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Zhee-Shee production | Festival of Lights Berlin 2017

Par Eva Fechten

Zhee-Shee production 13-th Festival of lights in Berlin 1-st place, winner of the jury award Second place by public voiting Zhee-Shee production | Festival of Lights Berlin 2017 from zhee shee production on Vimeo. Our best team: Director: Artem Shcherbakov Sound: Gleb Mordovtzev CG-arists: Lenar Singatullov, Nail Gaynullov, Alex Orlov, Alexander Korshakov, Petr Shkolniy, Alexander […]

The post Zhee-Shee production | Festival of Lights Berlin 2017 appeared first on LUMEN.

Chris « Le vidéo mapping a boosté mon activité de DJ ! »

Par severine

Chris Hodson, le magicien américain des célébrations   Bonjour Chris ! Peux-tu te présenter? Bonjour ! J’ai commencé mon act . . .

The post Chris « Le vidéo mapping a boosté mon activité de DJ ! » appeared first on blog.

Auto VidéoMapping avec LightForm LF1

Par LeCollagiste
LightForm

Le terme d’auto Vidéo Mapping ou auto mapping existe depuis les débuts 2000 avec la calibration automatique de Johnny Chong Lee. La solution LightForm propose le LF1 un capteur 4K, envoie un motif structured light (bande noir et blanc) au vidéoprojecteur pour généré un vidéo mapping. LightForm étalonne l’auto mapping, géré par le logiciel LightForm Creator. Dans la bestiole, donc une caméra 4K, un Quad Core A9, 20 Go de stockage eMMC, une connexion Ethernet et du Wifi, un port HDMI. Créateur de forme lumineuse à expérience en réalité augmentée propose la bestiole à 699$, livrable à partir de novembre 2018.

LigthForm LF1

LigthForm LF1

LigthForm LF1

 

 

 

Auto VidéoMapping avec LightForm LF1 est un billet de LeCollagiste VJ.
LeCollagiste VJ - Mag du LeCollagiste, actu sur la culture VJING, Vidéo Mapping, info video et high tech.

Maestro – Sharjah Light Festival 2017

Par Eva Fechten

For a second year in a row, we were invited by Nomada to participate at the Sharjah Light Festival 2017.
For this occasion we introduced Maestro, a new interactive video mapping, controlled by the user through a futuristic illuminated console.

The installation was set up on a half kilometer long building with 19 video projectors of 20,000 lumens and 8 sky-tracers.
The users were offered to choose between three original Mappings: SAND, MOSAIC and ORGAN.

To complete this creative and technological challenge, Tigrelab teamed up with great talents: Hand Coded was in charge of the generative visuals and sounds, our technological partners ProtoPixel took care of the creative technology and the lighting control, Thomas Aussenac from SoundBox created the Music and Sound Design, and Joan Molins and Roger Amat were in charge of the Motion Design and Animation.

This project has been rewarded during the Sharjah Light Festival 2017 for “Best Installation”.

Credits

Original concept, Creative direction and Animation: Tigrelab

PM, concept, generative visual-audio Development: Hand Coded
Creative technology and lighting control: Proto-Pixel
Motion Design and Animation: Joan Molins, Roger Amat
Music & sound design: Thomas Aussenac – Sound Object
Making Of: Felipe Mejia
—————————
Tigrelab Team:
Federico Gonzalez
Mathieu Felix
Javier Pinto

Nagyb Cedeño
Sergio Garcia Arribas
Julie Herbert

Sharjah Light Festival 2017
Organized by Sharjah Commerce and Tourism Development Authority
Produced by Nomada Les Arts Nomades Cie

The post Maestro – Sharjah Light Festival 2017 appeared first on Video Mapping Blog.

Video Mapping @ Science & Fiction Festival 2016 München

Par Eva Fechten

For this Installation we teamed up with our friends from motomoto motomo.to and Janosch kartschall from moovid.de
Audiodesign again from red dawn audio reddawn.audio
Soundsystem was provided by schieferton schieferton.com
Equipment was provided by Limelight veranstaltungtechnik limelight-veranstaltungstechnik.de/

The post Video Mapping @ Science & Fiction Festival 2016 München appeared first on Video Mapping Blog.

Ibiza Light Festival 2018, dos días de arte, cultura y tecnología

Par volatil

Ibiza Light festival es un festival de arte, cultura y tecnología organizado por el Consell d’Eivissa y el Ayuntamiento de Ibiza y producido por 3DLight e Improbable Films que invita a redescubrir Ibiza como epicentro tecnológico, de creación e innovación, y a disfrutar de las posibilidades expresivas de la luz como medio multicanal. Una manera brillante de cerrar la temporada de verano y dar la bienvenida a la programación de otoño en la isla. Tiene lugar los días 12 y 13 de octubre en Ibiza y llega este año a su tercera edición con muchas novedades y sorpresas.

Ibiza Light festival 2018

¿Novedades de la tercera edición?

– Nuevas localizaciones, como el interior de la emblemática Iglesia de San Telmo, con una proyección en la cúpula sobre su historia.
– El edificio de Sa Peixateria, con una sorprendente instalación tranmedia del artista Necko.
– El Portal de Ses Taules, que acogerá la programación abierta de vídeo mapping, contando con la participación de artistas emergentes y artistas consagrados como Gnomalab.
– Se suma a la programación del festival un nuevo espacio llamado “Galería”, instalado en el antiguo espigón, albergará cuadros creados con luz de artistas como Otamendi o Jesús de Miguel.
– El Boulvard del Arte, será el lugar en el que 7 artistas realizarán obras “site specific” durante los días del evento.
– El país invitado de esta edición es Jordania, representada por Andrei Snober, artista que presentará una instalación sobre la cultura bereber. Es un arquitecto multidisciplinario y artista visual, actualmente vive y trabaja en Amman. Es el fundador de Andrei Visuals, una empresa creativa especializada en vídeo mapping 3D, instalaciones interactivas y experiencias aumentadas. Andrei trabaja en la exploración del espacio entre las formas digitales y físicas creando una relación simbiótica entre la arquitectura y las artes de los medios.

¿En qué localizaciones tendrán lugar las experiencias artísticas?
El Puerto, La Marina (antiguo barrio de pescadores de Ibiza), la muralla renacentista, baluartes y plazas de la ciudad declarada Patrimonio de la Humanidad por la Unesco en 1999, son los escenarios excepcionales donde cobrará vida el festival de arte, cultura y tecnología de la isla de la música, elemento muy presente en el festival. El festival ofrece 20 instalaciones que transformarán el Puerto, plazas y lugares emblemáticos de la ciudad Patrimonio de la Humanidad al anochecer. El line up de este año contará con esculturas, holografías, performances, proyecciones, piezas que combinan luz, sonido y agua.

Festival de arte, luz y tecnología en Ibiza

Algunos de los artistas que participan en esta edición:
Richar Santana
El Imaginario
Necko
Improbable Films
3DLight
Jorge Escobar & Yon Aliaga.
Ramón Donoso
Rob Loren
Intrvl AV
Silver Odyssey’s featuring
Alchemy Flame
Mike Jee
ER-Productions (productora especialista en láser presentará un show a gran escala).
Jesús de Miguel (Jesidi)

Puerto de Ibiza vídeo mapping instalaciones de luz

La entrada Ibiza Light Festival 2018, dos días de arte, cultura y tecnología aparece primero en Vjspain Comunidad Audiovisual, Mapping, Vj, Diseño Interactivo.

Daan Brinkmann

Par Nina Verhagen

A fond believer of the concept of Homo Ludens, Daan’s interactional works are always based on the expressive potential of the spectator. The audiovisual elements within such a piece are used as a means to achieve a new kind of social experience.

Other pieces strive to be perceptual explorations. Light, sound & kinetics flood the senses, to see what remains.

His work has been shown at renown art places such as the Stedelijk Museum, but it can just as well be found in public space or at techno parties. His work has been shown at venues in Amsterdam, London, São paulo, Monaco, Paris, Berlin, Ghent, Warsaw, Ljubljana and Bucharest. He has received grants and prizes from the Dutch Institute for Media Arts, Stroom, the Foundation for Visual Arts and the City of The Hague.

 

LINK BOX

Daan Brinkmann

 

 

 

The post Daan Brinkmann appeared first on Audiovisualcity.

NONOTAK STUDIO

Par Nina Verhagen

NONOTAK studio is the collaboration between the illustrator Noemi Schipfer and the architect musician Takami Nakamoto. Commissioned by the Architect Bigoni-Mortemard to create a mural in the lobby of a public housing building in Paris, NONOTAK was created in late 2011.

In early 2013, they start to work on light and sound installations, creating an ethereal, immersive and dreamlike environment meant to envelop the viewer, capitalizing on Takami Nakamoto’s approach of space & sound, and Noemi Schipfer’s experience in kinetic visual.

They presented their first audiovisual installation at the Mapping Festival in May 2013. In summer 2013, NONOTAK comes up with a performance, LATE SPECULATION, where they are the creators and contents of the project.

nonotakstudio@gmail.com

LINK BOX

NONOTAK STUDIO

 

Facebook_logo(2)

 

 

The post NONOTAK STUDIO appeared first on Audiovisualcity.

Microwave Festival

Par Nina Verhagen

HONG KONG

Microwave Festival began in 1996 as an annual video art festival of the local video art institution Videotage. As technology progressed and became more accessible, video art slowly evolved to involve other media; thus Microwave began to embrace the wider range of new media art. As the first and only art festival in Hong Kong dedicated to new media art, Microwave has steadily grown into a well-established festival that brings cutting-edge works to provoke thought in the technological hub every year.

In its 10th anniversary, Microwave Festival celebrated by becoming an independent organization, completed with a re-branding by design partner Milkxhake and a strengthened curatorial and working team. Microwave then continues the hard work to inspire Hong Kong and the rest of the world with pioneering media artworks selected to suit themes relevant to the society today, while also avidly supporting the exchange and dialogue between artists, professionals, and the general public.

They envision that through the Microwave network, Hong Kong artists will be introduced to international institutions and curators, working as a platform and gateway for them to develop their art and skills. Apart from the grand annual festival, Microwave also endeavors to nurture a rising local new media arts community, organizing various programmes such as educational workshops, seminars, forums, and exhibitions.

Contact

LINK BOX

Microwave Festival

 

Facebook_logo(2)

 

 

The post Microwave Festival appeared first on Audiovisualcity.

FOTONICA

Par Nina Verhagen

(edited 29.11.19 by Marta Minguell)

ROMA 29 November – 07 December

FOTONICA 3rd edition launches with new audiovisual projects of italian-based and international artists.

FOTONICA from photon, historically as light, from Greek φωτός (photòs), is a FREE festival that investigates art forms related to the light element, in particular, digital light. PHOTONICA wants to be a new project in a field where Rome has always been a reference, but today it suffers from the lack of an international event: the Audio Visual Arts.

Wants to be a project of the newborn roman network of organizations active in contemporary video audio to build a program that represents the various forms of expression: Audio Video Performances, Video Mappings, Light Installations, DJ-VJ Sets, NetArt, Workshops, and lectures.

The initiative is part of the program of Contemporaneamente Roma 2019 promoted by Roma Capitale, Assessorato alla Crescita Culturale and in collaboration with Siae. This 2019 will again play in the capital, specifically at Cinema Aquila in Pigneto area and at Fusolab 2.0 in Centocelle/Alessandrino in Rome.

FOTONICA is produced by Flyer communication, which in 2004 created the LPM Live Performers Meeting, the largest event in the industry. He came to his 18th edition, of which 11 in Rome and the others, thanks to the support of the European Community, Xalapa, Minsk, Mexico City, Cape Town, Eindhoven and Amsterdam. Since 2004, LPM has hosted more than 4600 artists, 2625 performances, workshops and showcases, with 72 participating countries and more than 1,500,000 visitors.

FOTONICA  Festival

Rome, Italy

Contact

LINK BOX

FOTONICA

Facebook / Instagram

The post FOTONICA appeared first on Audiovisualcity.

Amsterdam Light Festival (2019-2020) – Call for concepts

Par volatil

El Amsterdam Light Festival es un festival que se celebra anualmente en invierno en los Países Bajos y que se presenta como un festival de arte que busca la máxima calidad con la luz como protagonista. Los canales, lugares históricos, fuentes, se vestirán de luz con las obras seleccionadas para ofrecer una experiencia única a los visitantes.

Desire – UxU Studio (Amsterdam Light festival 2018)

La 8ª edición del festival tendrá lugar del 28 de noviembre de 2019 al 19 de enero de 2020 en el centro de Ámsterdam. Un jurado internacional, junto al equipo curador del festival, revisará los conceptos y seleccionará cerca de 30 artistas para presentar sus obras.

Fecha límite para presentar propuestas: lunes 21de enero 2019.
Bases para presentar propuestas.

El festival invita a creativos de todo el mundo, desde artistas a diseñadores, ingenieros, arquitectos, profesionales o estudiantes, a presentar un concepto para una obra de luz.

All the light you see – Alicia Eggert (Amsterdam Light festival 2018)

Para su 8ª edición, el festival está buscando interpretaciones artísticas y originales del tema “interrumpir”, entendido como perturbar o desordenar. Una interrupción generalmente se considera un inconveniente, pero también puede ser positiva y, a veces, esencial para desencadenar la necesidad de que se produzcan cambios. Desafían a los artistas a crear esculturas o instalaciones de luz que exploren este tema.

El Amsterdam Light festival busca tanto obras diseñadas para el agua como obras que puedan estar en las calles y con las que se pueda interactuar.

Absorbed by Light – Gali May Lucas (Amsterdam Light festival 2018)

A.N.N. – Koros Design (Amsterdam Light festival 2018)

Action>Reaction 2.0 – Sjimmie Veenhuis (Amsterdam Light festival 2018)

La entrada Amsterdam Light Festival (2019-2020) – Call for concepts aparece primero en Vjspain Comunidad Audiovisual, Mapping, Vj, Diseño Interactivo.

Jornadas A/V B12 Gallery Ibiza & SO.

Par volatil

La Galería B12 acogió en Ibiza, durante un fin de semana, una propuesta liderada por el colectivo Visuals For The Masses, del que ya te hemos hablado, y esperamos hayas escuchado, ya que se trata de un potente podcast colaborativo con profesionales del sector visual de todo el mundo. De la mano de este colectivo, tuvieron lugar las primeras jornadas sobre artes visuales y visualistas con la idea de que se celebren de forma mensual.

Para la inauguración, el viernes 11 de enero, tuvo lugar una masterclass de la mano de Gnomalab (Juanjo Fernández). La jornada de networking continuó con una comida junto al colectivo Visuals For The Masses y una mesa redonda sobre Show Running en Clubs. Participaron grandes profesionales como Pedro Comesaña (3DLight), Ivi (Improbable Films), Gus (vídeos de Amnesia), Masha (Icemash), Karlos Molina (Dj), Danny Lloyd (DJ), Elimaginario (diseñador visual de Music On y uno de los organizadores de la cita) y otros miembros de Visuals For The Masses.

El sábado 12 tuvo lugar una sesión muy especial en B12 Ibiza con una nueva edición de la fiesta So en la que los asistentes pudieron disfrutar de una instalación de láser y visuales creada por Elimaginario y A.P patrocinada por Pirolaser FX. Las visuales corrieron a cargo de Gnomalab y Elimaginario.

Welcome atmosphere_Daze Tie A/V set up.
Live A/V Karlos Molina + Danny Lloyd + Gnomalab + El Imaginario.
Instalación Visual_El Imaginario + A.P. + Pirolaser FX

La entrada Jornadas A/V B12 Gallery Ibiza & SO. aparece primero en Vjspain Comunidad Audiovisual, Mapping, Vj, Diseño Interactivo.

Lightact Média serveur pour Unreal Engine

Par LeCollagiste
Lightact

Lightact est une suite de logiciels et matériels pour installations immersives, visualisation en VR, contrôle audio, vidéo (lecture en HAP), lumière avec le DMX, l’ArtNet, mais aussi l’OSC, TCP, UDP et même le RSS, audio réactif avec le FFT, compatible avec le timecode, VidéoMapping et multi projection de contenu UE4 en 60 FPS. L’interactivité via Kinect et autres, équipé d’un séquenceur de couches, gestion de calques, moteur de particules basé sur OpenGL et rendu en temps réel grâce à l’Unreal Engine.

Une solution tout en un temps réel, la licence de Lightact est gratuite avec un filigrane sur les sorties et sans autres limitations, les licences payantes oscille de 99 € à 990 €, le média serveur hardware jusqu’à 16950 €.

Plus de news sur le site de Lightact Systems. Les tutoriels Lightact.

Lightact
Lightact
Lightact
Lightact
Lightact

Lightact Média serveur pour Unreal Engine est un billet de LeCollagiste VJ.
LeCollagiste VJ - Mag du LeCollagiste, actu sur la culture VJING, Vidéo Mapping, info video et high tech.

Making Cinema Lights and Practicals Work Together

Par Rubidium Wu

Practical lighting vs. cinematic lighting — this article examines how to use practical lighting to create a cinematic look.

⁣ ⁣⁣ ⁣#repost @ex_lumina⁣ ⁣__________________⁣ ⁣⁣ ⁣The...




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⁣#repost @ex_lumina⁣
⁣__________________⁣
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⁣The “Synesthésie” #lightshow version with #audio #synchronization and #color #synesthesia during an #organ #concert at the Saint Jean #cathedral for the #nuitdescathédrales night in #besançon. More infos on our website 😇⁣⁣
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⁣⁣#audioreactive #organconcert #videoprojection #realtime #millumin #smoke #interactive #interaction #hackintosh #millumin2 #lights #videoart #motiondesign #osc #classicalmusic #videlioevents #interactiveart #lightdesign #visualart
https://www.instagram.com/p/B2i93DjJ6ja/?igshid=152yhveufibj7

Three Quick Tips for Filming in the Midday Sun Without Diffusion Tools

Par Lewis McGregor

Here's some advice on how to use natural light when shooting various exterior (and interior) scenes either low- or no-budget.

Circle of Light Festival

Par Marco Savo

Moscow, 20-24 September 2019

The Circle of Light Moscow International Festival is an annual event where lighting designers and audiovisual artists from various countries reinvent the architecture of Moscow.

For a few days Moscow will turn into a universe of light while fascinating building projections will animate the streets and fantastic multimedia shows using light, flame, lasers and fireworks will shake the viewers to the core. As always admission to all festival venues is free.

THE ART VISION VIDEO MAPPING CONTEST RUNS UNDER THE AEGIS OF THE «CIRCLE OF LIGHT» FESTIVAL.

This year contestants from 35 countries joined the competition.

  • 5 entry works have been selected for the Classic Nomination
  • 16 entries for the Modern Nomination
  • 15 entries for the VJing Nomination. 

All entries will be projected onto iconic buildings in Moscow.

The organizer of the «Circle of Light» festival is the Department of Sport of Moscow. The coordinator of the festival is LBL Communication Group.

Circle of Light – Art Vision Contest

Moscow, Russia

info@lightfest.ru

LINK BOX

Circle of Light

Facebook

Instagram

Youtube

The post Circle of Light Festival appeared first on Audiovisualcity.

A Cheap Trick for Lighting a Daylight Interior Car Scene

Par Lewis McGregor

Here are a few techniques to master the subtleties of lighting a car interior in daylight — without breaking your budget.

Exciting New Prospects for Lighting Your Future Set

Par Rubidium Wu

In the wake of the multiple announcements at this year's IBC, let's look at some of the newest and craziest lights about to hit the market.

Exploring the Emotion and Beauty Behind Uplighting

Par Rubidium Wu

Uplighting is a great tool in any DP or gaffer's tool kit. Let’s look at the main ways uplighting gets used (and misused) in cinematography.

Using Lighting Effects in Premiere Pro

Par Robbie Janney

Here's how to bring artificial light into your project with the Lighting Effects tool in Premiere or overlaying light leaks and lens flares.

The King of Daylight Brightness — An Introduction to HMIs

Par Rubidium Wu

You'll find HMIs doing the heavy lifting on almost every big Hollywood film set — lighting daytime exteriors, diffused windows, and turning night into day.

How Cinematographer Roger Deakins Uses the Cove Light

Par Rubidium Wu

In this article, we'll discuss the innovative "cove lighting" style of award-winning Cinematographer Roger Deakins and how he uses it.

Un vidéoprojecteur avec une caméra et un ordinateur dans le LF2 de LightForm

Par LeCollagiste
LightForm LF2

Un scanner en Structured Light, une carte d’estimation de profondeur et on envois des effets instantanément en simple glisser-déplacer dans le LightForm Creator, voilà ce que la compagnie LightForm propose avec sa nouvelle bestiole le vidéoprojecteur LF2. Le LF2 a dans son coffre un VP de 1000 Lumens ANSI à LED d’une durée de vie de 30 000 heures avec une résolution native de 1920×1080 pixels, possède 2 entrées HDMI, 2 ports USB, un port Gigabit RJ45, un ordinateur Quad Core Arm Cortex-A53 de 1,8 GHz, une caméra RGB/IR. Le LF2 se trouve sur leur site à 998$.

LightForm LF2
LightForm LF2

Il existe aussi le kit LFC sans VP pour toutes sortes de configurations et surtout pour de plus grosses surfaces. Dans le kit vous trouverez, un mini ordi Intel Gemini Lake N4000 w/8GB RAM, une webcam Logitech Brio 4K pour le scanner, et un support pour ordinateur et caméra. Et le Lightform Creator pour 799$.

LightForm LFC
LightForm LFC
LightForm LFC

Un vidéoprojecteur avec une caméra et un ordinateur dans le LF2 de LightForm est un billet de LeCollagiste VJ.
LeCollagiste VJ - Mag du LeCollagiste, actu sur la culture VJING, Vidéo Mapping, info video et high tech.

Pre-Visualizing Your Scene: The Pros and Cons of Set.a.light

Par Rubidium Wu

In this review, we'll take a look at the set.a.light pre-visualization program, its virtual assets and limitations, and how to use it.

Power of Baselight X on display at the heart of Inter BEE

Par Caroline Shawley

  Yoko Kimura joins to spearhead sales and marketing in region   LONDON — 29 October 2019: FilmLight is to demonstrate the state of the art in creative colour and efficient workflows for production and post on its booth at Inter BEE 2019 (13–15 November, Makuhari Messe, stand 6111). At Inter BEE, the FilmLight presence ...

The post Power of Baselight X on display at the heart of Inter BEE appeared first on NAB Show News by Broadcast Beat, Official Broadcaster of NAB Show - NAB Show LIVE.

Directors Cut upgrades to Baselight for HDR and 4K

Par Caroline Shawley

Directors Cut grading suite   LONDON — 31 October 2019: Independent London post house Directors Cut Films – owned and operated by its creative staff – has invested in a Baselight TWO colour grading workstation with a Blackboard 2 control panel. Directors Cut works primarily in premium long-form television, as well as drama series, documentaries ...

The post Directors Cut upgrades to Baselight for HDR and 4K appeared first on NAB Show News by Broadcast Beat, Official Broadcaster of NAB Show - NAB Show LIVE.

3D light and audiovisual show by Huma and Eyesberg

Par Hayley Cantor



This week, we caught up with Huma about his most recent project ‘Eva,’ to find out a little more about how his musical project developed into a live AV show. Huma is Andrés Satué’s personal project, an evolution from his early musical days in a rock band to his more recent progression into the world of electronic music. He’ll be performing ‘Eva’ at Mira Festival, Fabra i Coats, Barcelona, Thursday 7th November

Tell us a bit about the visual side of your show. What can the audience expect in terms of live A/V performance?

The idea is to treat light from a 3D environment by making the light beams coincide, forming geometric figures in motion in the air.

Have your created the visual part of the show yourself or collaborated with a visual artist? (If so, who and why?) If not, tell us about how you developed the project and any challenges you faced in dealing with both elements of the performance.

I’m working with Jose Vaaliña from Eyesberg studio. It was a very natural collaboration, we met after finishing two gigs I did in Barcelona and we talked about the possibility of working together as we have very similar ideas about the relation between music and visuals, now it’s happening and I can say we are both really happy with the results.

What tools and set up are you using for the show? 

We are using 5 powerful projectors, various smoke machines (fog and hazer) and also some visuals. The beams of light will react to sound to create a symbiosis between both. Also we will use some lights and strobes for punctual moments.

How do you feel about the importance of the visual experience in your projects past and present?

It is something I have always thought about as a very important element. Even when I played in rock bands lots of years ago we always carried a few lights to add impact to the final part of the show.

Since I’m working as Huma, I collaborated with Drömnu using visuals at the very beginning, then moved to colorful L.E.D.s, smoke and strobes working with Juan Pablo Larrazabal and now I wanted to try new things and Jose appeared. I like the idea of doing something immersive, not something that you have to look at the detail or that can distract the public but something that will enhance the music. 

You’ve been making music for more than 10 years now. What is the project that you are most proud of, or have the most attachment to so far?

Well, I’m always more attached to the last thing I’ve ever done. Even though I really think that ‘Eva’ and this show is the project in which I have worked the most on and the project I’m the proudest of to date.

Got any questions for Andrés, Eyesberg, or just want to share anything with us? Jot down your thoughts below 🙂

https://hedonicreversal.bandcamp.com/

https://www.facebook.com/hedonicreversal/

https://hedonicreversal.bigcartel.com/

The post 3D light and audiovisual show by Huma and Eyesberg appeared first on Audiovisualcity.

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