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Induni & CIE’s 100th Year




Induni & CIE SA – 100th Year Celebration

2017, Geneva (CH)

 

Media Server : Modulo Player Ultra MP-UX-4

 

Credit
  • Technical Production : Dorier Group
  • Production : MCI
  • Design : Stamina

Bicentenary of la Caisse d’Epargne




200th Anniversary of la Caisse d’Epargne

2018, Opéra Comédie, Montpellier – France

Bicentenary of la Caisse d’Epargne Languedoc Rousillon

Credit

InfoComm Beijing 2018




InfoComm Beijing 2018

April 2018, Beijing

Modulo Kinetic – InfoComm China 2018

Credit
    • Multimedia content design :NDIMENSIONS
    • AV rental company :PD AV
    • Projectors : Panasonic PT-RZ31K X6
    • Distributor : Myth Sanvei

RENCONTREZ VJ P4nick

Par : HeavyM

Le talent brésilien du vidéo mapping scénographique   1.Quand as-tu démarré ton activité de VJ ? Peux-tu nous en dire plus sur le . . .

The post RENCONTREZ VJ P4nick appeared first on blog.

InfoComm Brazil 2018

InfoComm Brazil 2018 – Epson Booth

April 2018, Sao Paulo – Brazil

Credit

  • Client : Epson
  • Content Creation : Allumage
  • Mapping / Tracking Integration : Allumage
  • Tracking Technology : Modulo Kinetic

Open Doors day – Skynight



Skynight – Open Doors Open day 2018

April 2018, Geneva – Switzerland


For it’s open doors day, Skynight in collaboration with Key Labs, created a racetrack projected on the floor of it’s warehouse, with real remote-control cars racing onto it.
To make the experience close to video games, the cars would flash in red every time they were out of the track and particles were generated in real time to create exhaust fumes behind the vehicles.
A smaller 2D version of the racetrack was displayed on a TV screen, giving information about the real-time position of each car and the number of laps it had completed.

This was all made possible thanks to BlackTrax technology to track the cars in real-time, and Modulo Kinetic using the tracking information to generate real-time particules and other projection effects on the moving cars.

Credit

  • Creation : Key-lab & Skynight
  • BlactTrax & Modulo Kinetic operator : Marc Frezza

Viva Technology 2018

VIVA Technology

May 2018, Porte de Versailles – Paris

Credit

  • Client : Publicis Group / Les Echos
  • Agency : Publicis Live
  • Technique : Videomania

Identiverse 2018



Identiverse 2018

June 2018, Boston, MA – USA


Identiverse, formerly known as The Cloud identity Summit, is the world’s largest identity conference.
Featuring over 200 sessions and masterclasses, Identiverse offers exhibits and presentations from more than 50 vendors.
This includes presentations from some of the world’s most influential voices in digital identity, financial services, privacy, healthcare, security, IoT, mobile, architecture and more.
This corporate event is hosted by Ping Identity Corporation, a provider of cyber security solutions to Fortune 100 companies globally.

The event takes place in a different city in June every year. Identiverse2018 edition was held in Boston, at the Hynes Convention Center.
The main stage this year was in the Grand Ballroom, a 24,500 square foot space. In addition to the main stage, there were also 7 breakout rooms and an expo stage.
All AV elements including projection, sound, lighting, cameras, record decks, live streaming, content creation (i.e. motion graphics and projection video elements)
and all preproduction design and rendering were provided by Immersive, a cutting-edge production company based in San Fransisco. For the projection mapping both on the ceiling as well as the main stage, Immersive chose Modulo PI solutions to control the 12 projectors they required.

Modulo Kinetic was hosting the ceiling projection.
During the preproduction phase, Modulo Kinetic 3D preview allowed Immersive to test the accuracy of their projectors placement, as Sean Mason, Immersive CEO , explains :
“One challenge we faced was part of the ceiling projection was being blocked by the stage set. In the Kinetic projection study, we realized that the center stage arch would be blocking two of the projectors.
Not only did Kinetic make us aware of the issue, it also helped solving it, all before getting on show site : through the Kinetic Render Surface interface, we were able to send content from a different projector to fill in the blocked area. Without Kinetic, this fix would not have been possible, and we would not have been able to fill in the shadow. Kinetic truly saved the day! »
Once on site, Immersive made the best of some other Modulo PI exclusive features during set up, like the Remote Warp functionality to adjust the projection from any location in the Grand Ballroom: “The Remote Warp is extremely helpful to fine tune the mapping from anywhere in the room. It allows us to get up right next to the projection and adjust the warp/blend to achieve a perfect mapping” adds Mason.

Immersive also enjoyed The User Panel, another exclusive modulo PI feature. It was used to write cues, trigger several simultaneous tasks and control all Modulo Pi media servers “We love the Panel. It was absolutely necessary to control the show because the server hosting the central stage projection was backstage while another one was in the Front of House. Thanks to the Panel, we were controlling them both while sitting in the audience during the show.” adds Mason.
Sean Mason concludes : “Modulo Kinetic is definitely more powerful than any server we’ve used. Overall, every Modulo Pi product has been amazing to use and extremely powerful. The Modulo team has been incredible to work with, very supportive, quick to respond to questions and a wonderful partner to have. We are looking forward to many more Modulo Pi installations!”’

About Immersive:
Immersive is a cutting-edge company that creates dynamic environments for events. They specialize in corporate audio visual (AV), projection mapping, custom content creation, architectural projection mapping, sculptural projector mapping, lighting, audio, staging and rigging. Last year alone, Immersive executed over 180 events in the US. The company was founded in 2012 by Sean Mason. Some of their most iconic work are architectural projections whether on building facades and interior architecture such as The Old Mint in San Francisco, San Francisco City Hall, and Samsung Semiconductor HQ in Santa Clara.

Credit

  • Content Design and Creation:Immersive
  • Technical Production: Immersive
  • Photos : Sean Mason

Maestro – Sharjah Light Festival 2017

For a second year in a row, we were invited by Nomada to participate at the Sharjah Light Festival 2017.
For this occasion we introduced Maestro, a new interactive video mapping, controlled by the user through a futuristic illuminated console.

The installation was set up on a half kilometer long building with 19 video projectors of 20,000 lumens and 8 sky-tracers.
The users were offered to choose between three original Mappings: SAND, MOSAIC and ORGAN.

To complete this creative and technological challenge, Tigrelab teamed up with great talents: Hand Coded was in charge of the generative visuals and sounds, our technological partners ProtoPixel took care of the creative technology and the lighting control, Thomas Aussenac from SoundBox created the Music and Sound Design, and Joan Molins and Roger Amat were in charge of the Motion Design and Animation.

This project has been rewarded during the Sharjah Light Festival 2017 for “Best Installation”.

Credits

Original concept, Creative direction and Animation: Tigrelab

PM, concept, generative visual-audio Development: Hand Coded
Creative technology and lighting control: Proto-Pixel
Motion Design and Animation: Joan Molins, Roger Amat
Music & sound design: Thomas Aussenac – Sound Object
Making Of: Felipe Mejia
—————————
Tigrelab Team:
Federico Gonzalez
Mathieu Felix
Javier Pinto

Nagyb Cedeño
Sergio Garcia Arribas
Julie Herbert

Sharjah Light Festival 2017
Organized by Sharjah Commerce and Tourism Development Authority
Produced by Nomada Les Arts Nomades Cie

The post Maestro – Sharjah Light Festival 2017 appeared first on Video Mapping Blog.

3 Proven Ways to Revamp Your Repeat Event

Par : lumenadmin

  By Cylie Svartoien When you have a local repeat event with a consistent audience, it’s easy to get comfortable and rely on tactics that have worked before. However, if you want to keep your audience’s attention and attendance, it’s critical to revamp, refresh and rejuvenate your show. Last week at the Heroes Luncheon in Tampa, […]

The post 3 Proven Ways to Revamp Your Repeat Event appeared first on LUMEN.

Events Are Like Theater

Par : lumenadmin

By: Cylie Svartoien, Marketing Specialist, Kingham Signature Events Set the stage – can everyone see the action? Cue the lights – what are you spotlighting? Design the set – what atmosphere are you going for? Can you feel the excitement buzzing in the air? Your milestone event is theater in live action. Except, you don’t […]

The post Events Are Like Theater appeared first on LUMEN.

NonProfit Event Revenue Streams

Par : lumenadmin

NonProfit Event Revenue Streams When planning a fundraiser for a nonprofit organization it’s important to analyze your NonProfit Event Revenue Streams. In your analysis you can uncover ways to maximize funds being raised and offer guests varying price points to participate. But not only does your analysis provide you insights from a budget perspective, it also […]

The post NonProfit Event Revenue Streams appeared first on LUMEN.

2018 Man Pavilion: IAMAI and the Burnbots

Par : lumenadmin

This year at Burning Man, artist Joe Crossley (Astral Projekt) will be producing and curating a collection of Human/ AI inspired media art pieces under the name IAMAI. The ethos is to create a ceremonial space where we can acknowledge and celebrate the declaration of co- existence between man and machine. Artists from around the world […]

The post 2018 Man Pavilion: IAMAI and the Burnbots appeared first on LUMEN.

Bain & Compagnie

Bain & Compagnie Launch Party

May 2018, Ateliers des Lumières, Paris

Credit

Malakoff Médéric Dinner

Diner Malakoff Médéric

May 2018, Ateliers des Lumières, Paris

Credit

Cloudbees / Jenkins World – 2018



Cloudbees / Jenkins World – 2018

Sept 2018, San Fransisco, CA, USA – Oct 2018, Nice, France


For its 2018 Jenkins World Tour, CloudBees gathered a large community of developers from all
over the globe in two locations: San Francisco (USA) in September, and Nice (France) in October.
For these major rendezvous bringing together 2,500 attendees, a wide and neat video projection
with mapping was created using Modulo Kinetic, a powerful video solution by Modulo Pi.

Immersive, a cutting-edge production company based in San Francisco, was in charge of the
entire show for the 2018 Jenkins World Tour in the United States, and France.
The main stage used for keynotes consisted in two wide screens, plus a third screen with a globe
shape in front of them.

In San Francisco, 5 x Christie Boxer 30K were installed to feed the screens on a 135 feet (41
meters) stage. To deal with the challenges of this show, Sean Mason, Founder and CEO of
Immersive, decided to opt for the Modulo Kinetic media server solution: “We work with Modulo
Pi’s systems for all our projector mappings now. Modulo Kinetic is bulletproof, powerful, and
versatile. It has everything in it.”

For both events, Modulo Kinetic was used in a configuration with two Kinetic Vnode servers, both
controlled through one Kinetic Designer. The show was designed to offer maximum flexibility,
with any source that could be routed to any location. Four opening videos were
played, composed of two videos on the side screens and one on the front globe, playing
simultaneously. Immersive teams could also route the PowerPoint presentations on the walls, or
on the globe.

Immersive worked in close collaboration with CGI Interactive, the company in charge of creating
the introduction videos and PowerPoint presentations for the event. Creative teams developed all
content on a template created by Immersive.

An Ascender 32 mixer by Analog Way was in line to do all the switching for the 6 x MacBook and 6
x PCs. The outputs of the Ascender 32 were sent to the Kinetic Vnode servers in charge of playing
the content for stage left and stage right.
Sources also included 2 x cameras for IMAG, and an SDI matrix recording the laptops, mixer, and
camera feeds sent to Modulo Kinetic.

Facing the challenge of adapting the show made in San Francisco to a new venue in France, Sean
Mason and his teams could rely on Modulo Kinetic’s powerful 3D engine for show simulation: “We
were coming to a place that that we’ve never been to before. You have a floor plan and that’s it.
For this reason, we 3D modeled the entire space, and could place our projectors, making sure we
would have the correct coverage.”

The simulation study also turned out to be helpful to project on the globe screen: “In this case,
Modulo Kinetic saved us because if we shot straight on, then the globe got a big shadow. In the
projection study, we had to move the projectors all the way to the side and shoot at an angle to get
behind the globe.”

The stage in Nice being 85 feet (25 meters), Immersive had to redesign part of the show and adapt
the content. The simulation done using Modulo Kinetic also helped select 7 x Barco 30K
projectors. Sean Mason explains: “Projection study is something we always had trouble with in
the past. There’s plenty of time when we’ve done it with other software. It looks good in the
software, but when you get to the site, it’s just not working. This is not the case with Modulo
Kinetic. It includes a library with exact specifications for every projector. Even the lens choice is
accurate. We used to bring two sets of lenses, but now we don’t have to do that anymore. It actually
saves a lot of money.”

Warping and mapping over the globe were done on site, using Modulo Kinetic’s mobile remote
application. “Warp remote is a great attribute, says Mason. Thanks to it, we’re able to get right
next to the projection, and do all the fine-tuning.”
The multi-user remote control software helped save time by working simultaneously on warping
and show encoding.

All show encoding and control was done through Kinetic Designer. Around 40 tasks were created
for the show, as well as custom panels using the system’s UI Designer.

Thanks to the panels, all tasks could be triggered live using Modulo Kinetic’s iPad application.
Creating tasks through Modulo Kinetic allowed to easily deal with last minute changes in the
show, being able to add anything, programming fade outs or loops in the timeline,… “Modulo
Kinetic’s software is very easy to use. It’s very fast to write your cues and make your interface for
the iPad”.

The event that was Immersive’s first international show was a success. The company will work
on the 2019 Jenkins World Tour that will be held in San Francisco and Lisbon next year.

About Immersive:
Immersive is a cutting-edge company that creates dynamic environments for events. They specialize in corporate audio visual (AV), projection mapping, custom content creation, architectural projection mapping, sculptural projector mapping, lighting, audio, staging and rigging. Last year alone, Immersive executed over 180 events in the US. The company was founded in 2012 by Sean Mason. Some of their most iconic work are architectural projections whether on building facades and interior architecture such as The Old Mint in San Francisco, San Francisco City Hall, and Samsung Semiconductor HQ in Santa Clara.

Credit

  • Content Design and Creation: CGI Interactive
  • Technical Production: Immersive
  • Photos : Sean Mason

Balenciaga – SS19 Paris Fashion Show



Balenciaga – SS19 Fashion Show

September 2018, Cité Du Cinema – Saint-Denis, France


Credit

  • Set design & production : La Mode en Images
  • Director : Jon Rafman
  • Integration and rendering : Spectre Lab

TouchDesigner Summit 2019

Summit Update April 19, 2019 We have finalized the TouchDesigner Summit 2019 program bringing together a roster of star operators from all over the world to deliver 45 workshops, 21 talks and of course wherever 350 TouchDesigneurs gather there will be no shortage of excitement on the side. Full program to be released soon followed […]

The post TouchDesigner Summit 2019 appeared first on LUMEN.

Dejero Wins Second Prestigious Technology and Engineering Emmy® Award

Globally recognized award underlines how Dejero exponentially improves flexibility in location coverage for newsgathering and live events crews   Waterloo, Ontario, January 20, 2020 — Dejero, an innovator in cloud-managed solutions that provide award-winning video transport and Internet connectivity while mobile or in remote locations, has been awarded a second prestigious Technology and Engineering Emmy® ...

The post Dejero Wins Second Prestigious Technology and Engineering Emmy® Award appeared first on NAB Show News | 2020 NAB Show Media Partner and Producer of NAB Show LIVE.

Entertainment Industry Professionals Mentoring Alliance (EIPMA) to Host Open House for Educators, Students and Young Professionals

Launch event for new non-profit will feature speakers, roundtable discussions and more about artistic and technical careers in movies, television, music, and other entertainment arenas. LOS ANGELES— The Entertainment Industry Professionals Mentoring Alliance (EIPMA), a new, non-profit organization offering mentoring and career guidance to students and young professionals seeking artistic and technical careers in media ...

The post Entertainment Industry Professionals Mentoring Alliance (EIPMA) to Host Open House for Educators, Students and Young Professionals appeared first on NAB Show News | 2020 NAB Show Media Partner and Producer of NAB Show LIVE. Broadcast Engineering News.

FIBER Festival

Par : Marco Savo

Amsterdam, 24 – 27 September 2020

FIBER Festival is an Amsterdam based festival for audio-visual art, digital culture and electronic music.

With the program – which consists of multi-sensory art, performances and in-depth lectures – FIBER presents emerging art practices that offer alternative perspectives on our 21st century society.

With the festival theme of Instability the festival explores new ways of adapting to an age of planetary and societal changes. What opportunities are open to artistic making and thinking to contribute to this transformation?

Our living environment is often presented to us as stable and unquestionable. Landscapes, borders and technological infrastructures are considered static entities. Yet current crises now force us to transform the way we relate to our ecological surroundings. Extreme weather, droughts, wildfires and viruses are forces of nature that tear apart our modern way of living with far-reaching consequences.

The festival aims to seek artistic narratives, skills and sensibilities to prepare us for an alternative life in a period of uncertainty and radical instability.

FIBER Festival

Amsterdam, Netherlands

info@fiberfestival.nl

Contact

FIBER

Facebook | Twitter | Instagram | Vimeo

The post FIBER Festival appeared first on Audiovisualcity.

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