DEADLINE: 1 June 2020
The 16th international festival for digital arts of Greece, Athens Digital Arts Festival (ADAF) is evolving and launching an ONLINE version.
Since the new era is here the international festival for digital arts in Greece, Athens Digital Arts Festival has decided that its 16th edition titled Technotribalism, will also be presented online.
ADAF ONLINE | Technotribalism will take place from the beginning of July till September and will be accessible to everyone through the internet.
Under this framework all audiovisual artists will be able to submit applications till the 1st of June, developing the Technotribalism idea to an online version.
The audiovisual event will host artworks from Video Art, Animation, VR (360 video), Performances, Web Art, Games, Digital Image, talks, workshops, ADAF Kids for Children & their Parents and Festivals of the world that are eligible to be presented digitally.
Gijon, September 10 – 13 2020
L.E.V. (Laboratorio de Electrónica Visual) is a platform specialized in the production and promotion of electronic sound creations, and its relationship with visual arts. It was a European pioneer in this field, and since more than 13 years ago, it tries to converge the natural synergy between image and sound, and the new artistic trends, making special emphasis on live actions.
LEV develops the L.E.V. Festival (in Gijón) and specific, de-localized shows called LEVents. Through both proceedings, the platform reaches its goal: to provide an eclectic, panoramic vision of the current state of creation and all its connections, in an ever-evolving environment.
That is why LEV focuses its work both on international artists that are leaders in audiovisual creativity and local artists, both pioneers and new talents.
L.E.V. is a co-production between the Principado de Asturias Government, the Gijón City Council and LABoral Art and Industrial Creation Centre and it was designed and conceived by the Asturian collective Datatrón. The festival honors by its acronym to Lev Thermen (Russian scientist father of the present-day synthesizers).
Laboral, Camino de los Prados 121,
04 – 06 September 2020, Weimar
MAKE WALLS TALK!
The international GENIUS LOCI WEIMAR Festival for audiovisual projections was launched in 2012 as part of the ‘Weimar Summer’ initiative.
Optimally located in this city of poets, musicians and thinkers, as well as the birthplace of the Bauhaus movement, the festival has become an important cultural event for Thuringia, and is now in its ninth edition.
Through the technique of videomapping, Genius Loci Weimar redefines historical buildings and renders history and architecture as tangible for visitors. Every year, three new buildings and structures in and around the city of Weimar are chosen to become a part of the competition and festival.
The winning concept submissions, which must be in a medial narrative form, expressed at the highest technical level through the art of projection mapping, are developed and produced for one of the selected competition facades. Alongside the classic projections, an additional facade represents an interface with the media architecture in the form of a permanent installation.
2020 is set to be a significant year for Germany, with jubilees and anniversaries that could hardly be more contrasting. The “Year of Music 2020” is celebrating Ludwig van Beethoven, Franz Liszt and numerous other composers whose great works could not have been created without the acclaim and support that they enjoyed in Germany.
For this year’s edition of the festival, GLW is expressly encouraging makers of short films, motion graphic artists and video and film artists of all backgrounds and genres to apply for the selected locations through the medium of their disparate visual aesthetics, animation techniques and narrative concepts.
MXPerience gUG / Goetheplatz 9b / D-99423 Weimar
Madrid, 16th April – 3rd May, 2020
Madatac is a new media art, video art and audiovisual technology focused festival based in Madrid, Spain. It’s a veteran in the industry, celebrating it’s 10th year this year. The 2020 edition MadatacX will be celebrated 16th April – 3rd May and will include AV performances from the likes of Kenta Nakagawa, Franck Vigroux & Antoine Schmitt and the great Ryoji Ikeda.
Rather than following the common one price for all festival format, events take place over a longer period of time with various viewings and performances spread in nice little doses, great for busy audiences who are only able to attend a little at a time.
With an open philosophy, framed within a universalist, pedagogical and free access commitment, which places special emphasis on the innovation, originality, risk and poetics of audiovisual projects focused on the experimental art of new media, it has the aim to serve as a real, virtual and itinerant laboratory where artists can present their latest creations.
Marta is a Creative Coder and Digital Artists from Galicia, based in Madrid.
Originally, she studied Fine Arts, and now she is specialised in new media arts and digital technologies applied to the performance arts. She also teaches at the Fab Academy, as an expert in digital fabrication.
Marta develops visuals, interactive and generative graphics, as well as dynamic/interactive content for lighting design, custom electronic devices and wearables, interactive installations for musicians, dance and theatre companies, artists, designers and arts institutions.
Her work is constructed through the use of custom built software and hardware specific to each visual set, allowing her to manipulate all the content in real time and to explore the limits of visual noise, repetition and the link between the organic and the electronic.
She works primarily in Spain and Portugal on a wide variety of projects, from theatre to festivals. Marta has also performed at festivals such as Primavera Sound, LEV Matadero, Sonic Arts Festival, MIRA and WOS Festival.
She also has taught about technology and interactivity at: IED Madrid, Ephemereal Architecture Masters Degree at ETSAM Madrid, Medialab-Prado, La Casa Encendida ,Fundación Telefónica, BAU, UOC, and has mentored Hackatons at Makers of Barcelona with Ciclo.io.
This year is a pivotal year for L.E.V. Festival as they take residence in Madrid for the first time. When we attended L.E.V. way back in 2014, we were astounded by the potential of this seemingly small festival in Gijón. It inspired us with its delicate combination of musical and audio-visual performance, its variation between genres and the balance between sit-down performances and exceptionally well-curated concerts. We loved the daytime with the change of venue to the botanical gardens, and ending the day in a church.
As LEV themselves state on their website, Plaid is able to fill venues as diverse as the Sydney Opera House, right through to Berghain.
On Warp Records, as they approach their 30th anniversary, Plaid are a clear reference to the industry.
“The problems and benefits of Polymers felt like good themes for this album, their repetitious strength, endurance and troubling persistence, the natural versus the synthetic, silk and silicone, the significant effect they have on our lives.” – Plaid
Dancers, inspired by the colossal quantities of plastic in our oceans, shows that Polymer is much more than just a musical performance, but an artistic reference to the world context in which their creation has been made. The official music video, whilst quite surrealist, and disturbing, is strangely beautiful. We’re really excited to see how this can translate to a live visual performance.
This seems to be the technological performance of the festival. With growing exploration into the world of virtual and digital technologies, new media art really is at the cutting edge of what’s to come and is an exhilirating way to be introduced to new world contexts.
EXALAND is an AV performance using ‘wearable controllers,’ which we imagine to be a development on what we saw with Chagall’s performance using the mi.mu gloves at Sonar Festival some years back http://www.audiovisualcity.org/avcity/2016/05/23/sonarplusd-chagall-mi-mu-gloves/
These guys have got all of the buzz words Audioreactive Video Projection and an Audioreactive Video in VR/360°, as well as 3D art and electronic music, not forgetting of course, immersive.
We’re interested to see this interactive performance for the visual aesthetic and graphics, and of course, one of the audiovisual artist’s favourite topics: audio-reactivity.
We’re always intrigued by a write-up that focuses a lot on the visual aspect of the performance, particularly as this isn’t always common practice in the industry, and the description of Mathias Gmaci, triggers a lot of intrigue.
As director of the studio, Loop, who create ‘experiences and environments that radically rethink the future’, we get the impression that this will be yet another audiovisual performance to remember.
‘Mathias Gmachl is a trans-disciplinary artist, researcher and design thinker. He is director of studio Loop.pH founded in 2003 to form an entirely new creative practice that reaches beyond specialist boundaries by facilitating collaborative spaces, mediating between digital & biological media and intervening at an urban scale to re-imagine life in the city.’ -L.E.V.
4. Nkisi: Initiation Live AV
Based in London, and coming to L.E.V with a new live AV format in collaboration with artist Charlie Hope, Nkisi promises ‘African rhythms, uncompromising European hard dance tropes, foreboding synth melodies and a relentless, galvanising energy, as harnessed for her increasingly kinetic live performances.’
If that isn’t a description to get the juices going, we don’t know what is. Unable to find any link to Charlie Hope’s previous work, we decided we’d leave this one as a surprise (although we did catch a few exciting sneaky glimpses on Instagram of a performance at Kraftwerk, Berlin…shhhh).
It’s always good to leave a performance for surprise, we think.
Volume Massimo debuted at Berlin Atonal just a few days ago and will tour all the way to the Barbican in London. Like Plaid, the visual aesthetic is photographic, and is said to take the audience on an emotional journey, using music as a map for life’s journey. It tells the story via footage from the family archives.
Synthesizers, combined with memory, this will be another piece to make us think. Oh, and did we forget to mention that he’s best known as the keyboard for Nine Inch Nails, not to mention has collaborated with the likes of Ladytron and is now member of Los Angeles alternative electronic band, SONOIO.
So, what are you waiting for? If you’re planning on attending the event, get in touch and we’ll see you there!
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