Collanews

🔒
❌ À propos de FreshRSS
Il y a de nouveaux articles disponibles, cliquez pour rafraîchir la page.
À partir d’avant-hierVideoMapping VJing

⁣ ⁣⁣ ⁣#repost @loeilaguillaume⁣ ⁣__________________⁣ ⁣⁣ ⁣Y’a des...




⁣⁣
⁣#repost @loeilaguillaume⁣
⁣__________________⁣
⁣⁣
⁣Y’a des formations comme ça… #logicielregievideo #millumin2 #millumin #qlab #maitrise #perfectionnement #ocs #midi #hap #vp #mediaserver #reseau #imagination #mapping #projectionmapping #lepied #espacevirtuel #media #artnumerique #pixels #creation #regisseurvideo (at CFPTS)
https://www.instagram.com/p/B-MHrvwJsAA/?igshid=gr5tkudoxsap

⁣ ⁣⁣ ⁣#repost @lusiolights⁣ ⁣__________________⁣ ⁣⁣ ⁣I want to...




⁣⁣
⁣#repost @lusiolights⁣
⁣__________________⁣
⁣⁣
⁣I want to set up an experience like this in Occidental Park in Seattle. What do you think @downtownseattle ?! ;)⁣
⁣#Repost @mappingprojection⁣
⁣・・・⁣
⁣ARTCUBE // PROJECTION EXPERIENCE @cacumenfilms .⁣
⁣.⁣
⁣.⁣
⁣#mapping #projectionmapping #videomapping #projection #projectionexperience #installation #artcube @millumin2 #mdcommunity
https://www.instagram.com/p/B94OFjNJGhb/?igshid=rqcjdmo7d8av

Overlap Interview

Par Hayley Cantor

I have been exceptionally lucky to be able to pick Overlap’s Michael Denton’s brains with all of those nitty gritty questions about their career that every visual artist wonders about. How did they get to be where they are? What was the VJ scene like in the nineties? How is their relationship with technology and whose work inspires them? 

Overlap are true veterans and represent original artists on the audiovisual live performance scene, not only have they experienced more changes in performance technology than I’ve had hot dinners, they’ve been up there with some of the most popular artists of our time, performing with the likes of Chemical Brothers and have animated artwork by Damien Hirst.

You have presented your work in some of the most prestigious international galleries around the world, including the Pompidou in Paris, Tate Modern, and the Victoria and Albert Museum as well as done a VJ set with the Chemical Brothers. What is the project that you are most proud of? 

Remixing and VJing The Beatles Magical Mystery Tour film for its cinema première at the South Bank with Noise of Art was a highlight.

We’re pleased with the editions on SeditionArt. They incorporate a lot of ideas from the past and are also feeding into some future shows.  Musically, Greylight Green  is something that works when you’re in the right mood. As these recent editions highlight, we’ve always been at the more arty end of the Vjing/music industry, and the more musical end of the art world.  The music industry and the fine art worlds attribute value in such different ways. But twenty years ago, we were lucky to stumble into a certain era of EDM culture, it was like the early days of flying’s uncharted freedoms. In Turnmills nightclub in Holborn, I remember one of the guys from Reality Check, (the house VJ and AV  team, for nights, including The Gallery and Trade etc), saying they showed art to thousands of clubbers every week – and they did.  Hopefully for an audience the circling and repeating imagery of VJ-ing done well can create a kind of memory image burn effect – they go home with a ‘memory painting’

Fine art galleries and big projects have not necessarily been the most rewarding – the really interesting moment for us was being at clubs and festivals with a large amount of freedom, developing a  style of imagery and delivery without record companies and DJ Managers controlling what we did. It was genuinely creative and new, yet fulfilling a need. This for any artist is a luxury.

Early on we’d be flown out to Creamfields in Andalucia with Microchunk, or wherever, and literally be immediately on stage with a 50k audience and the DJ, no pre planning or rehearsing, ” 5 mins guys”, maybe an artist logo at the beginning, then mix. 

As Overlap you have experimented with the majority of the audiovisual art formats. Is there one in particular that you enjoy?  

Long VJ sets are a nice journey, in medium sized venues with a few different feeds going into multiple screens and low lighting.  AV sets are always a bit more stressy – as doing the visual/music/sound for maybe 40 mins, feels more contrived/pre planned and edgy.  Multi screens can make things a lot more architectural/sculptural, with 3d projections on objects etc, and simpler more graphic imagery. So a mixture of graphic and more pictorial screens is a nice balance. Again we tend towards a more art bias, whereas a lot of club imagery is a fairly bombastic extension of the lighting show – think rising chevrons.  Equally a very simple installation/projection on a gallery wall can be really satisfying.  For AV sets, good acoustics and smaller venues suit the minimal music we make.

I’m sure you have collaborated and met with many of the world’s most famous audiovisual and new media artists on the scene. Who particularly inspires you?

Loads of things inspire me, from motorcycling to design and architecture. More recently though works/gigs by Ryoichi Kurokawa, Fuse, some of the things AntiVJ have done, Davide Quayola. Nils Frahm, Biosphere, through to more obscure music form France Jobin to gallery based artist like Mat Collishaw. But also painters like Nigel Cooke, with his circuitous multi picture planes that create a pictorial balance that your eye follows round and around – comparable to good VJ mixing.  We were lucky to be part of a talented group of VJs represented by Microchunk in our VJing hey day – unique underground artists. I think we all inspired and motivated each other to push further artistically. Lady Pat and Grand Dame are two of Anna’s favourite, similarly self taught, audiovisual artists.

The art of VJing is a relatively new term for the art of live video mixing. When did you first become aware of the term and how has it changed for you over the years? 

Firstly it was the definitive move away from the pop video, which had been: point camera at people singing the song, illustrate/narrative/advertise – ie. TV.  So the culture of EDM remixing, had the authority to legitimize its visual equivalent and create the context for VJing. It’s a term I’m not overly fond of, but it does put you on the stage side of technician, ie you make and shape content – not to demean the amazing art, that is light mixing, house sound, etc. VJ content is a form of visual serialism, like music about patterns, removing the asymmetry of drama, its infinitely more complex in its potential multi layer/screen applications than linear media, maybe more so than music.

When I was at Chelsea art school, there was Glitch (first time around, VHS crash editing, late 80’s),  video artist lecturers talked derogatorily of ‘club wallpaper’,meaning all things shallow. But I was interested in this form, that had a use and the public liked – unlike so much video art of the era.

The first time I got paid to show images in a bar – also in Holborn, was in 1985.  The fee, one bottle of wine.

The first time I thought about something like VJing was as a very young kid, around the time the Beatles released The White album, in the back of my dad’s car one evening, driving along country roads in Dorset and thinking about ‘films’ that would be like the trees sliding past the windows. Non narrative loop structures – I certainly didn’t know what narrative meant at the time, but I did have this strange certainty of there being a future for this sensory/sensual idea.  The first time I got paid to show images in a bar – also in Holborn, was in 1985.  The fee, one bottle of wine.  Then I showed an AV Album work called  Open at  Megatripolis, Heaven, Charing Cross around 1994.   I met Anna in the late nineties we got invited to do stuff at the ICA and bars in Shoreditch etc.  We formed Overlap and she learned a lot of the Adobe programmes very fast and we started to get paid to VJ, both loving the visual depth, luminosity and surprises that multilayering and keying threw up.

Photo still from Overlap’s project, Lipstick Earth

How would you define the difference between an AV set and a VJ set? Could you describe one of your set ups to us?

People I know who travel the world for major DJ acts are operating in a different world from small AV acts. There’s’ a big difference between doing multi screen VJing, with pre programmed triggered clips via midi, osc etc  and mixing live on the fly, by feel.  Ben Francis who does visuals for Calvin Harris, for example is taking code with BPM info etc, from the CDJ’s, but is also live mixing.  Keeping the audio and imagery separate still seems to be an industry standard. The music driving the imagery, which makes sense in some ways, but is also strangely anachronistic. When we do an AV set we have married imagery to 8 bar loops, some elements are locked with time code if we’re using a separate music source, CDJ’s etc and some not, to make it more organic.  Most AV performers drive Resolume with Ableton or code, or at least lock them. Unusually, we use Resolume a lot for sound. 

Photo courtesy of overlap.co.uk

AV shows can be done in so many ways. In the end it seems the content and the feel of what you’re doing is probably more important than how you’re doing it.  How much do you want to do live – how much does the audience care how dexterous you are?   DJ’s spend a lot of time dramatically illustrating that they’re turning a mixer knob,  that appears to have the equivalent friction of pulling a ship back up a launching ramp, they haven’t got anything else visually to do. Where as, if you’re doing a multi 4 Bar loop AV set, five layers deep and you’re triggering them live, you’re busy with no time for the high friction mixer antics. 

Recently we’ve been using performance tools like Resolume to create on as well as a performance tool. I tend to pick it up like a guitar and mess around, sometimes its a really useful ‘writing’ instrument too. 

As a Barcelona resident, I can’t help but notice that you once had regular visual slots at Razzmatazz. Tell me more about that! How was the VJ scene in Barcelona back then? How is the scene in the UK these days?

This was VJ-ing with visual specialists/agency Microchunk , who were represented by William Morris, which meant we were well looked after.  There was a core group of artists including Lady Pat, Mischa Ying, Ben Francis, Muthabored, Todd Graft and ourselves and we were lucky to perform and make installations everywhere from Norway’sHove festival, to Glastonbury. In Barcelona, we’d perform two nights, mainly at The Loft, Friday and Saturday from around 11pm till 6.30 in the morning, sometimes just Anna and I, but often other VJ’s. The local VJs were very gracious about us filling their slots.  It was always full on at Razzmatazz, a really intense atmosphere. The club was always packed.We’re not really involved with the UK club scene  at the moment, but friends who work for major acts seem to be far more controlled by a corporate plan.  

You have both lived through a plethora of technological developments throughout your careers, starting with the use of VHS in your installations. What is your relationship with technology? Is it one of love and hate or it is a match made in heaven?

Anna and I are different generations –  before I met Anna, I spent a lot of time blagging my way into analogue beta edit suites in Soho to make material – it was tricky, but looking back people were incredibly kind and helped me realise effecting footage shot on motorcycle trips with a clockwork Bolex.   Anna and I started at the point of very low resolution VJ software – so we used hybrid mixtures of micro chapter DVD loops and Flash loops mixed with V4’s. I like the things that technology makes possible, but get frustrated with the art world tendency to think if you ‘paint ‘ with technology, that you should necessarily be using the very latest tech and trend.  I enjoy mapping and responsive VR etc, but equally I like the confines of a rectangle and a painters vocabulary.  Music doesn’t seem to have the same linearity, no one would think it odd playing a 1960’s Fender.

I enjoy mapping and responsive VR etc, but equally I like the confines of a rectangle and a painters vocabulary. Music doesn’t seem to have the same linearity, no one would think it odd playing a 1960’s Fender.

I notice that landscapes have been a recurring theme in your work, right up to your most recent project of Transitional Landscapes. What is it about landscapes as a subject that inspires you?

We all project memories and feelings onto our immediate surroundings. Landscape is a good genre to play with the relationship between still and moving imagery, the romantic v the analytical, the unveiling of narrative contrasted by the implicit ambiguities of painting (movies v fine art). 

Mixing trees from around the world is strangely satisfying, they’re overlaying branches having a legitimacy. English copses with New World deserts keyed through wallpaper and fabric’s repeated motifs reference Richard Dadd’s The Fairy Feller’s Master-Stroke’s, heightened stillness, petrified trees and flattened nature,  more tapestry than living environment.  Then we can add other man made impositions, ghosts of utilities, power lines, imagined data paths, architectural plans, wiring diagrams and intimate blinking status LEDs. It seems to suite a  first person view, apart from narrative. 

What would be your advice be to young audiovisual enthusiasts who are keen to develop their careers in the industry?

Like the fine art world there are so many different strands of audiovisual arts. It will keep changing, entertainment will morph.  How and what ‘artists’ do v creatives and ‘technicians’ etc is complicated.  The EDM model was that music was the most important element – but now with performance more of an earner than record sales – maybe the creatives/technicians/, (not the artists)  are the main act.  To further confuse it all,  AV is crossing over with fine art and stage design etc.  So maybe listen to everyone and ignore them all.

Find out more about Overlap on their artist page

The post Overlap Interview appeared first on Audiovisualcity.

⁣ ⁣⁣ ⁣#repost @studio_phormatik⁣ ⁣__________________⁣ ⁣⁣ ⁣We...




⁣⁣
⁣#repost @studio_phormatik⁣
⁣__________________⁣
⁣⁣
⁣We took a city icon, a vintage Ikarus bus, and positioned it on a prominent spot in Sofia. A 360° projection mapping installation created a unique spectacle for thousands of spectators.⁣
⁣#projectionmapping #publicart #installationart #lightart #3dmapping #immersiveart #lightinstallation #artandtechnology #3dmappingshow #modernart #abstractart #visualart #digitalart #outdoorinspiration #ikarus #millumin #gsgdaily #instaart #everyday #art_daily #sofia #phormatik #jokermedia #24_7production (at Sofia, Bulgaria)
https://www.instagram.com/p/B9nCn3BpmaJ/?igshid=1dm81kq4c3o4a

Light Move Festival

Par Hayley Cantor

Next edition expected September.

Light Move Festival is now in its 10th year in Łódź, Poland. It started back in 2010 with the idea of changing the way the city of Łódź is viewed, but painting its buildings with colourful light. Now it is a well-developed festival of light putting Poland on the map, which includes installations, projections, spatial light shows, 2D/3D mapping, and conferences.

All photos courtesy of LMF

Light.Move.Festival. combines sound, color, light and movement. In 9th edition in 2019 it developed into an international, anticipated event with a recognizable brand promoting Łódź as an innovative, multicultural, friendly and open city. Its ever-growing popularity contributes to the formation of a positive image of the city and gives reason to visit Łódź in late autumn, outside the tourist season. In 2019 alone, the festival gathered 850,000 guests, and all its previous editions – over 4 million!

On Instagram, #lightmovefestival, has an impressive rate of publication, where you can really see the success of the festival and its colourful installations and 3D mapping of buildings.

For more information:

Website | Facebook |Instagram

The post Light Move Festival appeared first on Audiovisualcity.

CONVOCATORIA ABIERTA – Processing Community Day 25 de abril · Medialab-Prado (Madrid)

Par volatil

El próximo 25 de abril, durante todo el día, en Medialab-Prado (Madrid) se celebrará el Processing Community Day; una iniciativa impulsada desde la Processing Foundation con la finalidad de hacer más visible y divulgar sobre temas relacionados con la programación creativa, el arte y la tecnología en diferentes ciudades del mundo; para crear más comunidad. En Madrid está impulsada desde el grupo de Creative Coding Madrid.

La convocatoria estará abierta hasta el día 10 de marzo. Propuestas de charlas, talleres, demos y performances. Encontrarás toda la info aquí.

Se abrirá una convocatoria para crear contenido para ser mostrado en la pantalla exterior de Medialab-Prado, sobre la plataforma de programalaplaza.

Está confirmada la presencia de Alba G. Corral y Jaime Munárriz, que nos hablarán sobre su trabajo y procesos creativos en torno al arte y la tecnología.

La entrada CONVOCATORIA ABIERTA – Processing Community Day 25 de abril · Medialab-Prado (Madrid) aparece primero en Vjspain Comunidad Audiovisual, Mapping, Vj, Diseño Interactivo.

⁣ ⁣⁣ ⁣#repost @flightgraf⁣ ⁣__________________⁣ ⁣⁣ ⁣PRISM -...




⁣⁣
⁣#repost @flightgraf⁣
⁣__________________⁣
⁣⁣
⁣PRISM - Macao Light Festival 2019⁣
⁣Full video: link in our web site⁣
⁣⁣
⁣Not so many countries have so dramatic a history as Macao has had. Though tossed about in churns of historical currents of interventions from other countries, the people have waded through the currents with their flexibility and steeled conviction. This conviction materialized, in December in 2019, in the form of her celebration of the 20th Anniversary of the Establishment of the Macao Special Administrative Region.⁣
⁣⁣
⁣To show our respect for the turning point of the 20th celebration, we created a projection mapping artwork to project to her landmark building, The St. Joseph’s Seminary and Church. This seminary was established by the Jesuits and became the hub of their mission activities in Asia. Its baroque architecture is adorned with the complex structure generating its beauty and diversity, which can tell us in turn a lot about the winding road of her history and culture. In this artwork, we used 20 LED poles and laser beams. Seeing the strength of the harmony emanating from the seemingly chaotic structure of the building, we introduced some uncontrolled random insertions into our artwork on purpose so that these unpredictable insertions will give rise to the chaotic periods of her history and then again be harmonized in due time, and lastly be solidified as one in the picture of the present day of Macao. Our hope and endeavor in this tiny challenge of our artwork may give a little help that Macao will grow in strength and prosperity from now on as well⁣
⁣⁣
⁣Many thanks to @althealao for the invitation and the incredible venue, to @nebastudio for their support, and to the best partners in crime @yoshiiketoshiki , @cryo9 (software development ), @makotoshozu (music) , @mplusplus_official (LED equipments)and SOLUMEDIAGE inc (laser equipment )⁣
⁣⁣
⁣#millumin #videomapping #projectionmapping #art #artwork ⁣
⁣#indecision #light #laser #landscape #lost #art #stream #nature #sculpture
https://www.instagram.com/p/B8T3orLJWQr/?igshid=iaxjmly0au7r

⁣ ⁣⁣ ⁣#repost @francesco_luxvision⁣ ⁣__________________⁣ ⁣⁣ ⁣...




⁣⁣
⁣#repost @francesco_luxvision⁣
⁣__________________⁣
⁣⁣
⁣ #videomapping #digitalart #projectionmapping #vj ⁣
⁣#motiongraphics #millumin #backtothefuture ⁣
⁣#art #visual #artwork #graphic #doc #aftereffects ⁣
⁣#immersive #mapping3d #motiondesign ⁣
⁣#qraphicdesign #videomapping3d #element3d #eventi ⁣
⁣#eventinapoli #eventicampania #newmedia #installation #installationart #animation #proloco #prolocoditalia
https://www.instagram.com/p/B78RvRcJDnH/?igshid=1iivgy49cc1a5

⁣ ⁣⁣ ⁣#repost @mpstudio3d⁣ ⁣__________________⁣ ⁣⁣ ⁣Just teasing...




⁣⁣
⁣#repost @mpstudio3d⁣
⁣__________________⁣
⁣⁣
⁣Just teasing you with a short #flashback of some of our shows from Festival of Lights Berlin 2019⁣
⁣#mpstudio #3dmapping #projectionmapping #videomapping #art #3dart #lightfestival #festivaloflights #cinema4d #c4d #octane #ae #adobe #aftereffects #motiondesign #event #best #digitalart #instaart #mappingprojection #3drender #millumin #watchout #catlover #artoftheday #festival #contemporaryart (at Berlin, Germany)
https://www.instagram.com/p/B78Rz7ypP14/?igshid=obv9w8nwvbxs

Nyrius ARIES Pro + vidéo 1080p sans fil

Par LeCollagiste
ARIES Pro +

Un émetteur et un récepteur vidéo sans fil qui envoie un signal vidéo non compressé en 1080p avec une latence en dessous de 1 milliseconde, le ARIES Pro + de Nyrius.

Idéale pour la transmission vidéo vers un vidéoprojecteur, un écran dynamique, une TV … Tous appareils compatibles HDMI fonctionne avec le ARIES Pro +, il est plug and play, compact avec une portée de 50m, sans WiFi sur une fréquence de 4,9 – 5,9 GHz, le tout sur un protocole standard HDMI 1.3 et HDCP 1.2.

275 $ la bestiole.

ARIES Pro +
ARIES Pro +
ARIES Pro +
ARIES Pro +
ARIES Pro +
ARIES Pro +

Nyrius ARIES Pro + vidéo 1080p sans fil est un billet de LeCollagiste VJ.
LeCollagiste VJ - Mag du LeCollagiste, actu sur la culture VJING, Vidéo Mapping, info video et high tech.

⁣ ⁣⁣ ⁣#repost...




⁣⁣
⁣#repost @geraldinekwikmusic⁣
⁣__________________⁣
⁣⁣
⁣Ready for a new mapping light show with my new original music written for the Church in Lievin playing this night to Sunday night !!!⁣
⁣.⁣
⁣.⁣
⁣Visual Artists : Susie-lou CHETCUTI, Patrick GRANDI, Jules HUVIG @juleshuvig/, Lucille JEANNIN, Loan LE HOANG, Simon LEBON, Hamza MRABET, Aurélien WOJTKO @_aurelien.w/ ⁣
⁣Music & Sound Design : Geraldine Kwik⁣
⁣Technique & Lights : Aurélien WOJTKO⁣
⁣Place : Église Saint-Amé - LIEVIN - FRANCE .⁣
⁣.⁣
⁣.⁣
⁣#church #lightshow #lightart #light #lightinstallation #videomapping #loomprod  #originalsountrack #musicforpaintings  #mapping #composer #frenchcomposer #musicscore #ambient #composingmusic #sound #sounddesign #art #visual #millumin #madmapper #motiondesign #aftereffects #design #architecturalmapping #projectionmapping #movingimage #digitalartist #night
https://www.instagram.com/p/B7ba5jWppcU/?igshid=84b7s5bq9hzr

Digital Projection INSIGHT 4K HFR 360 en 3D multiview

Par LeCollagiste
INSIGHT 4K HFR 360

Le fabricant de vidéoprojecteur Digital Projection propose une projection 3D multiview avec un seul projeteur doté d’une fréquence d’images ultrarapide est capable d’accueillir plusieurs utilisateurs. Un suivi et une localisation s’attribuent une image sur son point de vue pour chaque utilisateur équipé avec des lunettes 3D actives Head Tracking.

Le INSIGHT 4K HFR 360 offre une définition d’image en 4K (4096X2160 pixels) à 360 FPS, sur un triple DLP, 27 000 Lumens ANSI laser avec un ratio de contraste de 2000:1, en connectique forcement du BNC, du RJ45, 6 DisplayPort 1.2, 6 HDMI 2.0.

Du multiview idéal pour la muséographie, des visites virtuelles etc … A voir au salon ISE 2020.

INSIGHT 4K HFR 360

Digital Projection INSIGHT 4K HFR 360 en 3D multiview est un billet de LeCollagiste VJ.
LeCollagiste VJ - Mag du LeCollagiste, actu sur la culture VJING, Vidéo Mapping, info video et high tech.

⁣ ⁣⁣ ⁣#repost @raio__⁣ ⁣__________________⁣ ⁣⁣ ⁣Video Mapping...




⁣⁣
⁣#repost @raio__⁣
⁣__________________⁣
⁣⁣
⁣Video Mapping del espectáculo L.U.X de RAIO, cubos!! 🇬🇧3D Projection mapping from show L.U.X by RAIO, dynamics Cubes!! @ayuntamientovll @renault_esp @avsistemas @cover.club @alfonsolosco #madmapper #resolume #millumin #3dprojectionmapping #audiovisuales #videomapping #encendidodeluces #mappingprojection #mapping3d #blender #foley #moog #makenoise0coast #animationnodes
https://www.instagram.com/p/B7N6bZcpuO-/?igshid=2mj6gal6zhxt

⁣ ⁣⁣ ⁣#repost @mpstudio3d⁣ ⁣__________________⁣ ⁣⁣ ⁣Organic...




⁣⁣
⁣#repost @mpstudio3d⁣
⁣__________________⁣
⁣⁣
⁣Organic ⁣
⁣#museumfürnaturkundeberlin #mpstudio #projectionmapping #videomapping #cinema4d #fol2019 #xparticles #art #picoftheday #makeideasplay #3d #organic #berlin
https://www.instagram.com/p/B7N6o1WJLdJ/?igshid=hdz9v3rqzmp1

⁣ ⁣⁣ ⁣#repost @asker⁣ ⁣__________________⁣ ⁣⁣ ⁣Il drago...




⁣⁣
⁣#repost @asker⁣
⁣__________________⁣
⁣⁣
⁣Il drago Tarantasio riemerge dall'ex lago Gerundo, grazie ad uno spettacolare ologramma sull'acqua che ha tenuto migliaia di persone col fiato sospeso!⁣
⁣-⁣
⁣The spectacular water hologram of Tarantasio dragon’s legend!⁣
⁣-⁣
⁣#ologramma #hologram #drago #dragon #show #waterscreen #waterscreenprojection (at Canonica d'Adda)
https://www.instagram.com/p/B6OnhnPJA4g/?igshid=1ea8ii0nc25tn

⁣ ⁣⁣ ⁣#repost @deltaprocess.it⁣ ⁣__________________⁣ ⁣⁣ ⁣Here’s...




⁣⁣
⁣#repost @deltaprocess.it⁣
⁣__________________⁣
⁣⁣
⁣Here’s #Embody - our show with the performer @kaartiklive - mixing holograms with projection mapping on the body⁣.⁣
⁣Music by @grankowsky ⁣#deltaprocessvisuals #deltapods #vjlife #millumin #madmapper3
https://www.instagram.com/p/B44eJWkpRbk/?igshid=1dxppvv53ti4a

⁣ ⁣⁣ ⁣#repost @isyet⁣ ⁣__________________⁣ ⁣⁣ ⁣Made a show...




⁣⁣
⁣#repost @isyet⁣
⁣__________________⁣
⁣⁣
⁣Made a show ✨🤸🏼‍♀️🌠 in one week with these amazing ladies⁣
⁣@bodyartdance .⁣
⁣.⁣
⁣.⁣
⁣.⁣
⁣.⁣
⁣#projectionmapping #projectionart #projectiondesign #projectionist #videoprojection #millumin #animation #dance #danceproject #danceprojection #dancers #dancephoto #calartsmafia #vscocam
https://www.instagram.com/p/B44dQHfJX8m/?igshid=1eixiimhk47lx

⁣ ⁣⁣ ⁣#repost @_aurelien.w⁣ ⁣__________________⁣ ⁣⁣ ⁣« JARDIN »...




⁣⁣
⁣#repost @_aurelien.w⁣
⁣__________________⁣
⁣⁣
⁣« JARDIN » ⁣
⁣Videomapping à 180º au Musée de Plein Air de Villeneuve d’Ascq.⁣
⁣⁣
⁣Création: Aurélien Wojtko & Simon Lebon.⁣
⁣SoundDesign: Géraldine Kwik.⁣
⁣⁣
⁣#VideoMapping #VideoMappingFestival #ProjectionMapping #video180 #Mapping180 #Millumin #Panasonic #RencontresAudiovisuelles #Hyrbide #Villeneuvedascq #Lille #Lille3000 #GeraldineKiwk #ProjectionVideo⁣
⁣Part02 (at Musée de plein air de Villeneuve-d'Ascq)
https://www.instagram.com/p/B44eF4KJcJY/?igshid=113yj05d68i8h

Imprimer en 3D avec un vidéoprojecteur

Par LeCollagiste
impression 3D avec un vidéoprojecteur

Un prototype d’impression 3D avec un vidéoprojecteur a fait son apparition début 2019 aux USA (Université de Berkeley). Un vrai sculpteur d’hydrogel liquide (le plexiglas en dur) avec un vidéoprojecteur classique. L’hydrogel liquide est photosensible et se solidifie sous les rayons lumineux. Une résolution très fine avec pas moins de 1440 images projetées autour d’un axe vertical et forme ainsi une vidéo à 360°, une modélisation 3D par la lumière en une seule fois, pour l’instant sur de petits volumes.

Merci à Jean-Batiste Wallers-Bulot pour le lien.

impression 3D avec un vidéoprojecteur
impression 3D avec un vidéoprojecteur
impression 3D avec un vidéoprojecteur
impression 3D avec un vidéoprojecteur

Imprimer en 3D avec un vidéoprojecteur est un billet de LeCollagiste VJ.
LeCollagiste VJ - Mag du LeCollagiste, actu sur la culture VJING, Vidéo Mapping, info video et high tech.

⁣ ⁣⁣ ⁣#repost...




⁣⁣
⁣#repost @ame_solutions_hk⁣
⁣__________________⁣
⁣⁣
⁣Exhibition that showcasing the UNITY OF LIGHT with soft edge blending wide screen⁣
⁣projection.⁣
⁣⁣
⁣#amesolutions ⁣
⁣#upstage⁣
⁣#projection #screenwork ⁣
⁣#millumin #v3 #hongkkng⁣
⁣#edgeblending #panasonicprojector
https://www.instagram.com/p/B3rQKunpqUP/?igshid=n1pdoxagrjlg

⁣ ⁣⁣ ⁣#repost @rotorstudio⁣ ⁣__________________⁣ ⁣⁣ ⁣Hace ya 5...




⁣⁣
⁣#repost @rotorstudio⁣
⁣__________________⁣
⁣⁣
⁣Hace ya 5 años que producimos (@roman.tower y @felipel.nv) la técnica, interactividad y el software de esta pieza escénica para niños de 18 meses a 3 años para la productora Imaginart. Toda una experiencia y creo que todavía sigue girando 😁⁣
⁣____________________⁣
⁣#openframeworks #interactivemedia #kids #millumin #interactive #projectionart #rotorstudio #code #c++ #infraredcamera #motiontracking #interactivefloor #visualarts
https://www.instagram.com/p/B26O-ShnDvP/?igshid=x39z3ogwokyb

⁣ ⁣⁣ ⁣#repost @cacumenfilms⁣ ⁣__________________⁣ ⁣⁣ ⁣MAPPING...




⁣⁣
⁣#repost @cacumenfilms⁣
⁣__________________⁣
⁣⁣
⁣MAPPING stories!! @cacumenfilms #projectionmapping #mapping #videomapping @universidad_icesi #experienciasdigitales #millumin #caliescreativa #orangeeconomy #cacumenteam @millumin2 #somoscacumen #inspiration #calidigital #cali #colombia @motiondesigners #animation #mappingprojection mappingprojection
https://www.instagram.com/p/B26O2nCHAe6/?igshid=18ij50zs1rev6

⁣ ⁣⁣ ⁣#repost @benoit_benichou⁣ ⁣__________________⁣ ⁣⁣ ⁣Friday...




⁣⁣
⁣#repost @benoit_benichou⁣
⁣__________________⁣
⁣⁣
⁣Friday Nights with Yury Revich « Mythen und Legenden »⁣
⁣⁣
⁣Wiener Konzerthaus⁣
⁣Schubert Saal ⁣
⁣Yury Revich, Violin⁣
⁣Sunnyi Melles, Reading⁣
⁣Liudmila Konovalova, Dance⁣
⁣George Harliono, Piano⁣
⁣Yuliya Draganova, Piano⁣
⁣Duo So & So⁣
⁣Benoît Bénichou, Visuals⁣
⁣My Sounds Ensemble⁣
⁣⁣
⁣#vienna #stagedirector #projectionmapping #projectiondesign #projectiondesigner #music #touchdesigner #millumin
https://www.instagram.com/p/B26OfSApxC4/?igshid=15x1v4khe4b85

The Colour Project

Par Marco Savo

WE ARE CREATIVE CONTENT DESIGNERS AND VISUAL STORYTELLERS

Formed in 2012, The Colour Project is a UK based Motion Graphics and 3d Design studio specialising in video projection mapping.


We design shows and  visual content for, events, launches and epic architectural mapping shows. We produce original graphics, animations and bespoke video content to tell compelling stories and amaze audiences.

 
We’ve created shows internationally and at home, from galleries to World Heritage sites. Our audiences range from hundreds to tens of thousands and we work with brands and cultural organisations to create spectacular live events and installations in public spaces.

THE COLOUR PROJECT

info@colour-project.com

LINK BOX

Website

Instagram / Twitter / Facebook / Vimeo

The post The Colour Project appeared first on Audiovisualcity.

⁣ ⁣⁣ ⁣#repost @asker⁣ ⁣__________________⁣ ⁣⁣ ⁣WOA presenta...




⁣⁣
⁣#repost @asker⁣
⁣__________________⁣
⁣⁣
⁣WOA presenta HIDENTITY, un progetto personale che fonde arte e tecnologia, un lavoro che più che mai ci rappresenta. ⠀⁣
⁣Dopo quattro anni, passati a 200 km/h tra lavori e sperimentazioni, abbiamo deciso di fermarci e guardarci indietro. ⠀⁣
⁣Unendo i puntini abbiamo trovato la nostra identità nascosta e abbiamo tracciato la direzione da prendere.⠀⁣
⁣-⁣
⁣@woa_creativecompany ⁣
⁣@jessica_sala_jasminerouge ⁣
⁣#woacreativecompany #interaction #performancemapping #motionmate #aftereffects #projection #madmapper #touchdesigner #millumin #generative #motiongraphics #designinspiration #design #art #graphicdesign #beauty #model #picoftheday #girl #creativity #coolproject #performing #performingarts #performing #creativecompany @pajols @vonolders @incrementnsave @ric_ape @touchdesigner @millumin2 @factorynolo @superdopeaudio
https://www.instagram.com/p/B2i9niopEta/?igshid=nof36s8bh9kf

⁣ ⁣⁣ ⁣#repost @ex_lumina⁣ ⁣__________________⁣ ⁣⁣ ⁣The...




⁣⁣
⁣#repost @ex_lumina⁣
⁣__________________⁣
⁣⁣
⁣The “Synesthésie” #lightshow version with #audio #synchronization and #color #synesthesia during an #organ #concert at the Saint Jean #cathedral for the #nuitdescathédrales night in #besançon. More infos on our website 😇⁣⁣
⁣⁣⁣⁣
⁣⁣#audioreactive #organconcert #videoprojection #realtime #millumin #smoke #interactive #interaction #hackintosh #millumin2 #lights #videoart #motiondesign #osc #classicalmusic #videlioevents #interactiveart #lightdesign #visualart
https://www.instagram.com/p/B2i93DjJ6ja/?igshid=152yhveufibj7

⁣ ⁣⁣ ⁣#repost @yiyun_kang⁣ ⁣__________________⁣ ⁣⁣ ⁣Show is up...




⁣⁣
⁣#repost @yiyun_kang⁣
⁣__________________⁣
⁣⁣
⁣Show is up and running!⁣

⁣.⁣
⁣.⁣
⁣#luciddream #tunnelprojection #projectionmapping #millumin #movdot #gwangjudesignbiennale #광주디자인엔날레 #artandtechnology #mediaart #tunnel (at Gwangju Biennale (비엔날레))
https://www.instagram.com/p/B2caf51H4PO/?igshid=1jh06mv2r0ls9

Laptop Asus ProArt StudioBook One W590G6T

Par LeCollagiste
Asus ProArt StudioBook One W590G6T

Du brutal dans le laptop Asus dédié artiste professionnel, ce n’est clairement pas une machine de gamer, mais bien une machine pour créatif vidéaste, troidéiste …

Asus ProArt StudioBook One W590G6T

Le Asus ProArt StudioBook One est certainement le premier du genre avec un GPU Nvidia Quadro RTX 6000 dans le coffre, labelisé RTX Studio permettant un montage vidéo en 8K.
Le laptop Asus ProArt StudioBook One propose une architecture haut de gamme

  • une Quadro RTX 6000 à 24 Go de mémoire vidéo en GDDR6
  • un i9-9980HK Coffe Lake Refresh Octo Core 2,4 GHz
  • un écran 15,6 pouces 120 Hz en 3840×2610 pixels 100 % Adobe RGB Delta-E certifié Pantone, traitement antireflet et Gorilla Glass5
  • 32 Go DDR4 2666 MHz de mémoire vive soudée
  • 1 To de stockage SSD M.2 NVMe PCIe 3.0 à 3000 Mo/s
  • Wifi ac (2×2)
  • Bluetooth 5.0
  • 4 ports USB 3.1 Type-C (Gen2) en Thunderbolt 3 avec prise en charge du DisplayPort 1.4, dont un port dédié à la recharge du laptop
  • Touchpad Precision 4 doigts
  • Webcam HD plus micro
  • lecteur biométrique Windows Hello
Asus ProArt StudioBook One W590G6T

Inconvénient de se monstre, les ports USB-C sont figé sur l’écran du portable, ce qui peut être gênant lors de l’ouverture de la machine, ils ne font pas encore des connecteurs USB-C magnétique.

Un marché de niche ? Les fabricants s’engouffrent dans ce nouveau marché de niche créative. Exemple avec la Surface Studio de Microsoft, excellent outil dédié graphiste. Une foudre de guerre créative qui risque d’être hors de prix, sachant qu’une RTX Quadro 6000 s’échange à 5500€ dans les crémeries électronique, ce laptop risque de frôler les 8000 voir 9000 €, et a ce prix-là, Asus vous livre dans la boite un adaptateur USB-C vers RJ45.

Asus ProArt StudioBook One W590G6T
Asus ProArt StudioBook One W590G6T

Laptop Asus ProArt StudioBook One W590G6T est un billet de LeCollagiste VJ.
LeCollagiste VJ - Mag du LeCollagiste, actu sur la culture VJING, Vidéo Mapping, info video et high tech.

⁣ ⁣⁣ ⁣#repost @fredhardy⁣ ⁣__________________⁣ ⁣⁣ ⁣Anzin, c'est...




⁣⁣
⁣#repost @fredhardy⁣
⁣__________________⁣
⁣⁣
⁣Anzin, c'est demain ! (Ou ce soir selon que vous soyez encore en soirée ou non). Rdv ce Samedi dès 22h au Parc Dampierre!⁣
⁣#mapping #Videomapping #rencontresaudiovisuelles #LoomProd #VMF #millumin #christie
https://www.instagram.com/p/B2FErZsnsGK/?igshid=fqs5kh7kox4b

❌