Krakow, 4 – 11 October 2020
Unsound focuses on a broad swath of contemporary music — emerging, experimental, and left-field — whose sweep doesn’t follow typical genre constraints. Influential around the world, it has developed a reputation for identifying innovative scenes and radical sounds.
It’s a platform for an exchange of artistic ideas for musicians, visual artists, curators, journalists, record label owners and booking agents from every continent.
The theme for Unsound 2020 is Intermission. Meaning a break in a performance or production, here it also refers to the rupture caused by COVID-19, a period starkly separating before from after. The word therefore embodies multiple, and somehow contradictory, forces.
The audiovisual event takes place every year at a number of venues across Kraków, regular events also take place in New York, Adelaide, Toronto, and London. Between 2016 and 2018, Unsound also produced eleven festivals in Eastern Europe, Central Asia and the Caucasus, part of a long history of working with curators and artists in the post-Soviet region.
As well as spotlighting emerging artists, Unsound also commissions new shows and encourages trans-border collaborations, adapts and re-imagines abandoned spaces for concerts and club nights, manages cutting-edge artists, and is known for its sound-inspired Ephemera perfume project.
Krakow, Poland
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Hellenic American College in Athens relies on SubtitleNEXT for remote online study May 2020, Athens, Greece – When it was announced that colleges and universities would have to close due to the Covid-19 pandemic, Hellenic American College in Athens was in an immediate position to be able to transfer onsite courses to synchronous online ...
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Boutique visual effects (VFX) shop The Molecule has carefully crafted digital content across media since 2005. Headquartered in New York and with a second location in Los Angeles, the bicoastal studio has most recently focused on work for episodic television, delivering shots for “Ballers,” “Billions” and “Happy!,” as well as feature thriller “The Report.” It’s ...
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Jena, May 13 – 16 2020 – EDITION IN STREAMING
The FullDome Festival is the oldest and only fulldome festival with an unbroken continuity. With about 800 contributions from 30 nations and more than 500 visitors per year, the audiovisual event is most probably the biggest international festival of its kind.
Visitors do not only see and evaluate a great variety of international fulldome films, they meet professional, student and independent producers and take part in paper sessions, workshops, diverse presentations and expert talks. Festival curators, an international jury and the festival directors evaluate the submitted works and select the most interesting and innovative productions for the festival from these submissions and determine the works for one of the festival’s awards.
A core mission of the FullDome Festival has always been to encourage students to stretch the envelope of what’s possible in the dome. It is amazing to see completely new approaches to the medium at each festival. Many are really creative, some even can compete with professional works. For most students, the FullDome Festival not only offers an introduction to the medium, it is often the only way to present, and is one of the few public venues.
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Visual effects school adjusts classes and curriculum to help it through the current crisis and facilitate future growth. Adelaide, South Australia—The corona virus pandemic has impacted people and businesses world-wide. The strict quarantine restrictions have made it difficult for educational institutions to continue to operate. However, Rising Sun Pictures, whose core business is to problem ...
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Gijon, September 10 – 13 2020
L.E.V. (Laboratorio de Electrónica Visual) is a platform specialized in the production and promotion of electronic sound creations, and its relationship with visual arts. It was a European pioneer in this field, and since more than 13 years ago, it tries to converge the natural synergy between image and sound, and the new artistic trends, making special emphasis on live actions.
LEV develops the L.E.V. Festival (in Gijón) and specific, de-localized shows called LEVents. Through both proceedings, the platform reaches its goal: to provide an eclectic, panoramic vision of the current state of creation and all its connections, in an ever-evolving environment.
That is why LEV focuses its work both on international artists that are leaders in audiovisual creativity and local artists, both pioneers and new talents.
L.E.V. is a co-production between the Principado de Asturias Government, the Gijón City Council and LABoral Art and Industrial Creation Centre and it was designed and conceived by the Asturian collective Datatrón. The festival honors by its acronym to Lev Thermen (Russian scientist father of the present-day synthesizers).
Laboral, Camino de los Prados 121,
Gijon, Spain
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This ambitious duo of A/V architects and toolmakers cook up mind-altering experiences in generative art that require expertise in math, coding and the science of sound.
By creating mesmerizing digital matter of frighteningly porous frontiers exclusively through TouchDesigner and modular gear, they push back the limits of footage and sample-free language that is opulent and breathtakingly singular.
Taking as starting points their most irrepressible fascinations with death, the unknown and the cosmos, they craft thrilling, precise, painterly code-art that broaches big philosophical questions and provides mesmerizing though highly speculative answers. Kristina and Aleksandr create modern generative art and innovative tools that raise the bar on the synergistic possibilities of visuals and sound.
They participated in many international festivals and exhibitions in Russia, Germany, Indonesia, USA, Peru. Including MUTEK festival, GAMMA festival, Electric Castle festival, LACMA, Moscow Planetarium, Orpheum Theatre LA e.t.c. 404’s works were selected by Japan Media Arts Festival and awarded by Genius Loci Weimar Festival, IMAP festival.
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London based WEIRDCORE is half English, half French and results in a director and collaborator who is one hundred percent out there.
Weirdcore’s work is the result of years of experimental design and animation work that pushes the boundaries of consciousness and visual interpretation.
Adopting a method used more often by artists and music producers rather than by visual directors, Weirdcore helps both advise and visualise others initial ideas, facilitating their progress through until the finished form, whilst also creating his own stunning individual projects.
With a unique blend of formats, colors, designs and mediums, the audiovisual artist has collaborated with some of the most exciting modern artists and directors such as Aphex Twin, M.I.A, Tame Impala, Radiohead, Nabil, Hype Williams, Charlie XCX, Smerz, Onetrix Point Never, Sophie Muller, Diane Martel and Miley Cyrus.
Weirdcore performed live in the most important festivals worldwide such as Glastonbury, Sonar, Fuji Rock, Coachella, Club2Club, Future Music, Field Day, Mira, Unsound, Melt, Lowland, Dour and more.
Weirdcore has also lent his emotive expertise to larger collectives, organisations and labels such as Warp, XL, Sony, Ninja Tunes and Domino, whilst keeping a dynamic and fluid focus across a range of other diverse industry’s such as Fashion, Theatre and Opera.
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If you’re a content creator working in the broadcast industry, then it’s no surprise to say how key story is to your brand and the audience you share it with. Every content creator in the broadcast industry has a story to tell, and the visual content they create is the perfect vehicle in sharing ...
The post Broadcasters Can Create More Engaging Visual Storytelling With Viz Virtual Studio appeared first on NAB Show News | 2020 NAB Show Media Partner and Producer of NAB Show LIVE. Broadcast Engineering News.
Development services and product updates improve complex media integrations for companies During these changing times, it’s more important than ever to ensure your company’s disaster recovery and business continuity tools are fit for purpose. Whether upgrading systems for remote working, streamlining workflows across a multi-site enterprise or enabling production sharing, each company has differing requirements ...
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London, UK, 4 May 2020: Mo-Sys Engineering, a global leader in real time camera tracking and remote systems, is proud to announce a collaboration with Panasonic. The AW-UE150 and the Mo-Sys StarTracker module will empower AR and virtual studio graphics by together creating engaging content with natural depth and changing the perspective of the virtual ...
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Every piece of visual content a broadcaster creates is a representation of their brand and the voice behind it. The content has to be good and it has to have a great deal of aesthetic value for it to matter. However, for that to happen, a broadcaster needs the right tools to better present ...
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GRIDSPACE is a multimedia entertainment studio specializing in the conception and production of creative environments.
From state-of-the-art temporary installations to permanent locations, physical and digital worlds collide through our signature scenography, motion graphics, set design, and technological innovation.
One of their main projects is Wavv – mood modulator:
Wavv is an integrated multimedia proprietary eco-system that uses light, video and sounds, that transforms space perception and enhances emotions. It can be integrated into various contexts and settings, from gym and yoga classes to public transit areas and corporations.
Their various backgrounds mean they’re not only experienced but inspired to explore original ways of implementing storytelling with technology to bring locations to life.
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DubLab is the new label of Dub Video Connection, mix-media studio based in Lisbon since 1997. DubLab used to be the name of the Arts & Experimentation department, but now it became that department. New name, new life.
Stage & Visuals design for music labels and artists. DubLab creates concepts, visual contents and technical engineering projects for live performances. On top of that, they offer a long time experience with branded content and institutional video mappings on corporate events.
DubLab mission is to combine audiovisual technology with creativity, to achieve new sensorial light and video communication with the public. All this skills together, create excellence on project managing for show tours, DJ artworks and event design.
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The content a broadcaster creates is determined not only by the focus of the content. It is also determined by the visual presentation. How well a creative working in the broadcast industry reaches and potentially builds an audience, is determined by how well presented their brand is, which is why monitoring it is essential. ...
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Fremont, CA – April 28, 2020 – Blackmagic Design today announced that the stunning new 8K 3D documentary “Everest VR: Journey to the Top of the World,” produced by Facebook’s Oculus, was edited, graded and stitched with DaVinci Resolve Studio and Fusion Studio. In April of 2017, world famous climber Ueli Steck died while preparing for ...
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New Singula Decisions identity replaces established Paywizard brand, building on its long heritage in the pay-TV industry Relaunch positions company to empower subscription businesses to tap into subscriber intelligence Singula® Subscriber Intelligence bridges the ‘Air Gap’ between subscriber data and being able to use it effectively to proactively engage customers London, 28 April 2020 – ...
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SMPTE ST 2110 implementation boosts operational efficiency, reduces points of failure DALLAS, 27 April 2020 – 12th Man Productions, the sports broadcast and post facility for Texas A&M University, has moved to IP connectivity to provide a common production platform for all its sports venues. A cornerstone of the new installation is the Selenio™ ...
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Polygon Labs, an innovative creative studio pushing the boundaries of interactive data applications and visual branding, has today launched two work at home service initiatives, Creative Hub and Training Lab. Every day global media companies are faced with the challenge of quickly producing graphic content across a variety of platforms. This requires large teams that ...
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04 – 06 September 2020, Weimar
MAKE WALLS TALK!
The international GENIUS LOCI WEIMAR Festival for audiovisual projections was launched in 2012 as part of the ‘Weimar Summer’ initiative.
Optimally located in this city of poets, musicians and thinkers, as well as the birthplace of the Bauhaus movement, the festival has become an important cultural event for Thuringia, and is now in its ninth edition.
Through the technique of videomapping, Genius Loci Weimar redefines historical buildings and renders history and architecture as tangible for visitors. Every year, three new buildings and structures in and around the city of Weimar are chosen to become a part of the competition and festival.
The winning concept submissions, which must be in a medial narrative form, expressed at the highest technical level through the art of projection mapping, are developed and produced for one of the selected competition facades. Alongside the classic projections, an additional facade represents an interface with the media architecture in the form of a permanent installation.
2020 is set to be a significant year for Germany, with jubilees and anniversaries that could hardly be more contrasting. The “Year of Music 2020” is celebrating Ludwig van Beethoven, Franz Liszt and numerous other composers whose great works could not have been created without the acclaim and support that they enjoyed in Germany.
For this year’s edition of the festival, GLW is expressly encouraging makers of short films, motion graphic artists and video and film artists of all backgrounds and genres to apply for the selected locations through the medium of their disparate visual aesthetics, animation techniques and narrative concepts.
MXPerience gUG / Goetheplatz 9b / D-99423 Weimar
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New York, April 27 2020 – Vionlabs, the industry leading provider of AI powered content analysis, today announced that its Emotional Fingerprint API has been chosen by First Look Media to power content recommendations on its streaming service Topic. Through the deep insight provided by Vionlabs’ Emotional Fingerprint API, Topic will be able to understand why customers like certain ...
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It’s fascinating to witness how much technology has progressed, particularly in the area of smartphones and the creative applications that can be applied in producing the type of visual content a viewer would normally see come from a camera or computer. Today, pretty much any professional working in the broadcast industry can create amazing ...
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Amsterdam, 24 – 27 September 2020
FIBER Festival is an Amsterdam based festival for audio-visual art, digital culture and electronic music.
With the program – which consists of multi-sensory art, performances and in-depth lectures – FIBER presents emerging art practices that offer alternative perspectives on our 21st century society.
With the festival theme of Instability the festival explores new ways of adapting to an age of planetary and societal changes. What opportunities are open to artistic making and thinking to contribute to this transformation?
Our living environment is often presented to us as stable and unquestionable. Landscapes, borders and technological infrastructures are considered static entities. Yet current crises now force us to transform the way we relate to our ecological surroundings. Extreme weather, droughts, wildfires and viruses are forces of nature that tear apart our modern way of living with far-reaching consequences.
The festival aims to seek artistic narratives, skills and sensibilities to prepare us for an alternative life in a period of uncertainty and radical instability.
FIBER Festival
Amsterdam, Netherlands
info@fiberfestival.nl
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The beauty behind creativity lies within the freedom it gives any creative. For many professionals working in the broadcast industry, this is a relatable sensation. Because they are presenting their own personalized brand, there is a sense of freedom in their ability to explore and further experiment with the many possibilities their brand can ...
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teamLab (f. 2001) is an international art collective, an interdisciplinary group of various specialists such as artists, programmers, engineers, CG animators, mathematicians and architects whose collaborative practice seeks to navigate the confluence of art, science, technology, and the natural world.
teamLab aims to explore the relationship between the self and the world and new perceptions through art. In order to understand the world around them, people separate it into independent entities with perceived boundaries between them.
teamLab seeks to transcend these boundaries in our perception of the world, of the relationship between the self and the world, and of the continuity of time. Everything exists in a long, fragile yet miraculous, borderless continuity of life.
teamLab’s works are in the permanent collection of the Art Gallery of New South Wales, Sydney; Art Gallery of South Australia, Adelaide; Asian Art Museum, San Francisco; Asia Society Museum, New York; Borusan Contemporary Art Collection, Istanbul; National Gallery of Victoria, Melbourne; and Amos Rex, Helsinki.
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The content a broadcaster produces has to be of the highest quality in terms of creativity, and how it is distributed depends on how well it is integrated. As the broadcast industry continues to grow and expand, so does the amount and variety accompanying the content creatives make. With so many diverse forms of ...
The post Primestream’s End-To-End IP Stream Workflow Provides High-Quality Content Integration appeared first on NAB Show News | 2020 NAB Show Media Partner and Producer of NAB Show LIVE. Broadcast Engineering News.
As a global leader, Net Insight’s mission is to deliver an improved media experience. The same focus goes for every professional working in the broadcasting industry. Every piece of high-quality visual content a creator makes is part of an effort of delivering an improved media experience to their target audience. And with Net Insight’s ...
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Latest integration enhancements enable advanced collaboration and remote editing for distributed teams Paris, France – April 21, 2020 – Dalet, a leading provider of solutions and services for broadcasters and content professionals, has released the new version of its Dalet Xtend module, enabling remote proxy editing capabilities within Adobe® Premiere® Pro, an industry leader in ...
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– New real-time streaming, distribution and advertising capabilities including server-side Prebid technology – LOS ANGELES, April 21, 2020 — Verizon Media has launched a range of capabilities to enable broadcasters, content owners and service providers to grow audiences and monetize content in new ways. These include advanced advertising tools that improve transparency in the bidding process and track ...
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#repost @gm_videolab
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[VIDEOMAPPING] PRIVACIDAD (México 2017) Timelapse de la obra de teatro completa con @diegoluna_
y @luisgerardom .
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》》•SUSCRIBETE EN YOUTUBE PARA VER ESTE Y MAS VIDEOS COMPLETOS• •LINK EN BIO•《《
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#GM #gm_videolab #privacidad #privacy #teatro #theatre #theatreworks #theatrelife #theatrephotography #interactivetheatre #videoprojection #projectionmapping #millumin #videomapping #video #timelapse #visualartist #gopro #goprohero4 #goprotimelapse #gopromx #mexico #cdmx (at Teatro de los Insurgentes)
https://www.instagram.com/p/B_FqMTuJHkX/?igshid=1tdgjpo9q0kx4