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Didier Huck remplace Didier Diaz à la présidence de la FICAM après 2 ans de mandat

Par Cine.Tv.Industry

« It’s a Man’s, Man’s world »

Mr. Didier HUCK / TECHNICOLOR

Didier Huck, nouveau président de la FICAM

Didier HUCK, Directeur des relations institutionnelles et RSE de la société Technicolor – Mikros, a été élu président de la FICAM, la Fédération des Industries du Cinéma, de l’Audiovisuel et du Multimédia, le 19 juin 2018. Un nouveau Comité Directeur de personnalités issues de l’univers des Industries de la Création a été désigné par les entreprises adhérentes.

Didier Diaz n’aurait pas souhaité se représenter pour un second mandat selon nos informations. La FICAM a tenu à le remercier chaleureusement pour son engagement durant ces deux ans.
Pour son premier mandat, Didier HUCK sera entouré par 10 personnalités issues de l’univers des Industries de la Création, toutes élues par les entreprises adhérentes de la FICAM.

Le nouveau Comité Directeur de la FICAM se décompose ainsi :

Présidence de la Fédération : Didier HUCK, Directeur des Relations institutionnelles et RSE TECHNICOLOR MIKROS,

Vice-Présidence Fiction Télévision : Pascal MOGAVERO, DG ECLAIR,
Vice-Présidence Flux Télévision : Olivier GERRY, Secrétaire Général AMP VISUAL TV (Titulaire) et Alain RAPPOPORT, Président PLANIMONTEUR (Suppléant)

Vice – Présidence Long Métrage : Didier DIAZ, Président TRANSPALUX,

Vice-Présidence Animation Effets Visuels : Jacques BLED, Président ILLUMINATION MAC GUFF,

Présidence Déléguée Commission Sociale : Sidonie HUART, DG WAYMEL POSTPRODUCTION (Titulaire) et Olivier BINET, DG Tapages & Nocturnes (Suppléant),

Présidence Déléguée Commission Innovation, Recherche & Développement et Technique : Pascal BURON, Directeur Général Adjoint TSF,

Présidence Déléguée Commission Observatoire Métiers et Marchés : Christophe MASSIE, PDG ORFEO,

Présidence Déléguée Administration et Juridique : Alexandre TAIEB, DG DUBBING BROTHERS.

Color Grading Tips: The Ins and Outs of Correcting for a Pink Sky

Par Lewis McGregor

There are many elements that you can change in post-production with a little forethought. In this case, the color of the sky.

Saving Noisy Footage: The Easy Way and the Hard Way

Par Caleb Stephens

Sometimes you just have to save a shot. Here are two different ways you can clean up noisy footage when you have no other choice.

Improve Your Masks with Hue, Saturation, and Luminance Qualifiers

Par Caleb Stephens

In this article, we take a look at the basics of HSL qualifying and keying — and how to incorporate it into your next masking job.

How to Get Better Color Grades Using Opacity Blend Modes

Par Caleb Stephens

Here's the post-production guide (and photo tour) to how and why you should incorporate Opacity Blending into your next project.

Get Better Results Using LUTs with Lumetri Color in Premiere Pro

Par Charles Yeager

In this video tutorial, learn how to get the most out of your LUTs by using the Lumetri Color Panel in Adobe Premiere Pro — plus, free ...

How to Create the VHS Look in Premiere Pro + Free VHS Effect Presets

Par Charles Yeager

In this video tutorial, learn how to create a retro VHS Look, entirely with Adobe Premiere Pro — Includes free VHS effect presets!

How to Change the Color of Exterior Lights in After Effects

Par Charles Yeager

In this video tutorial, learn how to change the color of location lighting in After Effects — including a free project file!

Post-Production Tips: Using a LUT at the Beginning of a Node Tree

Par Lewis McGregor

These techniques explore the workflow benefits of working with a LUT at the beginning of your node graph rather than at the end.

How to Alter the Color of Your Video Using Lumetri Curves

Par Zach Ramelan

In this video tutorial, learn to create a cinematic look for your video project by working with Lumetri Curves in Adobe Premiere Pro.

Quick and Easy Compositing Tips for Adobe Premiere Pro

Par Caleb Stephens

Join us as we explore how to use opacity blending modes to alter or enhance your footage by blending elements from one scene into another.

Award Contenders Enlist Light Iron for Post Services

Par Ignite Strategic Communications

Light Iron, a Panavision company specializing in post production services, is again playing an important collaborative role with notable episodic series this season. Customized workflow offerings from Light Iron for BETTER THINGS, THE GOOD FIGHT, THE OA, RAMY, SHRILL, THE MARVELOUS MRS. MAISEL, and WHAT WE DO IN THE SHADOWS, included dailies, digital intermediate, archive, ...

Quick and Easy Tips on Shooting and Processing Day for Night

Par Caleb Stephens

In this article, we'll take a look at the basics of shooting day for night footage — as well as post-production processing in Adobe Premiere Pro.

From “The Wizard of Oz” to “Transformers”: 100 Years of Color Grading

Par Darin Bradley

Since the early 20th Century, color has been an integral part of cinema. Here's how to recreate some of the most iconic trends in DaVinci Resolve.

Periscope Post & Audio Launches in Hollywood

Par Artisans PR

Industry vet Ben Benedetti tapped to lead new facility offering full-service sound and picture post. HOLLYWOOD—Chicago-based Periscope Post & Audio has expanded to the West Coast, opening a 22,000 square foot sound and picture finishing facility in Hollywood. The new site, located at 6860 Lexington Avenue near Highland, will offer a full range of post ...

29 Free LUTs for Video

Par Logan Baker

These FREE LUTs are perfect for professional video editors. Make your footage more cinematic with these free color grading tools.

Easy Compositing Effects for Creating Professional-Looking Titles

Par Charles Yeager

In this video tutorial, learn some basic compositing techniques to create better titles in Adobe After Effects — includes free project file!

FilmLight presents Colour On Stage at IBC2019

Par Caroline Shawley

  Free programme expanded to two days to provide greater opportunities to see industry leaders in finishing demonstrate their craft   LONDON — 13 August 2019: At this year’s IBC, FilmLight (stand #7.A45) is hosting the free two-day seminar series, Colour On Stage, on 14-15 September 2019. The event provides an opportunity for visitors to ...

New Australian Sci Fi Film Quanta Shot on URSA Mini Pro and Graded with DaVinci Resolve

Par Zazil Media

Fremont, CA – August 15th, 2019 – Blackmagic Design today announced the new sci fi film “Quanta” was shot entirely on an URSA Mini Pro, while grading was done using DaVinci Resolve Studio. The film is one of the first globally distributed films by the new Melbourne based film production company and film collective Raygun, and ...

C&I Studios Relies on DaVinci Resolve 16 Studio’s Cut Page for Social Media Deliverables

Par Zazil Media

Fremont, CA – August 21, 2019 – Blackmagic Design today announced that C&I Studios, a global content creation agency, is using DaVinci Resolve 16 Studio’s new cut page for faster than ever editing. Relying on DaVinci Resolve 16 Studio for end to end post production, including editing, color grading, visual effects (VFX) and Fairlight audio, C&I ...

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