Removing the Paramount Consent Decrees could change the cinema experience as we know it. Here's what the future may hold with the Decrees out of commission.
Robert Richardson's eye for the unusual showcases extreme framings and non-realistic lighting. Let's take a look at his signature style.
We cover everything you need to know about the Video Editing Supervisor, how to work with one, and how you can become one.
Rotating roles — an intimate lesson in how multiple directors can use multiple filmmaking styles to create one unified vision.
PremiumBeat examines the important role clothes play in film and television in this conversation with fashion designer-turned-costume maven Ginger Martini.
The "Ad Astra" film editing team sat down with PremiumBeat to describe their process and what it's like working with director James Gray.
A well-prepared director is a good director. Take a look at five useful tips for preparing to direct any commercial spot.
Auto Reframe, Character Animator 3.0 and Premiere Rush app updates headline the latest Cloud updates announced at Adobe Max.
The U.S.-based ShareGrid will absorb the peer-to-peer equipment sharing company BorrowFox, and expand ShareGrid into the UK in 2020.
Premium Beat spoke with Artificial creator, Bernie Su, who was game to answer some questions about this innovative, interactive experience.
Aputure introduces its first RGBWW and smallest light to date with the MC. See what this tiny-but-powerful light can offer.
Motion design is already a tough industry to conquer, and now there's a new threat on the horizon — artificial Intelligence.
Learan Kahanov talks about his journey to becoming the DP of "Madam Secretary" — and where he continues to look for inspiration.
Don't get bogged down in a client feedback review loop. Here's your guide on how to properly solicit client feedback and review film and video drafts.
Premium Beat sat down with Brian H. Kim of BH90210, Hello, My Name is Doris, and G.B.F. to gain a unique perspective on working in these transverse ...
PremiumBeat talked with this versatile designer about the process and people involved in creating the look and feel of very different properties.
Find the digital frontier's new direction with three ways a creative agency can benefit from having a Creative Director of Video.
PremiumBeat revisits seven informative interviews with filmmakers sharing their professional insights into the film and video industry.
In this breakdown, we look at some common pitfalls when cutting a showreel, how to successfully present your product, and why this is so important.
Editor Tom Jarvis spoke with PremiumBeat on working The Late Late Show with James Corden and that special "Carpool Karaoke" segment with a childhood idol.
A look into how digital cameras are continuing to change the landscape of the film and video industry, both nowt and into the near future.
We spoke with director Nora Mandray about contextualizing history and keeping a complex political timeline vibrant and legible in short form.
PremiumBeat sat down with composer Austin Wintory to discuss his latest project — a collection of his successful failures.
Emmy-nominated editor and filmmaker Vera Drew sat down with PremiumBeat for a look into her work on "Who is America?" and more.
In The Push, Grant Korgan explores the power of possibility through positivity, and shared with Premium Beat the insight gained through loss.
Is it possible to hype an upcoming blockbuster too much? Here's what studios face when they release teasers into the market early.
Editor Matt Friedman cuts to the chase on working with Lulu Wang and Awkwafina — and the importance of nailing multicultural projects.
Ernie Gilbert opens up about his journey from acclaimed Hollywood editor to director — and his new sci-fi short film Nine Minutes.