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#UX180/90: un look cinéma pour vos images, en 2mns et en vidéo

Nouveau tuto sur la série de caméras UX180/90: il s’agit d’apprendre à donner un rendu plus cinématographique à vos images. Vous apprendrez:
– A utiliser les courbes Cine_D pour obtenir une image « plate » avant étalonnage.
– A vous servir du couple ouverture/longueur de focale pour réduire la profondeur de champ.
– A paramétrer la fonction Focus Transition pour faire le point automatiquement entre deux valeurs.

Plus d’informations sur ces camescopes 4K baroudeurs ici.

Learning Curve: The Mysteries Behind the LUT Box Unveiled

In this installment of Learning Curve, we take a look at how to use the software and hardware combination known as a LUT box.

Color-Matching Footage from Different Cameras in Premiere

In this video tutorial, we go over how you can color-match the profiles of a GoPro, an a7III, a cellphone, and a Mavic 2 Pro.

The Most Exciting Camera News and Rumors of 2020

Hold onto your hats — 2020 is looking to be another wild and crazy year of camera rumors, releases, and breakthroughs. Check out what's new for this ...

Fix It in Post — Four Ways to Save Your Film in Post-Production 

Relying on any aspect of post-production to repair your project is a bad idea. But there is a right way to "fix it in post." Here's what ...

Colorist Walter Volpatto Elevated to CSI Fellow

LONDON— Veteran colorist Walter Volpatto, CSI has been appointed to the leadership of the Colorist Society International as a Fellow. A senior colorist at EFILM in Hollywood, Volpatto was nominated for a 2019 HPA Award for his work on the film Green Book. His more than 100 credits also include the features Star Wars: Episode ...

The post Colorist Walter Volpatto Elevated to CSI Fellow appeared first on NAB Show News | 2020 NAB Show Media Partner and Producer of NAB Show LIVE. Broadcast Engineering News.

The Filmmaker’s Cinematic Quandary: S-Log2 vs. Cine4

Today, we'll discuss the pros and cons of the S-Log2 vs. the Cine4, and the importance of color and tones concerning the integrity of your project.

The Best Built-in Color Grading Tools in FCPX

FCPX's arsenal of built-in tools allows you to get the best color possible out of your videos. Let's look at how these tool can refine your color ...

Everything You Should Know About Picking Your Film’s Color Schemes

Let's explore one of the core issues of a film’s cinematography — color scheme. A film's color scheme sets the tone, emotion, and complexity of the film.

6 Reasons for You to Upgrade to Resolve Studio Today

DaVinci Resolve is unique among post-production applications in that it’s free. But, here are six reasons why you'd upgrade to its paid version.

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