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☐ ☆ ✇ The Beat: A Blog by PremiumBeat

Making Cinema Lights and Practicals Work Together

Par : Rubidium Wu — 28 août 2019 à 13:00

Practical lighting vs. cinematic lighting — this article examines how to use practical lighting to create a cinematic look.

☐ ☆ ✇ Anomes / Créateurs de Possibles

⁣ ⁣⁣ ⁣#repost @ex_lumina⁣ ⁣__________________⁣ ⁣⁣ ⁣The...

— 18 septembre 2019 à 10:47



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⁣#repost @ex_lumina⁣
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⁣The “Synesthésie” #lightshow version with #audio #synchronization and #color #synesthesia during an #organ #concert at the Saint Jean #cathedral for the #nuitdescathédrales night in #besançon. More infos on our website 😇⁣⁣
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⁣⁣#audioreactive #organconcert #videoprojection #realtime #millumin #smoke #interactive #interaction #hackintosh #millumin2 #lights #videoart #motiondesign #osc #classicalmusic #videlioevents #interactiveart #lightdesign #visualart
https://www.instagram.com/p/B2i93DjJ6ja/?igshid=152yhveufibj7

☐ ☆ ✇ The Beat: A Blog by PremiumBeat

Three Quick Tips for Filming in the Midday Sun Without Diffusion Tools

Par : Lewis McGregor — 18 septembre 2019 à 14:00

Here's some advice on how to use natural light when shooting various exterior (and interior) scenes either low- or no-budget.

☐ ☆ ✇ Audiovisualcity » Audiovisualcity | Audiovisualcity

Circle of Light Festival

Par : Marco Savo — 21 septembre 2019 à 16:36

Moscow, 20-24 September 2019

The Circle of Light Moscow International Festival is an annual event where lighting designers and audiovisual artists from various countries reinvent the architecture of Moscow.

For a few days Moscow will turn into a universe of light while fascinating building projections will animate the streets and fantastic multimedia shows using light, flame, lasers and fireworks will shake the viewers to the core. As always admission to all festival venues is free.

THE ART VISION VIDEO MAPPING CONTEST RUNS UNDER THE AEGIS OF THE «CIRCLE OF LIGHT» FESTIVAL.

This year contestants from 35 countries joined the competition.

  • 5 entry works have been selected for the Classic Nomination
  • 16 entries for the Modern Nomination
  • 15 entries for the VJing Nomination. 

All entries will be projected onto iconic buildings in Moscow.

The organizer of the «Circle of Light» festival is the Department of Sport of Moscow. The coordinator of the festival is LBL Communication Group.

Circle of Light – Art Vision Contest

Moscow, Russia

info@lightfest.ru

LINK BOX

Circle of Light

Facebook

Instagram

Youtube

The post Circle of Light Festival appeared first on Audiovisualcity.

☐ ☆ ✇ The Beat: A Blog by PremiumBeat

A Cheap Trick for Lighting a Daylight Interior Car Scene

Par : Lewis McGregor — 25 septembre 2019 à 13:00

Here are a few techniques to master the subtleties of lighting a car interior in daylight — without breaking your budget.

☐ ☆ ✇ The Beat: A Blog by PremiumBeat

Exciting New Prospects for Lighting Your Future Set

Par : Rubidium Wu — 7 octobre 2019 à 13:00

In the wake of the multiple announcements at this year's IBC, let's look at some of the newest and craziest lights about to hit the market.

☐ ☆ ✇ The Beat: A Blog by PremiumBeat

Exploring the Emotion and Beauty Behind Uplighting

Par : Rubidium Wu — 9 octobre 2019 à 13:00

Uplighting is a great tool in any DP or gaffer's tool kit. Let’s look at the main ways uplighting gets used (and misused) in cinematography.

☐ ☆ ✇ The Beat: A Blog by PremiumBeat

Using Lighting Effects in Premiere Pro

Par : Robbie Janney — 14 octobre 2019 à 14:00

Here's how to bring artificial light into your project with the Lighting Effects tool in Premiere or overlaying light leaks and lens flares.

☐ ☆ ✇ The Beat: A Blog by PremiumBeat

The King of Daylight Brightness — An Introduction to HMIs

Par : Rubidium Wu — 15 octobre 2019 à 13:00

You'll find HMIs doing the heavy lifting on almost every big Hollywood film set — lighting daytime exteriors, diffused windows, and turning night into day.

☑ ☆ ✇ The Beat: A Blog by PremiumBeat

How Cinematographer Roger Deakins Uses the Cove Light

Par : Rubidium Wu — 18 octobre 2019 à 14:00

In this article, we'll discuss the innovative "cove lighting" style of award-winning Cinematographer Roger Deakins and how he uses it.

☑ ★ ✇ LeCOLLAGISTE VJ

Un vidéoprojecteur avec une caméra et un ordinateur dans le LF2 de LightForm

Par : LeCollagiste — 29 octobre 2019 à 10:02
LightForm LF2

Un scanner en Structured Light, une carte d’estimation de profondeur et on envois des effets instantanément en simple glisser-déplacer dans le LightForm Creator, voilà ce que la compagnie LightForm propose avec sa nouvelle bestiole le vidéoprojecteur LF2. Le LF2 a dans son coffre un VP de 1000 Lumens ANSI à LED d’une durée de vie de 30 000 heures avec une résolution native de 1920×1080 pixels, possède 2 entrées HDMI, 2 ports USB, un port Gigabit RJ45, un ordinateur Quad Core Arm Cortex-A53 de 1,8 GHz, une caméra RGB/IR. Le LF2 se trouve sur leur site à 998$.

LightForm LF2
LightForm LF2

Il existe aussi le kit LFC sans VP pour toutes sortes de configurations et surtout pour de plus grosses surfaces. Dans le kit vous trouverez, un mini ordi Intel Gemini Lake N4000 w/8GB RAM, une webcam Logitech Brio 4K pour le scanner, et un support pour ordinateur et caméra. Et le Lightform Creator pour 799$.

LightForm LFC
LightForm LFC
LightForm LFC

Un vidéoprojecteur avec une caméra et un ordinateur dans le LF2 de LightForm est un billet de LeCollagiste VJ.
LeCollagiste VJ - Mag du LeCollagiste, actu sur la culture VJING, Vidéo Mapping, info video et high tech.

☐ ☆ ✇ The Beat: A Blog by PremiumBeat

Pre-Visualizing Your Scene: The Pros and Cons of Set.a.light

Par : Rubidium Wu — 28 octobre 2019 à 12:00

In this review, we'll take a look at the set.a.light pre-visualization program, its virtual assets and limitations, and how to use it.

☐ ☆ ✇ Audiovisualcity » Audiovisualcity | Audiovisualcity

3D light and audiovisual show by Huma and Eyesberg

Par : Hayley Cantor — 1 novembre 2019 à 08:00



This week, we caught up with Huma about his most recent project ‘Eva,’ to find out a little more about how his musical project developed into a live AV show. Huma is Andrés Satué’s personal project, an evolution from his early musical days in a rock band to his more recent progression into the world of electronic music. He’ll be performing ‘Eva’ at Mira Festival, Fabra i Coats, Barcelona, Thursday 7th November

Tell us a bit about the visual side of your show. What can the audience expect in terms of live A/V performance?

The idea is to treat light from a 3D environment by making the light beams coincide, forming geometric figures in motion in the air.

Have your created the visual part of the show yourself or collaborated with a visual artist? (If so, who and why?) If not, tell us about how you developed the project and any challenges you faced in dealing with both elements of the performance.

I’m working with Jose Vaaliña from Eyesberg studio. It was a very natural collaboration, we met after finishing two gigs I did in Barcelona and we talked about the possibility of working together as we have very similar ideas about the relation between music and visuals, now it’s happening and I can say we are both really happy with the results.

What tools and set up are you using for the show? 

We are using 5 powerful projectors, various smoke machines (fog and hazer) and also some visuals. The beams of light will react to sound to create a symbiosis between both. Also we will use some lights and strobes for punctual moments.

How do you feel about the importance of the visual experience in your projects past and present?

It is something I have always thought about as a very important element. Even when I played in rock bands lots of years ago we always carried a few lights to add impact to the final part of the show.

Since I’m working as Huma, I collaborated with Drömnu using visuals at the very beginning, then moved to colorful L.E.D.s, smoke and strobes working with Juan Pablo Larrazabal and now I wanted to try new things and Jose appeared. I like the idea of doing something immersive, not something that you have to look at the detail or that can distract the public but something that will enhance the music. 

You’ve been making music for more than 10 years now. What is the project that you are most proud of, or have the most attachment to so far?

Well, I’m always more attached to the last thing I’ve ever done. Even though I really think that ‘Eva’ and this show is the project in which I have worked the most on and the project I’m the proudest of to date.

Got any questions for Andrés, Eyesberg, or just want to share anything with us? Jot down your thoughts below 🙂

https://hedonicreversal.bandcamp.com/

https://www.facebook.com/hedonicreversal/

https://hedonicreversal.bigcartel.com/

The post 3D light and audiovisual show by Huma and Eyesberg appeared first on Audiovisualcity.

☐ ☆ ✇ The Beat: A Blog by PremiumBeat

Getting Your Lights and Camera in Impossible Places

Par : Rubidium Wu — 5 novembre 2019 à 13:00

The Mini MAX is a great option to lighting a scene, giving the actors and camera the freedom to move and shoot at almost 360 degrees.

☐ ☆ ✇ The Beat: A Blog by PremiumBeat

The Best Scenario for Using Space Lights: An Introduction

Par : Rubidium Wu — 6 novembre 2019 à 13:00

Shooting in natural light, outdoors, can often be a limiting experience. Introducing the space light — a great alternative to outdoor lighting.

☐ ☆ ✇ The Beat: A Blog by PremiumBeat

Building Your Own Car Rig — Commercial Insider Edition

Par : Rob Wayne — 12 novembre 2019 à 13:00

In this next video for fiscally clever car rigging, we'll break down the mission control setup inside the car. Plus, my experience with these techniques.

☐ ☆ ✇ Audiovisualcity » Audiovisualcity | Audiovisualcity

Nina Verhagen

Par : Nina Verhagen — 14 novembre 2019 à 10:02

film-aestheticNina Verhagen a twenty-one-year-old translating student. I’m a writer and a film enthusiast.

Fascinated by music, video, photo, and film- I dive into everything regarding audiovisual that interests me or sparks my interest. Same thing.

Social media is amazingit is a way to connect and speak to people all over the world. One image can go through so many countries. It’s fascinating!

The post Nina Verhagen appeared first on Audiovisualcity.

☐ ☆ ✇ The Beat: A Blog by PremiumBeat

How to Build and Use the Swiss Frame Book Light

Par : Rubidium Wu — 14 novembre 2019 à 14:00

The Swiss Frame Book Light is a valuable tool for any DP or gaffer because it is a versatile diffusion setup that will make the talent look ...

☐ ☆ ✇ The Beat: A Blog by PremiumBeat

Why Tungsten Lighting in Filmmaking Is Still Alive and Thriving

Par : Rubidium Wu — 15 novembre 2019 à 13:00

Some of the most successful DPs are using tungsten on some of the biggest productions, and for reasons that might surprise you.

☑ ☆ ✇ Audiovisualcity » Audiovisualcity | Audiovisualcity

MIRA FESTIVAL 2019

Par : Marta Minguell — 20 novembre 2019 à 07:13

The past week, 5th – 9th November, MIRA FESTIVAL celebrated its 9th Edition and Audiovisual City were present to enjoy the program that featured audiovisual shows, 360-degree experiences in DOME format, installations, workshops and conferences.

This edition rethought the combination of art and technology as tools of protest, to turn thinking into action, and invited us to interfere in a personal transformation to trigger a change in the future. In addition to this ingenious theme, the festival opened a new stage at Fabra i Coats, dedicated to multidimensional sound: the 3D Sound Room by Estrella Galicia.

For the live AV shows, we want to highlight some well-known artists that MIRA festival brought this year. Thursday Sam Shepert (AKA Floating Points) played accompanied by the visuals of Hammill Industries. Friday’s Av highlight was CLARK feat. Evelyn Bencicova and her show of a wide gamma of textures along with his characteristic techno. Alessandro Cortini also produced some emotional content through electronic sounds, with his warm and human visuals. On Saturday Biosphere performed a series of recordings and improvisations captured outdoors on the island of Senja, and Vessel and Pedro Maia presented the dualities of the human condition. But these are just some of the many artists who participated in this edition.

Some of the artists that surprised us at Audiovisual City were, on Friday, the Nihiloxica band, with their intercultural experiment, fusing the indigenous Bugandina percussion with dark European club music. Also, on Saturday, the duet of 700 Bliss, with who you clearly see a relationship with the theme of the festival, sounds and words are embodied in suffering and social alignment in an unfair world. And finally, Curl, on Saturday, where we could see an unexpected turn in the style of the band, showing a previous experimental work. The originality and strength of these artists left us astonished.

We show you some of the magical moments that we captured at the festival.

Main Stage
Robert Lippok and Lucas Gutierrez present Non-Face (DOME)
Robert Lippok and Lucas Gutierrez present Non-Face (DOME)
700 Bliss (Live AV)
700 Bliss (Live AV)
Curl (Live AV)
Curl (Live AV)
Rally (Live AV)
Rally (Live AV)
Beatrice Dillon (Live)
Beatrice Dillon (Live)
Biosphere (Live AV)
DOME
Floating Points (Live AV)
Dualismo, Carlos Saez
Dualismo, Carlos Saez
Dualismo, Carlos Saez
Dualismo, Carlos Saez
Curl (Live AV)
Alessandro Cortini (Live AV)
BREACH ACT I, Rick Farin
BREACH ACT I, Rick Farin
BREACH ACT I, Rick Farin

MIRA Festival

Barcelona, Spain

info@mirafestival.com

LINK BOX

Mira Festival

See on the map

The post MIRA FESTIVAL 2019 appeared first on Audiovisualcity.

☐ ☆ ✇ Anomes / Créateurs de Possibles

⁣ ⁣⁣ ⁣#repost @ex_lumina⁣ ⁣__________________⁣ ⁣⁣ ⁣Second...

— 21 novembre 2019 à 09:48



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⁣#repost @ex_lumina⁣
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⁣Second #ledlight #artinstallation for @festilumi #bonifacio, featuring #3deffect on both #light and #audio in St Dominique street, making the festival entrance a real #immersiveart #audiovisual #experience. Made with love on @touchdesigner, @millumin2 and @mad_mapper, driving #sound and #lightcreation using only #video files.⁣⁣
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⁣⁣#lightsculpture #ledartist #immersiveexperience #lightart #lightartist #lightfestival #street #animation #festilumi #visualart #installationart #millumin #madmapper #madlight #leddisplay (at Bonifacio)
https://www.instagram.com/p/B5Hw6zHpAGg/?igshid=dnhjri1dco8n

☐ ☆ ✇ Anomes / Créateurs de Possibles

⁣ ⁣⁣ ⁣#repost @delight_lab⁣ ⁣__________________⁣ ⁣⁣ ⁣Preparando...

— 21 novembre 2019 à 09:48



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⁣#repost @delight_lab⁣
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⁣Preparando @kuzefest en el @mnbachile #kuzefest2017 #kuzefest #festivaldeluzstgo #delightlab (at Museo Nacional de Bellas Artes - Santiago de Chile)
https://www.instagram.com/p/B5HwxrmJyBP/?igshid=1gvktf3skw77t

☑ ☆ ✇ The Beat: A Blog by PremiumBeat

Find Your New Favorite Tool: Five NLE Alternatives to Premiere

Par : Caleb Stephens — 2 décembre 2019 à 13:00

Frustrated with Premiere? Tired of the subscription model? Today, we're taking a peek at some of the alternative NLEs available to editors.

☐ ☆ ✇ The Beat: A Blog by PremiumBeat

Make Your Own Light Control for Quasar-Style Tube Lights

Par : Rubidium Wu — 6 décembre 2019 à 14:00

In this tutorial, we'll go over how to build an inexpensive — and relatively simple — quasar-style light control using foam core.

☐ ☆ ✇ Broadcast Beat Magazine: 2015 NAB Show News

Matthews Panel Stand Cranks up Lights, Monitors, & More

Par : Vika Safrigina — 12 décembre 2019 à 03:04

Burbank, California – Matthews Studio Equipment, offers yet another smart solution that makes life on set a bit more convenient. New Panel Stand vimeo.com/348274238 answers the need for a quick set-up stand that aptly supports today’s panel and balloon-style lighting fixtures, LED monitors, screens, overhead frames and backdrops. What’s more, convenient wheels add on-set mobility ...

The post Matthews Panel Stand Cranks up Lights, Monitors, & More appeared first on NAB Show News by Broadcast Beat, Official Broadcaster of NAB Show - NAB Show LIVE.

☑ ☆ ✇ The Beat: A Blog by PremiumBeat

Shooting Video Interviews with Two People at Once

Par : Jourdan Aldredge — 18 décembre 2019 à 13:00

Plan accordingly, know the usual problems, and be ready to adjust on the fly: A guide to handling two people at once for sit-down video interviews.

☑ ☆ ✇ The Beat: A Blog by PremiumBeat

The Importance of Capturing and Controlling Specularity

Par : Rubidium Wu — 18 décembre 2019 à 14:00

Learn how to utilize specular reflections, why it is important you're getting that particular effect, and how to enhance or reduce it.

☑ ☆ ✇ Broadcast Beat Magazine: 2015 NAB Show News

Technicolor uses Baselight to create light and shade in His Dark Materials

Par : Caroline Shawley — 18 décembre 2019 à 14:54

  Colourist Jean-Clément Soret integrates CGI and atmospheric shooting   LONDON — 18 December 2019: One of the most awaited drama series of 2019, His Dark Materials, produced by Bad Wolf for BBC and HBO, was finished at Technicolor in London. With a story set in a parallel universe that seems like the Britain of ...

The post Technicolor uses Baselight to create light and shade in His Dark Materials appeared first on NAB Show News by Broadcast Beat, Official Streamer of NAB Show - NAB Show LIVE.

☐ ☆ ✇ The Beat: A Blog by PremiumBeat

DIY: How to DIY a Green Screen on a Budget

Par : Charles Yeager — 23 décembre 2019 à 13:00

Find the right fabrics, paints, and equipment to make a DIY green screen. Learn how to light and mount your green screen without breaking the bank.

☐ ☆ ✇ The Beat: A Blog by PremiumBeat

Lighting by Eye: How to Light a Scene Using Ratios

Par : Rubidium Wu — 8 janvier 2020 à 13:00

Today, we'll talk about lighting in ratios, how it can change your cinematography, as well as the way you think about lighting a scene.

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