Collanews

🔒
❌ À propos de FreshRSS
Il y a de nouveaux articles disponibles, cliquez pour rafraîchir la page.
À partir d’avant-hierVos flux RSS

Control Bazik with Touch OSC

Par : bazik

What is TouchOSC ?

TouchOSC is a mobile app for iOS and Android. You can use it to control compatible softwares via your iPad or your iPhone. Your device become a cool remote for your desktop app.

What can I do with ?

As Bazik supports OSC, it allows you to control Bazik without being in front of your computer. In this tutorial, I’m using an iPhone, but it’s working with an iPad.

Select a color bank, modify parameters, shift, switch, break and play with preset pads. Get a complete control of effects part and active or unactive automation.

osc_control_01osc_control_02osc_control_03


How to setup TouchOSC ?

It seems tedious, but it’s worth it !

1. First, be sure your computer and your iPhone are on the same Wifi network. If you don’t have one around you, create it from your computer.

osc_01

2. Please install the TouchOSC app on your device.

3 .Download the special layout below.

bazik_osc_iphone 01

4. Copy this layout on your iPhone with iTunes. Get help on TouchOSC website.

osc_02

5. Launch TouchOSC, then choose this layout.

osc_03

6. Go to Connections / OSC and edit the Host adress.

osc_06

Your Host adress must be your computer adress on the network. To find it, go to your Network preferences and check your IP address. Be sure it’s your IP address in the same network than your device (wireless).

osc_05

7. Now launch Bazik, and open the Options panel.

osc_04

8. Copy the TouchOSC’s “Local IP address”…

osc_07

… and write it into Bazik’s OSC first big field.

osc_08

Now insert Ports Outgoing and Incoming (generally 5000 & 5001) in the small fields.

osc_09

9. Click “setup OSC” and go to the Controls panel. Try to change a parameter in Bazik or in TouchOSC : Now you can control Bazik with your Iphone !

Maybe Bazik is going to prevent you about incoming connexions. Please Allow that, so TouchOSC can send data to Bazik.


Why I can not make it work ?

You don’t have to be a expert, but run TouchOSC requires time and patience. Follow the steps quietly and you will succeed.

When I change something directly in Bazik, the remote is not update, why ?

OSC remote work in both directions. If you change a Fx value directly in Bazik, the remote must be update in realtime. If not, it’s probably a error with the remote adress in Bazik (check step 8).

Can I use TouchOSC in a place without WIFI access ?

Yes, you simply have to create a local network from your Mac and connect your device directly on it.

I have enter each address several times but it does not work, wtf ?

First, be sure your computer and your device are on the same network. And be sure you use the good IP address from your computer in this network.
With TouchOSC, sometimes, the Local IP address need time to be update if you just change your network preferences. Try to relaunch the app and check if the address has changed.
If you have a doubt with your Bazik configuration, try to use TouchOSC with another software and come back when it’s work, so you can understand what is the problem and solve it.

You can find more help on the TouchOSC website.

SYNESTHESIA MAKES LIVE MUSIC VISUALS EASY

KEEP YOUR SHOW LIVE, WITH GENERATIVE GRAPHICS, AUDIO REACTIVITY, AND RESPONSIVE TRIGGERS. Get up and running in minutes with 40+ built-in scenes. Built-in audio algorithms automatically turn music into visual action. Powerful, midi mappable controls over visual effects. Import your own images and videos to transform with shaders. Shader importing to add fresh content to […]

The post SYNESTHESIA MAKES LIVE MUSIC VISUALS EASY appeared first on LUMEN.

Live Visuals Session // 081217

Par : docoptic
Video Thumbnail

This live visuals session consists of 3 layers. The abstract background is affected by distortion, displacement, and colorization effects. The middle layer, which is a triangular 3D shape, is cloned in a circular kaleidoscopic formation. Lastly, the front layer, which is a center-weighted 3D element. To play along with the beat, the lighting effect was triggered manually by tapping a key mapped to a MIDI controller, and the triangular layer’s line effect was manually tweaked with a rotary/knob on the same MIDI controller. Colors were adjusted to create a complementary look across all layers.

Visuals used in this session:
• DOC016 Shapeshifters
• DOC017 Chromacurrents

The post Live Visuals Session // 081217 appeared first on DocOptic.

Tournée Orelsan 2018




Tournée Orelsan 2018

2018, France

Tournée “La fête est finie”

Credit
    • video content : WOVE studio
    • light designer : Nicolas Xavier Brion
    • production : Asterios

HeavyM signe le nouveau décor du Mixmag LAB London

Par : HeavyM

  La musique, comme vous le savez, occupe une place privilégiée dans l’activité et les centres d’intérêts de HeavyM. Depuis qu . . .

The post HeavyM signe le nouveau décor du Mixmag LAB London appeared first on blog.

Gold Coast 2018 Commonwealth Games



Modulo Kinetic at the 2018 Commonwealth Games ceremonies

April 2018, Carrara, QLD – Australia


For the opening and closing ceremonies of the Gold Coast 2018 Commonwealth Games, The Electric Canvas, an award-winning Australian company specialized in large-scale projections, managed the AV projection relying on Modulo Pi’s high-end media server: Modulo Kinetic.

The 21st Commonwealth Games took place in April 2018 at the Carrara stadium in Queensland, Australia. Produced by Jack Morton Worldwide, the opening and closing ceremonies were spectacular shows with 4.000 volunteer performers. Combining theatre, dance, and music, the shows were created to reflect the Gold Coast culture, embodying its spirit and its energy.

After winning the tender, The Electric Canvas prepared the event over 6 months. To achieve such a large-scale video projection in the stadium, they chose 20 x Christie Boxer projectors, as well as Modulo Kinetic, a powerful media server with advanced features from Modulo Pi.

Peter Milne, Director of The Electric Canvas, explains: “I’ve been involved with Yannick Kohn – founder of Modulo Pi – and his technology for nearly 20 years now. When he launched Modulo Pi in 2010, we were very keen on adopting his latest system, Modulo Player”. Recognized internationally as a leader in large-scale and architectural projections, The Electric Canvas has relied on Modulo Player for several years now: “We use Modulo Player on many projects because we really like the X-map among other features.”

When entering the bid for the Gold Coast 2018, Milne chose Modulo Kinetic, Modulo Pi’s new media server solution: “We were very excited when Modulo Kinetic was launched, and now we have quite a lot of Modulo Kinetic servers. In fact, when we proposed Modulo Kinetic to the Commonwealth Games, we only had a few months experience with it. That was possible because we trust Modulo Pi when it comes to this type of software development. We were sure that their technology would be reliable and solid because of our previous experiences with Modulo Player.”

Working closely with the content producer, The Electric Canvas designed the projection overlay which determined how to cover the field of play, and how to project the other elements efficiently, while providing maximum creativity.
The main video projection was a visualization of Earth and its history, projected on the stadium playfield. This came with several challenges: “We had to put the 20 video-projectors at a height of 67 meters above the ground in the sports lighting towers. We did this because the stage was covered with sand, so there would have been a lot of unwanted texture, had we projected from a normal setting position. Especially as the sand was being constantly disturbed by the performers. Putting projectors so high was a difficult thing to do, particularly for technicians, who had to climb more than 200 steps every day to get to the top of the towers. But it was all worth it in the end, as the resulting image quality was very good” comments Peter Milne.

To handle all necessary changes, the flexibility in the video-projection programming brought by Modulo Kinetic was a must for both ceremonies of this major event: “Ceremony production is a very unique process. There are changes in the choreography or content every day, so you have to have a very flexible system to be able to cope with those changes and incorporate them, sometimes even within the same rehearsal.”

In a time-critical context, The Electric Canvas’ operators made the best of Modulo Kinetic’s capability to preview the show in 3D: “During the day, when we don’t have the benefit of darkness, we can run the show from the recording of the previous evening, using video of the rehearsal, to then further fine-tune the programming of the projection.”

The show also included 3D mapping on Migaloo, a 30 meters long inflatable white whale, handled by 12 puppeteers. The whale floated into the arena, with content projected onto it after it reached its final position. The projection on the whale then transferred to the field of play at the end of the sequence.

The show video was synchronized to timecode, which was delivered with the music, but sometimes had to run independently from the timecode, as Milne explains: “In the case of having to hold entries and exits by the cast, or other unplanned factors, you need programming strategies, creating loops in the content so you don’t have any unexpected result in the picture when the timecode stops, or when something unexpected happens in the show. There are a lot of media servers who don’t cope with this very well. Having a strategy whereby you can, at some point in the music, ignore the timecode, allowing the music to stop and to loop, waiting for something else to happen when there’s a mechanical breakdown on the field, or when somebody falls over, is crucial. These contingent loops are a major and important part of these live shows, so having a system like Modulo Kinetic that deals with those contingencies, in a very fluid and flexible way, is essential.”

Operators could also rely on the backup capabilities of Modulo Kinetic: “On a show this size, you have many departments involved, with everybody running from the timecode. One other important feature of Modulo Kinetic is the automatic reversion to back-up systems, should we have a computer problem or failure. That is also something Modulo Kinetic is good at.”

In the end, the projection was impressive and looked very good in both ceremonies, with The Electric Canvas receiving lots of positive comments. About the utilization of Modulo Kinetic on this international multi-sport gathering, Milnes concludes: “It was reliable, flexible, and easy-to-use in a situation that can sometimes change dramatically every day. The Modulo Pi media servers are very specifically built for technicians and for the creatives that do the type of work that we do. Because the Modulo Pi team listens to technicians and creatives that work on projects, they modify and improve their software specifically on that feedback. For us, that’s an enormous advantage compared to other much larger companies.”

The Electric Canvas

theelectriccanvas.com.au

Live Visuals Session // 081217

Par : docoptic

This live visuals session consists of 3 layers. The abstract background is affected by distortion, displacement, and colorization effects. The middle layer, which is a triangular 3D shape, is cloned in a circular kaleidoscopic formation. Lastly, the front layer, which is a center-weighted 3D element. To play along with the beat, the lighting effect was triggered manually by tapping a key mapped to a MIDI controller, and the triangular layer’s line effect was manually tweaked with a rotary/knob on the same MIDI controller. Colors were adjusted to create a complementary look across all layers.

Visuals used in this session:
• DOC016 Shapeshifters
• DOC017 Chromacurrents

The post Live Visuals Session // 081217 appeared first on DocOptic.

D-brane

D-brane is the story of a creation outgrowing its creator. The performance is the culmination of dance, real time projection mapping and live audio synthesis. A software system was built specifically for this project allowing the dancer to have direct gestural interactions with the visuals and audio in real time. The dancer wears a tracking device and interacts with a suspended dodecahedron. The dodecahedron is also tracked and projected as it moves. An analog patch based audio synthesis sonifies the motions of the dancer using the live tracking data. HTC Vive tracking is used for motion tracking. All real time graphics, tracking and projection is done in Touchdesigner.

Credits:

Performer: Kathryn Florez fullstopdance.weebly.com/
Director: Harvey Moon HarveyMoon.com
Story and Art Direction: Qianqian Ye qianqian-ye.com/
Sound Artist: Cullen Miller pointlinesurface.com/
Technical Support: Colin Parsons robot.yoga/

Video Production:
Cinematographer: Andy Hoffman andyjhoffman.com
Editor/ Assistant Director: Ian Colon iancolon.com/

Equipment and space – Obscura Digital

The post D-brane appeared first on Video Mapping Blog.

Deep Party

Par : HeavyM

Immersion totale avec ce décor scénique triangulaire par Lars Huisman.

The post Deep Party appeared first on blog.

Mettre en lumières un DJ set live avec le vidéo mapping

Par : HeavyM

  Le Collectif Calm propose des scénographies dignes d’un club, à la maison !   Comment le Collectif Calm (Comme à la Maison) . . .

The post Mettre en lumières un DJ set live avec le vidéo mapping appeared first on blog.

Balenciaga – SS19 Paris Fashion Show



Balenciaga – SS19 Fashion Show

September 2018, Cité Du Cinema – Saint-Denis, France


Credit

  • Set design & production : La Mode en Images
  • Director : Jon Rafman
  • Integration and rendering : Spectre Lab

Découvrez l’actualité de LiveU en 2018 !

Par : Andrea

LiveU est le leader de la révolution du direct vidéo qui fournit des solutions de streaming en direct et de contribution pour la TV, les mobiles, ainsi que les médias en ligne et les réseaux sociaux.

LiveU est directement impliqué dans la couverture des événements qui font la une dans le monde entier. Qu’il s’agisse d’une conférence de presse présidentielle, d’un tournoi international de sport, ou d’une actu imprévue et immédiate, les unités portables LiveU sont prêtes à l’emploi et fournissent de la vidéo en direct de très haute qualité.

Petit retour sur les plus grands événements couverts cette année grâce à la technologie proposée par LiveU.

Jeux Olympiques d’hiver en Corée du Sud

LiveU a fourni les unités 4K HEVC aux diffuseurs de plus de 40 pays pour couvrir l’édition 2018 des Jeux olympiques hivernaux de Pyeongchang. Grâce à sa technologie de transmission 4K HEVC, les clients ont suivi les progressions des athlètes en leur offrant une couverture en coulisses avec une qualité d’image et une fiabilité inégalées. Regardez la vidéo ici.

Mariage du Prince Harry et de Meghan Markle

Le LU600 HEVC e été utilisé par la chaîne de TV Sky News pour retransmettre en direct et en UHD/4K le Mariage Royal, permettant à des millions de personnes d’y assister à distance. https://hubs.ly/H0fRDdy0

TRANSMISSION LIVEU PENDANT LE MARIAGE ROYAL

Sommet de Singapour : accord Trump-Kim

En direct depuis le sommet entre la Corée du Nord et les États-Unis, au cours duquel le Président américain et le dirigeant de la Corée du Nord se sont rencontrés pour la première fois, des unités compactes LiveU étaient en action au premier rang pour retransmettre ce moment historique en direct aux spectateurs du monde entier.

Coupe du Monde de la FIFA en Russie

Grâce à la technologie de pointe HEVC les utilisateurs de LiveU venus de 40 pays ont délivré plus de 15 000 heures de retransmission vidéo pendant la Coupe du Monde de la FIFA.

LIVEU TRANSMISSION FIFA

Sauvetage des jeunes Thaïlandais dans la grotte

La technologie de LiveU a assuré une couverture permanente durant le sauvetage d’un groupe d’adolescents coincés au fond d’une grotte inondée de Tham Luang. David Foster, photographe et vidéaste de Jaiyen Digital Media a été mandaté pour couvrir cette opération. Il a expliqué «  au fin fond d’une grotte, il est impossible d’obtenir une couverture satellite. Avec l’assistance technique de LiveU, et en utilisant une connexion RMTP vers le studio TV, et au moyen de 3 cartes SIM, nous avons pu mettre en place deux unités LiveU Solo et retransmettre des directs simultanément depuis deux endroits différents; les performances des Solo ont été exceptionnelles avec un délai minimum pour l’envoi vers la chaîne de TV et étaient au même niveau que les unités broadcast. »

2018 a été une année exceptionnelle pour LiveU et les retransmissions en Live. Les nouveaux produits lancés tels que le LU600 4K HEVC annoncé au NAB à Las Végas et le LU300 HEVC qui a reçu le prix du meilleur produit à l’IBC à Amsterdam, ainsi que le désormais célèbre LiveU Solo ont permis de couvrir la transmission de nombreux événements majeurs de la planète.

L’article Découvrez l’actualité de LiveU en 2018 ! est apparu en premier sur TRM.

Appel à participation Live Performers Meeting 2019

LPM 2019

Le LPM 2019 le Live Performers Meeting aura lieu du 2 au 5 mai 2019 à Mattatoio de Rome en Italie. Participez au plus grand événement Mondial dédié à la performance vidéo live, envoyez vos projets VJ set, performances audiovisuelles, VidéoMapping, workshop, showcase, conférences ou autres installations interactives. Le but du LPM est toujours de propager et promouvoir ainsi que la diffusion de l’image live, des spectacles audiovisuels.

Dead line le 18 mars 2019.

Le LPM fait partie du projet coopératif AVNode.

LPM 2019

Appel à participation Live Performers Meeting 2019 est un billet de LeCollagiste VJ.
LeCollagiste VJ - Mag du LeCollagiste, actu sur la culture VJING, Vidéo Mapping, info video et high tech.

Estreno en España del documental “Visualist” · Seminci Transmedia 22 de octubre

Par : volatil

El documental «Visualist» sigue de gira. Después de su premier en Signal Festival de Praga, llega a Valladolid para su estreno en España. Después de la proyección, tendrá lugar una mesa redonda con sus directores y otras figuras representativas de la cultura audiovisual nacional para debatir sobre algunos de los temas que aborda el film. ¿Qué es el arte AV o arte audiovisual? El documental lo presenta como un formato artístico sólido, diverso y profundo que surgió de la escena de club y logró atravesar las puertas cerradas de las mejores galerías del mundo. Un formato que pertenece al futuro.

Robert Henke

La Semana Internacional de cine de Valladolid Seminci, incluyó bajo la sección “Seminci TRANSMEDIA” en su 62ª edición un ciclo de Live Cinema en su programación de la mano de bit:LAV, el año pasado sumaron una de las caras más innovadoras del cine actual: la realidad virtual. Este año, para la 64 SEMINCI, bit:LAV se atreve también con un nuevo escenario y un nuevo formato: el Fulldome en el Planetario del Museo de la Ciencia.

El ciclo dará comienzo el día 22 de octubre de 2019 con el estreno en España del documental Visualist, Those who see beyond de Manuel Cid y Pedro Pantaleón, que estarán acompañados en una posterior mesa de debate moderada por Virgina Díez, impulsora y co-directora del Festival de Cine Creative Commons de Valladolid (ccVAD).

Herman Kolgen

En este debate también participará Óscar Testón – OTU, productor del documental y creador de la revista digital Vjspain.com; Patricia Dominguez Larrondo, responsable del Laboratorio audiovisual AVLab de Medialab-Prado; Manuel Prados Sánchez, artista y productor cultural, coordinador del Laboratorio de Realidades Sintéticas y Agencia_RV en Medialab-Prado y AlHuerto, impulsor del festival de artes visuales y sonoras DUAL CLUB que tiene lugar en el Espacio Tangente, centro de creación contemporánea independiente de Burgos.

Te dejamos a continuación la programación por horas de las actividades de Seminci Transmedia 2019.

ESTRENO VISUALIST & MESA DE DEBATE
¿Dónde? Sala Experimental – Teatro Zorrilla Plaza Mayor, 9, Valladolid
¿Cuándo? 22 Octubre 18h – 21h

-Proyección documental: Visualist, Those who see beyond, Pedro Pantaleón, España
-Mesa de debate: Creación transmedia: nuevas narrativas y lenguajes vinculados al arte audiovisual.

REALIDAD VIRTUAL
Sala Experimental – Teatro Zorrilla Plaza Mayor, 9, Valladolid
23, 24 Octubre 11h-13h 17h-20h
25 Octubre 17h-20h
CROW The Legend VR (Inglés) EEUU 2018 18’
ZERO Days VR (Inglés) EEUU 2017 22’
Dinner Party VR (Inglés) EEUU/ Puerto Rico 2018 14’
Kinoscope VR (Inglés) Francia 2017 10’
La Fuga L. 360º VR (Español) México 2018 7’
Perdido en el Tiempo VR (Español) España 2018 16’
El Sueño de la Hija del Jaguar VR (Español) EEUU / México 2019 8’

FULLDOME
Planetario – Museo de la Ciencia, Av. de Salamanca, 59, Valladolid
24, 25 Octubre 18h

Sacred Geometry, Darklight Studio
IMMERSIVE, Jeremy Oury
end(O), Alba G Corral & Alex Augier
GENESIS, Gnomalab
SPHERE, Mickaël Le Goff & Robert Koch
Latent Space, Monocolor
Bio Inspire, VOID

De nuevo bit:LAV acerca a la ciudad de Valladolid las propuestas tecnológicas más novedosas y ofrece nuevas formas de entender la creación fílmica. Porque hoy, para el cine, no existen los límites de la pantalla.

La entrada Estreno en España del documental “Visualist” · Seminci Transmedia 22 de octubre aparece primero en Vjspain Comunidad Audiovisual, Mapping, Vj, Diseño Interactivo.

Appel à projet : LPM 2020 Rome

LPM 2020

Le LPM (Live Performers Meeting) vise à promouvoir et à diffuser la libre circulation des idées, de l’expertise, des techniques et des langages liés aux arts de la scène audiovisuels, qui seront au cœur de la réunion. 4 jours remplis d’activités spectaculaires, innovatrices, innovatrices, percutantes et engageantes que vous aussi contribuez à rendre uniques.

Les nouveaux langages audiovisuels, le lien entre la création artistique et les technologies de pointe, les nouveaux médias et le public, les produits audiovisuels les plus en vogue, les technologies innovantes et les tendances de demain : tels sont les thèmes que le LPM veut aborder lors de leurs séminaires et ateliers.

Envoyez votre proposition pour un spectacle, une conférence, une présentation ou un atelier, et créons ensemble l’avenir d’AVarts et participez au plus grand rassemblement d’arts de la scène audiovisuels !

Le LPM recherche :

  • AV Performances
  • VJ Sets
  • Live Mapping Performances
  • Interactive Installations
  • Project Showcases
  • Workshops
  • Lectures
  • Submissions for Live Mapping Contest
LPM
LPM 2020

Appel à projet : LPM 2020 Rome est un billet de LeCollagiste VJ.
LeCollagiste VJ - Mag du LeCollagiste, actu sur la culture VJING, Vidéo Mapping, info video et high tech.

Statmux Is Now Available On AWS Elemental MediaLive

  As an Amazon Web Services company, AWS Elemental MediaLive combines deep video expertise with the power and scale of the cloud to provide users with nimble/flexible software-based video processing and delivery solutions. AWS Elemental MediaLive allows for customers to adequately harness the elasticity of the cloud when necessary with on-demand and with pay as ...

The post Statmux Is Now Available On AWS Elemental MediaLive appeared first on NAB Show News by Broadcast Beat, Official Broadcaster of NAB Show - NAB Show LIVE.

SVG Summit: FOR-A to Demo its Fully Integrated Product Range

Cypress, CA, December 4, 2019 – With some of the biggest names in sports scheduled to appear and workshops covering the most pressing technology topics, the 14th annual SVG Summit, is an integral event for those involved in sports production for broadcast, venue operations, college or team operations, asset management and digital/OTT. FOR-A Corporation of ...

The post SVG Summit: FOR-A to Demo its Fully Integrated Product Range appeared first on NAB Show News by Broadcast Beat, Official Broadcaster of NAB Show - NAB Show LIVE.

LiveU Solo Helps Isha Foundation Connect with Millions of People in India and Around the World

Par : Jump

LiveU’s wireless video encoder, Solo, is being used by Isha Foundation – a non-profit, public service organization founded by Sadhguru – to connect with millions of well-wishers and volunteers in India and around the world. The Foundation uses Solo to stream live events, notably the night-long Mahashivaratri festival at Isha Yoga Center – which is ...

The post LiveU Solo Helps Isha Foundation Connect with Millions of People in India and Around the World appeared first on NAB Show News | 2020 NAB Show Media Partner and Producer of NAB Show LIVE.

Intinor joins SRT Alliance

Umea, Sweden, 16 January 2020: Intinor, Sweden’s leading developer of products and solutions for high-quality video over internet, has joined the Secure Reliable Transport (SRT) Alliance. SRT is an open source video transport protocol that optimizes streaming performance across unpredictable networks, enabling the best quality live video to be transported over even the most questionable ...

The post Intinor joins SRT Alliance appeared first on NAB Show News | 2020 NAB Show Media Partner and Producer of NAB Show LIVE.

Taiwan-based 17 Live Enhances the Online Viewing Experience with LiveU

Par : Jump

One of Asia’s leading live streaming platforms has turned to LiveU’s HEVC IP bonding technology to provide high-quality live video coverage of its events. 17 Live is using LiveU’s leading LU600 HEVC units to transmit live coverage of the events direct to their 17 Channel, turning fans into loyal, long-term customers with engaging live online ...

The post Taiwan-based 17 Live Enhances the Online Viewing Experience with LiveU appeared first on NAB Show News | 2020 NAB Show Media Partner and Producer of NAB Show LIVE.

Dejero Wins Second Prestigious Technology and Engineering Emmy® Award

Globally recognized award underlines how Dejero exponentially improves flexibility in location coverage for newsgathering and live events crews   Waterloo, Ontario, January 20, 2020 — Dejero, an innovator in cloud-managed solutions that provide award-winning video transport and Internet connectivity while mobile or in remote locations, has been awarded a second prestigious Technology and Engineering Emmy® ...

The post Dejero Wins Second Prestigious Technology and Engineering Emmy® Award appeared first on NAB Show News | 2020 NAB Show Media Partner and Producer of NAB Show LIVE.

LiveU Announces New Customer in Japan – AbemaTV

Par : Jump

LiveU has announced that one of Japan’s leading video streaming channels, AbemaTV, is implementing LiveU cellular bonding technology to produce its online news and entertainment business. AbemaTV is using over 20 LiveU field units, including the LU600 HEVC, combined with the LiveU Central cloud management platform to live stream shows and events from various venues ...

The post LiveU Announces New Customer in Japan – AbemaTV appeared first on NAB Show News | 2020 NAB Show Media Partner and Producer of NAB Show LIVE.

❌