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☐ ☆ ✇ Broadcast Beat Magazine: 2015 NAB Show News

Medialooks Helps Indico Systems Move Hardware out of its Interview Rooms with MPlatform and WebRTC

Par Desert Moon Communications — 31 octobre 2019 à 20:59

Medialooks Helps Indico Systems Move Hardware out of its Interview Rooms with MPlatform and WebRTC Improvements decrease hardware requirements and increase control options and productivity Tallinn, Norway – October 31, 2019 — Indico Systems, developers of specialized recording systems based in Norway, recently turned to Medialooks – a prominent source for quick, easy and reliable ...

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☐ ☆ ✇ Broadcast Beat Magazine: 2015 NAB Show News

SubtitleNEXT launchES v5.5 at multiple events including Elevate, Intermedia and IBC –

Par RadianceC — 31 octobre 2019 à 18:31

SubtitleNEXT’s expanding global presence stems from a 30+year legacy, launching v5.5 at multiple events including Elevate, Intermedia & IBC –  SubtitleNEXT acknowledged as Top Tier platform by Language Professionals Defined as one of the industry’s most reliable and emergent timed-text subtitling software packages, referred to as the “subtitler’s lifesaver, SubtitleNEXT’s version 5.5 was revealed at ...

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☐ ☆ ✇ Broadcast Beat Magazine: 2015 NAB Show News

RED BEE AND SPRING MEDIA ANNOUNCE WNITED – THE WORLD’S FIRST GLOBAL STREAMING SERVICE FOR WOMEN’S FOOTBALL

Par Ericsson — 31 octobre 2019 à 15:00

Swedish sports rights agency Spring Media is partnering with Red Bee to launch Wnited /juːˈnaɪtɪd/ – the world’s first global OTT service dedicated to women’s football. This was announced on Monday at Sportel Monaco 2019. Launching in Q1 2020, Wnited will aggregate high-level multi-camera content from top tier leagues in Europe, Asia and the Americas ...

The post RED BEE AND SPRING MEDIA ANNOUNCE WNITED – THE WORLD’S FIRST GLOBAL STREAMING SERVICE FOR WOMEN’S FOOTBALL appeared first on NAB Show News by Broadcast Beat, Official Broadcaster of NAB Show - NAB Show LIVE.

☐ ☆ ✇ Broadcast Beat Magazine: 2015 NAB Show News

EditShare Advanced Security Capabilities Safeguard Trailerhaus Valuable Feature Film Content

Par Zazil Media — 31 octobre 2019 à 14:50

Germany’s premier editorial facility builds secure, next-generation content management infrastructure on the high-performance EditShare EFS platform Boston, MA, USA — October 31, 2019 — EditShare®, a technology leader that specializes in collaboration, security, and intelligent storage solutions for media creation and management, announced today that Germany’s leading editorial creative facility, Trailerhaus, has revamped its media ...

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☐ ☆ ✇ Broadcast Beat Magazine: 2015 NAB Show News

KCRW Builds New State-of-The-Art Radio Broadcast and Media Headquarters

Par Broadcast Beat Magazine — 30 octobre 2019 à 18:46

KCRW recently relocated from the basement of a building on the Santa Monica College main campus, to a new state-of-the-art $38-million headquarters at Santa Monica College’s new Center for Media and Design. This new facility is a culmination of 11 years of fundraising, designing, installing, integrating, and training by KCRW staff and the partners involved ...

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☐ ☆ ✇ Broadcast Beat Magazine: 2015 NAB Show News

Korea’s eSports VSG Arena Built Using Blackmagic Design 12G 4K Workflow

Par Zazil Media — 30 octobre 2019 à 16:32

Blackmagic Design today announced that VSGame, a Korean eSports content creation and online streaming company, built a 4K eSports game live streaming and broadcast system using URSA Broadcast cameras, ATEM 4 M/E Broadcast Studio and a number of other Blackmagic Design products. The system was installed at Korea’s famous esports VSG Arena, which now is ...

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☐ ☆ ✇ Broadcast Beat Magazine: 2015 NAB Show News

Michael Hession Joins ASG to Lead Financial Operations

Par Pipeline Communications — 29 octobre 2019 à 16:21

EMERYVILLE, CALIF., Oct. 29, 2019 – Advanced Systems Group (ASG), a leading media technology and engineering firm, today announced Michael Hession joined the company on Sept. 25 to manage business and financial operations.   An industry veteran, Hession spent several years handling the finances for AKG Acoustics. When the company was acquired by Harman International, ...

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☐ ☆ ✇ Broadcast Beat Magazine: 2015 NAB Show News

Swiss Pay TV Network Expands Live Sports Broadcasting with Blackmagic Design

Par Zazil Media — 29 octobre 2019 à 14:15

Fremont, CA – October 29, 2019 – Blackmagic Design today announced that Teleclub, Switzerland’s leading Pay TV network, has implemented an UltraHD video playout system, built around a Blackmagic Design 12G infrastructure, to support an increased volume of linear and pay per view (PPV) live sports channels. The network recently expanded its output to offer more ...

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☐ ☆ ✇ Vjspain Comunidad Audiovisual, Mapping, Vj, Diseño Interactivo

Resumen de la mesa redonda sobre ‘Visualist’ en Valladolid: Seminci Transmedia 2019

Par volatil — 29 octobre 2019 à 10:00

Después del estreno en Signal Festival de Praga, Visualist’ sigue de gira. Su estreno a nivel nacional fue en Seminci, la Semana Internacional de cine de Valladolid. La siguiente parada será el festival BIME PRO, que nos hizo un hueco en su programación de conferencias. Pedro Pantaléon dará una charla el miércoles 30 mientras muestra algunos fragmentos seleccionados del documental.

Volvamos a Seminci, llevamos ya tres años siendo mediapartner de una sección del festival que aborda temas relacionados con la visuales. Ya os contamos que incluyó en 2017 un ciclo de Live Cinema en su programación y generó también un espacio de debate para explorar el alcance de la práctica del Live Cinema, a demás de directos audiovisuales como el de Marta Verde & NegrøNegrø o Hector de la Puente. El año pasado ya empezó a hablarse de la «comunicación transmedia» y la «Realidad Virtual», con una mesa de debate en la que participó la visualista catalana Xarlene. También hubo directos audiovisuales como el de Los Voluble. Todo ello en el Teatro Zorrilla y  coordinado por bit:LAV.

Este año, apuestan por el formato fulldome y además de ser mediapartner, formamos parte de su programación, con la proyección de Visualist, Those who see beyond y una mesa redonda, en la que Oscar Testón y Pedro Pantaleón expresarían su visión sobre este nuevo arte que tantas etiquetas recibe: visuales, vjing, directos A/V, comunicación A/V, Live Cinema o el término más moderno «Creative coder», de esto y de muchos otros temas se habló en esta mesa redonda, que tuvo lugar de 18h a 21h, con la impulsora del Festival de Cine Ccvad, Virginia Diez, que moderó la mesa redonda sobre la creación transmedia.

Fue en la Sala Experimental del Teatro Zorrilla, con la presencia de uno de los directores del documental, Pedro Pantaleón; el productor del documental y creador de la revista digital Vjspain.Com, Oscar Testón-Otu; la responsable del laboratorio AvLab, Manuel Prados de Medialab-Prado, Alberto de Espacio Tangente y Virginia Díez como moderadora. Entre el público, Manu Cid (co-director del documental), Rubén G. Kielmannsegge (productor musical y responsable de la música de «Visualist», entre muchas otras cosas) y Marta Verde (artista visual que aparece en ‘Visualist’).

En este caso entrevistamos a Pedro Pantaléon y Manu Cid, para que nos cuenten cómo fue la experiencia y qué temas se abordaron en la mesa redonda. Empezamos por Pedro.

¿Cómo fue la aventura de viajar a Valladolid a estrenar el documental en territorio nacional?
Oscar, Rubén, Manu y yo salimos juntos de Madrid y llegamos a Valladolid. Quedamos con Teresa de bit:LAV, que nos llevó al Teatro Zorrilla para hacer las pruebas técnicas. Después no dieron las acreditaciones y un libro con toda la programación. Nos hizo mucha ilusión aparecer en ese libro.

¿Cómo reaccionó el público a la proyección del documental?
La sala estaba llena, la gente se reía en los momentos en los que se tenían que reír. El público respondió muy bien, tuvo muy buena acogida. Virginia, la moderadora de la mesa redonda nos presentó y se inició el debate.  A mi derecha tenía Alberto que era es responsable del Espacio Tangente de Burgos, a mi izquierda tenía a Oscar, y junto a Oscar los responsables de MediaLab pro. Expliqué qué fue lo que nos motivó a hacer el documental y mi trayectoria como Videojockey.

¿Qué temas salieron? ¿Qué preguntaba el público?
Se habló del origen del Videojockey, cómo surge, cómo han llegado a exponer en museos, todo giraba entorno al hilo argumental del documental. Un señor nos hizo una pregunta muy buena. ¿Qué tipo de formación habían recibido los artistas que salían en el documental para poder llegar a hacer esas obras? Le parecía curioso que todos hicieran cosas tan diferentes. Las respuestas hacían referencia a la tecnología y al auto-aprendizaje de cada artista y eso explica por qué cada uno elige un camino distinto. Se habló de la comunicación transmedia, me hace gracia porque cuando yo estudié en la universidad ya se hablaba de esta palabra aunque aún no existía, 15 años después ya es una realidad.

Queríamos saber más, así que también entrevistamos a Manu Cid, el co-director de ‘Visualist’ que en esta ocasión participó desde el público.

¿Qué temas destacarías de los que se hablaron en la mesa redonda? 
Se habló de la necesidad de hacer este documental para dar a conocer esta escena que está tan en la sombra. Se estuvo hablando del tema de las etiquetas, que en realidad no tienen mucho sentido pero sirven para identificar lo que hacen cada uno de estos artistas. Y ahí saqué el tema  de cómo podíamos llamar a este «nuevo arte» de una forma más global, porque quizá si le ponemos una única etiqueta, si lo englobamos bajo un mismo concepto, quizá ese concepto, terminaría impulsando la escena de algún modo. ¿Cómo podríamos englobar todo esto para que llegara a más gente? Ahí cada uno daba su opinión. Salió muchas veces el nombre de “Creative Coder”, que sería lo más avanzado o lo más puntero ahora mismo. Otro tema interesante que salió fue la influencia de todo este desarrollo tecnológico en la sociedad. Tendemos a asociar la tecnología y la inteligencia artificial a cosas no necesariamente buenas. Se habló de la posibilidad de ser esclavos de esa misma tecnología.

¿Y el papel de la mujer en un sector mayoritariamente masculino?
Se habló del papel de la mujer, ahí Marta Verde dio su opinión, dijo que es un sector en el que hay más hombres que mujeres, aunque también se defendió la idea de que cada vez hay más mujeres y se mencionó a Xarlene y a Alba G. Corral.

¿Qué otro tema destacarías?
Otra cosa interesante que salió es que, a diferencia de otras disciplinas artísticas, los visualistas tienen backgrounds muy diversos. Arquitectos, matemáticos, ingenieros, y esto es algo que lo hace más interesante, rico, esto es algo que lo desconoce mucha gente.

¿Se habló de la evolución de la figura del Vj?
Realmente el videjockey lleva existiendo mucho tiempo, pero los shows actuales le dan más protagonismo. Aunque hay que tener claro que las visuales no son estrictamente necesarias, que dependen de la intención del directo y del espacio en el que se está trabajando.

Otro tema que surgió es “si siempre el Vj está detrás del músico, es el que sigue la música y pone las visuales” ¿Existe la posibilidad de que sea al revés? Teniendo en cuenta que el Vj es una figura que ha crecido y ha evolucionado subordinada a la figura del DJ y eso es lo que probablemente ha hecho que esté siempre en segundo plano. Se habló de la posibilidad de invertir esa idea. Oscar Testón comentó que lo había intentado, que había hecho una sesión en la que él ponía las visuales y el músico tenía que seguirlo a él, pero que había sido muy complicado.

¿Y la definición de VJ fue un tema del debate?
Hubo algunas intervenciones sobre qué es un Vj. Pedro dijo que para él un VJ es un visualista que trabaja con su propio material, graba y edita sus propias visuales para usarlas en sus sets o instalaciones, no para que «alguien» se le descargue de internet y lo use en beneficio propio. Yo se lo rebatí porque en realidad mientras tu tengas un discurso, tu puedes coger material ya creado, es algo que se ha hecho siempre, tanto en Live Cinema como en Vjing. Para Matt Black es el rey del Sample y sus obras siempre se han basado en usar muestras de creaciones de otros artistas tanto de vídeo como de audio, aunque luego haya desarrollado las suyas a partir de ellas.

¿Hacia dónde va todo esto? ¿Cuál es el futuro?
Una de las preguntas que se lanzaron fue «hacia dónde va todo esto», ¿cuáles son los límites?. Y ahí nadie tenía una respuesta clara, igual que el propio documental. Yo hice una intervención explicando que en los últimos festivales que he ido, como el LEV Matadero de la semana pasada, en el que hubo un espacio dedicado a la Realidad Virtual, en Seminci Transmedia que este año ha tenido mucho contenido relacionado con Realidad Virtual y en la última edición del Sónar Barcelona también hubo mucha presencia de VR e Inteligencia Artificial. ¿Quizá vamos hacia allí? Aunque al final, lo que yo pienso es que la realidad virtual es una de las muchas posibilidades a las que está abierto el mundo digital.

La entrada Resumen de la mesa redonda sobre ‘Visualist’ en Valladolid: Seminci Transmedia 2019 aparece primero en Vjspain Comunidad Audiovisual, Mapping, Vj, Diseño Interactivo.

☐ ☆ ✇ Broadcast Beat Magazine: 2015 NAB Show News

Atomos Acquiring Timecode Systems Means More Efficient Multicamera Content Creation

Par Andres Benetar — 26 octobre 2019 à 16:02

As a global software and hardware technology company, Atomos creates, develops and commercializes some of the most ground-breaking content creation products for a tech market that only continues to experience exponential growth. The company’s products allow content creators across the rapidly growing social, pro-video and entertainment markets a much faster, higher quality, and more affordable ...

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☐ ☆ ✇ Broadcast Beat Magazine: 2015 NAB Show News

“They Shall Not Grow Old” Named Recipient of the 2019 HPA Awards Judges Award for Creativity and Innovation

Par Ignite Strategic Communications — 25 octobre 2019 à 23:35

The Hollywood Professional Association (HPA) Awards Committee has announced that the organization’s prestigious Judges Award for Creativity and Innovation will honor the documentary film They Shall Not Grow Old. The award, whose recipient is selected by a distinguished jury of industry luminaries, was conceived to recognize companies and individuals who have demonstrated excellence, whether in ...

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☐ ☆ ✇ Broadcast Beat Magazine: 2015 NAB Show News

BUBBLE AGENCY APPOINTS KELLI NEVE-READ AS BUSINESS DEVELOPMENT MANAGER

Par Amisa Saari-Stout — 24 octobre 2019 à 17:43

Bubble Agency, the global PR, marketing and events specialist for the media and entertainment technology and services sectors, today announced the appointment of Kelli Neve-Read. Kelli joins as Business Development Manager having spent 10 years at IBC, the world’s most influential media show. Kelli will be based at Bubble headquarters in London and joins Managing ...

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☐ ☆ ✇ Broadcast Beat Magazine: 2015 NAB Show News

BIEN Creates Cel-Animation Film For IBM: Can Humans and AI Coexist in the Workplace?

Par Ricardo Roberts — 24 octobre 2019 à 02:41

LOS ANGELES, California — Motion design studio BIEN creates “Glow”, an animated short film that dramatizes how productivity loss affects modern companies and their workforces. Glow is the story of a typical enterprise worker, Jane, and how she loses her way after doing repetitive, mundane tasks. The project is a visual metaphor about how enterprises might ...

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☐ ☆ ✇ Broadcast Beat Magazine: 2015 NAB Show News

Pond5 Launches Marquee, a Premium Content Collection for Creative Agencies

Par Zazil Media — 22 octobre 2019 à 20:59

New York City, NY – October 22, 2019 – Pond5, the world’s largest royalty-free video marketplace, today announced the launch of Marquee, a new content collection on Pond5, made up entirely of premium-quality footage, found exclusively on Pond5 and hand curated to appeal to the most high-end creative agencies in the world. Each piece of ...

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☐ ☆ ✇ Broadcast Beat Magazine: 2015 NAB Show News

Colorist Lucie Barbier-Dearnley Joins Sim, New York

Par Artisans PR — 22 octobre 2019 à 18:10

Former Company 3 artist hits the ground running with documentary and feature work. New York — Continuing to build the pool of talent at its post-production facility in New York, Sim has hired Lucie Barbier-Dearnley as senior colorist. Barbier arrives from Company 3, London, and brings expansive credits across features, episodic television and documentaries. Her ...

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☐ ☆ ✇ Broadcast Beat Magazine: 2015 NAB Show News

Chimney Uses DaVinci Resolve Studio for Real Time Collaboration on “The Dead Don’t Die”

Par Zazil Media — 22 octobre 2019 à 15:30

Fremont, CA – October 22, 2019 – Blackmagic Design today announced that Chimney relied on DaVinci Resolve Studio to collaborate in real time across its New York, NY, and Gothenburg, Sweden, locations while delivering visual effects (VFX) for the hit zombie movie “The Dead Don’t Die.” The international post production company also used Fusion Studio for ...

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☐ ☆ ✇ Audiovisualcity » Audiovisualcity | Audiovisualcity

CTM Festival

Par Marco Savo — 21 octobre 2019 à 17:01

Berlin, January 24 – February 2 2020

CTM’s 21st edition launches with an announcement of new performances, special projects, and commissioned works.

Combining unique productions, concerts, and club nights with a dense daytime programme of talks, discussions, installations, and an exhibition, CTM 2020 proposes multiple entry points into thinking about this year’s Liminal theme.

Liminal phenomena and states are transitional phases in which a familiar order sees its values and symbols destabilised; norms are suspended or turned on their heads. We find ourselves in ambiguous spaces, somewhere between a past that is no longer valid and an ever-becoming future.

TM 2020 will again play out across some of Berlin’s most standout cultural and nightlife venues. For the first time, the festival hosts special projects at Radialsystem V and an immersive listening series at Silent Green’s Betonhalle, while continuing its close relationship with HAU Hebbel am Ufer, Berghain, Kunstquartier Bethanien, Festsaal Kreuzberg, and SchwuZ. A limited number of Early-bird Festival Passes are available now.

As always, CTM takes place parallel to and in collaboration with transmediale festival. The jointly organised Vorspiel 2020 Open Call is out now. Vorspiel will again bring together a wide range of Berlin-based artists, initiatives, and venues, hosting a city-wide programme of cultural events.

CTM Festival

Berlin, Germany

contact@ctm-festival.de

 LINK BOX 

Club Transmediale

Facebook / Twitter / Youtube / Vimeo

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☐ ☆ ✇ Broadcast Beat Magazine: 2015 NAB Show News

Marco Borsato at De Kuip Stadium 2019

Par Amisa Saari-Stout — 21 octobre 2019 à 16:18

–disguise’s vx 4 servers and Augmented Reality features play a key role at Marco Borsato’s 2019 Record-Breaking Concert Series– Dutch megastar Marco Borsato recently played a stream of sold out record breaking shows at De Kuip stadium in The Netherlands. The set included a huge scale canvas in the form of a 1,000 square-meter LED ...

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☐ ☆ ✇ 3dvf.com - Actualité quotidienne

Umedia crée lieux magiques et créatures fantastiques pour un film norvégien

Par Shadows — 21 octobre 2019 à 15:23

Les équipes de la branche VFX du studio Umedia nous présentent leur travail sur The Ash Lad – In Search of the Golden Castle (Askeladden – I Soria Moria slott en VO), un film fantastique norvégien de Mikkel Brænne Sandemose. Il s’agit de la suite du film sorti sous le titre Espen – Le Gardien de la prophétie en France.

Umedia VFX a notamment mis en scène plusieurs créatures fantastiques, et à géré des décors variés : une maison-souche, un gigantesque intérieur médiéval ou encore des séquences marines.

Notez enfin que Umedia VFX est continuellement en recherche de personnes pour étoffer son équipe de talents à Bruxelles ; si l’aventure vous tente, vous pouvez envoyer votre candidature à vfx_brussels@umedia.eu.

L’article Umedia crée lieux magiques et créatures fantastiques pour un film norvégien est apparu en premier sur 3DVF.

☑ ☆ ✇ Broadcast Beat Magazine: 2015 NAB Show News

Medialooks Provides eSports Giant ESL with Video Transport Solution

Par Desert Moon Communications — 18 octobre 2019 à 23:18

Medialooks Provides eSports Giant ESL with Video Transport Solution World’s largest esports company overcomes distance limitations and language difficulties with Medialooks’ low-latency remote streaming tool. Bern, Switzerland – October 17, 2019 – Medialooks, provider of ground-breaking low-latency video transport streaming solutions for remote production, recently provided a video transport solution to ESL—the world’s largest eSports ...

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☑ ☆ ✇ Broadcast Beat Magazine: 2015 NAB Show News

Dell Blue Creates Visceral “Everything Counts” Spot For Alienware

Par priyapr — 18 octobre 2019 à 19:47

Dell Blue, the internal creative agency for Dell, recently created a thrilling :60 spot for Alienware, a provider of premium gaming laptops and desktops. Centered around the tagline “Everything Counts,” the spot features a cast of real-life gamers headlined by Yiliang “Peter” Peng a.k.a. Doublelift, a professional League of Legends player who currently plays for ...

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☑ ☆ ✇ Broadcast Beat Magazine: 2015 NAB Show News

disguise announces rapid growth of US operations with new hires

Par Amisa Saari-Stout — 17 octobre 2019 à 15:18

disguise has announced a raft of new additions to its US sales, training and support teams, expanding the Americas staff base in its New York and Los Angeles hubs.  In 2016, disguise opened its New York office in Brooklyn, designed as an open and collaborative work space to bring together the East Coast community of ...

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☑ ☆ ✇ Broadcast Beat Magazine: 2015 NAB Show News

Grass Valley Comes to Broadcast India 2019 with Powerful Portfolio of Glass-to-Glass Solutions

Par platformcomms — 17 octobre 2019 à 11:16

MONTREAL – 8:00 IST October 17, 2019 – Grass Valley today announces it will showcase its applications-driven suite of solutions at Broadcast India 2019, (October, 17-19, stand E-503) underscoring how it enables broadcasters, rights holders and media service providers to create, manage and deliver captivating and immersive content that engages audiences on any device. “At Broadcast India 2019 ...

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☑ ☆ ✇ Broadcast Beat Magazine: 2015 NAB Show News

Mike Ruddell joins Ncam to support continued growth of AR and VR in Broadcast and Live Production

Par Denise Williams — 17 octobre 2019 à 00:04

Ncam Technologies, the leading developer of real-time augmented reality technology for the media and entertainment industries, has announced the immediate appointment of Mike Ruddell to the role of Global Business Development Director – Sports & Broadcast. Alongside the current growth in Ncam’s core markets of broadcast graphics, film and TV VFX, sports, and enterprise AR, ...

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☑ ☆ ✇ Broadcast Beat Magazine: 2015 NAB Show News

Primestream’s Renewed Vision Bolsters Success for 2019

Par Denise Williams — 16 octobre 2019 à 23:35

Straight off the back of winning TVBEurope’s ‘Best of Show’ award at IBC2019, Primestream, the industry leader in Media Asset Management and workflow automation, will continue to demonstrate its software solutions that enable media organizations, broadcasters and multinational organizations to capture, produce, manage and deliver content, at global trade shows, including NAB Show New York ...

The post Primestream’s Renewed Vision Bolsters Success for 2019 appeared first on NAB Show News by Broadcast Beat, Official Broadcaster of NAB Show - NAB Show LIVE.

☑ ☆ ✇ Broadcast Beat Magazine: 2015 NAB Show News

Recreate Hollywood’s Spookiest Eye-Popping Looks with New Tutorial from Red Giant

Par Zazil Media — 16 octobre 2019 à 17:29

The Thing with a Hundred Eyes: Latest visual effects tutorial on Red Giant YouTube shows viewers how to how to give actors the creepiest and coolest eyes based on characters from Hollywood film and TV. Portland, OR – October 10, 2019 – Red Giant is ready for Halloween with their latest tutorial: The Thing with ...

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☑ ☆ ✇ Broadcast Beat Magazine: 2015 NAB Show News

Evercast, LLC Appoints Steven B. Cohen as Evangelist in Los Angeles

Par Artisans PR — 16 octobre 2019 à 15:41

Leading Industry technologist to assist introduction and adoption of remote collaboration system for Production and Post. LOS ANGELES— Evercast, LLC, a Scottsdale, Arizona-based developer of a powerful live-streaming collaboration platform, has hired Steven B. Cohen as Evangelist to enhance their offerings, support their growth and technology adoption in Media & Entertainment. Cohen brings broad expertise ...

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☑ ☆ ✇ Broadcast Beat Magazine: 2015 NAB Show News

Starfish provides compliance recording to The National Library of Sweden

Par Manor Marketing — 16 octobre 2019 à 14:22

Reading,UK, 16 October 2019: Starfish Technologies, a pioneer in transport stream processing and advertising insertion, has supplied a multi-channel compliance recording system to Kungliga biblioteket, The National Library of Sweden in Stockholm, Sweden, in cooperation with Starfish’s Swedish partner Lanlink Digital Broadcast. The system utilises Starfish’s ‘Verify’ compliance recording technology which can record multiple channels of ...

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☑ ☆ ✇ Broadcast Beat Magazine: 2015 NAB Show News

Switch Media Unveils Cost-Effective Fast-to-Market OTT Platform MediaHQ Lite

Par Jump — 16 octobre 2019 à 09:24

Switch Media, a world leader in online video technology, is announcing the launch of MediaHQ Lite. This is an end-to-end OTT platform that provides a comprehensive feature set at a cost-effective price point allowing an OTT service to be delivered swiftly. MediaHQ Lite keeps complexity to a minimum while satisfying core OTT requirements, reducing overheads ...

The post Switch Media Unveils Cost-Effective Fast-to-Market OTT Platform MediaHQ Lite appeared first on NAB Show News by Broadcast Beat, Official Broadcaster of NAB Show - NAB Show LIVE.

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Women in Technology Luncheon to Feature Filmmaker and Creative Pamela B. Green

Par Ignite Strategic Communications — 15 octobre 2019 à 01:24

HPA and SMPTE announced today that Emmy nominated filmmaker Pamela B. Green will be the featured speaker at the annual Women in Technology Luncheon on Monday, Oct. 21, presented by HPA Women in Post and SMPTE. The popular gathering takes place October 21-24 during the SMPTE 2019 Conference at the Westin Bonaventure Hotel in downtown ...

The post Women in Technology Luncheon to Feature Filmmaker and Creative Pamela B. Green appeared first on NAB Show News by Broadcast Beat, Official Broadcaster of NAB Show - NAB Show LIVE.

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