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Par HeavyM

Le talent brésilien du vidéo mapping scénographique   1.Quand as-tu démarré ton activité de VJ ? Peux-tu nous en dire plus sur le . . .

The post RENCONTREZ VJ P4nick appeared first on blog.

Mercedes Car Mapping

Par Eva Fechten

3D-Videomapping im Rahmen der Fahrzeugpräsentation

Unsere Dienstleistungen:
Entwicklung des technischen Setups
Technische Durchführung

Kunde: RTT AG
Lead Agentur: Stein Communication

The post Mercedes Car Mapping appeared first on Video Mapping Blog.

Interview: Actor Amy Stewart on the Work-Life Balancing Act

Par Paula Goldberg

We sat down with actor Amy Stewart to discuss how you can stay creative and continue supporting yourself in between industry gigs.

A Conversation with Lucian Read, Cinematographer of America Divided

Par Tanner Shinnick

We had the opportunity to chat with cinematographer Lucian Read about his work on America Divided, plus his thoughts on how to approach story as a DP.

Interview: Filmmaker America Young on Stunts, Directing, and Persistence

Par Paula Goldberg

From voice acting, to directing, to learning to love your work even on the bad days, America Young is here to tell you how it’s done. In ...

Choreographing A Fight Scene With A Hollywood Stunt Man

Par Robbie Janney

Trying to pull off a realistic fight scene? Learn from a professional stuntman how to choreograph a fight sequence and translate those stunts to the camera. If ...

5 Tips to Ensure a Great DP and Director Relationship

Par Tanner Shinnick

Here are five ways DPs can create an excellent relationship with the director to strengthen morale on set and produce a better quality project.

Is the GH5 V-Log Firmware Upgrade Worth the Price Tag For A Budget Filmmaker?

Par Lewis McGregor

 If you already own a GH5, is the V-Log activation code worth your money? We break down its value for the filmmaker on a budget. GH5 V-Log ...

Breaking News: DJI Mavic 2 Will Be Announced Very Soon

Par Logan Baker

DJI is expected to announce the impending release of their latest entry into the Mavic drone line, the Mavic 2 Pro and Mavic 2 Zoom. Top image ...

Understanding the Opacity Blend Modes in Adobe Premiere Pro

Par Caleb Stephens

Opacity blend modes are among the most mysterious features in Adobe Premiere Pro CC. So, what do they actually do, and why are they in those groups?

Six Videography Tips for Shooting in Bright Sunlight

Par Jourdan Aldredge

In this roundup, check out some tips for keeping your cool and shooting quality footage in bright sunlight for your next video project.

Free Practical Lighting Techniques for a Cinematic Look

Par Zach Ramelan

You don’t need an expensive lighting set up to get a cinematic look. Here are some simple tips to make dramatic lighting with household practicals.

Best F[r]iends: Greg Sestero on Making Movies With Tommy Wiseau

Par Jourdan Aldredge

Greg Sestero chats about his recent collaboration with his real life best friend Tommy Wiseau at the Marfa Film Festival.

Post-Production Tips: How to Save Corrupted Footage

Par Caleb Stephens

There is nothing worse than losing footage. However, if you're vigilant and know what to watch for, you can still save a corrupted card.

Harness the Power of the Canon 5D Mark IV’s Built-in Intervalometer

Par Jourdan Aldredge

In this write-up, learn how you can create your own time-lapse videos using the in-camera settings for the Canon 5D Mark IV.

How to Soften Your Sharp 4K DSLR Video Footage

Par Lewis McGregor

Super sharp footage is great when you need it, and not so great when you don't. Here's how to soften it — during production and in post.

Interview: Filmmaker Bradley Olsen and His FCPX Documentary “Off the Tracks”

Par Tanner Shinnick

In a new documentary, Off the Tracks, Bradley Olsen explores why Apple made those fateful decisions when designing Final Cut Pro X.

Lens Review: How To Shoot Anamorphic with The Atlas Orion Lenses

Par Todd Blankenship

Anamorphic lenses yield arguably the most inherently cinematic images. Now, thanks to Atlas Lens Co. and others, they're becoming more accessible.

Interview: Women Texas Film Festival Founder, Justina Walford

Par Paula Goldberg

If you think you need to be in New York or Los Angeles to have a career, filmmaker Justina Walford is here to tell you otherwise.

Quick Tip: How To Use Optimized Media In DaVinci Resolve

Par Lewis McGregor

Is your machine struggling to play back media in DaVinci Resolve at the correct frame rate? If so, you may need to use optimized media.

Interview: How Filmmaker Jessica Sanders Brought a Tiny Person into a Big World

Par Jourdan Aldredge

Filmmaker Jessica Sanders chats about her short "End of the Line" and some of its amazing practical and digital VFX tricks.

Audio Gear: 10 Super Cheap Accessories for Your Audio Kit

Par Todd Blankenship

True audio professionals always have a few equipment tricks up their sleeves. Luckily, they don't always have to be expensive.

The 5 Keys to Capturing Beautiful Landscape Footage

Par Jourdan Aldredge

In this article, we take a look at the keys to success when shooting beautiful landscape footage for your next film or video project.

7 Things to Check Before You Begin Recording Yourself

Par Jourdan Aldredge

Before you hit record on the next film or video project featuring yourself, be sure to work through the items on this checklist.

Film School 101: Filmmaking Fundamentals, Assignments, and Exercises

Par Jourdan Aldredge

Are you interested in becoming a filmmaker? New to the craft? Try out these five exercises to build your filmmaking skill-set.

What Else Can You Do with Your 360° and VR Video Footage?

Par Charles Yeager

Do you dislike 360 and VR video? In this video tutorial, we'll show you how to get creative with some alternative uses for these formats.

Rock Rubber 45s: Documentary Tips for Working with Archival Footage and Assets

Par Jourdan Aldredge

We spoke with Bobbito García and his team about how they sorted decades of archival footage to create the autobiographical documentary Rock Rubber 45s.

Why Dual Native ISO Should Be the New Industry Standard

Par Caleb Stephens

What does "Dual Native ISO" mean, what does it do for your shots, and why would its acceptance in the film and video industries matter?