Munich, Germany, 05 August 2020: Cinegy GmbH, the premier provider of software technology for digital video processing, asset management, video compression and automation, and playout, has released the latest version of Cinegy Multiviewer 15.2, solidifying Cinegy’s position as the leading IP and multipurpose multiviewer vendor. Cinegy Multiviewer 15.2 is the most flexible multiviewer ever, great for ...
In this video tutorial, learn how to create a retro VHS Look, entirely with Adobe Premiere Pro — Includes free VHS effect presets!
KFMB-TV anchors, reporters, producers tap Dejero’s mobile app on smartphones to deliver live high quality broadcasts on the move, from breaking news scenes and from home Waterloo, Ontario, June 30, 2020 — Dejero, an innovator in cloud-managed solutions that provide Emmy® award winning video transport and Internet connectivity while mobile or in remote ...
The post Dejero LivePlus Mobile App Revolutionizes San Diego’s KFMB-TV Emergency Reporting appeared first on NAB Show News | 2020 NAB Show Media Partner and Producer of NAB Show LIVE. Broadcast Engineering News.
video and music: Alessandro Amaducci
By shaping visual memories of human figures and architectural structures that come from a distant past, a creature made of data tries, through necessary accidents, to rebuild a future world.
Music: This Time, Moderat
When Timur Civan was called upon to shoot a music video for the title track of “Lush Life” by New York City-based band, “Orion”, he took his cue from the pop rock tune and decided to have fun with it. Dubbed “bouncy music for bouncy people,” its reggae vibe brings to mind lilting palm trees, ...
Made with video projector, portable power station, and animation software.
Touchdesigner Experiment creating infinite traveling landscapes with FBX animated characters and particles simulations
Munich, Germany, 28 May 2020 – Cinegy today announced TURBOCUT, a new Adobe CC plug-in which significantly accelerates the editing of H.264/HEVC by utilising the NVIDIA GPU’s hardware decoder. This announcement coincides with Adobe releasing version 14.2 of Adobe Premiere with several new features added, but still missing NVIDIA hardware accelerated editing and using the NVIDIA ...
The post Cinegy announces TURBOCUT – Making Editing with Adobe Premiere Faster than Ever appeared first on NAB Show News | 2020 NAB Show Media Partner and Producer of NAB Show LIVE. Broadcast Engineering News.
Find the full real-time application, the live stream and the contextual frame work here:
This real-time online installation deals with the examination of concepts focused on how to generate, describe and modulate the very moment of “now”. Embedded in a contextual framework spanning from 1972 (-48 years / longest year ever / World3 [The Limits to Growth / Club of Rome]), to 1996 (-24 years / It’s all coming back to me now / The Long Now Foundation), to 2020 (-/+ 0 years / real-time installation), to 2044 (+24 years / expected [by World3] peek death rates), this installation adopts this narrative to a durational, experimental sonic arrangement, using several small, digital and physical applications, that work together, feed and support each other to generate a constant audio stream lasting exactly one year. A 5 second long recording of the word now from Celine Dion’s 1996 hit “It’s All Coming Back To Me Now” (money note at 5:09) is the main source of this sonic arrangement and is stretched in real-time to a duration of 31556952 seconds. This sonically magnifies the sound in between sounds and creates enormously slow oscillating harmonics.
The CTM Radio Lab is an initiative by Deutschlandfunk Kultur – Radio Art/Klangkunst and CTM Festival, in collaboration with ORF musikprotokoll im steirischen herbst festival, Ö1 Kunstradio, Goethe-Institut, and The Wire magazine
If you’re in the broadcast industry, then you know the challenges of crafting a production well beyond just the standards of top of the line content creation. Creativity within the broadcast industry involves more than just a superb amount of quality content when its the end result of the presentation that counts most. Any ...
The post The Draco vario ultra HDMI 2.0 Generates High-Quality Video Distribution appeared first on NAB Show News | 2020 NAB Show Media Partner and Producer of NAB Show LIVE. Broadcast Engineering News.
“Call For Dreams” takes part in official selection of Cannes Art Film Festival and will be streaming free here https://bit.ly/2LDNrIV during May 21-22
Don’t miss ✨no registration. share.
In the scene: Oleg Levin, Olga Kurkulina, Mami Shimazaki
Le Catcheur, La Pute & Le Dealer - The After - Feat Mr Eleganz.
The ultimate music video from Le Catcheur, La Pute & Le Dealer (The Wrestler, The Slut and The Dealer ) !
I made this music video with à part of the footage i used to play in live during our show.Seat belt, push up the volume and enjoy.
“Collaborations Confites ”
Photographies // Vanda Spengler
Vidéo et musique // Julien Appert
DJ Pone’s “1978” official music video.
Directed by François Ferracci & Thibault de Carvalho aka Tibz & Ferratche
You can see the creative process here:
Cinematographer: Maurizio Tiella
Cast: Dj Pone
Sonor, Geko, Gash, Gringe, Salim, Mofo, Blasé, Boogie Vice, Panagol, Kirby, Grain
Gaspar, Louis, Matt, Stan, Adèle, Nélio, Paul, Issac, Camilo
Produced by Quad & Wizz
Producers: François Brun, Amanda Stubbs and Karen Barel
1st Assistant Camera: Marine Roinsard
2nd Assistant Camera: Emile Cardiegue
2nd Assistant Camera (tests): Ella Dancette
1st Assistant Director: Virgile Olive
Location Manager: Louis Arnoux
Location: Kelly Verny, Lucas Stephanik
Gaffer: Thomas Veyssière
Gaffer Assistant: Lida Sahakian
Key Grip: Bruno Dransart
Grip: Alexandre Gandibleu
Makeup: Marie Guillon
On-set VFX supervisor: Agathe Ricard
AD, Storyboards, Editing, VFX Supervision: Tibz & Ferratche
Studio VFX: Fix Studio
Lead 3D: Ewald Aloeboetoe
Composting: Tibz, Ferratche, Benjamen Laborde, Thibault Martegani, Anne Georges, Marilou Villaumey, Ewald Aloeboetoe
3D Artists: Jean Hubert, Arturo Monceau
Coloring: Gabriel Porier
VFX Producer: Cédric Herbet
VFX Coordinators: Pauline Bouyer, Agathe Ricart
Planning: Stéphanie Hilbert
On-set Photographer: Emilie Desir
Julie Bellegarde, Michel Fajardo, Maryanne Demange, Kidzy, Isakin, Fred Gehant, Nataly Aveillan, Léo Souffrice.
Big up to Arthur Maillard, and most of all to Mimo aka the plug.
In Novembre 2019, Multiverse was part of the prestigious ‘AS-Helix: Art and Science Integration in the Age of Artificial Intelligence’ exhibition at the National Museum of China in Beijing, the second most visited museum in the world. The exhibition examined the topic by showing more than 120 pieces by artists from across the world such as onformative, Refik Anadol Studio, teamLab, Tobias Gremmler, and many others.
On that occasion, Multiverse won the ‘Wu Guanzhong Art and Science Innovation Award’ assigned by Tsinghua University.
More info on fuseworks.it/en/project/multiverse-en/
A collaboration between Dance on Plants (Stephen Clarke) and Des Hume (Thom Kolb). Stephen creates the instrumentals for Thom, who writes and sings the vocals.
In keeping with this collaborative process and due to the restrictions presented by the recent pandemic, we decided to get Thom to perform the vocals on a webcam and send it to Stephen (who I live with) to perform.
We put the video on an iPad and went out to empty parking lots in the evening to make this social distancing friendly video.
Some experiments with Trace Skeleton by LingDong Huang (2020) .
Capturing in realtime the skeleton of a running cat from E. Muybridge “Plate 720 ‘Cat galloping” (1887), and exploring abstract movement visualisations.
Made with Processing using: TraceSkeleton by Lingdong Huang (2020)
“A new algorithm for retrieving topological skeleton as a set of polylines from binary images.”
Civilizations are born evolve and die in an incessant cycle since man has memory of it. The repetition of gestures is repeated obsessively to the constant search for an escape route, which is to improve a company or take possession of it, in an increasingly fragile world dominated by the same alternations.
Bleed is the story of a portion of this oscillating time. From the ashes of the umpteenth fall, a civilization is reborn distinguishing itself with its symbols and evolves until, when it reaches its peak, everything collapses revealing the nervousness, the latent and declared violence, the consequent human, social and environmental cost of a race from the irremediable conclusion and unable to offer a real escape route.
The video is the result of the elaboration between drawing and traditional animation with artificial intelligence software. The drawing, used to define key frames, is related to a video stream from which the information about movement is drawn. The mechanism is able to recreate the missing frames by replicating design, style and colors according to the variations of the chosen video.
The digital sign, thanks to the help of applications and libraries, especially open source, is transformed into animation through a scheme, apparently simple, but technologically complex. the AI adapts the sign to the single frame, detecting rotations, situations, complex movements and faces. The algorithm goes beyond the simple tracking of pixels and where reference points or information are missing, the software reconstructs and draws them obtaining the graphic elements from the drawings to reconstruct the hatches and follow the original style.
The technique was chosen and designed to make the video quickly and to maintain the visual consistency of a single stretch.
Birth by passion and devotion, LUNAKID was created by Berlin based artist Konstantin Dellos. Originally
Dellos, a punk rocker fueled by whaling guitars and energetic drumming patterns, he found himself in
several bands, thus becoming very active on the music scene. Following the DIY principle from lessons
learned in dirty basements shows and mid sized festivals, Konstantin still follows this principle in his music
and craft today. Lunakid is a divine electronic being from a parallel world. A world which all people are
treated as divine beings. Upon arrival to our world, Lunakid witnessed the pains and hardships of our earth,
thus creating music that tells the story of the emotional journey that he has witnessed since arriving. These
emotions in return create songs about ones inner self, and ones quest for truthfulness and authenticity. To
experience Lunakid is to reset ones bond with man and ones bond with nature. This is the one true purpose
of Lunakid. Lunakid’s sound is a hybrid of future electronica, mixed with traditional ethnic and organic
elements. Completing the sound is a hint of drones, which gives the listener the mood of, depth, mysticism
, meditation and rejuvenation.
Cast: Igor Imhoff
Melbourne, Australia – 28 April 2020: Mediaproxy, the leading provider of software-based IP broadcast solutions, is helping its customers ensure their output of the highest technical quality at a time when many operational staff are having to work from home. The company’s compliance analysis and logging systems can be accessed remotely using laptop computers to ...