DIT Eduardo Eguia details the imaging process used on The Mandalorian The Mandalorian is about the travels of a lone bounty hunter in the outer reaches of the galaxy, far from the authority of the New Republic. It is the backstory vision of George Lucas’, to the Star Wars bounty hunter theme that tied together ...
After his first stage of the artist residence, the pandemic outbreak forced the audiovisual artist to delay his return to Iran and continue to develop research and projects in Barcelona.
The talk revolves around the concepts of reflections and mirrors in the Iranian literature, and how the RTT (render to texture) technique in 3D game engines could translate these concepts in experiences.
The post Output:TargetDisplay: Display01: 29 May 2020 ONLINE appeared first on Audiovisualcity.
DejaEdit Version 3 takes file synchronizing to a new level with enhanced user experience, additional security features and improved workflow management For Immediate Release, 28 May 2020, Gothenburg, Sweden – Dynamic tech start-up DejaSoft has launched Version 3 of its cutting-edge media file synchronising software tool – DejaEdit. An essential application vital for film productions, DejaEdit ...
(May 2020) – When it came time for cinematographer John Conroy to develop the look for Showtime’s Penny Dreadful: City of Angels spin-off, he already had eight episodes of lensing the original Penny Dreadful under his belt. A major part of the look for the spin-off would come from using Cooke Optics’ S4/i prime lenses ...
The post Showtime’s Penny Dreadful: City of Angels Brings 1938 Los Angeles to Viewers’ Homes with Cooke S4/i Primes appeared first on NAB Show News | 2020 NAB Show Media Partner and Producer of NAB Show LIVE. Broadcast Engineering News.
Découvrez les travaux d’Alexis Lasne, illustrateur médical freelance travaillant essentiellement pour l’industrie pharmaceutique.
Utilisant notamment Maya (qu’il avait découvert en version 2.5), Redshift, Blender, Houdini, ZBrush ou encore 3D Coat et After Effects, il se positionne en généraliste et peut gérer l’ensemble d’un projet 3D, de la modélisation au compositing en passant par le texturing et les simulations.
Il est actuellement ouvert à toute proposition de projet, en freelance ou en embauche dans une équipe, sur Paris et sa région.
L’article Alexis Lasne, illustrateur médical et réalisateur 3D scientifique est apparu en premier sur 3DVF.
Working with the RDK community, SoftAtHome is building a full RDK Video based solution integrating multicast, DVB, Live DASH streaming, a Universal search aggregator, new premium video streaming apps, voice controls, and its white-label ImpressioTV user experience. Paris (FRANCE) – 26 May 2020 – SoftAtHome, an independent software company for broadband, video, and ...
The post SoftAtHome and RDK Collaborate to Build a New Video Product for Service Providers appeared first on NAB Show News | 2020 NAB Show Media Partner and Producer of NAB Show LIVE. Broadcast Engineering News.
If you’re in the broadcast industry, then you know the challenges of crafting a production well beyond just the standards of top of the line content creation. Creativity within the broadcast industry involves more than just a superb amount of quality content when its the end result of the presentation that counts most. Any ...
The post The Draco vario ultra HDMI 2.0 Generates High-Quality Video Distribution appeared first on NAB Show News | 2020 NAB Show Media Partner and Producer of NAB Show LIVE. Broadcast Engineering News.
Tokyo, Japan - Panasonic Center Tokyo (3-5-1 Ariake, Koto-ku, Tokyo, Japan. Referred to as "PC Tokyo"), the corporate global communications hub for Panasonic, has been conducting various communication activities as a corporate pavilion through exhibitions and offline eve...
EXO/ENDO from six years ago. Still one of our favorite projects ever and some of the best music we’ve been able to work with from the amazing @andrelizyoung. Haunting, dark, and brooding just like we like it. We got to encase the entire ensemble in pods of scrim and projection while we went down a tunnel, through the trees, into the fire, and through the ash fall. Exothermic and endothermic reactions of sound and light. #productiondesign #projectiondesign #projection #videodesign #destruction #layers #noise #experimental #doom #metal #music #live #liveperformance #calarts #openframeworks #millumin
Dejero will provide critical transmission and worldwide IP video distribution of NASA and SpaceX launch from Kennedy Space Center Waterloo, Ontario, May 20, 2020 — Dejero, an innovator in cloud-managed solutions that provide Emmy® award winning video transport and Internet connectivity while mobile or in remote locations, has joined a consortium of technology ...
The post Dejero to Deliver Historic Footage of Return to Human Space flight from American Soil appeared first on NAB Show News | 2020 NAB Show Media Partner and Producer of NAB Show LIVE. Broadcast Engineering News.
Copyright University of Warsaw 20 May 2020, Warsaw, Poland – IABM-member PBT EU is pleased to confirm that the Department of Interpreting Studies and Audio-visual Translation (ISAT), as part of the University of Warsaw’s Institute of Applied Linguistics – selected SubtitleNEXT for their subtitling courses. The Institute of Applied Linguists at the University of ...
The post SubtitleNEXT chosen by University of Warsaw for live subtitling courses – appeared first on NAB Show News | 2020 NAB Show Media Partner and Producer of NAB Show LIVE. Broadcast Engineering News.
Hi guys! Thank you for your questions and your interest in my work. Let’s get started! Here my main influences:
In the 80s: whilst growing up in France, I was very inspired by the vast amount of Japanese anime on TV, especially the Cobra series (funny that it was just on kids TV back then in France, where it would be rated 12 or 15 here in UK now) and films like Videodrome, Nightmare on Elm Street, Evil Dead 2, 2001, The Thing, Altered States, Blazing Saddles, Monty Python films and such like.
I was massively into MTV’s Aeon Flux series and non verbal films like Baraka, Koyananskatsti, Atlantis and such like. The Day Today / Brass eye have been quite important as well in terms of absurdity and “OTT-ness”, especially the Brass eye Infographics. Then in late 90’s & early 00s once I moved to London I was massively into Ryoji Ikeda / Dumb Type / Semi-conductor Films / Ukawa.
In terms of key experiences, I’d say it was seeing Daft Punk live multiple times in the mid 90’s & their Audiovisual show in the 1997 tour. That was definitely the main experiences that pushed me to do what I do in the audiovisual world.
It was like a “smack in the face”. So bold, minimal and sync-ed to the music, it totally blew me away. I remember thinking back then, I wanted to blow people away in the same way someday.
Good question, that I’m not sure how to answer as I don’t really think about it in that way. I’d say I very much differentiate my live & studio work. To me, my live visuals are technically made in similar ways to how my friends make music.
I position myself in the same category as lighting/laser designers, in a sense that I’m there merely complementing/enhancing the audio experience. As in my studio work I very much try to recreate the kinda vibe of an anime intro or 80s music video, which in my opinion were far more entertaining. For me, it’s all about visual impact and entertaining the audience.
This is a tricky question for me, as I find it hard to categorize anything I see on my computer screen or at a party as art. For me it’s more like graphics or entertainment. Call me old fashioned but for it to be Art is has to be in an art context (whatever that is), and as my work isn’t in galleries or such like (yet) i don’t really consider myself as an artist.
Actually I find the words art/artists are used way too sparingly in this day and age, so I’m not really sure as to where I fit in all this. I’d rather not think about it and just carry on doing my thing & let other people define me as they see fit…
I’m very much into specific/custom made/location-based designs. My ideas tend to be finding a way to best fit the “where” and “what”. My concepts are very driven by discussions (or lack of) with the artist/clients, which is why my work tends to vary in style (or quality, if the client/artist has too little input or dictates too much)
Firstly I figure the possibilities and limitations and work within those boundaries, then I discuss with artist/client to figure a rough direction to aim for, it then it generally snowballs from there.
I generally try to deliver what the artist/client & target audience wants, but not necessarily what they expect, so I tend to avoid the obvious options.
I don’t think I approach a project that differently depending on what genre of music it is. I just try and do whatever feels right for that category of music, BUT the workflow is vastly different depending of the type of artists they are.
Some artist are way more approachable than others regardless their music genres and when I can bounce ideas back and forth with them that is when I can go deep into what they truly want and get the best results. I can’t say the same when there’s a sea of management/label/producers between me and the artist.
It’s fair to the results are far more fruitful when I work with artists who don’t take themselves too seriously as I’m not a yes-man nor my specialty is making people like prim & proper.
Here are the TOP 5 most engaged posts for Apr 2020.
Caption: TJC presenters broadcast live from the desert in Arizona using Dejero‘s Smart Blending Technology @ Photo by Richard Coxhill© British shopping channel uses Dejero to bring business continuity plan to life during pandemic after pioneering flexible remote broadcasting in the teleshopping space Waterloo, Ontario, May 13, 2020 — Dejero, an innovator in ...
The post Dejero Supports COVID-19 Business Continuity Strategy at The Jewellery Channel appeared first on NAB Show News | 2020 NAB Show Media Partner and Producer of NAB Show LIVE. Broadcast Engineering News.
Hellenic American College in Athens relies on SubtitleNEXT for remote online study May 2020, Athens, Greece – When it was announced that colleges and universities would have to close due to the Covid-19 pandemic, Hellenic American College in Athens was in an immediate position to be able to transfer onsite courses to synchronous online ...
The post SubtitleNEXT allows remote online study at Hellenic American College in Athens – appeared first on NAB Show News | 2020 NAB Show Media Partner and Producer of NAB Show LIVE. Broadcast Engineering News.
London based WEIRDCORE is half English, half French and results in a director and collaborator who is one hundred percent out there.
Weirdcore’s work is the result of years of experimental design and animation work that pushes the boundaries of consciousness and visual interpretation.
Adopting a method used more often by artists and music producers rather than by visual directors, Weirdcore helps both advise and visualise others initial ideas, facilitating their progress through until the finished form, whilst also creating his own stunning individual projects.
With a unique blend of formats, colors, designs and mediums, the audiovisual artist has collaborated with some of the most exciting modern artists and directors such as Aphex Twin, M.I.A, Tame Impala, Radiohead, Nabil, Hype Williams, Charlie XCX, Smerz, Onetrix Point Never, Sophie Muller, Diane Martel and Miley Cyrus.
Weirdcore performed live in the most important festivals worldwide such as Glastonbury, Sonar, Fuji Rock, Coachella, Club2Club, Future Music, Field Day, Mira, Unsound, Melt, Lowland, Dour and more.
Weirdcore has also lent his emotive expertise to larger collectives, organisations and labels such as Warp, XL, Sony, Ninja Tunes and Domino, whilst keeping a dynamic and fluid focus across a range of other diverse industry’s such as Fashion, Theatre and Opera.
Victoria Grenier dévoile Modern Man, son court de fin d’études à l’Atelier de Sèvres. Un projet qui mêle humour et message politique :
Frida est une femme au foyer sexagénaire. Sa colère monte lorsqu’elle observe son mari se faire endoctriner par un clip de rap sexiste. Elle explose et tente alors de lui montrer une autre vision de la femme.
DejaSoft assists with remote editing collaboration by offering 50% off the price to help industry professionals – DejaSoft further assists with the impact of the COVID-19 outbreak, by extending its 50% discount on all DejaEdit licenses until the end of July. The offer was introduced in March and was due to expire at the ...
SMPTE ST 2110 implementation boosts operational efficiency, reduces points of failure DALLAS, 27 April 2020 – 12th Man Productions, the sports broadcast and post facility for Texas A&M University, has moved to IP connectivity to provide a common production platform for all its sports venues. A cornerstone of the new installation is the Selenio™ ...
The post Texas A&M Goes IP with Imagine Communications for Integrated Sports Production appeared first on NAB Show News | 2020 NAB Show Media Partner and Producer of NAB Show LIVE. Broadcast Engineering News.
The beauty behind creativity lies within the freedom it gives any creative. For many professionals working in the broadcast industry, this is a relatable sensation. Because they are presenting their own personalized brand, there is a sense of freedom in their ability to explore and further experiment with the many possibilities their brand can ...
Advanced 8K monitoring solution that lets you use the new Apple Pro Display XDR as a color critical reference monitor on set and in post production! Fremont, CA, USA – Thursday, April 23, 2020 – Blackmagic Design today announced Teranex Mini SDI to DisplayPort 8K HDR, an advanced 8K DisplayPort monitoring solution for DisplayPort monitors such ...
The post Blackmagic Design Announces Teranex Mini SDI to DisplayPort 8K HDR now Shipping appeared first on NAB Show News | 2020 NAB Show Media Partner and Producer of NAB Show LIVE. Broadcast Engineering News.
DEADLINE: 24 APRIL 2020
EVENT: 01 – 03 MAY 2020
INTRO is an online event. During three days, we will get to know projects that have been developed in response to the situation that is currently ongoing. Three days of talks, concerts and an online exhibition to enjoy in a relaxed mood. The event is organized by Booleans and Matics.
The event is looking for artists, creators, and programmers who are developing creative proposals during the COVID-19 lock-down and who would like to share during INTRO’s Online Exhibition. The participation is free. Projects will be shared via link.
The deadline to submit your proposals is April 24 at 24h CEST to firstname.lastname@example.org with the following info: Full name, Bio, Summary of the project and link of the project.
Conscious of the cultural economic situation, they will use the PayPal platform so the assistants will be able to make donations online and it will be distributed among the artists and speakers of the event.
It is interesting to see different projects that will come out of the current quarantine situation. At audiovisualcity we are looking forward to see more events of this kind!
As a global leader, Net Insight’s mission is to deliver an improved media experience. The same focus goes for every professional working in the broadcasting industry. Every piece of high-quality visual content a creator makes is part of an effort of delivering an improved media experience to their target audience. And with Net Insight’s ...
The post Net Insight’s Nimbra 1060 Can Help Broadcasters Deliver Top Notch Live Media Events appeared first on NAB Show News | 2020 NAB Show Media Partner and Producer of NAB Show LIVE. Broadcast Engineering News.
Panasonic Corporation has announced a virtual panel session titled "Robotics for Well-Being," which has been streamed live on zoom webinar on April 9 at 10am Japan Standard Time. The session had been originally planned to take place at SXSW 2020 in Austin TX, but the entire event has been cancelled...
It’s amazing how video games have been incorporated into our modern culture so much so that they have adopted a wider form of entertainment for gamers. In the beginning, being a gamer was more of a personal and private form of entertainment. Now, with the rise of streaming platforms like Twitch Tv, anybody can ...
The post Draco ultra DP Now Supports Higher Fresh Rates For Professional Gamers appeared first on NAB Show News | 2020 NAB Show Media Partner and Producer of NAB Show LIVE. Broadcast Engineering News.
[VIDEOMAPPING] PRIVACIDAD (México 2017) Timelapse de la obra de teatro completa con @diegoluna_
y @luisgerardom .
》》•SUSCRIBETE EN YOUTUBE PARA VER ESTE Y MAS VIDEOS COMPLETOS• •LINK EN BIO•《《
#GM #gm_videolab #privacidad #privacy #teatro #theatre #theatreworks #theatrelife #theatrephotography #interactivetheatre #videoprojection #projectionmapping #millumin #videomapping #video #timelapse #visualartist #gopro #goprohero4 #goprotimelapse #gopromx #mexico #cdmx (at Teatro de los Insurgentes)
Every piece of content a creative makes, is essential to their brand. The great thing about the relationship between the broadcast industry and content is the level of expansion that has taken fold, and a lot of this enhancement can be attributed to the many media platforms, such as the ones from Dalet Digital ...
A l’automne 2019, nous vous avions proposé une interview de Solène Chan-Lam, Lead Texture Artist chez Weta Digital.
Elle nous présente aujourd’hui sa nouvelle bande démo avec de multiples projets sur lesquels elle était texture lead ou texture artist : Le Roi Lion, Jumanji, Alien Covenant, Avengers Endgame et bien d’autres.
L’article Du Roi Lion à Marvel : nouvelle bande démo texturing pour Solène Chan-Lam est apparu en premier sur 3DVF.
Here are the TOP 5 most engaged posts for Mar 2020.
Tim Exile, longtime producer, performer, synth designer, and all-around musical aficionado, has finally released his much-awaited Endlesss app. And honestly, he couldn’t have timed it any better (though we’re sure he’s probably thinking the same thing). Endlesss is a new program that allows you to make music in real time with friends around the globe, […]
The post Meet Endlesss, the iOS app for collaborative music making appeared first on DJ TechTools.