Chris Hodson, le magicien américain des célébrations Bonjour Chris ! Peux-tu te présenter? Bonjour ! J’ai commencé mon act . . .
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Ernie Gilbert opens up about his journey from acclaimed Hollywood editor to director — and his new sci-fi short film Nine Minutes.
Editor Matt Friedman cuts to the chase on working with Lulu Wang and Awkwafina — and the importance of nailing multicultural projects.
Is it possible to hype an upcoming blockbuster too much? Here's what studios face when they release teasers into the market early.
In The Push, Grant Korgan explores the power of possibility through positivity, and shared with Premium Beat the insight gained through loss.
Emmy-nominated editor and filmmaker Vera Drew sat down with PremiumBeat for a look into her work on "Who is America?" and more.
PremiumBeat sat down with composer Austin Wintory to discuss his latest project — a collection of his successful failures.
We spoke with director Nora Mandray about contextualizing history and keeping a complex political timeline vibrant and legible in short form.
A look into how digital cameras are continuing to change the landscape of the film and video industry, both nowt and into the near future.
Editor Tom Jarvis spoke with PremiumBeat on working The Late Late Show with James Corden and that special "Carpool Karaoke" segment with a childhood idol.
In this breakdown, we look at some common pitfalls when cutting a showreel, how to successfully present your product, and why this is so important.
PremiumBeat revisits seven informative interviews with filmmakers sharing their professional insights into the film and video industry.
Find the digital frontier's new direction with three ways a creative agency can benefit from having a Creative Director of Video.
PremiumBeat talked with this versatile designer about the process and people involved in creating the look and feel of very different properties.
Premium Beat sat down with Brian H. Kim of BH90210, Hello, My Name is Doris, and G.B.F. to gain a unique perspective on working in these transverse ...
Don't get bogged down in a client feedback review loop. Here's your guide on how to properly solicit client feedback and review film and video drafts.
Learan Kahanov talks about his journey to becoming the DP of "Madam Secretary" — and where he continues to look for inspiration.
Motion design is already a tough industry to conquer, and now there's a new threat on the horizon — artificial Intelligence.
Aputure introduces its first RGBWW and smallest light to date with the MC. See what this tiny-but-powerful light can offer.
After a long wait since the initial reports, we finally get a new update that completely reenergizes the Pocket 4K with plenty of new features.
Premium Beat spoke with Artificial creator, Bernie Su, who was game to answer some questions about this innovative, interactive experience.
The U.S.-based ShareGrid will absorb the peer-to-peer equipment sharing company BorrowFox, and expand ShareGrid into the UK in 2020.
Auto Reframe, Character Animator 3.0 and Premiere Rush app updates headline the latest Cloud updates announced at Adobe Max.
A well-prepared director is a good director. Take a look at five useful tips for preparing to direct any commercial spot.
The "Ad Astra" film editing team sat down with PremiumBeat to describe their process and what it's like working with director James Gray.
PremiumBeat examines the important role clothes play in film and television in this conversation with fashion designer-turned-costume maven Ginger Martini.
Rotating roles — an intimate lesson in how multiple directors can use multiple filmmaking styles to create one unified vision.
We cover everything you need to know about the Video Editing Supervisor, how to work with one, and how you can become one.
Robert Richardson's eye for the unusual showcases extreme framings and non-realistic lighting. Let's take a look at his signature style.