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☐ ☆ ✇ Anomes / Créateurs de Possibles

⁣ ⁣⁣ ⁣#repost @ex_lumina⁣ ⁣__________________⁣ ⁣⁣ ⁣The...

18 septembre 2019 à 10:47



⁣⁣
⁣#repost @ex_lumina⁣
⁣__________________⁣
⁣⁣
⁣The “Synesthésie” #lightshow version with #audio #synchronization and #color #synesthesia during an #organ #concert at the Saint Jean #cathedral for the #nuitdescathédrales night in #besançon. More infos on our website 😇⁣⁣
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⁣⁣#audioreactive #organconcert #videoprojection #realtime #millumin #smoke #interactive #interaction #hackintosh #millumin2 #lights #videoart #motiondesign #osc #classicalmusic #videlioevents #interactiveart #lightdesign #visualart
https://www.instagram.com/p/B2i93DjJ6ja/?igshid=152yhveufibj7

☐ ☆ ✇ 3dvf.com - Actualité quotidienne

Technicolor lance son « Postcast »

Par Shadows — 17 septembre 2019 à 10:15

Le groupe Technicolor lance un podcast audio centré sur la post-production, qui prend donc le nom de « Postcast ».
Au menu de ce premier épisode ? Un retour sur le film d’horreur Scary Stories d’André Øvredal, en compagnie d’une part de Mark Kueper (Senior Colorist) et d’autre part Matt Glover, VFX Supervisor chez Mr. X. Rappelons en effet que le studio d’effets visuels Mr. X fait partie du groupe Technicolor.

Voici par ailleurs la bande-annonce du film :

L’article Technicolor lance son « Postcast » est apparu en premier sur 3DVF.

☐ ☆ ✇ Broadcast Beat Magazine: 2015 NAB Show News

Colorist Society International at IBC 2019

Par Artisans PR — 12 septembre 2019 à 22:26

AMSTERDAM— The Colorist Society International (CSI) has a prominent presence at this week’s IBC gathering in Amsterdam. Among other things, the organization will take part in the convention’s first ACES User Group Day as CSI president Kevin Shaw leads a session on the impact of the new color management standard on color grading. The discussion ...

☐ ☆ ✇ 3dvf.com - Actualité quotidienne

Fin des mises à jour pour certaines sondes Datacolor

Par Shadows — 9 septembre 2019 à 15:03

Datacolor va passer cet automne au 64 bits pour les logiciels associés à ses sondes colorimétriques. Dans le même temps, l’entreprise met fin aux mises à jour sur une bonne partie de ses anciens produits.

Ainsi, les Spyder 2 à 4, sorties entre 2004 et 2012, ne recevront désormais plus de mise à jour, et donc en particulier pas du support du 64 bits. La Spyder 5 de 2015, elle, aura au 64 bits.
Autrement dit, ce sont des produits vieux de 7 à 15 ans qui cessent de recevoir des mises à jour : une durée de vie honorable d’autant que même s’ils n’évoluent plus, ils restent fonctionnels.

Bien entendu, Datacolor profite de cette annonce pour inciter ses clients à mettre à jour leurs produits vers la SpyderX, lancée au début de cette année. Cette dernière bénéficie d’un nouveau système de mesure optique, permet un étalonnage en moins de deux minutes (4 fois plus rapide que les versions précédentes), gère mieux les détails dans les zones d’ombres.
La SpyderX se décline en deux versions : Pro et Elite, cette seconde version fournissant un contrôle plus poussé de l’affichage, une console d’étalonnage expert, l’harmonisation des affichages au sein d’un studio complet ou encore la gestion des projecteurs numériques.

L’article Fin des mises à jour pour certaines sondes Datacolor est apparu en premier sur 3DVF.

☐ ☆ ✇ Broadcast Beat Magazine: 2015 NAB Show News

SMPTE Hollywood Section to Address the Transition to Wide Color Gamut at September Meeting

Par Artisans PR — 21 août 2019 à 19:49

LOS ANGELES —  The Hollywood Section of SMPTE®, the organization defining the future of storytelling, will explore the advent of wide color gamut and its impact on motion picture and television production at its monthly meeting, Wednesday, September 25, at the Academy of Motion Picture Arts and Sciences, Los Angeles. The wide color gamut provided ...

☐ ☆ ✇ Broadcast Beat Magazine: 2015 NAB Show News

C&I Studios Relies on DaVinci Resolve 16 Studio’s Cut Page for Social Media Deliverables

Par Zazil Media — 21 août 2019 à 17:55

Fremont, CA – August 21, 2019 – Blackmagic Design today announced that C&I Studios, a global content creation agency, is using DaVinci Resolve 16 Studio’s new cut page for faster than ever editing. Relying on DaVinci Resolve 16 Studio for end to end post production, including editing, color grading, visual effects (VFX) and Fairlight audio, C&I ...

☐ ☆ ✇ Broadcast Beat Magazine: 2015 NAB Show News

New Australian Sci Fi Film Quanta Shot on URSA Mini Pro and Graded with DaVinci Resolve

Par Zazil Media — 15 août 2019 à 16:44

Fremont, CA – August 15th, 2019 – Blackmagic Design today announced the new sci fi film “Quanta” was shot entirely on an URSA Mini Pro, while grading was done using DaVinci Resolve Studio. The film is one of the first globally distributed films by the new Melbourne based film production company and film collective Raygun, and ...

☐ ☆ ✇ Broadcast Beat Magazine: 2015 NAB Show News

FilmLight presents Colour On Stage at IBC2019

Par Caroline Shawley — 13 août 2019 à 17:32

  Free programme expanded to two days to provide greater opportunities to see industry leaders in finishing demonstrate their craft   LONDON — 13 August 2019: At this year’s IBC, FilmLight (stand #7.A45) is hosting the free two-day seminar series, Colour On Stage, on 14-15 September 2019. The event provides an opportunity for visitors to ...

☐ ☆ ✇ Broadcast Beat Magazine: 2015 NAB Show News

Crystal Vision unveils 16 more apps at IBC 2019 with IP and SDI video delays and color correctors (Booth 2.B59)

Par Sarah Sales — 29 juillet 2019 à 13:10

On Booth 2.B59 at IBC 2019 Crystal Vision will be rolling out the latest software apps for its flexible MARBLE-V1 media processor hardware, with MARBLE’s mixed SDI and IP I/O making it easy to transition between SDI, ST 2022 and ST 2110. These software apps – which can be replaced as needs change – offer ...

☐ ☆ ✇ The Beat: A Blog by PremiumBeat

Easy Compositing Effects for Creating Professional-Looking Titles

Par Charles Yeager — 24 juillet 2019 à 13:00

In this video tutorial, learn some basic compositing techniques to create better titles in Adobe After Effects — includes free project file!

☐ ☆ ✇ The Beat: A Blog by PremiumBeat

29 Free LUTs for Video

Par Logan Baker — 17 juillet 2019 à 15:00

These FREE LUTs are perfect for professional video editors. Make your footage more cinematic with these free color grading tools.

☐ ☆ ✇ Broadcast Beat Magazine: 2015 NAB Show News

Picture Block’s COLORSPACE 4K HDR Vehicle Uses DaVinci Resolve and Blackmagic Design 12G Products

Par Zazil Media — 16 juillet 2019 à 16:39

Fremont, CA – July 16, 2019 – Blackmagic Design announced today that Picture Block used DaVinci Resolve Studio and DaVinci Resolve Mini Panel to provide HDR color correction and editing as part of the new COLORSPACE 4K HDR screening room vehicle. COLORSPACE also includes a 12G and 4K workflow using a number of other Blackmagic Design ...

☐ ☆ ✇ CreativeApplications.Net

Elektra XX – Transcending the Machinic Body

Par Dylan Schenker — 4 juillet 2019 à 16:25
Elektra XX – Transcending the Machinic Body
In Elektra's 20th year common themes from throughout the history of the festival of machinic bodies and digital transcendence are explored in depth and pushed to their extremes.

☑ ☆ ✇ Broadcast Beat Magazine: 2015 NAB Show News

Periscope Post & Audio Launches in Hollywood

Par Artisans PR — 17 juin 2019 à 20:50

Industry vet Ben Benedetti tapped to lead new facility offering full-service sound and picture post. HOLLYWOOD—Chicago-based Periscope Post & Audio has expanded to the West Coast, opening a 22,000 square foot sound and picture finishing facility in Hollywood. The new site, located at 6860 Lexington Avenue near Highland, will offer a full range of post ...

☐ ☆ ✇ The Beat: A Blog by PremiumBeat

From “The Wizard of Oz” to “Transformers”: 100 Years of Color Grading

Par Darin Bradley — 28 mai 2019 à 14:00

Since the early 20th Century, color has been an integral part of cinema. Here's how to recreate some of the most iconic trends in DaVinci Resolve.

☐ ☆ ✇ The Beat: A Blog by PremiumBeat

Quick and Easy Tips on Shooting and Processing Day for Night

Par Caleb Stephens — 23 mai 2019 à 13:00

In this article, we'll take a look at the basics of shooting day for night footage — as well as post-production processing in Adobe Premiere Pro.

☐ ☆ ✇ Broadcast Beat Magazine: 2015 NAB Show News

Award Contenders Enlist Light Iron for Post Services

Par Ignite Strategic Communications — 22 mai 2019 à 23:35

Light Iron, a Panavision company specializing in post production services, is again playing an important collaborative role with notable episodic series this season. Customized workflow offerings from Light Iron for BETTER THINGS, THE GOOD FIGHT, THE OA, RAMY, SHRILL, THE MARVELOUS MRS. MAISEL, and WHAT WE DO IN THE SHADOWS, included dailies, digital intermediate, archive, ...

☐ ☆ ✇ The Beat: A Blog by PremiumBeat

Quick and Easy Compositing Tips for Adobe Premiere Pro

Par Caleb Stephens — 29 avril 2019 à 14:00

Join us as we explore how to use opacity blending modes to alter or enhance your footage by blending elements from one scene into another.

☑ ☆ ✇ Anomes / Créateurs de Possibles

#Repost @pierolora ・・・ Palacio de gobierno #mapping #millumin...

8 janvier 2019 à 10:21


#Repost @pierolora
・・・
Palacio de gobierno #mapping #millumin #projection #color #light #lima #vj #peru #palacio #show #event #evento #proyección #unicef
https://www.instagram.com/p/BsXkuLzHSP3/?utm_source=ig_tumblr_share&igshid=jp0ytlixmvre

☑ ☆ ✇ The Beat: A Blog by PremiumBeat

How to Alter the Color of Your Video Using Lumetri Curves

Par Zach Ramelan — 15 avril 2019 à 13:00

In this video tutorial, learn to create a cinematic look for your video project by working with Lumetri Curves in Adobe Premiere Pro.

☐ ☆ ✇ The Beat: A Blog by PremiumBeat

How to Use Calibration Tools for Footage, Sound, and Monitors

Par Caleb Stephens — 11 avril 2019 à 14:00

Here's a quick introduction to the four main types of tools you need to know in order to calibrate footage, sound, and monitors.

☑ ☆ ✇ The Beat: A Blog by PremiumBeat

Post-Production Tips: Using a LUT at the Beginning of a Node Tree

Par Lewis McGregor — 1 avril 2019 à 13:00

These techniques explore the workflow benefits of working with a LUT at the beginning of your node graph rather than at the end.

☐ ☆ ✇ The Beat: A Blog by PremiumBeat

How to Change the Color of Exterior Lights in After Effects

Par Charles Yeager — 21 février 2019 à 13:00

In this video tutorial, learn how to change the color of location lighting in After Effects — including a free project file!

☐ ☆ ✇ The Beat: A Blog by PremiumBeat

How to Create the VHS Look in Premiere Pro + Free VHS Effect Presets

Par Charles Yeager — 4 février 2019 à 18:24

In this video tutorial, learn how to create a retro VHS Look, entirely with Adobe Premiere Pro — Includes free VHS effect presets!

☐ ☆ ✇ The Beat: A Blog by PremiumBeat

Controlling High, Medium, and Low Image Noise Frequencies

Par Caleb Stephens — 28 janvier 2019 à 14:00

Every filmmaker is familiar with image noise, but what are its frequencies, and what's really going on when we clean it up? 

☐ ☆ ✇ The Beat: A Blog by PremiumBeat

Get Better Results Using LUTs with Lumetri Color in Premiere Pro

Par Charles Yeager — 17 janvier 2019 à 17:13

In this video tutorial, learn how to get the most out of your LUTs by using the Lumetri Color Panel in Adobe Premiere Pro — plus, free ...

☑ ☆ ✇ The Beat: A Blog by PremiumBeat

Isolating Image Channels to Work with Chroma and Luma in Premiere

Par Caleb Stephens — 11 janvier 2019 à 14:00

Mastering color correction means understanding the color channels that make a good image. Here's how to isolate the chroma and luma channels in Premiere.

☐ ☆ ✇ Anomes / Créateurs de Possibles

#Repost @pierolora ・・・ Palacio de gobierno #mapping #millumin...

8 janvier 2019 à 10:21


#Repost @pierolora
・・・
Palacio de gobierno #mapping #millumin #projection #color #light #lima #vj #peru #palacio #show #event #evento #proyección #unicef
https://www.instagram.com/p/BsXkuLzHSP3/?utm_source=ig_tumblr_share&igshid=jp0ytlixmvre

☐ ☆ ✇ The Beat: A Blog by PremiumBeat

How to Get Better Color Grades Using Opacity Blend Modes

Par Caleb Stephens — 29 novembre 2018 à 13:00

Here's the post-production guide (and photo tour) to how and why you should incorporate Opacity Blending into your next project.

☐ ☆ ✇ The Beat: A Blog by PremiumBeat

Post-Production Tip: Isolating and Hiding Noise in Your Footage

Par Caleb Stephens — 27 novembre 2018 à 18:57

There are dozens of ways to reduce noise in your footage, but today, we're diving into DaVinci Resolve for one of the most power noise reduction techniques ...

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