes, producteurs et ingénieurs, Pro Tools | Carbon est l'interface audio la plus inspirante jamais conçue par Avid. Ce nouveau système de production audio hybride fonctionne de concert avec Pro Tools et met toute la puissance des plug-ins AAX DSP à votre portée pour enregistrer et monitorer vos performances en temps réel, sans aucune latence audible...Hebden Bridge, 12th November 2020 — South African community radio station Bosveld Stereo, which broadcasts in Afrikaans across the North West Province, is the first station in South Africa to deploy Calrec’s IP-based Type R for Radio. The installation was overseen by Calrec’s recently appointed South African partner, Wild and Marr. Wild and Marr used ...
The post South Africa’s Bosveld Stereo moves to IP with Calrec Type R for Radio appeared first on NAB Show News | 2020 NAB Show Media Partner and Producer of NAB Show LIVE. Broadcast Engineering News.
Let's explore the value of an auditory smash cut, how to create this effect, and the clever ways to include it in your next video production.
Let's look at some of the most efficient, fundamental tutorials on recording, editing, and correcting audio files. All for video editors and filmmakers!
True Convolution Reverb With the Flexibility and Control of a Classic Algorithmic Reverb LEEDS, UK, OCTOBER 21, 2020 – NUGEN Audio announces the latest addition to its software lineup – Paragon. The world’s first 3D-compatible convolution reverb, Paragon offers full control of the decay, room size and brightness via state-of-the-art re-synthesis modelled on 3D recordings ...
The post NUGEN Audio Releases Paragon appeared first on NAB Show News | 2020 NAB Show Media Partner and Producer of NAB Show LIVE. Broadcast Engineering News.
Prism Sound’s long history of developing high quality products has reached new heights with the launch of the ADA-128 – a modular audio conversion system offering up to 128 channels of 32-bit A/D and D/A conversion at sample rates of up to 768kHz. Without doubt the company’s best performing product to date, the ADA-128 ...
The post Prism Sound Launches The ADA-128 – A New Audio Conversion System For The 21st Century appeared first on NAB Show News | 2020 NAB Show Media Partner and Producer of NAB Show LIVE. Broadcast Engineering News.
Nartan Records Utilizes NUGEN’s SEQ-S, MasterCheck, AB, ISL and LM-Correct Solutions to Create Pristine Audio to Meet All Streaming Standards MILAN, SEPTEMBER 23, 2020 – Located in the small town of Merano, South Tyrol, Italy, Nartan Records is an independent record label and recording studio owned and operated by musician and composer Nartan Savona. Nartan ...
The post NUGEN Audio Proves Ideal for Streamed Music Production appeared first on NAB Show News | 2020 NAB Show Media Partner and Producer of NAB Show LIVE. Broadcast Engineering News.
Reading, UK, 19 August 2020: Starfish Technologies, a pioneer in transport stream processing and advertising insertion, has been granted European and US patents that cover a range of techniques employed within its TS splicer product. The TS Splicer is a software-based solution for clean switching of encoded transport streams and is used for media switching and ...
The post Starfish granted international patents for TS Splicer appeared first on NAB Show News | 2020 NAB Show Media Partner and Producer of NAB Show LIVE. Broadcast Engineering News.
As Middle East businesses reopen offices, global audio solutions leader, Sennheiser, aims to enable organizations to deliver seamless virtual collaboration experiences in a reliable, safe and hygienic manner. The company’s offering centres around its TeamConnect Ceiling 2 solution which elevates web and video collaboration – making virtual meetings more effective by ensuring optimum audio quality ...
The post Sennheiser Enables Businesses Adapt to ‘New Normal’ with Touch-less Digital Audio Collaboration Solution appeared first on NAB Show News | 2020 NAB Show Media Partner and Producer of NAB Show LIVE. Broadcast Engineering News.
It all begun in 2009. After quitting my job as an engineer I moved to Madrid to study a Master in Motion Graphics while making my first experiences in the world of video art.
In 2010 I started up several collaborations with art organizations in Madrid and they proposed to me to shoot a dance performance by the choreographer Iratche Ansa.
The performance was going to be held at the Matadero in Madrid. From that recording I put together my first video dance “Comunicación Interpretación Automática” which had a very good reception.
A few months later I made my first dance pieces with live visuals with choreographer Barbara Fritsche.
Thanks to those projects I was able to work on the musical “Hoy No Me Puedo Levantar” in 2013. In 2014 I directed my first proper theatre show: “Girasomnis”.
I try to “connect” the visuals with the dancers. Sometimes I encourage the dancers to “connect” or follow my visuals.
In this project I also composed the music. This is very useful as I have better control of the creative process. With this project I tried to evoke feelings in the audience without words: just images, dance and instrumental music.
This quarantine caused an abrupt stop in my job, but also gave me time to start imagining something new.
The idea was born during the first week of confinement. At the start, It was simple: I just wanted to publish some of our best projects and make them public. But I also felt a need for a change.
The last 3 years I was quite disconnected from my artistic side due to working mostly on commercial projects.
I was just focusing on making money to pay my bills and trying to have a stable team for audiovisual production. The outbreak of the Covid-19 has been an absolute shift in our work. We started questioning the possibility of doing our shows as we did before.
So, in April I started to visualize and write a synopsis of this new project. I then decided to publish “Dance Mapping Virtual Tour 2020” as a memorandum of all these years of physical shows.
This new production is planned to be released in VR and physical 360 projection format in late 2021.
When I have the budget I can work with some powerful audiovisual freelancers from my network of collaborators. Failing that I work alone.
I also work with very talented dancers/choreographers from Barcelona. During the years they started to understand my ideas and transform them in beautiful choreographies.
I have mostly 2 ways of work. I compose a music draft and then I work on the visuals and choreography or vice versa: I make a draft of visual content with a draft choreography and I try to match the sounds and music.
Sometimes I give leeway to the dancer, so they can create their own choreography and then I create the visual content following their movements.
In the last few years I also worked with some talented musicians for a faster audiovisual production.
This was a concept from Roman Torre. In 2015 I shared a space with him and we collaborated together on a video mapping of a rotating stone. It was a nice project called Liquid Series.
In the video mapping area I also tried to develop innovative concepts, differing from the typical big projection on a building facade. 2 Years ago I started to develop the concept of “Holomapping”. I am planning to finish it next year as well.
Nowadays, it is possible to learn a lot following digital online courses, but it is always better if somebody guides you. As with everything in life the best way to learn is practice, making mistakes and improving.
Spain is not the best country for arts, I would say. As far as I know French artists or from other European countries have more grants and support from their governments, but everything is possible if you are passionate about your work.
Facebook | Twitter | Instagram | Vimeo | YouTube
The post Interview to Paco Gramaje appeared first on Audiovisualcity.
TSL’s Support Engineers Launch Interactive Online Training for the TallyMan Control System Marlow, UK, August 4, 2020 – Following the success of its 2019 world tour, TSL Products is now offering a virtual training program for its TallyMan Advanced Broadcast Control System to customers around the globe. TSL’s TallyMan brings complex systems under a single ...
The post TSL Products Launches Worldwide Virtual Training Program appeared first on NAB Show News | 2020 NAB Show Media Partner and Producer of NAB Show LIVE. Broadcast Engineering News.
Bassett & Walker’s new cloud platform for trading agricultural commodities has a sonic signature that says “confidence, reliability and security.” DALLAS— As part of the launch of its new cloud-based trading platform, TradeCafe™, international agricultural commodities trader Bassett & Walker Inc. asked Stephen Arnold Music to create sonic branding that was memorable, conveyed security, confidence ...
The post Stephen Arnold Music and TradeCafe™ Leverage the Power of Sonic Branding appeared first on NAB Show News | 2020 NAB Show Media Partner and Producer of NAB Show LIVE. Broadcast Engineering News.
Michael Phillips Keeley Utilized NUGEN Plug-Ins to Perfect the Sound for SpaceX Documentary and Other Video Elements That Aired Prior to Launch LOS ANGELES, JULY 27, 2020 – Discovery Network’s Journey to the Future, produced by Storied Media, is a documentary focused on the behind-the-scenes lead-up to America’s historic SpaceX Falcon 9 launch. Several packages ...
The post Journey to the Future Edited with NUGEN appeared first on NAB Show News | 2020 NAB Show Media Partner and Producer of NAB Show LIVE. Broadcast Engineering News.
#repost @nvs_av
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Amazing Experience at @fotonicafestival
Thanks to all⚡️
@videosolid @nick_n__ck @fotonicafestival .
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#techno #experimentalmusic #experimental #video #visualart #visual #vj #liveset #eurorack #conceptstore #concept #videooftheday #postoftheday #fotonica #festival #cinema #audio #electronicmusic #electronic #modularsynth #drum #nvs #performance #performanceart #color #cinema #vdmx #millumin #
https://www.instagram.com/p/CDDwBuYpIdz/?igshid=gynsqrprm01f
#repost @u.machine
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Deformation #Umachine #digitalart #dance #mapping #videoprojection #art #picoftheday #instadance #audiovisual #installation #umachine #artist #audiovisualperformance #show #interactiveart #generativeart #madewithsmode #millumin #realtimevideo
https://www.instagram.com/p/CDDvggnpXjn/?igshid=1wveao9nd64qb
Collanews 