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Aujourd’hui — 12 décembre 2019Vos flux RSS

Colorfront Launches Express Dailies 2020 On New Mac Pro With Annual Rental License

Par Ron Prince

Budapest, December 10, 2019 – Coinciding with Apple’s launch of the latest Mac Pro workstation, Colorfront (www.colorfront.com) – the Academy, Emmy and HPA Award-winning developer of high-performance dailies and transcoding systems for motion pictures, broadcast, OTT and commercials – today announced a new, annual rental model for Colorfront Express Dailies that dramatically reduces the cost of ...

The post Colorfront Launches Express Dailies 2020 On New Mac Pro With Annual Rental License appeared first on NAB Show News by Broadcast Beat, Official Broadcaster of NAB Show - NAB Show LIVE.

Hier — 11 décembre 2019Vos flux RSS

Putting VR, Volumetric Video in Refresh Mode

Par Andy Marken

“I’m disappointed, not terribly, but still. It should have gone much further much faster. It’s okay, though, I know what the problem is.” – Jordan, “Real Genius,” Delphi III Productions, 1985   When you attend film festivals like Sundance, Toronto, Tribeca and most recently Cannes; all of the attention is on: The important (and self-important) ...

The post Putting VR, Volumetric Video in Refresh Mode appeared first on NAB Show News by Broadcast Beat, Official Broadcaster of NAB Show - NAB Show LIVE.

À partir d’avant-hierVos flux RSS

eCho

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R&D made with Notch VFX - Real time render
Track - AxH - Inokashira
You can download .dfx file of this project via Behance.net/arminwerx

Cast: ArminWerx

Tags: Generative graphics, Arminxwerx, Notch VFX, NotchVFX, Notch, realtime, echo, instansing, new media art and mocap

OFFICIAL TRAILER 2019 VISUALIST "THOSE WHO SEE BEYOND" OTUCINEMA DOCUMENTARY MOVIE

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OFFICIAL TRAILER 2019
VISUALIST “THOSE WHO SEE BEYOND”
OTUCINEMA DOCUMENTARY MOVIE

A FILM BY PEDRO PANTALEÓN & MANU CID

VISUALIST “THOSE WHO SEE BEYOND”

DIRECTION: PEDRO PANTALEÓN & MANU CID
PRODUCTION: OTUCINEMA & VJ SPAIN
EXECUTIVE PRODUCER: REFRACTIVO
EDITION: PEDRO PANTALEÓN
POST-PRODUCTION: PEDRO PANTALEÓN
COLOR GRADING: PEDRO PANTALEÓN
SOUND DESIGN: SERGIO TESTÓN
SOUNDTRACK: RUBEN G.KIELMANNSEGGE
TRANSLATE: DANIELA CHOCLÁN

visualistthedocumentary.com
refractivo.com
vjspain.com
otucinema.com

Cast: vjspain.com

Can Broadcasters Keep Pace with Demand for Video Streaming?

Par High Rez PR

Nevada City, California, December 4th, 2019 – This year more than any other, video streaming – both live and on-demand – has gained a foothold in mainstream consumer viewing. One streaming technology pioneer, Telestream, is responding to these seismic changes within the broadcast and electronic media industries with a renewed emphasis on multiplatform and multiscreen ...

The post Can Broadcasters Keep Pace with Demand for Video Streaming? appeared first on NAB Show News by Broadcast Beat, Official Broadcaster of NAB Show - NAB Show LIVE.

Subtiv Live - Summer 2019

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Selected footage from Cirque Magique, Natural Highs and Pukkelpop 2019.

Additional visuals by Blub and Trowflox. Additional video by Twan Brooks and Kathryn Cops.

Music by Kenji Kawai - Utai IV Reawakening (Steve Aoki Remix) > Buy https://tinyurl.com/y5p3lm3m

Celebrating a decade of mask.

> Software
VDMX (Vidvox), MadMapper (1024 Architecture), Ataaata (Subtiv).

> Hardware
Roland V02HD, Midi Fighter Twister & 3D, Novation Launch Control XL.

info@subtiv.net

Cast: Subtiv

Insight TV partners with Astro’s 4K UHD Service in Malaysia

Par Way To Blue

Viewers across the country will have access to Insight TV’s exciting line-up of unique content in the highest quality Insight TV, the world’s leading 4K UHD HDR broadcaster and producer of native UHD content, is launching its 4K UHD content in Malaysia on the Astro platform. Astro Malaysia is the leading content and consumer company ...

The post Insight TV partners with Astro’s 4K UHD Service in Malaysia appeared first on NAB Show News by Broadcast Beat, Official Broadcaster of NAB Show - NAB Show LIVE.

EMBODY (Kaartik + Deltaprocess)

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Dance/Live act: Kàartik
Visual/Stage design: Deltaprocess
Music/Sound design: Alexey Grankowsky
Co-production: Contaminazioni Digitali, Invisible Cities Festival

Holographic-visionary performance, mixed with a blend of contemporary dance, physical theatre and performance art.
The story portrays a human embodiment of cosmic energies, earth elements and artcraft machines. Embody blurs the boundaries of dance and spatial arts highlighting their interdependent relationship. Choreography becomes the epicenter of an interdisciplinary installation with powerful video-mapping and light design. A journey between light and darkness, interpreting human body as a shell.

This work is dedicated to our friend Ela, as she gave so much inspiration to all of us, and left -right at the end - when the particles of light abandon the shell and return to stardust.

Cast: deltaprocess

Tags: kaartik, holographic performance, deltaprocess, videomapping, mapping, body projection. and showtex lasertuille

Machine Hallucinations - NYC - Fluid Dreams

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Machine Hallucinations - NYC - Fluid Dreams is a data painting drawn from over 100 million archival and contemporary photographs of New York City. Based a neural network trained on these images, the work offers an alternative cartography for data universes by exploring the relationship between the city and its inhabitants through a new dialectic of visual language and perception.

Edition : 5 + 1AP
Medium : AI Data Painting
Video Size : 3840 x 2160PX
Duration : 16 Minutes
_
Hardware will be provided by the artist. Please see recommended hardware below.

Cast: Refik Anadol

DPA’s New 4560 CORE Binaural Headset Microphone Simplifies Immersive Sound Capture

Par D Pagan Communications

ALLEROED, DENMARK, DECEMBER 2, 2019 – YouTubers, sound designers, podcasters, vloggers and other content creators, including filmmakers who want to capture authentic immersive audio for their projects, can now do so with ease thanks to the launch of the new 4560 CORE Binaural Headset Microphone from Danish manufacturer, DPA Microphones. The new binaural headset delivers ...

The post DPA’s New 4560 CORE Binaural Headset Microphone Simplifies Immersive Sound Capture appeared first on NAB Show News by Broadcast Beat, Official Broadcaster of NAB Show - NAB Show LIVE.

DPA’s New 4560 CORE Binaural Headset Microphone Simplifies Immersive Sound Capture

Par whitenoise

YouTubers, sound designers, podcasters, vloggers and other content creators, incl. film makers who want to capture authentic immersive audio for their projects, can now do so with ease thanks to the launch of the new 4560 CORE Binaural Headset Microphone from Danish manufacturer, DPA Microphones. The new binaural headset delivers the superior sound quality for ...

The post DPA’s New 4560 CORE Binaural Headset Microphone Simplifies Immersive Sound Capture appeared first on NAB Show News by Broadcast Beat, Official Broadcaster of NAB Show - NAB Show LIVE.

AJA’s HDR Image Analyzer 12G Provides High Quality 4K/UltraHD HDR

Par Andres Benetar

For almost three decades, AJA Video Systems has been a marvel in the professional video industry by supplying a variety of leading manufacturers and developing partners through the integration of their product lineups. Several examples of  high-profile media companies, which include: Broadcasters Networks Post-production houses Mobile truck operators Cinematographers Film editors from all over the ...

The post AJA’s HDR Image Analyzer 12G Provides High Quality 4K/UltraHD HDR appeared first on NAB Show News by Broadcast Beat, Official Broadcaster of NAB Show - NAB Show LIVE.

HyperCube@LausanneLumière2019

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Sacred geometry is defined as a set of proportions, geometric manipulations and dimensions, as they can be observed in nature and directly transcribed in architectural works or more broadly artistic creations. The human being has been searching for centuries to understand the laws of organization of nature and is inspired by them to add coherence and harmony to his creations. The crystals, the flowers, the fruits, the animals, all these natural elements thus serve as a model for the sacred geometry. Formerly used for the elaboration of religious buildings, this geometry is used here to lay the foundations of a monumental luminous work. His laws, directly inspired by the careful observation of nature, are fertile ground for this artistic research. Indeed, the subliminal pagan evocations here brought to light invite the viewer to serenity and well-being through contemplation.

Cast: Francois Moncarey - MySquare

Insight TV expands footprint in Switzerland

Par Way To Blue

UPC subscribers in Switzerland are now able to watch Insight TV’s high-quality content Insight TV, the world’s leading 4K UHD HDR broadcaster, content creator and format seller, launched on Swiss cable operator UPC today. UPC is owned by Liberty Global, the world’s largest international TV and broadband company.   UPC subscribers can look forward to ...

The post Insight TV expands footprint in Switzerland appeared first on NAB Show News by Broadcast Beat, Official Broadcaster of NAB Show - NAB Show LIVE.

Nueve Vidas & Rimiyoho · Mutek Montreal 2019

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Nueve Vidas & Rimiyoho Live at Mutek Montréal 2019, 20th Edition.
Motion 1, Les 7 Doigts.

Mask design by Mamifero · mamifero.mx
Photo by Rita Bucatini.
Live painting using Tagtool for iPad.

Visit rimiyoho.com for more live painting.

Cast: Rimiyoho

PULSATIONS, Cathédrale De Laon

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“Pulsations ”, Cathédrale Notre Dame de Laon

AV Exciters team :
Jeremie Bellot , Anne-sophie Acomat, Josselin Beaumont

AVextended team : Xavier Loebl

Lighting : Nicolas Woehl

Thanks to Cookies Production
Sound : Ena Eno

Cast: AVExciters

Videosys Broadcast Provides Cloudbass with 4K Digital Transmitter Systems

Par Jump

Videosys Broadcast, a leading supplier of quality camera control systems, RF links and camera backs to outside broadcast providers has announced that it has supplied two DTC 4K AEON-CC digital video transmitter systems to Cloudbass, a leading provider of broadcast solutions. Specifically designed for high-quality wireless camera applications the AEON-CC uses DTC’s next-generation HEVC encoder ...

The post Videosys Broadcast Provides Cloudbass with 4K Digital Transmitter Systems appeared first on NAB Show News by Broadcast Beat, Official Broadcaster of NAB Show - NAB Show LIVE.

Metro

https://i.vimeocdn.com/video/833517804_960.jpg960540urn:ebu

Ari Dykier Visuals at Metro Świętokrzyska in Warsaw. Music: User Friendly

Cast: Ari Dykier

Tags: metro, warszawa, vj, warsaw, animation, work, visuals, art and artist

MacBook Pro 16 pouces et le rafraîchissement de l’écran, pas merci Intel ?

Par Pierre Dandumont

C’est un sujet que j’ai déjà évoqué, pour pas mal de technologies Apple dépend largement de ce qu’Intel est capable de faire avec ses processeurs. Et dans pas mal de cas, c’est problématique. Le récent MacBook Pro a d’ailleurs visiblement une technologie bridée à cause des GPU Intel (enfin, si je ne me trompe pas).

L’exemple le plus flagrant est celui de la mémoire. Les MacBook Pro utilisent depuis un moment de la mémoire dites « LP », c’est-à-dire basse consommation. cette mémoire, souvent plus rapide que la version classique, consomme moins. Mais le contrôleur mémoire doit supporter la technologie. Dans les iPad ou iPhone, pas de soucis : Apple peut mettre un contrôleur adapté. Dans les puces Intel, c’est plus compliqué. Intel ne supporte que la LPDDR3 (ancienne) ou la DDR4 classique (qui consomme plus). Les MacBook Pro 15 pouces de 2016 et 2017 sont restés en LPDDR3, les versions 2018, 2019 (et maintenant le 16 pouces) sont en DDR4, pour offrir plus de capacités et de débit. Le problème, c’est qu’Intel ne supporte la LPDDR4 que sur les puces Ice Lake (en 10 nm, uniquement pour les petits portables) ou Comet Lake (en 14 nm, mais avec seulement six coeurs).

Pour la vidéo, c’est un peu la même chose. Le nouveau MacBook Pro 16 pouces intègre une option qui permet de forcer une fréquence de rafraichissement de 60 Hz (la norme), 59,94 Hz (une fréquence issue du passage à la couleur du NTSC dans les années 50), le 50 Hz (pour les Européens), le 48 Hz (2x 24 Hz, la fréquence classique en cinéma) et 47,95 Hz (2x 23,976 Hz, la norme en NTSC pour les mêmes raisons que le 59,94). C’est très bien, et comme l’explique Apple, c’est intéressant pour vérifier que de la vidéo est parfaitement fluide. Mais le changement est manuel.

La question qui se pose, c’est pourquoi macOS n’effectue pas directement le changement ? Techniquement, pas de soucis. Les écrans capables de faire varier la fréquence de rafraichissement en temps réel existent depuis quelques années. Ca s’appelle G-Sync chez Nvidia (de façon évidente, macOS ne supporte pas vraiment ça), et FreeSync ou Adaptative Sync chez AMD. Adaptative Sync est le standard de la norme DisplayPort, FreeSync l’implémentation AMD qui peut être utilisée en HDMI (notamment). Le problème, car il y a un problème, c’est que si la Radeon des MacBook Pro peut le faire, l’IGP Intel ne peut pas. Le MacBook Pro 16 pouces possède un processeur de 9e 8e 7e 6e génération (Coffee Lake), qui intègre une puce Intel UHD 630, de la 10e génération. Le problème, donc, c’est que la Gen. 10 ne supporte pas l’Adaptative Sync. Il faut une puce Intel de la Gen. 11, intégrées uniquement dans les CPU Ice Lake. Mais les CPU Ice Lake ne proposent pas assez de coeurs pour un MacBook Pro 16 pouces.

Les réglages, dixit Apple

C’est idiot, et on peut espérer que de futurs MacBook Air, MacBook Pro 13 pouces ou même 14 pouces (selon les rumeurs) prennent en charge la fonction automatiquement grâce à des CPU Ice Lake (ou des SoC ARM, pourquoi pas). Et si Apple n’a pas décidé de brider la fonction de façon arbitraire, il est peut-être même possible de le faire actuellement avec un écran FreeSync sur le MacBook Pro 16 pouces. Avec un moniteur branché, le problème de la puce Intel n’existe plus : c’est la Radeon qui prend le relais automatiquement.

Pour rappel, pendant ce temps, ça fait plusieurs années que les iPad proposent des dalles avec un rafraichissement variable qui monte à 120 Hz.

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