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Regional Qualifications of SPORTS CHANGE MAKERS Held in Four Regions

Panasonic had regional qualifications of SPORTS CHANGE MAKERS program in Los Angeles, Paris, Beijing and Tokyo in Nov-Dec, 2019. Over 200 students had applied to this program, to think about issues and present technological ideas that break barriers in the sports scenes. They discussed possible bar...

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CES 2020

Press Conference News Videos Photos Related Links 日本語リリース|Japanese Panasonic Booth: LVCC Center Hall #12908 / Sands Expo #42711, Jan 7-10, 2020 https://www.panasonic.com/ces Join us with #PanasonicCES #CES2020 Press Conference CES 2020 Panasonic Press Conferenc...

Panasonic Takes Part in One of the World's Largest Robot Trade Shows, the International Robot Exhibition 2019

Introduced robotics technologies that enrich society and individuals Tokyo, Japan - Panasonic Corporation took part in the International Robot Exhibition 2019 (organized by: Japan Robot Association, Nikkan Kogyo Shimbun, Ltd.), which was held from December 18 to 21, 2019 at the Tok...

At CIIE 2019 Panasonic Showcases Solutions to Help Bring to Life China's "Healthy China 2030" Vision

Shanghai, China - Panasonic Corporation took part in the 2nd China International Import Expo (CIIE) 2019, which was held in Shanghai from November 5 to 10. Under the theme, "Limitless Care for Healthy Living," Panasonic showcased health and welfare products and solutions that reflect its ...

SPORTS CHANGE MAKERS Competition, a Project Supported by the IOC and IPC, Seeks Winning Ideas from Students Worldwide!

The theme announced as "GOING BEYOND BARRIERS" Osaka, Japan - Panasonic Corporation will hold a contest titled SPORTS CHANGE MAKERS supported by the International Olympic Committee (IOC) and the International Paralympic Committee (IPC) in 2020, coinciding with the h...

Panasonic Is Taking Part in "TOKYO MOTOR SHOW 2019 X COUNTDOWN SHOWCASE FUTURE EXPO" Along with Many Other Companies

Tokyo, Japan - Panasonic Corporation is taking part in the technology showcase, "TOKYO MOTOR SHOW 2019 X COUNTDOWN SHOWCASE FUTURE EXPO" co-hosted by 5 companies(*1) including companies that belong to the All Japan Business Committee(*2) at the 46th Tokyo Motor Show 2019's MEGA WEB venue....

Panasonic Demonstrates Its Latest Technology and Solutions for Live IP and Remote Production at IBC 2019

Amsterdam, Netherlands - Panasonic showcased its latest range of broadcast & ProAV products and solutions at IBC (International Broadcasting Convention) 2019, which was held in Amsterdam, Netherlands, on September 13 to 17, 2019. A wide range of its latest technology and solutions for...

Panasonic Opens Its 3rd Brand Center in the World in Hangzhou to Create a New Story of Beautiful Dreams

Hangzhou, China - Over a century of continuous development has made Panasonic a world-famous electric appliance brand. And, over a century of continued efforts have enabled Panasonic to maintain an unyielding posture on its belief and faith to bring about a beautiful future for the world...

CTM Festival

Par Marco Savo

Berlin, January 24 – February 2 2020

CTM’s 21st edition launches with an announcement of new performances, special projects, and commissioned works.

Combining unique productions, concerts, and club nights with a dense daytime programme of talks, discussions, installations, and an exhibition, CTM 2020 proposes multiple entry points into thinking about this year’s Liminal theme.

Liminal phenomena and states are transitional phases in which a familiar order sees its values and symbols destabilised; norms are suspended or turned on their heads. We find ourselves in ambiguous spaces, somewhere between a past that is no longer valid and an ever-becoming future.

TM 2020 will again play out across some of Berlin’s most standout cultural and nightlife venues. For the first time, the festival hosts special projects at Radialsystem V and an immersive listening series at Silent Green’s Betonhalle, while continuing its close relationship with HAU Hebbel am Ufer, Berghain, Kunstquartier Bethanien, Festsaal Kreuzberg, and SchwuZ. A limited number of Early-bird Festival Passes are available now.

As always, CTM takes place parallel to and in collaboration with transmediale festival. The jointly organised Vorspiel 2020 Open Call is out now. Vorspiel will again bring together a wide range of Berlin-based artists, initiatives, and venues, hosting a city-wide programme of cultural events.

CTM Festival

Berlin, Germany

contact@ctm-festival.de

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Club Transmediale

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The post CTM Festival appeared first on Audiovisualcity.

Panasonic Supported TUM Hyperloop Team Wins Fourth SpaceX Hyperloop Competition

463 km/h for the win - Students of the Technical University of Munich win the SpaceX Hyperloop Competition again - supported by Panasonic Industry Europe components Munich, Germany - On the 21nd of July the fourth SpaceX Hyperloop Pod Competition took place in Los Angeles. The Hyp...

Panasonic Wins "Best 100" for Two Products in "2019 Good Design Award"

Tokyo, Japan - Panasonic Corporation announced that two of its products were selected for the Good Design Best 100 at the Good Design Award 2019 held by the Japan Institute of Design Promotion on October 2, 2019. The products were the Technics SL-1200MK7 Direct Drive Tu...

TodaysArt

Par Nina Verhagen

todaysart-2018THE HAGUE, September 19-22 2019

From a festival organization to an international platform for trans-disciplinary creativity: ever since the launch of its first edition in 2005, TodaysArt has been bringing artists, thinkers, and audiences together in an ever-changing, yet inspiring setting.

Inspired by relevant political and artistic topics, TodaysArt aspires to promote and foster innovation and creativity as well as public interest for current developments within arts, culture, and society.

The network specializes in the presentation and development of emerging digital culture and contemporary visual and performing arts. By doing so, TodaysArt connects local and international talent to established creators and pioneers to collectively explore new possibilities and forms of expression.

The festival is known for its surprising settings: every year, the festival travels through the city of The Hague before temporarily finding its niche in a wide array of unconventional public spaces and venues.

Over the past thirteen years, TodaysArt has built up an impressive international profile by presenting and producing works that are developed in collaboration with some of today’s leading creators. TodaysArt’s key activity is the annual TodaysArt festival in The Hague. Besides this, the network organizes and participates in a variety of international events, exhibitions, and acts as a co-producer for the development and distribution of artists and projects in The Netherlands as well as abroad. (See the program here)

 

TodaysArt

The Hague, Netherlands

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Circle of Light Festival

Par Marco Savo

Moscow, 20-24 September 2019

The Circle of Light Moscow International Festival is an annual event where lighting designers and audiovisual artists from various countries reinvent the architecture of Moscow.

For a few days Moscow will turn into a universe of light while fascinating building projections will animate the streets and fantastic multimedia shows using light, flame, lasers and fireworks will shake the viewers to the core. As always admission to all festival venues is free.

THE ART VISION VIDEO MAPPING CONTEST RUNS UNDER THE AEGIS OF THE «CIRCLE OF LIGHT» FESTIVAL.

This year contestants from 35 countries joined the competition.

  • 5 entry works have been selected for the Classic Nomination
  • 16 entries for the Modern Nomination
  • 15 entries for the VJing Nomination. 

All entries will be projected onto iconic buildings in Moscow.

The organizer of the «Circle of Light» festival is the Department of Sport of Moscow. The coordinator of the festival is LBL Communication Group.

Circle of Light – Art Vision Contest

Moscow, Russia

info@lightfest.ru

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Visual Brasil

Par Marco Savo

BARCELONA, 27-28 September 2019

The VISUAL BRASIL Festival will hold its seventeenth edition at Punt Multimedia. A dynamic center for multimedia projects and digital technologies, located in the Casa del Mig of the Parc de la Espanya Industrial de Barcelona.

Local and international artists will hold this meeting aimed at researching and experimenting within the Audiovisual arts: video art, mapping, audiovisual performances, workshops, installations, and VJs.

The event focuses on real time video production, the culture of free creation and new collaborative formats.

Visual Brasil is an independent project supported by several cultural entities and artists. VB fulfils  thanks to the interests of the participating artists, whom are the core engine 

Visual Brasil

Barcelona, Spain

rickcancado@hotmail.com

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Festival Visual Brasil

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Panasonic to Exhibit Digital Technology and Products for Smart Factory at CIIF 2019

(Video and photos added on September 25, 2019.) Shanghai, China - Industrial Solutions Company of Panasonic Corporation will participate the 21st China International Industry Fair to be held at the National Exhibition and Convention Center in Shanghai, China, from September 17 to 21, 2...

August 2019 TOP 5 Engagement

Our August highlights are reflective of our innovative technologies that are creating social values in education, mobility, provision of clean water, etc.

Top 5 A/V performances at L.E.V, Madrid 2019 we want to see

Par Hayley Cantor

 

 

This year is a pivotal year for L.E.V. Festival as they take residence in Madrid for the first time. When we attended L.E.V. way back in 2014, we were astounded by the potential of this seemingly small festival in Gijón. It inspired us with its delicate combination of musical and audio-visual performance, its variation between genres and the balance between sit-down performances and exceptionally well-curated concerts. We loved the daytime with the change of venue to the botanical gardens, and ending the day in a church.

1. Plaid – Polymer, Live AV

As LEV themselves state on their website, Plaid is able to fill venues as diverse as the Sydney Opera House, right through to Berghain.

On Warp Records, as they approach their 30th anniversary, Plaid are a clear reference to the industry.

“The problems and benefits of Polymers felt like good themes for this album, their repetitious strength, endurance and troubling persistence, the natural versus the synthetic, silk and silicone, the significant effect they have on our lives.” – Plaid

Dancers, inspired by the colossal quantities of plastic in our oceans, shows that Polymer is much more than just a musical performance, but an artistic reference to the world context in which their creation has been made. The official music video, whilst quite surrealist, and disturbing, is strangely beautiful. We’re really excited to see how this can translate to a live visual performance.

2. SPIME.IM

This seems to be the technological performance of the festival. With growing exploration into the world of virtual and digital technologies, new media art really is at the cutting edge of what’s to come and is an exhilirating way to be introduced to new world contexts.

EXALAND is an AV performance using ‘wearable controllers,’ which we imagine to be a development on what we saw with Chagall’s performance using the mi.mu gloves at Sonar Festival some years back http://www.audiovisualcity.org/avcity/2016/05/23/sonarplusd-chagall-mi-mu-gloves/

These guys have got all of the buzz words Audioreactive Video Projection and an Audioreactive Video in VR/360°, as well as 3D art and electronic music, not forgetting of course, immersive.

We’re interested to see this interactive performance for the visual aesthetic and graphics, and of course, one of the audiovisual artist’s favourite topics: audio-reactivity.

3. HP [HASWELL&POWELL] W/ VISUALS BY MATHIAS GMACHL

We’re always intrigued by a write-up that focuses a lot on the visual aspect of the performance, particularly as this isn’t always common practice in the industry, and the description of Mathias Gmaci, triggers a lot of intrigue.

As director of the studio, Loop, who create ‘experiences and environments that radically rethink the future’, we get the impression that this will be yet another audiovisual performance to remember.

‘Mathias Gmachl is a trans-disciplinary artist, researcher and design thinker. He is director of studio Loop.pH founded in 2003 to form an entirely new creative practice that reaches beyond specialist boundaries by facilitating collaborative spaces, mediating between digital & biological media and intervening at an urban scale to re-imagine life in the city.’ -L.E.V.

4. Nkisi: Initiation Live AV
Based in London, and coming to L.E.V with a new live AV format in collaboration with artist Charlie Hope, Nkisi promises ‘African rhythms, uncompromising European hard dance tropes, foreboding synth melodies and a relentless, galvanising energy, as harnessed for her increasingly kinetic live performances.’

If that isn’t a description to get the juices going, we don’t know what is. Unable to find any link to Charlie Hope’s previous work, we decided we’d leave this one as a surprise (although we did catch a few exciting sneaky glimpses on Instagram of a performance at Kraftwerk, Berlin…shhhh).

It’s always good to leave a performance for surprise, we think.

5. Alessandro Cortini – VOLUME MASSIMO Live AV

Volume Massimo debuted at Berlin Atonal just a few days ago and will tour all the way to the Barbican in London. Like Plaid, the visual aesthetic is photographic, and is said to take the audience on an emotional journey, using music as a map for life’s journey. It tells the story via footage from the family archives.

Synthesizers, combined with memory, this will be another piece to make us think. Oh, and did we forget to mention that he’s best known as the keyboard for Nine Inch Nails, not to mention has collaborated with the likes of Ladytron and is now member of Los Angeles alternative electronic band, SONOIO.

So, what are you waiting for? If you’re planning on attending the event, get in touch and we’ll see you there!

The post Top 5 A/V performances at L.E.V, Madrid 2019 we want to see appeared first on Audiovisualcity.

Adroit Visuals That Track an Athlete's Movements - A New Age in Experience Value Engineered by Sports x Technology

With the Olympic and Paralympic Games Tokyo 2020 just a year away, a "1 Year to Go!" ceremony was held on July 24, 2019. It opened with a stunning performance that was creatively engineered and rendered with Panasonic's real-time tracking and projection mapping technology and the company's high lum...

Norberg Festival

Par Nina Verhagen

NORBERG, July 25-27 2019

Norbergfestival is a 20-year running festival, held on the abandoned iron mine site of Mimerlaven in Norberg, Sweden.

A growing group of artists presents contemporary music, performances, and interdisciplinary works. We make use of what the site provides and we sleep on the ground. We extract what we produce and leave the mine as it was left in 1981.

 

Norbergfestival brings experimental music and performing arts to the defunct mining site of Mimerlaven, centrally located in the small post-industrial town of Norberg, Västmanland, Sweden.

Three days a year, industrial concrete buildings transform into an international playground where festival visitors experience a multicolored spectrum of electronic music, sound art, and clubs. Norbergfestival offers a unique mixture of live electronic music at the spectacular location around Mimerlaven, an abandoned mining area in the small town of Norberg.

Since it’s inauguration in 1999, the festival has evolved from a utopian counter-cultural assembly to a national front-runner and internationally recognized platform for groundbreaking and unique musical experiences. Together with light and sound installations, workshops in the fields of audio and video and a friendly and creative atmosphere matched by none, this truly makes Norbergfestival one-of-a-kind.

In 17 years Norbergfestival has grown from being a utopian project for a handful of people into one of the most important annual events in the Scandinavian electronic music scene.

 

Norberg Festival 

Norberg, Sweden

info@norbergfestival.com

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Norberg Festival

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Mira! Festival

Par Nina Verhagen

BARCELONA, November 05 – 09 2019

MIRA wants to bring the audience closer to several realms of artistic creativity through an event with two main objectives: to function as a platform for new creators as well as a showcase for world-renowned artists and to create unique immersive experiences through digital and technological innovation and the interlacing of live music and visuals.

MIRA is a digital arts festival based on three interconnected areas: exhibition, dissemination and education, and is held annually in Barcelona (since 2011) and Berlin (since 2016).

Focused on the intersection between arts and digital culture, the festival features a program comprised of audiovisual shows in both traditional and full dome formats, digital art installations, screenings, conferences, and workshops.

MIRA promotes artistic collaborations and boosts the creation of new projects, supporting the relationships between collectives, associations and artists from the fields of digital arts and technology. The associative and non-profit nature of the organization, aided by the participation of volunteers, guarantees that the results are reinvested in promoting digital culture in a sustainable way.

Mira! Festival

Fabra i Coats, Barcelona

C/ de Sant Adrià, 20

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Mira!

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Gogbot

Par Nina Verhagen

gogbot-2018ENSCHEDE, September 5-8 2019

The free festival for creative technology, science, media, art, music and more celebrates its 15th anniversary this year.

GOGBOT 2019 appears with the theme “BIO THE NEW DIGITAL” in the much-discussed world of bio-art and digital technology. Subjects such as genetic modification, stem cell transplantation, nanotechnology, and farmed meat are covered within this theme. International famous artists such as Agi Haines (UK) and Dmitry Morozov (RU) investigate the ethical boundaries of these worlds with their controversial works.

GOGBOT festival is the annual showcase for creative technology, electronic music, and contemporary art. The festival has been running since 2004 and it lasts for four days and nights. GOGBOT’s mission is to provide an inspiring platform for the most original, the most visionary and the most avant-garde artists active today. Innovation in digital creativity is key and the festival creates a sonic space for this. The festival offers a stimulating rendez-vous for artists, professionals, and visitors.

GOGBOT offers a playground of convergence. Drawing participants from all over the world are presented, in order to profit from a context of active discovery. We are proud to present the outstanding talents from the Netherlands, supporting this by having the Awards for the best of art and creative technology graduates.

 

Gogbot

Enschede, Netherlands

contact@gogbot.nl

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Gogbot Festival

    

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SIGNAL Festival

Par Nina Verhagen

PRAGUE, October 10-13 2019

The SIGNAL Lighting Festival is the largest cultural event in the Czech Republic, which, thanks to the unique interconnection of art, urban space and modern technologies, has attracted more than 2 million viewers for its five-year existence.

The festival uniquely combines visually attractive works with demanding installations of international quality. Its approach thus appeals to both broad and professional public.

The SIGNAL Festival brings to the streets of Prague cutting-edge forms of art which show the streets and recesses of the capital city in new perspectives due to the connection between technology and light.
About twenty installations annually combine visually attractive work with demanding installations of international quality.

The festival concept determined by its art council aims at the public and also experts. Owing to its support of new artworks, the SIGNAL Festival represents a respected platform also on an international level and it is a popular place to see new projects in the field of visual art.

For four days in October, the historical heart of Prague will be turned into a center of new technologies, amazing ideas, and unbound creativity. SIGNAL Festival will revive both well-known and hidden mysterious places of Prague with creations of renowned Czech and foreign audiovisual artists.

 

Signal Festival 

Kubelíkova 1548/27

Praha, Czech Republic

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MUTEK Montréal

Par Nina Verhagen

MONTRÉAL, 20-25 August 2019

MUTEK Montréal invites you to its 20th edition, running from August 20 to 25, 2019, with six days and nights of audiovisual performances, live electronic music and a full theatre of experiences that will push the boundaries of digital art and engage you in the playground that is our city.

This year, the festival week also integrates the 5th edition of MUTEK_IMG, a forum on current practices in digital creation, which runs three full days, from August 20 to 22. Covering mixed realities, artificial intelligence, and new iterations in audiovisual spectacle the event provides a high-level context for professionals, practitioners, researchers, and creative companies to reflect, exchange, and get inspired.

 

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FOTONICA

Par Nina Verhagen

(edited 29.11.19 by Marta Minguell)

ROMA 29 November – 07 December

FOTONICA 3rd edition launches with new audiovisual projects of italian-based and international artists.

FOTONICA from photon, historically as light, from Greek φωτός (photòs), is a FREE festival that investigates art forms related to the light element, in particular, digital light. PHOTONICA wants to be a new project in a field where Rome has always been a reference, but today it suffers from the lack of an international event: the Audio Visual Arts.

Wants to be a project of the newborn roman network of organizations active in contemporary video audio to build a program that represents the various forms of expression: Audio Video Performances, Video Mappings, Light Installations, DJ-VJ Sets, NetArt, Workshops, and lectures.

The initiative is part of the program of Contemporaneamente Roma 2019 promoted by Roma Capitale, Assessorato alla Crescita Culturale and in collaboration with Siae. This 2019 will again play in the capital, specifically at Cinema Aquila in Pigneto area and at Fusolab 2.0 in Centocelle/Alessandrino in Rome.

FOTONICA is produced by Flyer communication, which in 2004 created the LPM Live Performers Meeting, the largest event in the industry. He came to his 18th edition, of which 11 in Rome and the others, thanks to the support of the European Community, Xalapa, Minsk, Mexico City, Cape Town, Eindhoven and Amsterdam. Since 2004, LPM has hosted more than 4600 artists, 2625 performances, workshops and showcases, with 72 participating countries and more than 1,500,000 visitors.

FOTONICA  Festival

Rome, Italy

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FOTONICA

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Microwave Festival

Par Nina Verhagen

HONG KONG

Microwave Festival began in 1996 as an annual video art festival of the local video art institution Videotage. As technology progressed and became more accessible, video art slowly evolved to involve other media; thus Microwave began to embrace the wider range of new media art. As the first and only art festival in Hong Kong dedicated to new media art, Microwave has steadily grown into a well-established festival that brings cutting-edge works to provoke thought in the technological hub every year.

In its 10th anniversary, Microwave Festival celebrated by becoming an independent organization, completed with a re-branding by design partner Milkxhake and a strengthened curatorial and working team. Microwave then continues the hard work to inspire Hong Kong and the rest of the world with pioneering media artworks selected to suit themes relevant to the society today, while also avidly supporting the exchange and dialogue between artists, professionals, and the general public.

They envision that through the Microwave network, Hong Kong artists will be introduced to international institutions and curators, working as a platform and gateway for them to develop their art and skills. Apart from the grand annual festival, Microwave also endeavors to nurture a rising local new media arts community, organizing various programmes such as educational workshops, seminars, forums, and exhibitions.

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Interference Festival

Par Nina Verhagen

GDÁNSK, 13 December 2018

‘Interference’ literally means meddling, intervention, disturbance.

Interference Festival 2018 – 5th Festival of Visual Communication, it’s a one-of-a-kind event in the Pomeranian District which the main target is to popularize visual arts. The festival is focused on international short visual forms’ overview and on the Contest ‘Freedom of Form’ which the main aim is to emerge the best artists in categories Found Footage, Music Video, Creative Advertising Piece, and Experimental Short Visual Form

Visuals, music videos, teasers, creative advertising forms, jingles and video art, experiments on the border of art – that is what you’ll see during one of the most interesting events of the kind in Central Europe. Interference Festival equals a new, unconventional form of the open-minded festival in which one the most important aim is to discover and to look for the best video avant-garde artists.

Last but not least, there is VJ Battle coming during which the best 8 Vjs will compete on the screen. The main festival points during the fifth edition of the festival will be at the Academy of Fine Arts, Pionowa Gallery, and the Gdańsk Shakespeare Theatre.

 

Interference 

Gdańsk, Poland

info@interferencefestival.com

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Liquid Architecture: Why listen to plants?

Par Nina Verhagen

MELBOURNE, 22 November – 08 December 2018

Liquid Architecture is an Australian organization for artists working with sound. LA investigates the sounds themselves, but also the ideas communicated about, and the meaning of, sound and listening.

For this program, they are collaborating with artists who work at the intersection of theory and live performance. These artists use various strategies to extend vegetal thinking into sound and listening, from guided walks, talks, readings and lecture performances to experimental music, installation, herbalist pedagogy, and folk songs.

This program, Why Listen, proceeds from these questions as it attempts to open up the act of listening in social, scientific and political space. It is an inquiry into both the consensus constructing communication—and, indeed, creating communicators—and an attentiveness to the vitality of voices beyond the conceptual.

 

Liquid Architecture

Melbourne

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