Collanews

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☐ ☆ ✇ CreativeApplications.Net

Neuhaus.world – Participatory, interactive music video for Lake of Pavement

Par Filip Visnjic — 24 avril 2019 à 14:28
Neuhaus.world – Participatory, interactive music video for Lake of Pavement
Created by Moniker, Neuhaus.world is a participatory, interactive music video for Lake of Pavement, a new track by the emerging Rotterdam based artist Jo Goes Hunting.

☐ ☆ ✇ CreativeApplications.Net

SFPC Spring 2019 Student Showcase

Par Celine Wong Katzman Taeyoon Choi — 21 juin 2019 à 15:34
SFPC Spring 2019 Student Showcase
SFPC tutors Celine Wong Katzman and Taeyoon Choi reflect on yet another successful session at the artist run school in New York. SFPC Fall 2019 Open Call is live now!

☐ ☆ ✇ CreativeApplications.Net

Blackberry Winter – Artificial human motion in asymmetry

Par Filip Visnjic — 10 juillet 2019 à 12:26
Blackberry Winter – Artificial human motion in asymmetry
Created by Christian Mio Loclair (Waltz Binaire), 'Blackberry Winter' is an investigation into the possibilities of identify motion as a continuous walk in a latent space of situations.

☑ ☆ ✇ CreativeApplications.Net

Hertzian Landscapes – The interactive space of a radio spectrum

Par Filip Visnjic — 27 septembre 2019 à 16:44
Hertzian Landscapes – The interactive space of a radio spectrum
Created by Richard Vijgen, 'Hertzian Landscapes' is a live visualization of the radio spectrum. It includes a digital receiver to scan large swaths of radio spectrum in near real-time and using Three.js visualises thousands of signals into a panoramic electromagnetic landscape.

☑ ☆ ✇ CreativeApplications.Net

Lieux Ordinaires (Ordinary Places) – Surveillance as a storytelling medium

Par Filip Visnjic — 10 octobre 2019 à 15:48
Lieux Ordinaires (Ordinary Places) – Surveillance as a storytelling medium
Created by Anouk Zibault at ECAL, 'Lieux Ordinaires' (Ordinary Places) is a project that explores new narratives of public space framed by surveillance – an alternative perspective and a medium with a power to 'document'.

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