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À partir d’avant-hierThe Beat: A Blog by PremiumBeat

Learning Curve: The Mysteries Behind the LUT Box Unveiled

In this installment of Learning Curve, we take a look at how to use the software and hardware combination known as a LUT box.

Color-Matching Footage from Different Cameras in Premiere

In this video tutorial, we go over how you can color-match the profiles of a GoPro, an a7III, a cellphone, and a Mavic 2 Pro.

The Most Exciting Camera News and Rumors of 2020

Hold onto your hats — 2020 is looking to be another wild and crazy year of camera rumors, releases, and breakthroughs. Check out what's new for this ...

Fix It in Post — Four Ways to Save Your Film in Post-Production 

Relying on any aspect of post-production to repair your project is a bad idea. But there is a right way to "fix it in post." Here's what ...

The Filmmaker’s Cinematic Quandary: S-Log2 vs. Cine4

Today, we'll discuss the pros and cons of the S-Log2 vs. the Cine4, and the importance of color and tones concerning the integrity of your project.

The Best Built-in Color Grading Tools in FCPX

FCPX's arsenal of built-in tools allows you to get the best color possible out of your videos. Let's look at how these tool can refine your color ...

Hier — 27 mai 2020The Beat: A Blog by PremiumBeat

Everything You Should Know About Picking Your Film’s Color Schemes

Let's explore one of the core issues of a film’s cinematography — color scheme. A film's color scheme sets the tone, emotion, and complexity of the film.

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