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Marta Verde on her live A/V show with Tensal, at LEV Matadero

Par Hayley Cantor

Earlier this month, we met with Marta Verde to find out about her performance with Tensal at LEV Matadero, and to pick her brains about all those niggling little questions we had after following her career for the last few years.

Who are the artists that you are most looking forward to seeing at LEV Matadero?

Myriam Bleau and Ryoichi Kurokawa.

How were you contacted about the project at LEV Festival?

They called me and proposed that I collaborate with Tensal for their edition at Matadero in Madrid. I had never worked with him before.

Do you ever find that some genres of music just don’t inspire your work?

Absolutely. In general I don’t work on the clubbing, or nightlife scene, so related styles of music wouldn’t be my first choice of project. I actually started doing visuals with traditional Galician music.

Analog waves in the Nave at LEV Matadero
Analog waves at ‘la Nave,’ LEV Matadero, Madrid

Do friends often come to see your performances?

Yes, it depends on the performance. These days they tend to film me in vertical, so I rarely have content that I can use other than for Instagram [she laughs]

How do you feel about being on stage as a visual artist?

I don’t really like that part at all, but of course it’s part of the job. I’m quit shy, really. My show at LEV Matadero is quite different from what I usually do – in terms of music genre, as well as the time of the performance – pretty late, since I’m on at 1am.

What is the most unusual project are you’ve worked on in your career so far?

A few years ago I worked on a project with a musician called Julián Elvira who built a flute that played different frequencies (I had no idea that this wasn’t already the case with flutes!) It was really interesting, because I learnt a lot about music and we were able to work very closely together for the collaboration. We premiered the show in Martin E. Segal Theatre, New York.

Marta verde and Tensal at LEv Matadero
Lights and visuals, Marta Verde’s live performance at LEV Matadero with Tensal

What are you working on at the moment?

Right now, I’m working on a live performance with Madrid-based composer, José Venditti. He plays saxophone, and works on deconstructing sound through classical patterns.

What set-up will you be using for your performance tonight?

A couple of months ago I bought an analogue video synthesizer from LZX Industries. It’s really fun. There’s no preview, so anything can happen, and I also can’t save any presets. I also won’t be using any code for this show, which is very unusual for me. I’ve always been fascinated with the idea of analogue video techniques, and don’t really understand why people go to great lengths to copy the aesthetic digitally, when they could just try to get a real one. 

Analog video aesthetic by Marta Verde
Analog video aesthetic by Marta Verde, for Tensal’s show at LEV Matadero

Do you use social media a lot to promote your work?

You can follow me if you like, my instagram account is mainly dominated by photos of my cat and screenshots of my work. I don’t really get work through social media channels, people tend to contact me directly. The work is really interesting and every project is completely different. Usually I’m presented with some kind of problem and I find ways to solve it.

Apart from doing visual performances, you are currently working at a Fab Lab, right?

It’s very common for freelancers to supplement their work through teaching, which I love. I find it really motivational and inspiring to work with young people and their ideas. I used to work as a coordinator in a Fab Lab, and I still give classes on programming and digital manufacturing there, but not on a regular basis anymore. I tend to work in different locations and on a more ad-hoc basis, that way I can combine teaching with my own projects.

If you want to read more about Marta’s work, you can check her artist profile page here.

The post Marta Verde on her live A/V show with Tensal, at LEV Matadero appeared first on Audiovisualcity.

Le fabricant de filaments Recreus passe à la vitesse supérieure

Par Alex M.

La technologie d’impression 3D par extrusion de filaments, aussi appelée FFF/FDM, a été ces dernières années une méthode plébiscitée par la communauté des makers au détriment des utilisateurs industriels. Cette technologie concurrence toutefois d’autres procédés de fabrication additive désormais comme […]

#Startup3D : Andiamo facilite la création d’orthèses grâce à l’impression 3D et l’IA

Par Mélanie R.

Les orthèses sont des dispositifs médicaux conçus pour stabiliser, soulager, immobiliser, guider ou corriger une partie du corps. Chaque patient étant différent, une orthèse efficace doit être parfaitement adaptée au corps et aux besoins de l’utilisateur, ce qui est rarement […]

Intersections – The Frank-Ratchye STUDIO for Creative Inquiry Celebrates its 30th Anniversary

Par Greg J. Smith
Intersections – The Frank-Ratchye STUDIO for Creative Inquiry Celebrates its 30th Anniversary
In October CAN headed to Pittsburgh to toast the 30th Anniversary of The Frank-Ratchye STUDIO for Creative Inquiry. The event was accompanied by "Intersections," a dynamic group exhibition showcasing many of the anti-disiciplinary works produced within the labs. Here, we review the show and share details about various included works.

Mocha Pro 2020 Packed with New Features for VFX Artists

Par Jason Boone

The latest version of Mocha Pro just hit the scene, and it’s chock-full of new tools geared toward visual effects artists.

Costume Designer Ginger Martini on Production Prep and Post Process

Par Paula Goldberg

PremiumBeat examines the important role clothes play in film and television in this conversation with fashion designer-turned-costume maven Ginger Martini.

The Ad Astra Editing Team On Creating “Quiet Intensity” in The Edit

Par Todd Blankenship

The "Ad Astra" film editing team sat down with PremiumBeat to describe their process and what it's like working with director James Gray.

Un prototype de clavier Bluetooth sur eBay

Par Pierre Dandumont

Vu sur eBay, un prototype de clavier Apple. C’est un modèle aluminium sans fil (v1) en DVT. Le prix demandé est (très) exagéré : 950 €.

Le clavier n’a rien de spécial visuellement, mais un sticker et une inscription indiquent qu’il s’agit d’un prototype. Le vendeur ajoute que le clavier se nomme lui-même « Clares Keyboard ». C’est la version d’origine, qui demande trois piles AA pour fonctionner.

Bientôt une V2 pour DJV, solution de reviewing gratuite

Par Shadows

DJV, solution de reviewing/playback destinée au secteur professionnel, va bientôt passer en version 2 : une beta est déjà disponible.

L’outil permet donc de lire des médias, naviguer frame par frame, annoter, zoomer…
La version 2 apporte une interface revue et épurée, le support de l’audio pour les films, des performances améliorées et la gestion des espaces colorimétriques.

DJV est compatible Linux, OS X, Windows. Le produit est gratuit, mais il est possible de faire un don au créateur.

(remarque : le site officiel de DJV ne supportant pas le https, il se peut que vous ayez un message d’erreur en cliquant sur les liens ci-dessus ; si tel est le cas, rendez-vous directement sur )

L’article Bientôt une V2 pour DJV, solution de reviewing gratuite est apparu en premier sur 3DVF.

Times Network adopt Quicklink TX for daily news contributions

Par quicklink

  Times Network, a subsidiary of The Times Group, have adopted the Quicklink TX Quad to introduce guest contributions into their live daily news bulletins. Times Network, headquartered in Mumbai, India, has a global presence across 100 countries and includes prestigious brands such as Times Now, ET Now, Mirror Now, Movies Now, MN+, Romedy Now ...

The post Times Network adopt Quicklink TX for daily news contributions appeared first on NAB Show News by Broadcast Beat, Official Broadcaster of NAB Show - NAB Show LIVE.

Incus développe un processus d’impression 3D métal basé sur la photopolymérisation

Par Mélanie R.

Incus est une startup basée à Vienne, issue de la collaboration entre plusieurs ingénieurs de chez Lithoz, un expert en fabrication additive céramique. Cette jeune pousse a développé un procédé d’impression 3D métal à partir d’une technique de photopolymérisation. Cela […]

3D light and audiovisual show by Huma and Eyesberg

Par Hayley Cantor

This week, we caught up with Huma about his most recent project ‘Eva,’ to find out a little more about how his musical project developed into a live AV show. Huma is Andrés Satué’s personal project, an evolution from his early musical days in a rock band to his more recent progression into the world of electronic music. He’ll be performing ‘Eva’ at Mira Festival, Fabra i Coats, Barcelona, Thursday 7th November

Tell us a bit about the visual side of your show. What can the audience expect in terms of live A/V performance?

The idea is to treat light from a 3D environment by making the light beams coincide, forming geometric figures in motion in the air.

Have your created the visual part of the show yourself or collaborated with a visual artist? (If so, who and why?) If not, tell us about how you developed the project and any challenges you faced in dealing with both elements of the performance.

I’m working with Jose Vaaliña from Eyesberg studio. It was a very natural collaboration, we met after finishing two gigs I did in Barcelona and we talked about the possibility of working together as we have very similar ideas about the relation between music and visuals, now it’s happening and I can say we are both really happy with the results.

What tools and set up are you using for the show? 

We are using 5 powerful projectors, various smoke machines (fog and hazer) and also some visuals. The beams of light will react to sound to create a symbiosis between both. Also we will use some lights and strobes for punctual moments.

How do you feel about the importance of the visual experience in your projects past and present?

It is something I have always thought about as a very important element. Even when I played in rock bands lots of years ago we always carried a few lights to add impact to the final part of the show.

Since I’m working as Huma, I collaborated with Drömnu using visuals at the very beginning, then moved to colorful L.E.D.s, smoke and strobes working with Juan Pablo Larrazabal and now I wanted to try new things and Jose appeared. I like the idea of doing something immersive, not something that you have to look at the detail or that can distract the public but something that will enhance the music. 

You’ve been making music for more than 10 years now. What is the project that you are most proud of, or have the most attachment to so far?

Well, I’m always more attached to the last thing I’ve ever done. Even though I really think that ‘Eva’ and this show is the project in which I have worked the most on and the project I’m the proudest of to date.

Got any questions for Andrés, Eyesberg, or just want to share anything with us? Jot down your thoughts below 🙂

The post 3D light and audiovisual show by Huma and Eyesberg appeared first on Audiovisualcity.

Industry Insights: Bernie Su on His Emmy-Winning Series “Artificial”

Par Paula Goldberg

Premium Beat spoke with Artificial creator, Bernie Su, who was game to answer some questions about this innovative, interactive experience.

Pre-Visualizing Your Scene: The Pros and Cons of Set.a.light

Par Rubidium Wu

In this review, we'll take a look at the set.a.light pre-visualization program, its virtual assets and limitations, and how to use it.

Review: Hercules’ $199 DJControl Inpulse 300

Par Ean Golden

We rarely look all the way to the budget-minded controllers when thinking about DJing, but sometimes it’s important to think about the tools that new DJs have. In today’s sponsored review, DJTT founder Ean Golden takes a close look at the Hercules DJ Control Inpulse 300. DJControl Inpulse 300 The DJControl Inpulse 300 is a […]

The post Review: Hercules’ $199 DJControl Inpulse 300 appeared first on DJ TechTools.

A Guide to Shooting Interviews as a One-Person Crew

Par Jourdan Aldredge

Need to shoot an interview for a film, documentary, or corporate video project? Here's a step-by-step guide on making sure you get quality footage.

How Well Do Those Spinning Platters Work? A Comprehensive SC5000M Review

Par DJ Soo
SC5000M Review

TL;DR – It’s the SC5000 with a spinning platter. Need more than that? Here’s an extensive review of the motorized jogwheel member of the Prime ecosystem. Since DJTT’s Dan White already wrote a comprehensive review of the original SC5000, this won’t be a full review of the unit. Rather it’s primarily a look at how […]

The post How Well Do Those Spinning Platters Work? A Comprehensive SC5000M Review appeared first on DJ TechTools.

Simple Shapes : découvrez les personnages géométriques d’Olivier Caron

Par Shadows

Olivier Caron nous présente son projet Simple Shapes : une série de personnages 3D qu’il a créés sous Cinema 4D et Redshift. Son approche : pour chaque personnage, mêler deux figures géométriques basiques (rond, cercle, lignes, triangle, etc).

L’article Simple Shapes : découvrez les personnages géométriques d’Olivier Caron est apparu en premier sur 3DVF.

INDUSTRY From Needs to Solutions, l’évolution de l’Industrie 4.0

Par Mélanie R.

Dans quelques jours se tiendra la 4ème édition du salon INDUSTRY From Needs To Solutions à Barcelone, un évènement qui, depuis sa création, participe à la croissance de l’Industrie 4.0. Du 29 au 31 octobre, de nombreux acteurs de la […]

Cinegy demonstrates award-winning technology at NATEXPO 2019

Par Manor Marketing

Stand A41-7, NATEXPO, Russia, 5-7 November 2019:  Cinegy, the global leader for broadcast playout software on premise, hybrid and in the cloud, will demonstrate its award-winning Cinegy Air PRO, Cinegy Capture PRO , Cinegy Multiviewer, as well as Cinegy Desktop and Cinegy Newsroom on the Bavarian Pavilion at NATEXPO in November. Cinegy products can process ...

The post Cinegy demonstrates award-winning technology at NATEXPO 2019 appeared first on NAB Show News by Broadcast Beat, Official Broadcaster of NAB Show - NAB Show LIVE.

9T Labs, l’impression 3D de composites de carbone de qualité industrielle

Par Mélanie R.

9T Labs est une jeune startup suisse qui a développé une méthode d’impression 3D pour créer des structures avec des composites de carbone : de la conception de la pièce à son post-traitement, elle optimise l’ensemble du processus pour permettre […]

Industry Insights: Interview with Makeup Artist Kaela Dobson

Par Paula Goldberg

Premium Beat had the opportunity to go behind the paint with Kaela Dobson to discuss her approach to people and projects.

TAG Video Systems Returns to NAB Show NY with new strategy of “Zer0 Friction”

Par Desert Moon Communications

TAG Video Systems Returns to NAB Show NY with new strategy of “Zer0 Friction” One Product, One Price, for all major Broadcast and Media applications that meets all Probing, Monitoring and Multiviewer needs anywhere, anytime. Company announces plans to share the secret of serving the entire video ecosystem with one solution at annual event. New ...

The post TAG Video Systems Returns to NAB Show NY with new strategy of “Zer0 Friction” appeared first on NAB Show News by Broadcast Beat, Official Broadcaster of NAB Show - NAB Show LIVE.

#Startup3D : Inkbit et sa plate-forme d’impression 3D intelligente

Par Mélanie R.

Inkbit est une startup directement issue du MIT qui a pour objectif de surmonter les contraintes traditionnelles de l’impression 3D en donnant à ses machines  des « yeux » et un « cerveau ». L’imprimante 3D industrielle développée par Inkbit est une machine multi-matériaux […]

La Rencontre #1 : Hugues, chef produit drones loisirs et drones professionnels

Par Ugo


Aujourd’hui, nous partons à la rencontre d’Hugues notre Chef Produit drones loisirs et drones professionnels. Au détour de plusieurs questions et d’une interview vidéo, il nous livre ses impressions sur son métier et sur l’état actuel du marché. Notre objectif à travers ce jeu de questions/réponses est de vous faire découvrir notre équipe de l’intérieur […]

Interview: Learan Kahanov, DP of “Madam Secretary”

Par Charles Yeager

Learan Kahanov talks about his journey to becoming the DP of "Madam Secretary" — and where he continues to look for inspiration.

Hands-on Review: the Blackmagic Pocket Cinema Camera 6K

Par Lewis McGregor

In this hands-on review, we'll evaluate the Blackmagic Pocket Cinema Camera 6K for how it holds up next to its predecessor, the Pocket 4K.

L’évolution de Formlabs sur le marché européen de l’impression 3D

Par Mélanie R.

Le fabricant américain Formlabs fait partie des acteurs historiques du marché de l’impression 3D, particulièrement sur le créneau de la stéréolithographie. Aujourd’hui, l’entreprise emploie plus de 500 personnes dans 7 bureaux dans le monde et a déjà produit plus de […]

Interview: Composer Brian H. Kim Talks BH90210 and More

Par Paula Goldberg

Premium Beat sat down with Brian H. Kim of BH90210, Hello, My Name is Doris, and G.B.F. to gain a unique perspective on working in these transverse ...

Exciting New Prospects for Lighting Your Future Set

Par Rubidium Wu

In the wake of the multiple announcements at this year's IBC, let's look at some of the newest and craziest lights about to hit the market.