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Physicalising a Pixel – LED Matrix Display Tutorial / Document 1. Workshop

Par Filip Visnjic
Physicalising a Pixel – LED Matrix Display Tutorial / Document 1. Workshop
This past March, CAN joined forces with UAL Creative Computing Institute to present the first in a series of events that examine new forms of cross-disciplinary art and design practice. Entitled Document 1., the event was comprised of a workshop, seminar, and symposium, and took place at UAL’s newly refurbished Camberwell College of Art in London.

Top Equipment Investments for Working Filmmakers

Par Zach Ramelan

When it comes to working as a filmmaker for a living, what are the best gear investments to make money rather than lose it? Here are a ...

How to Speed Up or Reverse a Clip in Premiere Pro

Par Jason Boone

Learn how to speed up video and reverse a clip in Premiere Pro to open up a new world of creative possibilities for your footage.

How to Make an Object Disappear Using DaVinci Resolve

Par Rubidium Wu

Object Removal is a great addition to an already full-featured software package that’s perhaps the best free option on the market.

Create a Glitch Effect in Premiere Pro in 3 Steps

Par Robbie Janney

Want to create a glitch effect without any plugins in Adobe Premiere Pro? Just follow the 3 easy steps in this video tutorial.

Premiere Pro Quick Tip: How to Create Proxies

Par Robbie Janney

Is your computer having a hard time handling high-res video files? Let's take a look at how you can work with proxies in Premiere Pro.

De la végétation pour vos projets temps réel : une formation gratuite

Par Shadows

Simon Piquemal propose chez Tuto.com une formation gratuite de 3h environ autour de SpeedTree, solution de création de végétation pour les effets visuels, l’animation et le jeu vidéo. C’est ce dernier marché qui intéresse ici Simon Piquemal : la formation vise à créer des assets utilisables en temps réel sous Unreal Engine.

L’article De la végétation pour vos projets temps réel : une formation gratuite est apparu en premier sur 3DVF.

6 Lifesaving Hacks for Cropping Your Footage to a Wider Aspect Ratio

Par Bud Simpson

This article will specifically look at the aspect ratios used in video and film, focusing on the two well-known aspect ratios of 16:9 and the wider 2.39:1.

Glowing Results: Grading Skin Tones in DaVinci Resolve

Par Rubidium Wu

We're going to use DaVinci Resolve to get balanced, glowing skin tones in just a few easy steps — without affecting your other edits.

Bring Your Next Film to Life with The Art of the Pitch Deck

Par Jason Boone

A good pitch deck is essential for micro-budget filmmakers. Let's take a closer look at how to put one of these together.

The Best Scenario for Using Space Lights: An Introduction

Par Rubidium Wu

Shooting in natural light, outdoors, can often be a limiting experience. Introducing the space light — a great alternative to outdoor lighting.

Building Your Own Car Rig — Commercial Insider Edition

Par Rob Wayne

In this next video for fiscally clever car rigging, we'll break down the mission control setup inside the car. Plus, my experience with these techniques.

How to Find and Secure Locations for Your Next Film

Par Rubidium Wu

In this article, we’ll look at resources for finding locations, and how to put the most "money on the screen" — not in the pockets — of ...

Stylistic Goodies and Grit: A Film Grain Footage Tutorial

Par Zach Ramelan

In this tutorial, I’m going to share my secret cinematic weapons that give your footage character, without costing you a ton of time.

A Practical Guide to Dutch Angles and Tilted Framing

Par Rubidium Wu

Dutch angles, if used discreetly, add an aura of dread, as well as a sense that the world has gone askew. Let's take a look at how ...

Learning Curve: How to Use a Geared Tripod Head

Par Rubidium Wu

In this video tutorial, we'll explore the origins of the geared head, when and how it was used, and why filmmakers still use it to this day.

Creating and Ingesting Proxies in AVID Using DaVinci Resolve

Par Bud Simpson

In this step-by-step tutorial, we'll cover the best practices for using DaVinci Resolve to sync, color grade, and transcode proxies for ingest into AVID.

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