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The Filmmaker’s Cinematic Quandary: S-Log2 vs. Cine4

Par Lewis McGregor

Today, we'll discuss the pros and cons of the S-Log2 vs. the Cine4, and the importance of color and tones concerning the integrity of your project.

Colorist Walter Volpatto Elevated to CSI Fellow

Par Artisans PR

LONDON— Veteran colorist Walter Volpatto, CSI has been appointed to the leadership of the Colorist Society International as a Fellow. A senior colorist at EFILM in Hollywood, Volpatto was nominated for a 2019 HPA Award for his work on the film Green Book. His more than 100 credits also include the features Star Wars: Episode ...

The post Colorist Walter Volpatto Elevated to CSI Fellow appeared first on NAB Show News | 2020 NAB Show Media Partner and Producer of NAB Show LIVE. Broadcast Engineering News.

Fix It in Post — Four Ways to Save Your Film in Post-Production 

Par Zach Ramelan

Relying on any aspect of post-production to repair your project is a bad idea. But there is a right way to "fix it in post." Here's what ...

The Most Exciting Camera News and Rumors of 2020

Par Jourdan Aldredge

Hold onto your hats — 2020 is looking to be another wild and crazy year of camera rumors, releases, and breakthroughs. Check out what's new for this ...

Color-Matching Footage from Different Cameras in Premiere

Par Zach Ramelan

In this video tutorial, we go over how you can color-match the profiles of a GoPro, an a7III, a cellphone, and a Mavic 2 Pro.

Learning Curve: The Mysteries Behind the LUT Box Unveiled

Par Rubidium Wu

In this installment of Learning Curve, we take a look at how to use the software and hardware combination known as a LUT box.

#UX180/90: un look cinéma pour vos images, en 2mns et en vidéo

Par Webmaster Panasonic

Nouveau tuto sur la série de caméras UX180/90: il s’agit d’apprendre à donner un rendu plus cinématographique à vos images. Vous apprendrez:
– A utiliser les courbes Cine_D pour obtenir une image « plate » avant étalonnage.
– A vous servir du couple ouverture/longueur de focale pour réduire la profondeur de champ.
– A paramétrer la fonction Focus Transition pour faire le point automatiquement entre deux valeurs.

Plus d’informations sur ces camescopes 4K baroudeurs ici.

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