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Induni & CIE’s 100th Year




Induni & CIE SA – 100th Year Celebration

2017, Geneva (CH)

 

Media Server : Modulo Player Ultra MP-UX-4

 

Credit
  • Technical Production : Dorier Group
  • Production : MCI
  • Design : Stamina

Bicentenary of la Caisse d’Epargne




200th Anniversary of la Caisse d’Epargne

2018, Opéra Comédie, Montpellier – France

Bicentenary of la Caisse d’Epargne Languedoc Rousillon

Credit

InfoComm Beijing 2018




InfoComm Beijing 2018

April 2018, Beijing

Modulo Kinetic – InfoComm China 2018

Credit
    • Multimedia content design :NDIMENSIONS
    • AV rental company :PD AV
    • Projectors : Panasonic PT-RZ31K X6
    • Distributor : Myth Sanvei

RENCONTREZ VJ P4nick

Par : HeavyM

Le talent brésilien du vidéo mapping scénographique   1.Quand as-tu démarré ton activité de VJ ? Peux-tu nous en dire plus sur le . . .

The post RENCONTREZ VJ P4nick appeared first on blog.

InfoComm Brazil 2018

InfoComm Brazil 2018 – Epson Booth

April 2018, Sao Paulo – Brazil

Credit

  • Client : Epson
  • Content Creation : Allumage
  • Mapping / Tracking Integration : Allumage
  • Tracking Technology : Modulo Kinetic

Open Doors day – Skynight



Skynight – Open Doors Open day 2018

April 2018, Geneva – Switzerland


For it’s open doors day, Skynight in collaboration with Key Labs, created a racetrack projected on the floor of it’s warehouse, with real remote-control cars racing onto it.
To make the experience close to video games, the cars would flash in red every time they were out of the track and particles were generated in real time to create exhaust fumes behind the vehicles.
A smaller 2D version of the racetrack was displayed on a TV screen, giving information about the real-time position of each car and the number of laps it had completed.

This was all made possible thanks to BlackTrax technology to track the cars in real-time, and Modulo Kinetic using the tracking information to generate real-time particules and other projection effects on the moving cars.

Credit

  • Creation : Key-lab & Skynight
  • BlactTrax & Modulo Kinetic operator : Marc Frezza

CGR Cinémas Paris Lilas (Jocelyn Bouyssy) : « 1 million d’euros pour une salle premium immersive ICE »

Jocelyn Bouyssy, le directeur général du groupe CGR – premier circuit cinématographique en France avec 73 cinémas – a inauguré le 20 juin dernier en présence de nombreux invités le nouveau complexe cinéma du groupe CGR à la Porte des Lilas à Paris. Un cinéma de 7 salles rebaptisé CGR Paris Lilas, suite au rachat du groupe Cap’Ciné en novembre 2017.

CGR Jocelyn Bouyssy IMG_3419

Jocelyn Bouyssy, directeur général du groupe CGR à l’inauguration du cinéma Paris Lilas, le 20 juin 2018. © Lionel Ollier

L’ensemble du lieu, entièrement rénové et repensé, dispose d’une salle Premium particulière (la n°4) baptisée ICE (Immersive Cinema Experience) qui se distingue des autres par son côté immersif. C’est la 19ème salle CGR en France à disposer de ce procédé (une exclusivité CGR Cinémas) qui associe qualité visuelle, sonore et confort du spectateur (taille et espacement des sièges inclinables, gradinnage rehaussé…) En plus d’une excellence sonore qui « enveloppe » le spectateur (Dolby Atmos qui met à contribution 53 haut-parleurs dont certains au plafond) et d’une qualité visuelle lumineuse et cristalline (projecteur laser 4K Christie 9P à 60K lumens, 14 pieds-Lambert pour la 2D et 7fL en 3D), la salle dispose de 12 panneaux Led latéraux Philips (technologie LightVibes, propriété de CGR suite à son rachat à Philips) qui prolongent sur les côtés l’environnement sensoriel de l’écran principal et plonge le spectateur dans l’action.

CGR Porte des Lilas Paris_IMG_3403

Le cinéma CGR Paris Lilas. ©Lionel Ollier

« Il faut compter 1 million d’euros d’investissement pour une salle ICE LightVibes, explique Jocelyn Bouyssy, Dg du groupe CGR. Luc Besson a été le premier à nous faire confiance sur son film Valérian ; notre laboratoire de post-production à La Rochelle se charge d’incorporer la technologie LightVibes aux copies numériques. Pour des raisons de sécurité, c’est un véritable bunker ; je n’ai moi-même pas le droit d’y pénétrer ! » Depuis la sortie du film de Besson, plusieurs studios américains ont fait confiance à Jocelyn Bouyssy et à son concept ICE LightVibes dont Warner, Sony, Universal, Disney Nature… et prochainement Paramount (en discussion). Un succès qui fait qu’aujourd’hui CGR propose sa technologie à d’autres exploitants sans demander de royalties. A charge pour eux d’adapter leurs salles à ce label et son haut standard de qualité. Certains films diffusés dans la salle ICE ne bénéficient pas du format LightVibes – les spectateurs en sont avertis avant d’acheter leur billet – Ils peuvent malgré tout apprécier les bandes-annonces formatées ainsi. CGR espère pouvoir sortir chaque année une vingtaine de films en immersion sensorielle LightVibes.

Salle premium ICE by CGR 02LD

Salle ICE LightVibes avec ses panneaux latéraux Led. ©DR

Le spectateur bénéficie d’un accueil ICE privilégié dès le hall du cinéma. Grâce aux fauteuils numérotés, il peut réserver la place de son choix, en ligne ou directement au cinéma. Le prix des billets reste raisonnable pour cette salle premium : 15€ en plein tarif ; 11€ tarif réduit pour les moins de 26 ans ; et 8€ en matinée et pour les enfants toute la journée. Un véritable succès pour CGR qui proposera 7 nouvelles salles ICE d’ici la fin de l’année.

Viva Technology 2018

VIVA Technology

May 2018, Porte de Versailles – Paris

Credit

  • Client : Publicis Group / Les Echos
  • Agency : Publicis Live
  • Technique : Videomania

Identiverse 2018



Identiverse 2018

June 2018, Boston, MA – USA


Identiverse, formerly known as The Cloud identity Summit, is the world’s largest identity conference.
Featuring over 200 sessions and masterclasses, Identiverse offers exhibits and presentations from more than 50 vendors.
This includes presentations from some of the world’s most influential voices in digital identity, financial services, privacy, healthcare, security, IoT, mobile, architecture and more.
This corporate event is hosted by Ping Identity Corporation, a provider of cyber security solutions to Fortune 100 companies globally.

The event takes place in a different city in June every year. Identiverse2018 edition was held in Boston, at the Hynes Convention Center.
The main stage this year was in the Grand Ballroom, a 24,500 square foot space. In addition to the main stage, there were also 7 breakout rooms and an expo stage.
All AV elements including projection, sound, lighting, cameras, record decks, live streaming, content creation (i.e. motion graphics and projection video elements)
and all preproduction design and rendering were provided by Immersive, a cutting-edge production company based in San Fransisco. For the projection mapping both on the ceiling as well as the main stage, Immersive chose Modulo PI solutions to control the 12 projectors they required.

Modulo Kinetic was hosting the ceiling projection.
During the preproduction phase, Modulo Kinetic 3D preview allowed Immersive to test the accuracy of their projectors placement, as Sean Mason, Immersive CEO , explains :
“One challenge we faced was part of the ceiling projection was being blocked by the stage set. In the Kinetic projection study, we realized that the center stage arch would be blocking two of the projectors.
Not only did Kinetic make us aware of the issue, it also helped solving it, all before getting on show site : through the Kinetic Render Surface interface, we were able to send content from a different projector to fill in the blocked area. Without Kinetic, this fix would not have been possible, and we would not have been able to fill in the shadow. Kinetic truly saved the day! »
Once on site, Immersive made the best of some other Modulo PI exclusive features during set up, like the Remote Warp functionality to adjust the projection from any location in the Grand Ballroom: “The Remote Warp is extremely helpful to fine tune the mapping from anywhere in the room. It allows us to get up right next to the projection and adjust the warp/blend to achieve a perfect mapping” adds Mason.

Immersive also enjoyed The User Panel, another exclusive modulo PI feature. It was used to write cues, trigger several simultaneous tasks and control all Modulo Pi media servers “We love the Panel. It was absolutely necessary to control the show because the server hosting the central stage projection was backstage while another one was in the Front of House. Thanks to the Panel, we were controlling them both while sitting in the audience during the show.” adds Mason.
Sean Mason concludes : “Modulo Kinetic is definitely more powerful than any server we’ve used. Overall, every Modulo Pi product has been amazing to use and extremely powerful. The Modulo team has been incredible to work with, very supportive, quick to respond to questions and a wonderful partner to have. We are looking forward to many more Modulo Pi installations!”’

About Immersive:
Immersive is a cutting-edge company that creates dynamic environments for events. They specialize in corporate audio visual (AV), projection mapping, custom content creation, architectural projection mapping, sculptural projector mapping, lighting, audio, staging and rigging. Last year alone, Immersive executed over 180 events in the US. The company was founded in 2012 by Sean Mason. Some of their most iconic work are architectural projections whether on building facades and interior architecture such as The Old Mint in San Francisco, San Francisco City Hall, and Samsung Semiconductor HQ in Santa Clara.

Credit

  • Content Design and Creation:Immersive
  • Technical Production: Immersive
  • Photos : Sean Mason

Pros and Cons of Working as a VJ in Dubai

Par : lumenadmin

Pradeep Mohan came from Chennai, India to become one of the moving forces of commercial VJing in Dubai. Working in the big event management company, this guy knows how things work inside out. Keep reading to learn from his experience! Lumen: You’re a video engineer and it sounds extremely cool but could you please describe […]

The post Pros and Cons of Working as a VJ in Dubai appeared first on LUMEN.

Maestro – Sharjah Light Festival 2017

For a second year in a row, we were invited by Nomada to participate at the Sharjah Light Festival 2017.
For this occasion we introduced Maestro, a new interactive video mapping, controlled by the user through a futuristic illuminated console.

The installation was set up on a half kilometer long building with 19 video projectors of 20,000 lumens and 8 sky-tracers.
The users were offered to choose between three original Mappings: SAND, MOSAIC and ORGAN.

To complete this creative and technological challenge, Tigrelab teamed up with great talents: Hand Coded was in charge of the generative visuals and sounds, our technological partners ProtoPixel took care of the creative technology and the lighting control, Thomas Aussenac from SoundBox created the Music and Sound Design, and Joan Molins and Roger Amat were in charge of the Motion Design and Animation.

This project has been rewarded during the Sharjah Light Festival 2017 for “Best Installation”.

Credits

Original concept, Creative direction and Animation: Tigrelab

PM, concept, generative visual-audio Development: Hand Coded
Creative technology and lighting control: Proto-Pixel
Motion Design and Animation: Joan Molins, Roger Amat
Music & sound design: Thomas Aussenac – Sound Object
Making Of: Felipe Mejia
—————————
Tigrelab Team:
Federico Gonzalez
Mathieu Felix
Javier Pinto

Nagyb Cedeño
Sergio Garcia Arribas
Julie Herbert

Sharjah Light Festival 2017
Organized by Sharjah Commerce and Tourism Development Authority
Produced by Nomada Les Arts Nomades Cie

The post Maestro – Sharjah Light Festival 2017 appeared first on Video Mapping Blog.

Chine : premier cinéma équipé en EclairColor HDR avec l’exploitant Bestar Cinemas et l’intégrateur Great Ocean

  • Premier film chinois mastérisé au format EclairColor High Dynamic Range par Eclair

Le Groupe Ymagis, spécialiste des technologies numériques pour l’industrie du cinéma, et l’intégrateur Chinois Great Ocean annoncent le lancement de la première salle de cinéma en EclairColor HDR (High Dynamic Range) dans la ville de RuiAn avec l’exploitant Bestar Cinemas. Au sein du tout nouveau multiplexe de Bestar Cinemas, la technologie EclairColor est au cœur du dispositif Premium Large Format (PLF) baptisé « STARX » et qui est équipé d’un écran de 22 mètres de base, de 600 fauteuils et d’un système de projection quad SRX-R515QS de chez Sony Digital Cinema.

Ymagis_EclairColor_BestarCinemas Lite(4)

« Nous sommes particulièrement heureux de pouvoir présenter pour la toute première fois en Chine cette nouvelle technologie HDR, au sein de notre nouveau multiplexe, situé dans le centre commercial Wuyue à RuiAn« , commente Jiang Yuanxin, Directeur Général Adjoint de Shanghai Bestar Cinemas Management Co. « EclairColor combiné à Sony délivre une qualité d’image supérieure qui apporte encore plus d’émotions à l’écran, améliorant ainsi de façon significative le taux de satisfaction de nos spectateurs. Dans le cadre de notre plan de développement, nous souhaitons ouvrir en Chine d’ici 2021, 50 salles STARX PLF équipées de la technologie EclairColor au sein de nos actuels et futurs cinémas. »

Ymagis_EclairColor_BestarCinemas Lite(1)

Pour Zhang Liang, Directeur Technique de l’intégrateur Chinois Great Ocean, « la collaboration avec les équipes d’EclairColor s’est parfaitement bien déroulée lors de l’installation de notre premier site à RuiAn. La palette de couleurs qu’apporte EclairColor est beaucoup plus riche et les nuances sont très fines permettant d’obtenir à l’écran de vrais couleurs noires, comme cela a été démontré lors de la projection du film Chinois Dying to Survive en EclairColor. Tous les cinémas, quelle que soit la taille des écrans, peuvent s’équiper en EclairColor HDR. Par ailleurs, le système de projection Sony Digital Cinema 4K peut être utilisé par les exploitants pour projeter aussi bien les contenus masterisés en EclairColor que les contenus au format habituel (« DCI »). »

Ymagis_EclairColor_BestarCinemas Lite(2)

« Nous espérons pouvoir annoncer dans les prochaines semaines de nouvelles installations en EclairColor grâce à notre premier site témoin à RuiAn avec notre partenaire Great Ocean« , déclare Simon Eyriès, Chef de projet EclairColor. « L’arrivée d’EclairColor en Chine est une étape clef pour les cinéastes et les exploitants chinois qui ont désormais accès à une technologie HDR disponible, efficace et économique. A cette occasion, Eclair (le pôle d’activités contenus du Groupe Ymagis) a produit le premier DCP EclairColor d’un long-métrage produit et filmé en Chine Dying to Survive, réalisé par Wen Muye« 

cinetvindustry

Ymagis_EclairColor_BestarCinemas Lite(4)

Ymagis_EclairColor_BestarCinemas Lite(1)

Ymagis_EclairColor_BestarCinemas Lite(2)

The Secret Behind Successful Annual Events

Par : lumenadmin

  Earlier this month we produced the 24th Annual Our Heroes Luncheon for Sykes Enterprises, Inc. Foundation. It was another successful year, filled with emotion and compelling tributes to Hillsborough County’s first responders. With rave reviews from our client; audience members complimenting on a job well done, and so many saying “this is the best year […]

The post The Secret Behind Successful Annual Events appeared first on LUMEN.

3 Proven Ways to Revamp Your Repeat Event

Par : lumenadmin

  By Cylie Svartoien When you have a local repeat event with a consistent audience, it’s easy to get comfortable and rely on tactics that have worked before. However, if you want to keep your audience’s attention and attendance, it’s critical to revamp, refresh and rejuvenate your show. Last week at the Heroes Luncheon in Tampa, […]

The post 3 Proven Ways to Revamp Your Repeat Event appeared first on LUMEN.

Events Are Like Theater

Par : lumenadmin

By: Cylie Svartoien, Marketing Specialist, Kingham Signature Events Set the stage – can everyone see the action? Cue the lights – what are you spotlighting? Design the set – what atmosphere are you going for? Can you feel the excitement buzzing in the air? Your milestone event is theater in live action. Except, you don’t […]

The post Events Are Like Theater appeared first on LUMEN.

NonProfit Event Revenue Streams

Par : lumenadmin

NonProfit Event Revenue Streams When planning a fundraiser for a nonprofit organization it’s important to analyze your NonProfit Event Revenue Streams. In your analysis you can uncover ways to maximize funds being raised and offer guests varying price points to participate. But not only does your analysis provide you insights from a budget perspective, it also […]

The post NonProfit Event Revenue Streams appeared first on LUMEN.

2018 Man Pavilion: IAMAI and the Burnbots

Par : lumenadmin

This year at Burning Man, artist Joe Crossley (Astral Projekt) will be producing and curating a collection of Human/ AI inspired media art pieces under the name IAMAI. The ethos is to create a ceremonial space where we can acknowledge and celebrate the declaration of co- existence between man and machine. Artists from around the world […]

The post 2018 Man Pavilion: IAMAI and the Burnbots appeared first on LUMEN.

How BARTKRESA Studio Turned a Space Shuttle into King Tut’s Tomb

Par : lumenadmin

King Tut met 21st century design and technology at the California Science Center. Projection Designer Bart Kresa mapped the space shuttle Endeavor with images of King Tut’s spectacular golden sarcophagus for the Science Center’s recent Discovery Ball fundraiser. Bart Kresa, who heads the international Bart Kresa Studio, transformed the space shuttle into the boy king’s tomb by projection mapping the fuselage and vertical tail with […]

The post How BARTKRESA Studio Turned a Space Shuttle into King Tut’s Tomb appeared first on LUMEN.

Bain & Compagnie

Bain & Compagnie Launch Party

May 2018, Ateliers des Lumières, Paris

Credit

Malakoff Médéric Dinner

Diner Malakoff Médéric

May 2018, Ateliers des Lumières, Paris

Credit

Cloudbees / Jenkins World – 2018



Cloudbees / Jenkins World – 2018

Sept 2018, San Fransisco, CA, USA – Oct 2018, Nice, France


For its 2018 Jenkins World Tour, CloudBees gathered a large community of developers from all
over the globe in two locations: San Francisco (USA) in September, and Nice (France) in October.
For these major rendezvous bringing together 2,500 attendees, a wide and neat video projection
with mapping was created using Modulo Kinetic, a powerful video solution by Modulo Pi.

Immersive, a cutting-edge production company based in San Francisco, was in charge of the
entire show for the 2018 Jenkins World Tour in the United States, and France.
The main stage used for keynotes consisted in two wide screens, plus a third screen with a globe
shape in front of them.

In San Francisco, 5 x Christie Boxer 30K were installed to feed the screens on a 135 feet (41
meters) stage. To deal with the challenges of this show, Sean Mason, Founder and CEO of
Immersive, decided to opt for the Modulo Kinetic media server solution: “We work with Modulo
Pi’s systems for all our projector mappings now. Modulo Kinetic is bulletproof, powerful, and
versatile. It has everything in it.”

For both events, Modulo Kinetic was used in a configuration with two Kinetic Vnode servers, both
controlled through one Kinetic Designer. The show was designed to offer maximum flexibility,
with any source that could be routed to any location. Four opening videos were
played, composed of two videos on the side screens and one on the front globe, playing
simultaneously. Immersive teams could also route the PowerPoint presentations on the walls, or
on the globe.

Immersive worked in close collaboration with CGI Interactive, the company in charge of creating
the introduction videos and PowerPoint presentations for the event. Creative teams developed all
content on a template created by Immersive.

An Ascender 32 mixer by Analog Way was in line to do all the switching for the 6 x MacBook and 6
x PCs. The outputs of the Ascender 32 were sent to the Kinetic Vnode servers in charge of playing
the content for stage left and stage right.
Sources also included 2 x cameras for IMAG, and an SDI matrix recording the laptops, mixer, and
camera feeds sent to Modulo Kinetic.

Facing the challenge of adapting the show made in San Francisco to a new venue in France, Sean
Mason and his teams could rely on Modulo Kinetic’s powerful 3D engine for show simulation: “We
were coming to a place that that we’ve never been to before. You have a floor plan and that’s it.
For this reason, we 3D modeled the entire space, and could place our projectors, making sure we
would have the correct coverage.”

The simulation study also turned out to be helpful to project on the globe screen: “In this case,
Modulo Kinetic saved us because if we shot straight on, then the globe got a big shadow. In the
projection study, we had to move the projectors all the way to the side and shoot at an angle to get
behind the globe.”

The stage in Nice being 85 feet (25 meters), Immersive had to redesign part of the show and adapt
the content. The simulation done using Modulo Kinetic also helped select 7 x Barco 30K
projectors. Sean Mason explains: “Projection study is something we always had trouble with in
the past. There’s plenty of time when we’ve done it with other software. It looks good in the
software, but when you get to the site, it’s just not working. This is not the case with Modulo
Kinetic. It includes a library with exact specifications for every projector. Even the lens choice is
accurate. We used to bring two sets of lenses, but now we don’t have to do that anymore. It actually
saves a lot of money.”

Warping and mapping over the globe were done on site, using Modulo Kinetic’s mobile remote
application. “Warp remote is a great attribute, says Mason. Thanks to it, we’re able to get right
next to the projection, and do all the fine-tuning.”
The multi-user remote control software helped save time by working simultaneously on warping
and show encoding.

All show encoding and control was done through Kinetic Designer. Around 40 tasks were created
for the show, as well as custom panels using the system’s UI Designer.

Thanks to the panels, all tasks could be triggered live using Modulo Kinetic’s iPad application.
Creating tasks through Modulo Kinetic allowed to easily deal with last minute changes in the
show, being able to add anything, programming fade outs or loops in the timeline,… “Modulo
Kinetic’s software is very easy to use. It’s very fast to write your cues and make your interface for
the iPad”.

The event that was Immersive’s first international show was a success. The company will work
on the 2019 Jenkins World Tour that will be held in San Francisco and Lisbon next year.

About Immersive:
Immersive is a cutting-edge company that creates dynamic environments for events. They specialize in corporate audio visual (AV), projection mapping, custom content creation, architectural projection mapping, sculptural projector mapping, lighting, audio, staging and rigging. Last year alone, Immersive executed over 180 events in the US. The company was founded in 2012 by Sean Mason. Some of their most iconic work are architectural projections whether on building facades and interior architecture such as The Old Mint in San Francisco, San Francisco City Hall, and Samsung Semiconductor HQ in Santa Clara.

Credit

  • Content Design and Creation: CGI Interactive
  • Technical Production: Immersive
  • Photos : Sean Mason

Balenciaga – SS19 Paris Fashion Show



Balenciaga – SS19 Fashion Show

September 2018, Cité Du Cinema – Saint-Denis, France


Credit

  • Set design & production : La Mode en Images
  • Director : Jon Rafman
  • Integration and rendering : Spectre Lab

Flux 2018 – Del 11 de diciembre al 5 de enero

Par : volatil

FLUX es un festival de vídeo de autor, este año llega a su 13ª edición, desde que nació su objetivo ha sido dar protagonismo a los autores que trabajan en el campo del videoarte, el documental o las videoinstalaciones. Este año los artistas centrales del festival son Fernando Baños-Fidalgo, Ana Rodríguez León  y Zavan Films, con proyecciones monográficas, coloquios con los autores y el estreno de sus autoretratos, obras inéditas a cargo del festival.

También habrá una videoinstalación silenciosa Flux Mut con la obra de Nora Ancarola “La Maleta kafkiana”.

Y la videoinstalación colectiva FLUX VideoCapsa, donde se experimenta con formatos alternativos de exhibición de obras videográficas, formada con vídeos inéditos de los autores Iván Canedo, Marta Grimalt Canals, Adrià Guardiola, Julia Juániz, Llapispanc, Beatriz Míngeuz de Molina, Matilde Obradors, Martí Sans, Elena Vilallonga i Ulrich Weitzel.

Aquí tenéis los horarios.

 

Para la inauguración contaron con la actuación de Amaranta Velarde & Alba Corral ofreciendo el espectáculo Mix-en-scene.

Os dejamos una entrevista a las artistas para conocer mejor el proyecto:

La entrada Flux 2018 – Del 11 de diciembre al 5 de enero aparece primero en Vjspain Comunidad Audiovisual, Mapping, Vj, Diseño Interactivo.

Jornadas A/V B12 Gallery Ibiza & SO.

Par : volatil

La Galería B12 acogió en Ibiza, durante un fin de semana, una propuesta liderada por el colectivo Visuals For The Masses, del que ya te hemos hablado, y esperamos hayas escuchado, ya que se trata de un potente podcast colaborativo con profesionales del sector visual de todo el mundo. De la mano de este colectivo, tuvieron lugar las primeras jornadas sobre artes visuales y visualistas con la idea de que se celebren de forma mensual.

Para la inauguración, el viernes 11 de enero, tuvo lugar una masterclass de la mano de Gnomalab (Juanjo Fernández). La jornada de networking continuó con una comida junto al colectivo Visuals For The Masses y una mesa redonda sobre Show Running en Clubs. Participaron grandes profesionales como Pedro Comesaña (3DLight), Ivi (Improbable Films), Gus (vídeos de Amnesia), Masha (Icemash), Karlos Molina (Dj), Danny Lloyd (DJ), Elimaginario (diseñador visual de Music On y uno de los organizadores de la cita) y otros miembros de Visuals For The Masses.

El sábado 12 tuvo lugar una sesión muy especial en B12 Ibiza con una nueva edición de la fiesta So en la que los asistentes pudieron disfrutar de una instalación de láser y visuales creada por Elimaginario y A.P patrocinada por Pirolaser FX. Las visuales corrieron a cargo de Gnomalab y Elimaginario.

Welcome atmosphere_Daze Tie A/V set up.
Live A/V Karlos Molina + Danny Lloyd + Gnomalab + El Imaginario.
Instalación Visual_El Imaginario + A.P. + Pirolaser FX

La entrada Jornadas A/V B12 Gallery Ibiza & SO. aparece primero en Vjspain Comunidad Audiovisual, Mapping, Vj, Diseño Interactivo.

Best video projection mapping decor for wedding

Looking to create a bold and unique wedding décor element for your big day? Transform your wedding venue with the help of projection mapping also known as video mapping or video projection mapping. Take your guests on a journey to any city or landscape in the world. Create decorations or memorable instances with special effects on walls, floors, objects or literally anything you like. Unlike traditional décor which leaves with limited décor options and a static décor through the evening, video mapping allows you to transport your venue at the click of a button.

 

The Basics.

Projection mapping uses high-resolution content to seamlessly project onto walls and ceiling of virtually any event space, transforming the venue into an entirely different and unique environment.  This technology is not limited to flat surfaces or walls, you can project on irregular shapes and turn them into displays. You can even use video mapping on your wedding cake to make that special moment even spectacular. You can buy some pre-made high quality content here, which goes perfectly with any wedding cake.

 

Mapping essentially means that a complex array of software programs and media servers are used to control the pixels of a projector to match the object you want to project on.

 

Customize the venue

Video projection mapping allows you to create any effect immediately and affordable. A couple can create visuals journeys which no stat wedding décor could ever achieve.Changing scenes at will, unlike traditional decorations. Virtually create anything you like and I mean anything. Each couple is unique and projection mapping allows you to express exactly that. Once you have the venue mapped with projectors, your guest can enjoy different themes through the day at the push of a button. Every couple can create a unique and expressive environment. Create awe-inspiring visuals journeys for the entire evening. The best part, your guests will remember the day forever.

 

Content is key.

Once you have the venue and hardware requirements nailed down. Content is what you need to transform the venue, every video mapping show naturally needs content. You can either hire a studio or an artist to create content completely or pick up some of our high-quality video loops that are perfect for your wedding cake and add your own style. Hope you have a fabulous wedding!

 

The post Best video projection mapping decor for wedding appeared first on Video Mapping Blog.

Best video projection mapping decor for wedding - Video Mapping Blog: Projection Mapping News

Best video projection mapping decor for wedding news by Video Mapping Blog: Projection Mapping News & reviews. Best Postname projection mapping news

TouchDesigner Summit 2019

Summit Update April 19, 2019 We have finalized the TouchDesigner Summit 2019 program bringing together a roster of star operators from all over the world to deliver 45 workshops, 21 talks and of course wherever 350 TouchDesigneurs gather there will be no shortage of excitement on the side. Full program to be released soon followed […]

The post TouchDesigner Summit 2019 appeared first on LUMEN.

Resumen visual del estreno de “Visualist, Those Who See Beyond” en Casabanchel-Madrid

Par : volatil

El estreno de “Visualist, Those Who See Beyond” en Casabanchel-Madrid fue un éxito en todos los sentidos. Tanto de convocatoria como de acogida. La gran ovación después de la proyección de la película demostró una vez más que el documental destaca por su calidad.

Un catering casero exquisito y unas cervezas Patanel fueron la compañía perfecta para un público que supo valorar y disfrutar de la velada. Se llevó a cabo una convocatoria de prensa y ya se empiezan a leer artículos en algunos medios online especializados y generalistas gracias al trabajo de Pat Comunicaciones.

El equipo al completo del documental salió al escenario para responder a las preguntas de los asistentes. Los directores Pedro Pantaleón (Refractivo) y Manuel Cid, el compositor de la  BSO del documental (entre muchas otras tareas) Rubén Kielmannsegge, el encargado del diseño de sonido y mezcla, Sergio Testón y el productor Oscar Testón (Otucinema & Vjspain) estuvieron presentes en el ansiado estreno en Madrid, un evento lleno de felicitaciones, abrazos y momentos inolvidables.

Os dejamos con un resumen visual de la velada de la mano del fotógrafo Jesús Efe Punto

La entrada Resumen visual del estreno de “Visualist, Those Who See Beyond” en Casabanchel-Madrid aparece primero en Vjspain Comunidad Audiovisual, Mapping, Vj, Diseño Interactivo.

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