51 prepared dc-motors, 241 m rope, cardboard sticks 25 cm
Installation view: Museum of Contemporary Art MAC, Santiago de Chile.
«The sound sculptures and installations of Zimoun are graceful, mechanized works of playful poetry, their structural simplicity opens like an industrial bloom to reveal a complex and intricate series of relationships, an ongoing interplay between the «artificial» and the «organic». It‘s an artistic research of simple and minimalistic systems to generate and study complex behaviors in sound and motion. Zimoun creates sound pieces from basic components, often using multiples of the same prepared mechanical elements to examine the creation and degeneration of patterns.» Tim Beck
«Zimoun creates complex mechanical sound sculptures by arranging industrially produced parts according to seemingly simple rules. Using motors, wires, ventilators, etc.., he creates closed systems that develop their own behavior and rules similarly to artificial creatures. Once running, they are left to themselves and go through an indeterminable process of (de)generation. These quasi autonomous creatures exist in an absolutely synthetic sphere of lifeless matter. However, within the precise, determinist systems creative categories suddenly reappear, such as deviation, refusal and transcience out of which complex patterns of behavior evolve.» Node10
Tags: zimoun, sound sculpture, sound architecture, sound installation, sound art, physical generated sound, contemporary art, sound of materials, simplicity, minimalism, artificial, reduction, reductive concept, generative system, studio zimoun, installation, complexity, switzerland and organic